F-Pnm Latin 15139 (St Victor)

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

theory treatise with a section of polyphony: mid-13th century

Archive	Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark	Latin 15139 (St Victor)
Image Availability	The images on this record are linked using IIIF.
Surface	Parchment
Numbering System	None
Measurements	180 x 102 mm
Other Identifiers	RISM: StV olim (Former shelfmark): F-Pn fonds latin 15139
Notations	English Notre Dame
Relationships	Abbey of St Victor (owner) Pont, Jhehan du (owner) Bauchant, Jacques (owner)
External Links	'Galllica' images IIIF Manifest
Provenance	France
Contents	68 pieces from 1 composers

General Description

A miscellany, which consists or consisted of works by Cicero and Hugo of St. Victor, a commentary on the Pater Noster, etc. The origin of StV is uncertain, though it belonged to Jacques Bauchant in the late 14th century and later to Jhehan du Pont. The St. Victor library number kkk22 appears on f. 2v. The music fascicles are f. 255-293, which are 6 gatherings arranged as follows: 1. f. 255-260 (2 monodies, 2 two-part motets and 1 three-part conductus); 2. f. 261-268 (5 two-part conductus and 2 monodies); 3. f. 269-277 (5 two-part conductus); 4. f. 278-281 (5 three-part works); 5. f. 282-287 (10 unique two-part organa); 6. f. 288-293 (2 three-part clausulae and 38 two-part ones, generally known elsewhere in motet form).

DIAMM, 2017

Binding

dark brown leather over wooden boards

DIAMM, 2017

Notation

Notre Dame using English form of the conjunctura and a double length note with strokes protruding above and below the body of the note. no. 3 is in a notation which differentiates between longs and breves and is reminiscent of Paris, Bibliothèque Nationale, fonds latin 11266

