Gratian's Decreti (f. 2-62), Seneca's De quatuor virtutibus (f. 63-64v), then more Seneca and some letters (including a petition by the inhabitants of Alesnes). Originated in St. Bertin as no. 512 of that library; the music was originally used for binding.
F-BSM 119 (148) V
Bibliothèque des Annonciades, Boulogne-sur-mer, France
non-music MS with interpolated music on flyleaves: 13th century
| Archive | Bibliothèque des Annonciades, Boulogne-sur-mer, France (F-BSM) |
|---|---|
| Shelfmark | 119 (148) V |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 235 x 163 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 6 compositions, 6 are anonymous. |
General Description
Physical Description
Fol. 1 has been cut away at the left edge
Binding
dark brown leather over pulp boards with a brown paper cover; modern. The paper flyleaves belong to this binding.
Notation
Metz neumes (pedes muscarum).
Ruling
Fol. 1v uses 10 out of 13 four-line brown staves; f. 92 uses 8 five-line staves
Foliation
modern foliation in red ink at t.r.r., from 1884.
Decoration
neat, slightly Gothic, early 13th century minuscule with red or green initials and red rubrics set out in 2 columns throughout. There are no rubrics or initials after f. 72v, but room has been left for them.
Surface
iii paper + 92 parchment iii paper
RISM Description
RISM B/IV 1: A 13th century parchment manuscript meas. 235 x 163 mm. and containing 92 folios. At both beginning and end there are 3 unnumbered paper flyleaves belonging to the relatively modern binding of dark brown leather over pulp boards (now helped out by a brown paper cover). The modern foliation in red ink at t.r.r. dates from 1884. The contents consist of Gratian's Decreti (f. 2-62), Seneca's De quatuor virtutibus (f. 63-64v), then more Seneca and some letters (including a petition by the inhabitants of Alesnes). With regard to the script, one may define it as a neat, slightly Gothic, early 13th century minuscule with red or green initials and red rubrics set out in 2 columns throughout. There are no rubrics or initials after f. 72v, but room has been left for them. The ms originated in St. Bertin as no. 512 of that library. The music was originally used for binding the codex. Fol. 1v uses 10 out of 13 four-line brown staves. The left edge has been cut away. For the notation, the scribe employs Metz neumes (pedes muscarum). Fol. 91 bears the date 1265 when the motets were written down. On this page the scribe uses the guide-lines of the ms corpus, so that the c clef comes in one space and the f clef in the next space below. The neumes are therefore in part staffless, since they do not have enough lines and spaces for diatonic notation. On f. 91v appears the anathema of ecclesie beati Christofori de Phalenpin. Fol. 92 is inserted transversely in the ms and bears the date 1264. Tenor texts are omitted, but the script is identical with that of the previous page. Here 8 five-line staves are employed however, while the page is again cut away at the left. All three folios have music on one side of the page only.
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‡ denotes primary source study
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts, vol. 4. Brooklyn: Institute of Mediaeval Music. Pages: 27, 34, 30f (facsimile of Boul 2, 3, 5 after Cl).
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXVIII etc.
Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 375, 378v, 376v-377 (facsimile of Boul 2, 3, 5 after Cl).
Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I-II, no. 22 (facsimile and transcription of Boul 3 after Tu).
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 80, 81, 83.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 65, 40, 19, 33, 37, 58 (facsimile and transcription of Boul after Mo) IV, 255, 258f, 262f.
Gérold, Theódore. 1932. La Musique au moyen-âge. Pages: 265ff, 271ff.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 226, 255, 268, 344, II-III, nos. 157, 96, 107 (facsimile and transcription of Boul 2, 5, 6 after Hu).
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 199f, 203, 205, 209ff, 291, 305.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 81, 183, 200, 262, 309, 383, 388, 394, 396, 399, 401, 405, 413f.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 58, 76, 2, 47, 95 (facsimile and transcription of Boul 2-6 after Ba), III, 58, 85, 90, 99, 107.
Aubry, Pierre. 1903. Les plus anciens monuments de la musique française. Pages: pi. 7 (facsimile of Boul, f. 91).
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Elizabeth Eva Leach
Tuesday, 26 June, 2018
Elizabeth Eva Leach
Tuesday, 5 June, 2018
External image link added
Elizabeth Eva Leach
Monday, 30 April, 2018
Mis-spelling of St Bertin fixed
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
IIIF Manifest