D-Mbs Mus. MS 3154 (Leopold Codex)

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1466-1511

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 3154 (Leopold Codex)
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Foliation
Measurements 314 x 220 (ff. 370-379 and 390-399 slightly smaller, c. 298 x 211) mm
Other Identifiers
  • CCM: MunBS 3154
  • olim (Former shelfmark): MaiM 42; Chorbuch des Nikolaus Leopold
Relationships
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 266 pieces from 29 composers
General Description

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section c. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19. Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

DIAMM, 2017
Binding

Restored original covers of leather over wooden boards

DIAMM, 2017
Watermark

Forty-five patterns; see NoblDHM for list, discussion, and some reproductions.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: New pencil numbering of pieces, 1-189, by J. J. Maier.

DIAMM, 2017
Foliation

Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; '225' applied to two consecutive folios; '294' applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier.

DIAMM, 2017
Foliation

472 ff

DIAMM, 2017
Decoration

Some folios (mainly those copied by main scribe) have inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(= MaiM 42) ("Chorbuch des Nikolaus Leopold")

22 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 6 Kyries, 1 Gloria, 2 Credos, 1 Sanctus, 1 Agnus, 33 Mass Proper sections, 11 Magnificats, 1 psalm, 10 hymns, 2 motet cycles (substitutes for Mass Ordinary sections), 64 motets, 7 German secular pieces, 1 Dutch secular piece, 20 textless pieces, 3 unidentified fragments = 187+4 duplicates = 191

(A. Agricola)-1, (A. Agricola/Aulenus?*/Cuvenor)-1, (A. Agricola/Isaac)-1, (Busnois)-1, (N. Clibano)-1, Compère-1, Dufay(?)-1, Ar. Fer.-1, A. Fevin-1, Finck-2, (Forest?)-1, (G.F.)-1, P. Hol.-1, Isaac-6, Jo. de Salice-1, (Josquin)-2, Josquin/(Compère)-1, (Josquin/Weerbecke)-1, Jung-1, Martini-7 + 2?, (Ninot le Petit/ Obrecht)-1, Obrecht-6, (Paulus de Broda)-1, Raber-1, Veye-1, anon-142

*Mass on ff. 400-407 bears inscription "Officium Auleni" in several concordant sources; discussion of possible identity of composer in JustM.

i + 472 paper folios, 314 x 220 (ff. 370-379 and 390-399 slightly smaller, ca. 298 x 211). Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; "225" applied to two consecutive folios; "294" applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier. New pencil numbering of pieces, 1-189, also by Maier. Blank folios or blank staves only: new ff. 8', 17', 17bis-18', 21, 37, 49, 62, 75, 81, 82-83', 84'-86, 88', 1O4'-1O5, 1O8'-1O9', 113, 114'116', 117'-118, 126'-128, 155-155', 157'160, 178', 196'197, 199'-201, 204'-205, 214', 231', 232'-235', 261'-264, 288, 29O'-294, 301'-302, 328'-S29, SSO'-SSS, 353', 358', 411-412, 413', 420, 425-426, 428-428', 43O'-4S1, 439', 464, 468'-469, 47O'-471'. Restored original covers of leather over wooden boards. No index.

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Some folios (mainly those copied by main scribe) have inked calligraphic initials. Forty-five watermarks; see NoblDHM for list, discussion, and some reproductions.

Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section ca. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19.

Ca. 1466-1511 (NoblDHM). Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 .... tua dextra / Christi corpus ave / Verus homo - Anonymous
Appears on: 1
Genres: fragment, Motet
Voice: Bassus
Languages: Latin
Clef: f4
Voice Text: ... tua dextra malis pacem summe

Voice: Contratenor primus
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: Verus homo

Voice: Tenor
Languages: Latin
Mensuration: o / cut-o 3
Clef: c3
Voice Text: Cristi corpus ave
1v–2 Anima mea - 1a pars (of 3): Anima mea liquefacta est -
Appears on: 1v–2
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Quesivi

Voice: Bassus
Languages: Latin
Clef: f4
Voice Text: Quesivi

Voice: Contratenor
Languages: Latin
Clef: c3
Voice Text: Anima mea

Voice: Superius
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Anima mea liquefacta est
General Note

DTO, vol. 76, p. 87

2v Anima mea - 2a pars (of 3): Tulerunt pallium meum -
Appears on: 2v
Genres: Motet
Voice: Superius
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Tulerunt palium meum

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tulerunt
General Note

DTO, vol. 76, p. 87

2v–3 Anima mea - 3a pars (of 3): Filiae Jerusalem -
Appears on: 2v–3
Genres: Motet
Voice: Contratenor
Languages: Latin
Clef: c3
Voice Text: Filie iherusalem

Voice: Bassus
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Filie i:lem

Voice: Superius
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Filie ierusalem

Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Filie
General Note

DTO, vol. 76, p. 87

3v–4 O plebs que Deum amas - Anonymous
Appears on: 3v–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: O plebs que deum amas

Voice: Contratenor
Languages: Latin
Clef: f3
Voice Text: O plebs

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Requiem eternam eis domine

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: O plebs que deum amas
4v–5 O beata infantia - 1a pars (of 2): O beata infantia - Anonymous
Appears on: 4v–5
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: O beata infantia

Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: O beata infantia

Voice: Bassus
Languages: Latin
Clef: f4
Voice Text: O beata [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: O beata infantia
5v–6 O beata infantia - 2a pars (of 2): O praesepe splendidum - Anonymous
Appears on: 5v–6
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O presepe splendidum

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: O presepe splendidum

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O presepe splendidum
6v–7 Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo - Anonymous
Appears on: 6v–7
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Virgo iustorum [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Virgo iustorum [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Virgo iustorum decus et levamen

Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Virgo iustorum [text incipit only]
7v–8 Virgo iustorum- 2a pars (of 2): Nostra cantorum - Anonymous
Appears on: 7v–8
Genres: Motet
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Nostra cantorum [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Nostra cantorum [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Nostra cantorum [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nostra cantorum [text incipit only]
9 Kyrie pascale - Anonymous

Kyrie pascale

Anonymous
Appears on: 9
Genres: Kyrie eleison, Mass Ordinary
Voice: Contratenor
Languages: Latin
Clef: c4
Voice Text: Kyrieleyson

Voice: [no designation]
Languages: Greek
Mensuration: o
Clef: c1
Voice Text: Pascale Kyrieleyson

Voice: Tenor
Languages: Greek
Mensuration: o
Clef: c4
Voice Text: Kyrieleyson
9v Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 9v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agnus dei qui tollis

Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Agnus [text incipit only]
9v–10 Kyrie pascale - Anonymous

Kyrie pascale

Anonymous
Appears on: 9v–10
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Mensuration: c
Clef: c1
Voice Text: Kyrie fons bonitatis (recte: pascale): Kyrieleyson

Voice: Tenor
Languages: Greek
Mensuration: c
Clef: c4
Voice Text: Kyrieleyson

Voice: Contratenor primus
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Kyrielson
Concordances

Codex Tridentinus 88, 225v

General Note

incorrectly labelled "Kyrie fons bonitatis"

10v–11 Et in terra pax [Gloria] - Anonymous
Appears on: 10v–11
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Et in terra (=Gloria VI. toni)

Voice: Tenor
Languages: Latin
Clef: c2
Voice Text: [untexted]

Voice: Contratenor
Languages: Latin
Clef: c3
Voice Text: [untexted]
General Note

Codex Tridentinus 88, 372v

11v Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino - Anonymous
Appears on: 11v
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: o-dot
Clef: c4
Voice Text: [untexted, but with intonation in this voice also]

Voice: [no designation]
Languages: Latin
Mensuration: o-dot
Clef: c1
Voice Text: Gaudeamus: Omnes in domino [intonation in c4 clef]
11v Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum - Anonymous
Appears on: 11v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Eructavit [text incipit only]

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Eructavit [text incipit only]
12 Kyrie de beata virgine - Anonymous
Appears on: 12
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Mensuration: o
Clef: c2
Voice Text: Kyriel' de beata virgine: Kyrie leyson

Voice: Contratenor
Languages: Greek
Mensuration: cut-c
Clef: c4
Voice Text: Kyrie leyson

Voice: Tenor
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson
12 Veni redemptor gentium / Christe redemptor omnium - Anonymous
Appears on: 12
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Non ex virili semine (= Veni redemptor gentium) [text incipit only]
12v Kyrie Angelicum - Anonymous

Kyrie Angelicum

Anonymous
Appears on: 12v
Genres: Kyrie eleison, Mass Ordinary
Voice: Contratenor
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson

Voice: Tenor
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson

Voice: [no designation]
Languages: Greek
Mensuration: c
Clef: c1
Voice Text: [Kyrie] Angelicum: Kyrie leyson
13 Kyrie Pascale -
Appears on: 13
Genres: Kyrie eleison, Mass Ordinary
Voice: Tenor
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson

Voice: Contratenor
Languages: Greek
Voice Text: Kyrie leyson

Voice: [no designation]
Languages: Greek
Mensuration: cut-c
Clef: c1
Voice Text: Kyrie pascale: Kyrie leyson
General Note

Codex Tridentinus 90, 74v

13v–15 Magnificat primi toni: Et exultavit [K.155] - Anonymous
Appears on: 13v–15
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Et exultavit spiritus meus (= Magnificat I. toni)

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Et exultavit [text incipit only]

Voice: Contratenor primus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Et exultavit [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Et exultavit [text incipit only]
General Note

Codex Tridentinus 89, 394v

15v–16 Magnificat octavi toni: Et exultavit [K.446] - Anonymous
Appears on: 15v–16
Genres: BVM, Canticle, Magnificat
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Et exultavit [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Et exultavit [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et exultavit spiritus meus

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et exultavit spiritus meus (= Magnificat VIII. toni)
Concordances

Codex Tridentinus 91, 209v

General Note

music for vv. 2,4,6 is re-used for vv. 8,10,12

16v–17 Magnificat Sexti Toni: Et exultavit [K.317] - Anonymous
Appears on: 16v–17
Genres: BVM, Canticle, Magnificat
Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Et exultavit [text incipit only[

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Et exultavit [text incipit only[

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Et exultavit (= Magnificat VI. toni) [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Et exultavit [text incipit only]
19 untexted - -

untexted

Appears on: 19
Voice: [no designation]
Languages: none
Mensuration: c-2
Clef: f3
Voice Text: end of a composition in the bass, no text
19v–20 Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo - Anonymous
Appears on: 19v–20
Genres: Motet
Voice: Contratenor primus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude maria virgo

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude maria virgo

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude maria virgo
19v–20 Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum - Anonymous
Appears on: 19v–20
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Dum virgo

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Dum virgo deum

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]

Voice: Contratenor primus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Dum virgo deum
20v Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede - Anonymous
Appears on: 20v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Dei genitrix [text incipit only]

Voice: Contratenor primus
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Dei genitrix [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Dei genitrix intercede pro nobis

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Dei genitrix intercede pro nobis
21v–22 En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis - Anonymous
Appears on: 21v–22
Genres: Motet
Voice: Contratenor secundus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Omnes tenentes [text incipit only]

Voice: Contratenor primus
Languages: Latin
Clef: c1
Voice Text: En lectulum [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ex fortissimis Israel omnes tenentes gladios

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: [E]n lectulum Salomonis
22v–23 En lectulum Salomonis - 2a pars (of 2): Egredimini et videte - Anonymous
Appears on: 22v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Egredimini et videte [text incipit only]

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Egredimini et videte ... regem Salomonem

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Egredimini et videte filie Syon