DIAMM, 2017

Ruling

12 red five-line staves per page

DIAMM, 2017

Decoration

minuscule script, which varies from quite large lettering at the beginning to microscopically fine writing at the end. Initials are usually red, for the music red-blue or vice versa.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 1: A mid-13th century parchment manuscript meas. 180 x 102 mm. for the music gatherings but not throughout. Originally the codex contained 305 folios, but f. 1-175 are lost, though the two old indices are now foliated 1-2 (f. 1 is probably 14th century, f. 2 late 16th). In addition, there are 3 blank, unnumbered paper flyleaves at both front and back. The binding is of dark brown leather over wooden boards. The codex is a miscellany, which consists or consisted of works by Cicero and Hugo of St. Victor, a commentary on the Pater Noster, etc. It is not clear where StV originated, though it belonged to Jacques Bauchant in the late 14th century and later to Jhehan du Pont. The St. Victor library number kkk22 appears here on f. 2v. The script throughout is a minuscule, which however varies from quite large lettering at the beginning to microscopically fine writing at the end. Initials are usually red, for the music red-blue or vice versa. There are 12 red five-line staves per page and the notation is of Notre Dame type, although this is rather a late source for such relatively unmeasured semeiography. The use of the English form of the conjunctura and a double length note with strokes protruding above and below the body of the note suggests English influence. The motet no. 3 is in a notation which differentiates between longs and breves and is reminiscent of Paris, Bibliothèque Nationale, fonds latin 11266. The music fascicles are f. 255-293, namely 6 gatherings arranged as follows: 1. f. 255-260 (2 monodies, 2 two-part motets and 1 three-part conductus); 2. f. 261-268 (5 two-part conductus and 2 monodies); 3. f. 269-277 (5 two-part conductus); 4. f. 278-281 (5 three-part works); 5. f. 282-287 (10 unique two-part organa); 6. f. 288-293 (2 three-part clausulae and 38 two-part ones, generally known elsewhere in motet form). Both the French and the Latin musical treatises written in the margins of f. 269-275 were published in CoussH, 259 ff.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
258–8v	Agmina militiae caelestis omnia / Agmina	-	Anonymous
Agmina militiae caelestis omnia / Agmina Anonymous Appears on: 258–8v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agmina militie celestis omnia Voice: Tenor Languages: Latin Clef: c5 Voice Text: Agmina Layout score parts
259–60	Ave, Maria gratia plena	-	Anonymous
Ave, Maria gratia plena Anonymous Appears on: 259–60 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, Maria gratia plena Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave, Maria gratia plena Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ave, Maria gratia plena Layout score
260–v	Vivere vere si tu cupias / In odorem	-	Anonymous
Vivere vere si tu cupias / In odorem Anonymous Appears on: 260–v Genres: Motet Voice: Tenor Languages: Latin Clef: no clef Voice Text: In odorem Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Vivere vere si tu cupias General Note music om. for last 8 staves of Mot and all T Layout score
261–62	Gaude, felix Francia, speciali gaudio	-	Anonymous
Gaude, felix Francia, speciali gaudio Anonymous Appears on: 261–62 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Gaude, felix Francia, speciali gaudio Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Gaude, felix Francia, speciali gaudio Layout score
262–3v	Scysma mendacis Grecie vexilla	-	Anonymous
Scysma mendacis Grecie vexilla Anonymous Appears on: 262–3v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Scysma mendacis Grecie vexilla Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Scysma mendacis Grecie vexilla Layout score
263v–266	Quasi stella matutina que producit	-	Anonymous
Quasi stella matutina que producit Anonymous Appears on: 263v–266 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quasi stella matutina que producit Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Quasi stella matutina que producit Layout score
266–6v	O totus Asie gloria regis	-	Anonymous
O totus Asie gloria regis Anonymous Appears on: 266–6v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O totus Asie gloria regis Voice: [no designation] Languages: Latin Clef: c5 Voice Text: O totus Asie gloria regis Layout score
266v–267	Maria, stella maris, tu inexperta	-	Anonymous
Maria, stella maris, tu inexperta Anonymous Appears on: 266v–267 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Maria, stella maris, tu inexperta Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Maria, stella maris, tu inexperta Layout score
269–v	Transfretasse legitur in duabus	-	Anonymous
Transfretasse legitur in duabus Anonymous Appears on: 269–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Transf[r]etasse legitur in duabus Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Transf[r]etasse legitur in duabus Layout score
270v–271v	Cum sint difficilia Salomoni tria	-	Anonymous
Cum sint difficilia Salomoni tria Anonymous Appears on: 270v–271v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Cum sint difficilia Salomoni tria Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Cum sint difficilia Salomoni tria Layout score
271v–274	Assistricem sedium Dei sapientiam	-	Anonymous
Assistricem sedium Dei sapientiam Anonymous Appears on: 271v–274 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Assistricem sedium dei sapientiam Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Assistricem sedium dei sapientiam Layout score
274–275v	Jerusalem accipitur apud nos	-	Anonymous
Jerusalem accipitur apud nos Anonymous Appears on: 274–275v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Iherusalem accipitur apud nos Voice: [no designation] Languages: none Clef: c3 Layout score
275v–277	Queris quid me moveat	-	Anonymous
Queris quid me moveat Anonymous Appears on: 275v–277 Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Queris quid me moveat Layout score
278–279	Quis imponet terminum laudibus	-	Anonymous
Quis imponet terminum laudibus Anonymous Appears on: 278–279 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Quis imponet terminum laudibus Voice: [no designation] Languages: none Clef: c4 Layout score
279–280v	Marie qui gratiam et gloriam	-	Anonymous
Marie qui gratiam et gloriam Anonymous Appears on: 279–280v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Marie qui gratiam et gloriam Layout score
