The contents of the MS are the treatise of Lambertus, f. 1-35, and 7 three-part motets, f. 35v-41v. The codex is written throughout in 2 columns, so that in the motets the Tr is at the left, Mot at the right and the T written across the bottom line of each page.
F-Pnm Latin 11266
Bibliothèque nationale de France, Département des Manuscrits, Paris, France
theory treatise: late 13th century
| Archive | Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm) |
|---|---|
| Shelfmark | Latin 11266 |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 149 x 103 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 7 compositions, 7 are anonymous. |
General Description
Binding
brown leather over pulp boards; 17th century. There is some gilt tooling on the spine with the title Liber de musica et plano cantu on a red and Ms du XIVe siecle on a green background
Liminary Note
At the top of f. 41 is the name Gobertus de fonte, but it is a later addition.
Notation
longs and breves clearly differentiated; c.o.p. ligatures are frequent.
Ruling
a red five-line stave; in the motets there are 7 staves per page (the T having a four-line stave)
Foliation
fairly modern ink at t.r.r.; the paper flyleaves at each end are unnumbered
Decoration
The script is semi-Gothic with red and blue initials (the filigree is in the contrasting colour). The script in the motets is a minuscule without Gothic traits; the initials only use red for decoration.
Surface
ii paper + 41 parchment + ii paper
RISM Description
RISM B/IV 1: A late 13th century parchment manuscript meas. 149 x 103 mm. and containing 41 folios plus 2 unnumbered paper flyleaves at each end, which belong to the 17th century binding of brown leather over pulp boards. There is some gilt tooling on the spine with the title Liber de musica et plano cantu on a red and Ms du XIVe siecle on a green background. The foliation is in fairly modern ink at t.r.r. An error of two pages after f. 13 has been corrected everywhere. The script is semi-Gothic with red and blue initials (the filigree is in the contrasting colour). The contents of the ms are the treatise of Lambertus, f. 1-35, and 7 three-part motets, f. 35v-41v. The codex is written throughout in 2 columns, so that in the motets the Tr is at the left, Mot at the right and the T written across the bottom line of each page. The script in the motets is a minuscule without Gothic traits; the initials only use red for decoration. The notation is less calligraphic than in the treatise but of the same epoque; longs and breves are clearly differentiated. At the top of f. 41 is the name Gobertus de fonte, but it is a later addition. The music is everywhere on a red five-line stave; in the motets there are 7 staves per page, the T having a four-line stave; c.o.p. ligatures are frequent.
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‡ denotes primary source study
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts, vol. 4. Brooklyn: Institute of Mediaeval Music. Pages: f. 370-370v, 374-374v, 382-382v, 374v-375(facsimile of nos. 4-7 after Cl).
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLII etc.
Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 370-370v, 374-374v, 382-382v, 374v-375(facsimile of nos. 4-7 after Cl).
Gennrich, Friedrich. 1956. Abriß der frankonischen Mensuralnotation. 2nd ed. Pages: pl. XVI (facsimile of P11266, f. 39-39v).
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 83, 85, 87.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 284, 34, 283, 74, 89, 40 (facsimile and transcription of nos. 1-5, 7 after Mo), IV, 75 f, 258 f, 265, 287, 292 f.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 120, 127, 157 (facsimile and transcription of nos. 1, 3, 7 after Hu; Mot and T only of no. 7 in Hu); I, 279, 287, 344.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 178f.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 195, 199, 209ff, 213, 290ff, 301, 305, 307.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 25, 70. 83, 103,167, 187, 199, 288, 309, 364, 367, 388, 401, 405, 411, 413, 415, 444f.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 98, 49, 59, 89, 44, 58 (facsimile and transcription of nos. 1-3, 5-7 after Ba); III, pl. 10 (facsimile of P11266,i. 39v-40); III, 90f, 108.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
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