D-Sl HB I 95

Württembergische Landesbibliothek, Stuttgart, Germany

chant book with added polyphony: 13th century

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark HB I 95
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 128 x 95 mm
Other Identifiers
  • RISM: Stuttg
Notations
  • staffless St. Gall neumes
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships
External Links
Provenance
  • Germany
Contents 1 pieces from 1 composers
General Description

Contains tropes, sequences and conductus for the most part with music for a single voice. A single Mot without T appears on f. 30 v. as Stuttg 1: Latex silice, mel petra profluit ( = W1 180), a work from the oldest layer of motet composition. The voice-exchange hymn (see introduction, item 21) appears 3 times in Stuttg with the following Benedicamus Tro texts. Stuttg 2 (f. 45v-46): Surrexit Christus a mortuis; Stuttg 3 (f.46) : Spiritus sanctus; Stuttg 4 (f. 50 v) : Johannes postquam senuit. For incipit, cf. lower voice of Cb 102.

DIAMM, 2017
Binding

white leather with a single (missing) clasp over wooden boards 5 mm. thick

DIAMM, 2017
Notation

staffless St. Gall neumes

DIAMM, 2017
Foliation

Modern pencil foliation at t.r.r., which includes 3 flyleaves at the beginning and 2 at the end on stiff paper, 1-101. This foliation includes a half page cut away vertically as f. 9a, so that the total is really 102 folios

DIAMM, 2017
Decoration

Red initials embellish the minuscule script until f. 84 to the end, when red and blue ones are used.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A 13th century parchment manuscript meas. 128x95 mm. and containing 101 folios. This foliation includes a half page cut away vertically as f. 9a, so that the total is really 102 folios. The manuscript's contents are tropes, sequences and conductus for the most part with music for a single voice written in staffless St. Gall type neumes above the texts (17 lines per page). 7 conductus are known in polyphonic versions. The foliation is of modern pencil at t.r.r., which includes 3 flyleaves at the beginning and 2 at the end on stiff paper. Red initials embellish the minuscule script until f. 84 to the end, when red and blue ones are used. This part of the codex contains the fifth book of Gregory's Moralia concerning the contemplative life. The binding is of white leather with a single (missing) clasp over wooden boards 5 mm. thick. A single Mot without T appears on f. 30 v. as Stuttg 1: Latex silice, mel petra profluit ( = W1 180), a work from the oldest layer of motet composition. The voice-exchange hymn (see introduction, item 21) appears 3 times in Stuttg with the following Benedicamus Tro texts. Stuttg 2 (f. 45v-46): Surrexit Christus a mortuis; Stuttg 3 (f.46) : Spiritus sanctus; Stuttg 4 (f. 50 v) : Johannes postquam senuit. For incipit, cf. lower voice of Cb 102.

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Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
76 O lilium convalium, flos - Anonymous

O lilium convalium, flos

Anonymous
Appears on: 76
Genres: Motet
Number of voices: 2
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
O lilium convalium, flos Anonymous 76

‡ denotes primary source study

‡ Purcell-Joiner, Lauren. 2017. Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses. University of Oregon, Ph.D. Notes: description; inventory; discussion.

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLIX, no. 228.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 95ff.

Gröninger, E. 1939. Repertoire-Untersuchungen zum mehrstim migen Notre-Dame-Conductus. Pages: 24.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: IV, 165.

Baxter, J. H. 1931. An Old St. Andrew Music Book. Pages: f. 74-74v (facsimile of the motet after W1).

Spanke, Hans. 1931. Die Stuttgarter Handschrift H.B.I. Ascet. 95. Zeitschrift für deutsches Altertum, 68: . Pages: 79-88.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation.  Halle: Niemayer. Pages: 27, 39, 81, 99, 319, 323.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description