280v–281	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 280v–281 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Benedicamus domino Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c2 Layout score
281–281v	Custodi nos, Domine sub alarum	-	Anonymous
Custodi nos, Domine sub alarum Anonymous Appears on: 281–281v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Custodi nos, domine sub alarum Layout score
281v	Alleluia. Ecce jam	-	Anonymous
Alleluia. Ecce jam Anonymous Appears on: 281v Genres: Alleluia, Proper Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Alleluya. V. Ecce iam Voice: [no designation] Languages: none Clef: c4 Layout score
282	Sederunt. V. Adjuva me, domine. Sederunt	-	Anonymous
Sederunt. V. Adjuva me, domine. Sederunt Anonymous Appears on: 282 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Sederunt. V. Adiuva me, domine. Sederunt Layout score
282–282v	Alleluia. Video caelos apertos	-	Anonymous
Alleluia. Video caelos apertos Anonymous Appears on: 282–282v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Alleluya. V. Video celos apertos et Ihesum Voice: [no designation] Languages: none Clef: c4 Layout score
282v	Alleluia. Ecce jam	-	Anonymous
Alleluia. Ecce jam Anonymous Appears on: 282v Genres: Alleluia, Proper Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Alleluya. V. Ecce iam Layout score
282v–283v	Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri	-	Anonymous
Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri Anonymous Appears on: 282v–283v Genres: Doxology, Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri Voice: [no designation] Languages: none Clef: c3 Layout score
283v–284	Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri	-	Anonymous
Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri Anonymous Appears on: 283v–284 Genres: Doxology, Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri Layout score
284–284v	Qui operatus est. V. Gratia Dei in me. Qui operatus est.	-	Anonymous
Qui operatus est. V. Gratia Dei in me. Qui operatus est. Anonymous Appears on: 284–284v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Qui operatus est. V. Gratia dei in me. Qui operatus est. Voice: [no designation] Languages: none Clef: c3 Layout score
284v–285	Alleluia. Magnus Sanctus Paulus	-	Anonymous
Alleluia. Magnus Sanctus Paulus Anonymous Appears on: 284v–285 Genres: Alleluia, Proper Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Alleluya. V. Magnus sanctus Paulus. Alleluya. Layout score
285–285v	Bonum. V. Scio cui credidi. Glora patri	-	Anonymous
Bonum. V. Scio cui credidi. Glora patri Anonymous Appears on: 285–285v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Bonum. V. Scio cui credidi. Glora patri Voice: [no designation] Languages: none Clef: c3 Layout score
286–286v	Alleluia. Ne partatur Christo	-	Anonymous
Alleluia. Ne partatur Christo Anonymous Appears on: 286–286v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Alleluya. V. Ne partatur Christo Voice: [no designation] Languages: none Clef: c3 Layout score
286v–287	Alleluia. Corpus beatae virginis	-	Anonymous
Alleluia. Corpus beatae virginis Anonymous Appears on: 286v–287 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluya. V. Corpus beate virginis Voice: [no designation] Languages: none Clef: c3 General Note incomplete Layout score
288	Et vide et inclina aurem tuam	-	Anonymous
Et vide et inclina aurem tuam Anonymous Appears on: 288 Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et vide et inclina aurem tuam General Note in margin: text incipit "Dieus, je n'i puis la na nuit dormir" of corresponding motet = lower 3 voices of Mo 21 Layout score
288	Manere	-	Anonymous
Manere Anonymous Appears on: 288 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Manere Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c2 General Note in margin: text incipit "De la vile issoit pensant-- A la vile une ville a qui mari" of corresponding motet-- Mo 52 Layout score
288	Manere	-	Anonymous
Manere Anonymous Appears on: 288 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Manere General Note corresponding motet-- Mü A A24, but text incipit not given here Layout score
288	Domino	-	Anonymous
Domino Anonymous Appears on: 288 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domino General Note in margin: text incipit of corresponding motet, almost illegible Layout score
288–288v	In saeculum	-	Anonymous
In saeculum Anonymous Appears on: 288–288v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In seculum. In seculum. Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "Trop m'a Amours asailli" of corresponding motet = Mo 204 Layout score
288v	Immolatus. Immolatus. Immola	-	Anonymous
Immolatus. Immolatus. Immola Anonymous Appears on: 288v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Immolatus. Immolatus. Immola Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "Que demanés vous quant vos" of corresponding motet = W2 289 Layout score
288v	Et tenue	-	Anonymous
Et tenue Anonymous Appears on: 288v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Et tenue General Note in margin: text incipit "Ne sai ou confort prendrai" of corresponding motet = N 50 Layout score
288v	Ille vos docebiet. doce.	-	Anonymous
Ille vos docebiet. doce. Anonymous Appears on: 288v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Ille vos doceb[i](e]t. doce. General Note in margin: text incipit "Je m'estoie mis en voie" of corresponding motet = Mo 226 Layout score
288v–289	Cebit. Doce	-	Anonymous
Cebit. Doce Anonymous Appears on: 288v–289 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Cebit. Doce General Note in margin: text incipit "Pour coi m'avés vos doné mari" of corresponding motet = Mo 227 Layout score
289	Doce	-	Anonymous
Doce Anonymous Appears on: 289 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Doce General Note in margin: text incipit: "Lies est [cil ki el païs va]" of corresponding motet = N 65 Layout score
289	Docebit	-	Anonymous
Docebit Anonymous Appears on: 289 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Docebit General Note in margin: text incipit "Encontre le nouvel tans d'esté" of corresponding motet = MüA B7 Layout score
289	Amoris	-	Anonymous
Amoris Anonymous Appears on: 289 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Amoris Voice: [no designation] Languages: none Clef: c2 General Note in margin: text incipit "Amours m'a aseguré d'un gent secours" of corresponding motet = N 41 Layout score
289	Perlustravit	-	Anonymous
Perlustravit Anonymous Appears on: 289 Genres: Motet Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Perlustravit Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "Alés quointement que je voil" of corresponding motet = N 53 Layout score
289v	Et gaudebit. Et gaudebit. Et gaude	-	Anonymous