Voice: Contratenor primus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Egredimini et videte filie Syon
23v–24 Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria -
Appears on: 23v–24
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c between 4/5
Voice Text: Ave salve gaude vale o maria non vernale

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: [c4]
Voice Text: Ave salve gaude [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c between 3/4
Voice Text: Ave salve [text incipit only]
General Note

EdM XXXIV, p. 347

24v–25 Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis -
Appears on: 24v–25
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c between 3/4
Voice Text: Ave celum deitatis [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: [c4]
Voice Text: Ave celum deitatis [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c between 4/5
Voice Text: Ave celum deitatis [text incipit only]
General Note

EdM XXXIV, p. 347

25v–26 untexted -
Appears on: 25v–26
Genres: Motet
Voice: Bassus
Languages: none
Mensuration: o
Clef: c3
Voice Text: [untexted]

Voice: Tenor
Languages: none
Mensuration: o
Clef: [c4]
Voice Text: [untexted]

Voice: Secundus Discantus
Languages: none
Mensuration: o
Clef: c between 2/3
Voice Text: [untexted]

Voice: Discantus primus
Languages: none
Mensuration: o
Clef: c between 2/3
Voice Text: [untexted]
26v–27 untexted -
Appears on: 26v–27
Genres: Motet
Voice: Bassus
Languages: none
Mensuration: c-2
Clef: c3
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: c-2
Clef: c5
Voice Text: [untexted]

Voice: Secundus Discantus
Languages: Latin
Mensuration: c-2
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: none
Mensuration: c-2
Clef: c4
Voice Text: [untexted]
27v–28 In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante -
Appears on: 27v–28
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: [untexted]

Voice: Discantus primus
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: In hydraulis [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: [untexted]
General Note

DTO vol. 14/15, p. 105

Layout

No text underlay, but complete text copied at end

28v–29 In hydraulis - 2a pars (of 2): Heg ockeghem cunctis -
Appears on: 28v–29
Genres: Motet
Voice: Discantus primus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Heg okgeghem [text incipit only]

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Hec oggkem [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
General Note

DTO vol. 14/15, p. 105

General Note

No text underlay, but complete text copied on f.28

29v–30 Ave mundi spes Maria / In Gottes Namen - Anonymous
Appears on: 29v–30
Genres: Ave Maria, Motet
Voice: Altus primus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ave maria ave [text incipit only]

Voice: Contratenor secundus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ave virgo maria Christe [text incipit only]

Voice: Tenor secundus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Gottes namen faren von [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Gottes namen faren vor [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Ave mundi spes maria [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ave mundi spes Maria

Voice: Contratenor tertius
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Ave virgo maria Christe [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Gottes namen faren von [text incipit only]
General Note

DTO vol. 14/15, p. 266

30v–32 Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] - Anonymous
Appears on: 30v–32
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Regina caeli laetare alleluia

Voice: Subcontra
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: ... Quia quem [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Regina celi [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Regina [text incipit only]
32v–33 O quam pulchra - 1a pars (of 2): O quam pulchra - Anonymous
Appears on: 32v–33
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: [untexted]

Voice: Bassus
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: O quam pulchra [text incipit only]

Voice: Discantus
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: O quam pulchra [text incipit only]
32v–33 O quam pulchra - 2a pars (of 2): Quoniam et apud - Anonymous
Appears on: 32v–33
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c2
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: c-2
Clef: c4
Voice Text: [untexted]

Voice: Bassus
Languages: Latin
Mensuration: c-2
Clef: f4
Voice Text: [untexted]
33v–35 untexted - -

untexted

Appears on: 33v–35
Voice: Bassus
Languages: none
Mensuration: c
Clef: f4
Voice Text: [untexted]

Voice: Subcontra
Languages: none
Mensuration: c
Clef: c3
Voice Text: [untexted]

Voice: Tenor
Languages: none
Mensuration: c
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: none
Mensuration: c
Clef: c1
Voice Text: [untexted]
General Note

2 partes: in c and cut-o

35v–36v untexted - -

untexted

Appears on: 35v–36v
Voice: [no designation]
Languages: none
Mensuration: o
Clef: c1

Voice: Bassus
Languages: none
Mensuration: o
Clef: c4

Voice: Subcontra
Languages: none
Mensuration: o
Clef: c4

Voice: Tenor
Languages: none
Mensuration: o
Clef: c4
37v–38 O beatorum supernorum civium concreata - Anonymous
Appears on: 37v–38
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: [untexted]

Voice: Bassus
Languages: Latin
Clef: f3
Voice Text: [untexted]

Voice: Secundus Discantus
Languages: Latin
Mensuration: o-2
Clef: c1
Voice Text: [untexted]

Voice: Discantus primus
Languages: Latin
Mensuration: o-2
Clef: c1
Voice Text: O beatorum supernorum civium cocreata [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: [untexted]
38v–39 Gaude flore virginali - 1a pars (of 6): Gaude flore virginali -
Appears on: 38v–39
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude flore [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude flore virginali

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude flore virginali

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude flore [text incipit only]

Item Bibliography

Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini.

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 270. Notes: proposed attribution to Martini.