Et gaudebit. Et gaudebit. Et gaude Anonymous Appears on: 289v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et gaudebit. Et gaudebit. Et gaude General Note in margin: text incipit "Je me cuidai bien tenir" of corresponding motet = lower two voices of Mo 107 Layout score
289v–290	Et gaudebit. Et gaudebit	-	Anonymous
Et gaudebit. Et gaudebit Anonymous Appears on: 289v–290 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et gaudebit. Et gaudebit General Note in margin: text incipit "Al cor ai une aligrance" of corresponding motet = lower two voices of F 875 Layout score
290	Et gaudebit	-	Anonymous
Et gaudebit Anonymous Appears on: 290 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et gaude[bit] Voice: [no designation] Languages: none Clef: c3 Layout score
290	Fiat	-	Anonymous
Fiat Anonymous Appears on: 290 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Fiat General Note in margin: text incipit "J'ai trové ki m'amera" of corresponding motet = lower two voices of Mo 303 Layout score
290	Fiat	-	Anonymous
Fiat Anonymous Appears on: 290 Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Fiat Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "Merchis, de cui j'atendoie secours" of corresponding motet = Mo 180 Layout score
290v	Fiat	-	Anonymous
Fiat Anonymous Appears on: 290v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Fiat General Note in margin: text incipit "En espoir d'avoir merci qu'a meschief atent" = W2 266 Layout score
290v	Fiat	-	Anonymous
Fiat Anonymous Appears on: 290v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Fiat General Note in margin: text incipit "Chiés soutis" of corresponding motet, otherwise unknown Layout score
290v	Johanne	-	Anonymous
Johanne Anonymous Appears on: 290v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Iohanne General Note in margin: text incipit "Mainte dame est desperée" of corresponding motet = N 58 Layout score
290v	Johanne	-	Anonymous
Johanne Anonymous Appears on: 290v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Iohan[ne] General Note in margin: text incipit "Pour noient me reprent on" of corresponding motet = W2 283 Layout score
290v	Pro patribus	-	Anonymous
Pro patribus Anonymous Appears on: 290v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Pro patribus Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "Ja n'amerai autrui de vos" of corresponding motet = N 56 Layout score
290v–291	Et in fines	-	Anonymous
Et in fines Anonymous Appears on: 290v–291 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et in fines General Note in margin: text incipit "D'amours sont en grant esmai" of corresponding motet = lower two voices of Mo 88 Layout score
291	Et in fines	-	Anonymous
Et in fines Anonymous Appears on: 291 Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in fines General Note corresponding motet = Mot and T of Mo 115, but text incipit not given here Layout score
291	Propter veritatem	-	Anonymous
Propter veritatem Anonymous Appears on: 291 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Propter veritatem Voice: [no designation] Languages: none Clef: c3 General Note corresponding motet = N 74, but text not given here Layout score
291	Flos filius eius	-	Anonymous
Flos filius eius Anonymous Appears on: 291 Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Flos filius eius Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "On dit que j'ai amé" of corresponding motet = W2 278 Layout score
291	Eius	-	Anonymous
Eius Anonymous Appears on: 291 Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Eius. Eius Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "[H]é bergier" of corresponding motet = lower two voices of Mo 14 Layout score
291–291v	Eius. Eius	-	Anonymous
Eius. Eius Anonymous Appears on: 291–291v Genres: Motet Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: E-, eius. Eius General Note in margin: text incipit "Quant de ma dame part" of corresponding motet = N 83 Layout score
291v	Go	-	Anonymous
Go Anonymous Appears on: 291v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Go Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "Je les ai tant quises" of corresponding motet = N 82 Layout score
291v	Go	-	Anonymous
Go Anonymous Appears on: 291v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Go Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "En tel lieu s'est entremis" of corresponding motet = lower two voices of Mo 91 Layout score
291v	Go	-	Anonymous
Go Anonymous Appears on: 291v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Go General Note in margin: text incipit "En quel lieu que mes cuers soit" of corresponding motet Layout score
291v–292	Reg	-	Anonymous
Reg Anonymous Appears on: 291v–292 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Reg Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "Lonc le rieu de la fontaine" of corresponding motet = N 69 Layout score
292	Reg	-	Anonymous
Reg Anonymous Appears on: 292 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Reg General Note corresponding motet = N 48, but text incipit not given here Layout score
292	Portare	-	Anonymous
Portare Anonymous Appears on: 292 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Portare Voice: [no designation] Languages: none Clef: c2 General Note in margin: text incipit "Dame douce sans pitié" of corresponding motet = Mo 176 Layout score
292	Et spera	-	Anonymous
Et spera Anonymous Appears on: 292 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et spera Voice: [no designation] Languages: none Clef: c3 General Note in margin: text incipit "Que pour moy reconforter" of corresponding motet = Mo73 Layout score
292–292v	In virtute tua	-	Anonymous
In virtute tua Anonymous Appears on: 292–292v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In v[i]rtute General Note in margin: text incpit "In virtutibus (?)" of corresponding motet, otherwise unknown Layout score
292v	Et exaltavi	-	Anonymous
Et exaltavi Anonymous Appears on: 292v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exaltavi Voice: [no designation] Languages: none Clef: c2 General Note in margin: text incipit "Bele sans orguel" of corresponding motet = Mo 84 Layout score
292v	Et florebit	-	Anonymous
Et florebit Anonymous Appears on: 292v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et florebit Voice: [no designation] Languages: none Clef: c4 General Note in margin: text incipit "Grant tans a que j'ai merci" of corresponding motet, otherwise unknown Layout score
292v–293	Agmina	-	Anonymous
Agmina Anonymous Appears on: 292v–293 Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Agmina General Note music erased on f. 293; in margin: text incipit "L'auter'ier cuidai avoir" of corresponding motet = F 836 musically Layout score