39a Veneremur [from 'Pange lingua gloriosi'] - Anonymous
Appears on: 39a
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Veneremur

Voice: Altus
Languages: Latin
Clef: c3
Voice Text: Veneremur

Voice: Superius
Languages: Latin
Clef: c1
Voice Text: Veneremur

Voice: Bassus
Languages: Latin
Clef: f4
Voice Text: Veneremur (from the 'Tantum ergo' verse of Pange lingua gloriosi)
General Note

a slip of paper pasted between ff. 38v/39, containing a 4vv setting of the word "veneremur" only

39v–40 Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei -
Appears on: 39v–40
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude sponsa [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude sponsa cara dei

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude sponsa cara dei

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude sponsa [text incipit only]
39v–40 Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum -
Appears on: 39v–40
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaide splendens [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude splendens vas virtutum [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude splendens [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude splendens vas virtutum
40v–41 Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis loco offertorii
Appears on: 40v–41
Genres: Motet
Source Attribution: loco offertorii
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude nexu voluntatis [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude nexu voluntatis [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude nexu voluntatis [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude nexu voluntatis et amplexu
41v–42 Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima loco sanctus
Appears on: 41v–42
Genres: Motet
Source Attribution: loco sanctus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti maxima [text incipit only]
42v–43 Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura loco Agnus
Appears on: 42v–43
Genres: Motet
Source Attribution: loco Agnus
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gaude virgo mater pura certa manens et secura

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Gaude virgo mater pura ... et secura

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Certa manens et secura [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Certa manens et secura
43v Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus loco Introitus
Appears on: 43v
Genres: Motet
Source Attribution: loco Introitus
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [utexted]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: c-dot
Clef: no clef
Voice Text: Natus sapiencia veritas divina deus homo captus est

Item Bibliography

Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini.

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 144-150, 305. Notes: proposed attribution to Martini.

44 Natus sapientia - 2a pars (of 8): Cito derelictus -
Appears on: 44
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: [untexted]

Voice: Contratenor
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: Cito derelictus
44v Natus sapientia - 3a pars (of 8): Hora prima ductus est loco patrem
Appears on: 44v
Genres: Motet
Source Attribution: loco patrem
Voice: Contratenor
Languages: Latin
Mensuration: cut-c 3
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c 3
Clef: no clef
Voice Text: Hora prima ductus est

Voice: Tenor
Languages: Latin
Mensuration: cut-c 3
Clef: no clef
Voice Text: [untexted]

Voice: Altus
Languages: Latin
Mensuration: cut-c 3
Clef: no clef
Voice Text: [untexted]
45 Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit post elevationem
Appears on: 45
Genres: Motet
Source Attribution: post elevationem
Voice: Tenor
Languages: Latin
Mensuration: 3
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: 3
Clef: no clef
Voice Text: Jhesus dominus expiravit

Voice: Contratenor
Languages: Latin
Mensuration: 3
Clef: no clef
Voice Text: [untexted]

Voice: Contratenor
Languages: Latin
Mensuration: 3
Clef: no clef
Voice Text: [untexted]
45v–46 Natus sapientia - 5a pars (of 8): Crucifige clamitant loco offertorii
Appears on: 45v–46
Genres: Motet
Source Attribution: loco offertorii
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: Crucifige clamitant [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [untexted]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: Crucufige clamitant hora tertia
46v–47 Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus -
Appears on: 46v–47
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: no clef
Voice Text: Iugi est cruci conclavatus

Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: no clef
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: no clef
Voice Text: [untexted]
47v–48 Natus sapientia - 7a pars (of 8): Fortitudo latuit -
Appears on: 47v–48
Genres: Motet
Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: Fortitudo latuit [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: fortitudo [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: Fortitudo latuit monte

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: no clef
Voice Text: [untexted]
48v Natus sapientia - 8a pars (of 8): Datur sepulturae corpus -
Appears on: 48v
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: 3 / 2
Clef: no clef
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: Datum sepulturae corpus Christi

Voice: Contratenor
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-o
Clef: no clef
Voice Text: Datum sepulturae [text incipit only]
49v–50 De tous biens plaine est ma maîtresse - Anonymous
Appears on: 49v–50
Genres: Chanson
Voice: Tenor
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c2
Voice Text: [untexted]

Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f3
Voice Text: [untexted]
General Note

"The treble is the same as in Hayne van Ghizeghem's Chanson (cf. Hewitt O, 137-139 and 263-264). The version in Munich 3154 is evidently identical with none of the numerous related compositions recorded by Hewitt." (Noblitt 1969)

50v–51 untexted - -

untexted

Appears on: 50v–51
Voice: Tenor
Languages: none
Mensuration: o
Clef: c4

Voice: Contratenor
Languages: none
Mensuration: o
Clef: f3

Voice: [no designation]
Languages: none
Mensuration: o
Clef: c2
General Note

completed on ff. 54v-55

51v Se stee ich hie - Anonymous

Se stee ich hie

Anonymous
Appears on: 51v
Genres: Song
Voice: Altus
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]

Voice: Superius
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]

Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: So stee ich hie auff diser erd

Voice: Bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: [untexted]
52 Ich sachs eins mals - Anonymous
Appears on: 52
Genres: Song
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Ich sachs ains mals den liechten morgen sterne

Voice: Altus
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: Ich sachs ains mals den liechten morgen sterne

Voice: Bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: [untexted]
52v Gespile liebe gespile - Anonymous
Appears on: 52v
Genres: Song
Voice: Altus
Languages: German
Mensuration: cut-c 3
Clef: c3
Voice Text: [untexted]

Voice: Bassus
Languages: German
Mensuration: cut-c 3
Clef: f4
Voice Text: [untexted]

Voice: [no designation]
Languages: German
Mensuration: cut-c 3
Clef: c1
Voice Text: Gespile liebe gespile gut

Voice: Tenor
Languages: German
Mensuration: cut-c 3
Clef: c4
Voice Text: [untexted]
53 Tanhauser Ir seit mir - Anonymous
Appears on: 53
Genres: Song
Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Tanhauser Ir seit mir lieb [text incipit only]

Voice: Bassus
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
53 Es sassen höld - Anonymous

Es sassen höld

Anonymous
Appears on: 53
Genres: Song
Voice: Contratenor
Languages: German
Mensuration: cut-c 3
Clef: f3
Voice Text: [untexted]

Voice: Tenor
Languages: German
Mensuration: cut-c 3
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: German
Mensuration: cut-c 3
Clef: c1
Voice Text: Es sassen höld in ainer stuben
53v O Venus bant / O vierich brant 27.29 -
Appears on: 53v
Genres: Song
Voice: Contratenor
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: O venus pannt [text incipit only]

Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: O venus pant [text incipit only]

Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
Concordances

Harmonice musices odhecaton, p. 383

54 Carmen (song) -
Appears on: 54
Genres: textless
Voice: [no designation]
Languages: none
General Note

EdM IV, p. 95

54v–55 untexted (conclusion of piece on ff. 50v-51 - -

untexted (conclusion of piece on ff. 50v-51

Appears on: 54v–55
Voice: Contratenor
Languages: none
Mensuration: c-2
Clef: f3

Voice: [no designation]
Languages: none
Mensuration: c-2
Clef: c4

Voice: [no designation]
Languages: none
Mensuration: o-2
Clef: c2
General Note

completion of untexted piece on ff. 50v-51

55v–56 untexted Jo. de Salice
Appears on: 55v–56
Genres: textless
Source Attribution: Jo. de Salice
Voice: [no designation]
Languages: none
Mensuration: o
Clef: c2

Voice: Contratenor
Languages: none
Mensuration: o
Clef: f4

Voice: Altus
Languages: none
Mensuration: o
Clef: c2

Voice: Tenor
Languages: none
Mensuration: o
Clef: c4
56v–58 no text two parts - -

no text two parts

Appears on: 56v–58
Voice: Contratenor
Languages: none
Mensuration: o
Clef: f4
Voice Text: (2a pars: Bassus, cut-c)

Voice: Altus
Languages: none
Mensuration: o
Clef: c2
Voice Text: (2a pars: cut-c)

Voice: Tenor
Languages: none
Mensuration: o
Clef: c4
Voice Text: (2a pars: cut-c)

Voice: Discantus primus
Languages: none
Mensuration: o
Clef: c2
Voice Text: (2a pars: cut-c)
58v–59 Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria - Anonymous
Appears on: 58v–59
Genres: Motet
Voice: Contratenor
Languages: Latin
Clef: c4
Voice Text: B [initial only]

Voice: Altus
Languages: Latin

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Beata dei genitrix [text incipit only]

Voice: [no designation]
Languages: Latin
Clef: g2
Voice Text: B [initial only]
General Note

a half-folio 58bis is inserted, with the resolution of the canons in the Tenor: "serpentem timeas letus cancrum[?] tibi summas"; "Hic serpens crescit in [cancrum?] et valde tumescit / Absque mora cantor caute caput cupiat"

59v–60 Beata Dei genitrix - 2a pars (of 2): Ora pro populo - Anonymous
Appears on: 59v–60
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Ora pro populo [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Ora pro populo interveni pro clero

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ora pro populo [text incipit only]

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Ora pro populo [text incipit only]
General Note

Canon: "Serpens timeas letus cancrum[?] tibi summas"

60v–61 Alma chorus - 1a pars (of 2): Alma chorus Domini nunc - Anonymous
Appears on: 60v–61
Genres: Sequence
Voice: Bassus
Languages: Latin
Clef: c4
Voice Text: [untexted]

Voice: Altus
Languages: Latin
Clef: c3
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Alma [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Alma chorus domini nunc
61v Alma chorus - 2a pars (of 2): Os verbum splendor - Anonymous
Appears on: 61v
Genres: Sequence
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: O[s verbum splendor] [initial only]
General Note

incomplete: only part of the first voice is copied (2 staves)

62v–64 O Jesu clementissime - Anonymous
Appears on: 62v–64
Genres: Motet
Voice: Altus
Languages: Latin
Clef: c4
Voice Text: O ihesu clementissime [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: O iesu clementissime [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: [untexted]

Voice: Bassus
Languages: Latin
Clef: f4
Voice Text: [untexted]
General Note

mensuration moves to cut-o on 63v-64

64v–65 Rex regum Christe - Anonymous

Rex regum Christe

Anonymous
Appears on: 64v–65
Genres: Hymn
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Rex regum Christe [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: [untexted]

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]
65v–66 Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut - Anonymous
Appears on: 65v–66
Genres: Motet
Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f5
Voice Text: Arbor omnis est spinosa

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Ista est speciosa odor fragrans velud rosa

Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ista est speciosa odor fragrans velud rosa

Voice: Tenor Primus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Ista est speciosa ... inter filias Jhesu

Voice: Tenor secundus
Languages: Latin
Mensuration: o
Clef: f3
Voice Text: Cristum regem adoremus
66v–67 Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum - Anonymous
Appears on: 66v–67
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: o-2
Clef: c4
Voice Text: Ista est speciosa inter filias Jherusalem

Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c1
Voice Text: Et beatissimam te supplex oro

Voice: Bassus
Languages: Latin
Mensuration: o-2
Clef: f5
Voice Text: Venite exultemus domino

Voice: Contratenor
Languages: Latin
Mensuration: o-2
Clef: c4
Voice Text: Et beatissimam te supplex oro [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: o-2
Clef: f3
Voice Text: Sursum [text incipit only]
67v–68 Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum - Anonymous
Appears on: 67v–68
Genres: Hymn
Voice: Contratenor primus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Salve mundi [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Salve mundi gloria regina celorum

Voice: Tenor
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Dulcedo [text incipit only]

Voice: Contratenor secundus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: [untexted]
68v–69 Salve mundi gloria - 2a pars (of 2): Pietatis oculos - Anonymous
Appears on: 68v–69
Genres: Motet
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Nos debiles [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: P[ietatis oculos] [initial only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: Contratenor primus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]
69v–70 Der Bauer in dem Graben Rock - Anonymous
Appears on: 69v–70
Genres: Song
Voice: Tenor altus
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Der pawr in dem graben rock

Voice: Bassus
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: der pawr [text incipit only]

Voice: Altus
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]

Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Der pawr in dem graben rock

Voice: Tenor bassus
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]
70v–71 Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] -
Appears on: 70v–71
Genres: Contrafactum, Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Gaudent in celis [text incipit only]

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]
General Note

text here: Gaudent in caelis

71v–72 Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] -
Appears on: 71v–72
Genres: Contrafactum, Motet
Voice: Tenor
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: "2a pars" [untexted]

Voice: Contratenor
Languages: none
Clef: f4
Voice Text: "2a pars" [untexted]
72v–73 Argentum et aurum H. Ysac
Appears on: 72v–73
Genres: Troped ite
Source Attribution: H. Ysac
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Argentum et aurum non est mihi quod habeo

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]
General Note

EdM XXXIII, p. 270

73v–74 Ecce sacerdos magnus [Ecce dilectus meus] -
Appears on: 73v–74
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ecce sacerdos [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Ecce sacerdos magnus qui in diebus suis
General Note

EdM XXXIII, p. 264

74v Inviolata integra et casta es Maria -
Appears on: 74v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Inviolata integra [text incipit only]

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [untexted]
Concordances

RISM 1508-1, no. 7

General Note

incomplete: only 2 voices, and a canon instruction for a third, are copied. Opposite page left blank.

75v untexted - Anonymous

untexted

Anonymous
Appears on: 75v
Genres: textless
Voice: [no designation]
Languages: none
Mensuration: c
Clef: c2
Voice Text: no text [Alto and Bass on f. 84]

Voice: Tenor
Languages: none
Mensuration: c
Clef: c2
Concordances

no text - Altus and Bass on f. 84

76–77v Patrem omnipotentem [Credo] VIII toni - Anonymous
Appears on: 76–77v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Tenor
Languages: Latin
Mensuration: o-dot
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: P[atrem omnipotentem] [initial only] (= Credo VIII. toni)

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: [untexted]

Voice: Altus
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: [untexted]
General Note

f. 76 contains the end of the piece, continued from f. 77v

78 untexted - Anonymous

untexted

Anonymous
Appears on: 78
Genres: textless
Voice: [no designation]
Languages: none
Clef: c4
Voice Text: Two lines of a Tenor with substantial corrections (fair copy on f. 81v)
Concordances

cf. fragment at f. 81v

General Note

fragment: two lines of a Tenor

78v–80v Credo / Patrem de village (quarti toni) -
Appears on: 78v–80v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Contratenor
Languages: Latin
Clef: f4
Voice Text: Patrem omnipotentem factorem celi

Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Patrem omnipotentem factorem celi

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Patrem omnipotentem factorem celi

Voice: Altus
Languages: Latin
Clef: c4
Voice Text: Patrem omnipotentem factorem celi
General Note

Codex Tridentinus 89, 404v

81v untexted - Anonymous

untexted

Anonymous
Appears on: 81v
Genres: textless
Voice: [no designation]
Languages: none
Clef: c4
Concordances

cf. fragment at f. 78

84 untexted - Anonymous

untexted

Anonymous
Appears on: 84
Genres: textless
Voice: Bassus
Languages: none
Mensuration: c
Clef: c4

Voice: Altus
Languages: none
Mensuration: c
Clef: c2
Concordances

untexted - Cantus and Tenor on f. 75v

86v–87 Salve regina - 1a pars (of 3): Salve regina misericordiae wilhelmus duffay
Appears on: 86v–87
Genres: BVM, Motet, Salve Regina
Source Attribution: wilhelmus duffay
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Regina misericordie vita et spes

Voice: Contratenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: [untexted]

Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Salve: Regina misericordie vita dulcedo

Voice: Bassus
Languages: Latin
Mensuration: o
Clef: f3
Voice Text: Regina misericordie [text incipit only]
86v–87 Salve regina - 2a pars (of 3): Eya ergo advocata -
Appears on: 86v–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Eya ergo advocata nostra

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Eya ergo advocata nostra

Voice: Contratenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Eya ergo advocata nostra

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Eya ergo advocata nostra
87v–88 Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia -
Appears on: 87v–88
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Et ihesum benedictum

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et ihesum benedictum [text incipit only]

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et ihesum benedictum [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Et ihesum benedictum [text incipit only]
89 Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine Jo. M. [= Martini]
Appears on: 89
Genres: Motet, Salve Regina
Source Attribution: Jo. M. [= Martini]
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Salve regina misericordie vita dulcedo

Voice: Altus
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Salve regina misericordie vita dulcedo

Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Da pacem domine in diebus nostris

Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Salve regina [text incipit only]
General Note

each pars has a different chant as its c.f. - Da pacem, O crux, Vos amici, Gloria laus, Da tuis

89v–90 Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave -
Appears on: 89v–90
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Ad te clamamus exules

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Ad te clamamus exules

Voice: Altus
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Ad te clamamus [text incipit only]

Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: O crux ave spes unica
90v–91 Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici -
Appears on: 90v–91
Genres: Motet, Salve Regina
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Advocata nostra

Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Advocata nostra

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Eya ergo - Vos amici mei estis si feceritis

Voice: [Discantus]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Eya ergo advocata nostra
91v–92 Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor -
Appears on: 91v–92
Genres: Motet, Salve Regina
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Gloria laus et honor tibi sit rex Christe

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Et Jhesum - Gloria laus et honor - benedictum fructum ventris tui

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Et Jhesum benedictum fructum ventris tui

Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Et Jhesum benedictum fructum ventris tui
89–93 Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus -
Appears on: 89–93
Genres: Motet, Salve Regina
Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: O clemens o dulcis maria

Voice: Discantus
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: O clemens o dulcis maria

Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: O clemens - Da tuis fidelibus in te confidentibus

Voice: Altus
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: O clemens o dulcis
93v–95 Salve regina mater misericordiae - Anonymous
Appears on: 93v–95
Genres: Motet, Salve Regina
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Salve [text incipit only]

Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [untexted] - Vita dulcedo [text incipit only]

Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Salve regina misericordie
Concordances

[said to be concordant with Capp. Sist. 15 ff. 212v-215 -- but seems to be a different setting.]