Composer	Compositions
Anonymous	Agmina – 292v–293 Agmina militiae caelestis omnia / Agmina – 258–8v Alleluia. Corpus beatae virginis – 286v–287 Alleluia. Ecce jam – 282v Alleluia. Ecce jam – 281v Alleluia. Magnus Sanctus Paulus – 284v–285 Alleluia. Ne partatur Christo – 286–286v Alleluia. Video caelos apertos – 282–282v Amoris – 289 Assistricem sedium Dei sapientiam – 271v–274 Ave, Maria gratia plena – 259–60 Benedicamus Domino – 280v–281 Bonum. V. Scio cui credidi. Glora patri – 285–285v Cebit. Doce – 288v–289 Cum sint difficilia Salomoni tria – 270v–271v Custodi nos, Domine sub alarum – 281–281v Doce – 289 Docebit – 289 Domino – 288 Eius – 291 Eius. Eius – 291–291v Et exaltavi – 292v Et florebit – 292v Et gaudebit – 290 Et gaudebit. Et gaudebit – 289v–290 Et gaudebit. Et gaudebit. Et gaude – 289v Et in fines – 290v–291 Et in fines – 291 Et spera – 292 Et tenue – 288v Et vide et inclina aurem tuam – 288 Fiat – 290 Fiat – 290v Fiat – 290v Fiat – 290 Flos filius eius – 291 Gaude, felix Francia, speciali gaudio – 261–62 Go – 291v Go – 291v Go – 291v Ille vos docebiet. doce. – 288v Immolatus. Immolatus. Immola – 288v In saeculum – 288–288v In virtute tua – 292–292v Jerusalem accipitur apud nos – 274–275v Johanne – 290v Johanne – 290v Manere – 288 Manere – 288 Maria, stella maris, tu inexperta – 266v–267 Marie qui gratiam et gloriam – 279–280v Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri – 283v–284 O totus Asie gloria regis – 266–6v Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri – 282v–283v Perlustravit – 289 Portare – 292 Pro patribus – 290v Propter veritatem – 291 Quasi stella matutina que producit – 263v–266 Queris quid me moveat – 275v–277 Qui operatus est. V. Gratia Dei in me. Qui operatus est. – 284–284v Quis imponet terminum laudibus – 278–279 Reg – 291v–292 Reg – 292 Scysma mendacis Grecie vexilla – 262–3v Sederunt. V. Adjuva me, domine. Sederunt – 282 Transfretasse legitur in duabus – 269–v Vivere vere si tu cupias / In odorem – 260–v