95v–98 Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Cornelius de Veye
Appears on: 95v–98
Genres: Alma redemptoris mater, Motet
Source Attribution: Cornelius de Veye
Voice: Triplum
Languages: Latin
Voice Text: Alma redemptoris mater
95v–98 Alma redemptoris mater - 2a pars (of 2): Surgere qui curas -
Appears on: 95v–98
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surgere qui curas
98v–101 Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur Ar. Fer.
Appears on: 98v–101
Genres: Motet, Salve Regina
Source Attribution: Ar. Fer.
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina/Le serviteur
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Leservitor (=Le serviteur, by Isaac)

98v–101 Salve regina misericordiae - 2a pars (of 6): Zu iagen -
Appears on: 98v–101
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie: Zu iagen
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Zu iagen (unidentified)

98v–101 Salve regina misericordiae - 3a pars (of 6): Genepris amor -
Appears on: 98v–101
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie: Genepris amor
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Genepris amor (= Je n'ay pris amour, by Isaac)

98v–101 Salve regina misericordiae - 4a pars (of 6): Glick walt der rays -
Appears on: 98v–101
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie: Glick walt der rays
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Glick walt der rays (unidentified)

98v–101 Salve regina misericordiae - 5a pars (of 6): Wunschlich schon -
Appears on: 98v–101
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie: Wunschlich schon
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wunschlich schon (cf. D-Mbs Cgm 810 ff. 132v-133)

98v–101 Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid -
Appears on: 98v–101
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie: Wes ich mich leid
General Note

Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wes ich mich leid (by Hans Sygler - cf. Das Tenorlied, 234.30)

101v–103 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia - Anonymous
Appears on: 101v–103
Genres: Motet, Regina caeli laetare
Voice: Triplum
Languages: Latin
Voice Text: Regina caeli laetare alleluia
101v–103 Regina caeli - 2a pars (of 2): Ora pro nobis - Anonymous
Appears on: 101v–103
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ora pro nobis
103v–104 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia -
Appears on: 103v–104
Genres: Alleluia, Motet, Regina caeli laetare
Voice: Triplum
Languages: Latin
Voice Text: Regina caeli laetare alleluia
General Note

CMM 22/IV, p. 7

103v–104 Regina caeli - 2a pars (of 2): Resurrexit sicut dixit -
Appears on: 103v–104
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Resurrexit sicut dixt
General Note

CMM 22/IV, p. 7

105v–108 Salve regina - 1a pars (of 3): Salve regina mater misericordiae - Anonymous
Appears on: 105v–108
Genres: Motet, Salve Regina
Voice: Triplum
Languages: Latin
Voice Text: Salve regina
105v–108 Salve regina - 2a pars (of 3): Eya ergo advocata - Anonymous
Appears on: 105v–108
Genres: Salve Regina
Voice: Triplum
Languages: Latin
Voice Text: Eya ergo advocata
105v–108 Salve regina - 3a pars (of 3): O clemens o pia - Anonymous
Appears on: 105v–108
Genres: Salve Regina
Voice: Triplum
Languages: Latin
Voice Text: O clemens o pia
110v–112v Magnificat Sexti Toni: Et exultavit [K.297] - Anonymous
Appears on: 110v–112v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit spiritus (= Magnificat VI. toni)
113v–114 untexted - -

untexted

Appears on: 113v–114
Voice: [no designation]
Languages: none
117 Magnificat sexti toni: Et exultavit [K.698] -
Appears on: 117
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti toni
General Note

CMM 15/III, p. 37

118v–120v Magnificat quarti toni:: Et exultavit [K.908] -
Appears on: 118v–120v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit spiritus (= Magnificat IV. toni)
121–122v Magnificat tertii toni: Anima mea [K.906] -
Appears on: 121–122v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea dominum (= Magnificat III. toni)
General Note

Chorwerk H. XLVI, p. 14

123–124 Magnificat sexti toni: Anima mea [K.909] -
Appears on: 123–124
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea dominum (= Magnificat VI. toni)
124v–126 Magnificat octavi toni: Anima mea [K.911] -
Appears on: 124v–126
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea dominum (= Magnificat VIII. toni)
128v–131 Salve regina mater misericordiae - Anonymous
Appears on: 128v–131
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
131v–137 Missa Je ne vis oncques -
Appears on: 131v–137
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Je ne vis oncques
137v–141 Sanctus Iste per magnus Pleni and Benedictus for three parts - Anonymous
Appears on: 137v–141
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus Iste per magnus (Pleni and Benedictus for three parts)
141v–147 Missa Tertii Toni (with two Agnus Dei) - Anonymous
Appears on: 141v–147
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa III. toni (with two Agnus dei)
147v–148 Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) -
Appears on: 147v–148
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria ... virgo serena
General Note

Josquin GA, Motetten I, p. 1

148v–149 O propugnator noster O consolator - Anonymous
Appears on: 148v–149
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: O propugnator noster O consolator
149v–150 untexted - -

untexted

Appears on: 149v–150
Voice: [no designation]
Languages: none
150v–151 Festum nunc celebre -
Appears on: 150v–151
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Festum nunc celebre
151 Veni creator spiritus mentes tuorum - Anonymous
Appears on: 151
Genres: Veni creator spiritus
Voice: Triplum
Languages: Latin
Voice Text: Veni creator spiritus
General Note

Chorwerk H. XXXII, p. 18

151v Tantum ergo sacramentum = Pange lingua gloriosi - Anonymous
Appears on: 151v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Tantum ergo sacramentum (= Pange lingua gloriosi)
152 Hostis Herodes impie - Anonymous
Appears on: 152
Genres: Hymn
Voice: Triplum
Languages: Latin
Voice Text: Ibant magis quam (= Hostis Herodes impie)
Concordances

text here: Ibant magi quam (Hostis Herodes impie) as also in Stuttgart 24; in Munich 1/D/506, "Tu gloriose bajule"