Composer

Compositions

Anonymous

Agmina – 292v–293
Agmina militiae caelestis omnia / Agmina – 258–8v
Alleluia. Corpus beatae virginis – 286v–287
Alleluia. Ecce jam – 282v
Alleluia. Ecce jam – 281v
Alleluia. Magnus Sanctus Paulus – 284v–285
Alleluia. Ne partatur Christo – 286–286v
Alleluia. Video caelos apertos – 282–282v
Amoris – 289
Assistricem sedium Dei sapientiam – 271v–274
Ave, Maria gratia plena – 259–60
Benedicamus Domino – 280v–281
Bonum. V. Scio cui credidi. Glora patri – 285–285v
Cebit. Doce – 288v–289
Cum sint difficilia Salomoni tria – 270v–271v
Custodi nos, Domine sub alarum – 281–281v
Doce – 289
Docebit – 289
Domino – 288
Eius – 291
Eius. Eius – 291–291v
Et exaltavi – 292v
Et florebit – 292v
Et gaudebit – 290
Et gaudebit. Et gaudebit – 289v–290
Et gaudebit. Et gaudebit. Et gaude – 289v
Et in fines – 290v–291
Et in fines – 291
Et spera – 292
Et tenue – 288v
Et vide et inclina aurem tuam – 288
Fiat – 290
Fiat – 290v
Fiat – 290v
Fiat – 290
Flos filius eius – 291
Gaude, felix Francia, speciali gaudio – 261–62
Go – 291v
Go – 291v
Go – 291v
Ille vos docebiet. doce. – 288v
Immolatus. Immolatus. Immola – 288v
In saeculum – 288–288v
In virtute tua – 292–292v
Jerusalem accipitur apud nos – 274–275v
Johanne – 290v
Johanne – 290v
Manere – 288
Manere – 288
Maria, stella maris, tu inexperta – 266v–267
Marie qui gratiam et gloriam – 279–280v
Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri – 283v–284
O totus Asie gloria regis – 266–6v
Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri – 282v–283v
Perlustravit – 289
Portare – 292
Pro patribus – 290v
Propter veritatem – 291
Quasi stella matutina que producit – 263v–266
Queris quid me moveat – 275v–277
Qui operatus est. V. Gratia Dei in me. Qui operatus est. – 284–284v
Quis imponet terminum laudibus – 278–279
Reg – 291v–292
Reg – 292
Scysma mendacis Grecie vexilla – 262–3v
Sederunt. V. Adjuva me, domine. Sederunt – 282
Transfretasse legitur in duabus – 269–v
Vivere vere si tu cupias / In odorem – 260–v

Composition	Composers (? Uncertain)	Folios / Pages
Agmina	Anonymous	292v–293
Agmina militiae caelestis omnia / Agmina	Anonymous	258–8v
Alleluia. Corpus beatae virginis	Anonymous	286v–287
Alleluia. Ecce jam	Anonymous	281v
Alleluia. Ecce jam	Anonymous	282v
Alleluia. Magnus Sanctus Paulus	Anonymous	284v–285
Alleluia. Ne partatur Christo	Anonymous	286–286v
Alleluia. Video caelos apertos	Anonymous	282–282v
Amoris	Anonymous	289
Assistricem sedium Dei sapientiam	Anonymous	271v–274
Ave, Maria gratia plena	Anonymous	259–60
Benedicamus Domino	Anonymous	280v–281
Bonum. V. Scio cui credidi. Glora patri	Anonymous	285–285v
Cebit. Doce	Anonymous	288v–289
Cum sint difficilia Salomoni tria	Anonymous	270v–271v
Custodi nos, Domine sub alarum	Anonymous	281–281v
Doce	Anonymous	289
Docebit	Anonymous	289
Domino	Anonymous	288
Eius	Anonymous	291
Eius. Eius	Anonymous	291–291v
Et exaltavi	Anonymous	292v
Et florebit	Anonymous	292v
Et gaudebit	Anonymous	290
Et gaudebit. Et gaudebit	Anonymous	289v–290
Et gaudebit. Et gaudebit. Et gaude	Anonymous	289v
Et in fines	Anonymous	290v–291
Et in fines	Anonymous	291
Et spera	Anonymous	292
Et tenue	Anonymous	288v
Et vide et inclina aurem tuam	Anonymous	288
Fiat	Anonymous	290
Fiat	Anonymous	290
Fiat	Anonymous	290v
Fiat	Anonymous	290v
Flos filius eius	Anonymous	291
Gaude, felix Francia, speciali gaudio	Anonymous	261–62
Go	Anonymous	291v
Go	Anonymous	291v
Go	Anonymous	291v
Ille vos docebiet. doce.	Anonymous	288v
Immolatus. Immolatus. Immola	Anonymous	288v
In saeculum	Anonymous	288–288v
In virtute tua	Anonymous	292–292v
Jerusalem accipitur apud nos	Anonymous	274–275v
Johanne	Anonymous	290v
Johanne	Anonymous	290v
Manere	Anonymous	288
Manere	Anonymous	288
Maria, stella maris, tu inexperta	Anonymous	266v–267
Marie qui gratiam et gloriam	Anonymous	279–280v
Ne magnitudo. V. Nam virtus in infirmitate. Gloria patri	Anonymous	283v–284
O totus Asie gloria regis	Anonymous	266–6v
Patefacte sunt. V. Vidit beatus Stephanus. Gloria patri	Anonymous	282v–283v
Perlustravit	Anonymous	289
Portare	Anonymous	292
Pro patribus	Anonymous	290v
Propter veritatem	Anonymous	291
Quasi stella matutina que producit	Anonymous	263v–266
Queris quid me moveat	Anonymous	275v–277
Qui operatus est. V. Gratia Dei in me. Qui operatus est.	Anonymous	284–284v
Quis imponet terminum laudibus	Anonymous	278–279
Reg	Anonymous	291v–292
Reg	Anonymous	292
Scysma mendacis Grecie vexilla	Anonymous	262–3v
Sederunt. V. Adjuva me, domine. Sederunt	Anonymous	282
Transfretasse legitur in duabus	Anonymous	269–v
Vivere vere si tu cupias / In odorem	Anonymous	260–v

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‡ denotes primary source study

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Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IlI: Eine zentrale Quelle der Notre Dame-Musik. Publications of Mediaeval Musical Manuscripts. Brooklyn: Institute of Mediaeval Music. Pages: 171, 181 (transcription of StV 31 and 39 after the corresponding MiiA motets).

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXIV etc.

Gennrich, Friedrich. 1956. Musica sine Littera: Notenzeichen und Rhythmik der Gruppennotation. Pages: 59 (diplomatic facsimile of StV 12).

Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I-II (facsimile and transcription of all StV clausulae in Tu after the Tu motets); I, 85, 87.

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Schrade, Leo. 1953. Political Compositions in French Music of the 12th and 13th Centuries. Annales musicologiques, 9ff. Pages: 57ff (transcription of StV 4); ThurstonStV (complete facsimile of StV); 45ff.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 248f.

Kujlmann, G. 1938. Die zweistimmigen französischen Motetten des Kodex Montpellier, Faculté de Médecine H196. 2 vols. Pages: II, 105,147, 149, 48, 38 (transcription of StV33, 36, 37,46 and 63); II, 14ff; II, 181, 184, 212, 234f.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III (facsimile and transcription of all StV clausulae in Mo after the Mo motets), IV 70f 87f, 172, 176, 256ff, 262, 266f, 268f, 271, 281, 286, 298.

Rokseth, Y. 1933. Le Contrepoint double vers 1248. Melanges de Musicologie offerts a M. Lionel de la Laurencie, Pages: 5ff.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III (facsimile and transcription of all StV clausulae in Hu after the Hu motets); I, 244, 247, 251, 277.

Handschin, Jacques. 1931. Die Rolle der Nationen in der mittelalter-lichen Musikgeschichte. Schweizerisches Jahrbuch für Musikwissenschaft, 1ff. Pages: 40.

Gennrich, Friedrich. 1929. Internationale mittelalterliche Melodien. Zeitschrift für Musikwissenschaft, 259and321. Pages: 281ff (transcriptions of StV 1 = 68).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 189, 193, 199, 205, 208, 211, 291, 293, 296.

Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: II, 9 (transcription of StV34).

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 139ff and passim.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II (facsimile and transcription of all StV clausulae in Ba after the Ba motets; III, 62, 68, 75, 81, 93, 97.

Roller, O. 1888. Der Liederkodex von Montpellier. Vierteljahrsschrift fur Musikwissenschaft, . Pages: 47.

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Monday, 23 January, 2017

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