152v–153 Iste confessor Domini - Anonymous
Appears on: 152v–153
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Iste confessor domini
153v Ave maris stella -
Appears on: 153v
Genres: Ave maris stella, Motet
Voice: Triplum
Languages: Latin
Voice Text: Ave maris stella
154 Jesu corona virginum - Anonymous
Appears on: 154
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ihesu corona virginum
General Note

Chorwerk H. XXXII, p. 16

154v Hodie Deus homo factus / Gaude visceribus - Anonymous
Appears on: 154v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie deus homo factus/Gaude visceribus
156v–157 Domus mea domus orationis vocabitur - Anonymous
Appears on: 156v–157
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Domus mea domus orationis vocabitur
160v–161 Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum - Anonymous
Appears on: 160v–161
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
160v–161 Resurrexi et adhuc - 2a pars (of 2): Domine probasti me - Anonymous
Appears on: 160v–161
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Domine probasti me
161v–168 Missa paschalis no Credo, with two Agnus Dei - Anonymous
Appears on: 161v–168
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa paschalis (no Credo, with two Agnus dei)
163v–164 Kyrie pascale - Anonymous

Kyrie pascale

Anonymous
Appears on: 163v–164
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie pascale (identical with no. 8)
General Note

Codex Tridentinus 88, 225v

168v–169 Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit - Anonymous
Appears on: 168v–169
Genres: Cantio
Voice: Triplum
Languages: Latin
Voice Text: Christus surrexit mala nostra texit
170v Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle - Anonymous
Appears on: 170v
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Des sol wir alle
169v–170 Regina caeli laetare alleluia - Anonymous
Appears on: 169v–170
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare alleluia
General Note

Codex Tridentinus 91, 95v

171–171v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 171–171v
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Victimae paschali laudes
172–178 Missa Fortuna desperata 8.2 -
Appears on: 172–178
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Fortuna desperata 8.2
General Note

Josquin GA Missen I, p. 81

179–196 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv) -
Appears on: 179–196
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Wol auff gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei)
197v–199 Patrem omnipotentem [Credo] (M12) -
Appears on: 197v–199
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem (= Credo VI. toni)
General Note

MD VII, p. 80

201v–204 Magnificat Sexti Toni: Et exultavit [K.318] - Anonymous
Appears on: 201v–204
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit spiritus (= Magnificat VI. toni)
205v–213 Missa O osterreich - Anonymous

Missa O osterreich

Anonymous
Appears on: 205v–213
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa O osterreich
213v–214 Jesu fili patris / O Venus Kraft -
Appears on: 213v–214
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iesu fili patris/O Venus Kraft
215–224 Missa tous biens plaine: with two Osanna and two Agnus Dei - Anonymous
Appears on: 215–224
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa De tous biens (with two Osanna and two Agnus dei)
224v untexted -
Appears on: 224v
Genres: textless
Voice: [no designation]
Languages: none
General Note

Obrecht GA (Wolf), Wereldlijke werken, p. 48

225–231 Missa Primi Toni (no Credo, no Agnus Dei) - Anonymous
Appears on: 225–231
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa I. toni ( no Credo, no Agnus dei)
232 Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant -
Appears on: 232
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Salve sancta parens
232 Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum -
Appears on: 232
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Sentiant omnes tuum
232 Salve sancta parens - 3a pars (of 3): Gloria patri -
Appears on: 232
Genres: Doxology, Motet
Voice: Triplum
Languages: Latin
Voice Text: Gloria patri
236–237 Missa Rose playsante -
Appears on: 236–237
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Rose playsante
General Note

Van Ockeghem tot Sweelinck, H. 2, p. 58

237v–245v Missa Schoen lief -
Appears on: 237v–245v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Scoen lief (with three Agnus dei)
General Note

Obrecht GA (Wolf), Missen IV, p. 129

246–253 Missa Beata viscera: with three Agnus Dei; Gloria and Credo -
Appears on: 246–253
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Beata viscera (with three Agnus dei; Gloria and Credo incomplete)
General Note

Obrecht GA (Wolf), Missen V, p. 97

253v Ave maris stella -
Appears on: 253v
Genres: Ave maris stella, Motet
Voice: Triplum
Languages: Latin
Voice Text: Ave maris stella (identical with no. 83)
254–261 Concentu parili hic de Maria - Anonymous
Appears on: 254–261
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Concentu parili hic de Maria
264 Magistri nicolai leipoldi ex ynsprugga - Anonymous
Appears on: 264
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: presumably: Magistri nicolai leipoldi ex ynsprugga
264v–273 Missa L'homme armé 6.1 -
Appears on: 264v–273
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa L'homme armé (with two Agnus dei)
General Note

CMM 15/I, p. 1

273v–281 Missa Primi Toni (with two Agnus Dei) - Anonymous
Appears on: 273v–281
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa I. toni (with two Agnus dei)
281v–287 Missa I. toni, fragment Aliud officium - Anonymous
Appears on: 281v–287
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Aliud officium (= Missa I. toni), fragment
288v–289 Mihi autem nimis - 1a pars (of 2): Mihi autem nimis - Anonymous
Appears on: 288v–289
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Mihi autem nimis
288v–289 Mihi autem nimis - 2a pars (of 2): Domine probasti me - Anonymous
Appears on: 288v–289
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Domine probasti me
289v–290 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 289v–290
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
289v–290 Gloria. Et in terra IV. toni, fragment - Anonymous
Appears on: 289v–290
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra (= Gloria IV. toni), fragment
294v–301 Missa Petite camusette - Anonymous
Appears on: 294v–301
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Petite camusette (with three Agnus dei)
General Note

KGCS only

302v–306 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia - Anonymous
Appears on: 302v–306
Genres: Motet, Regina caeli laetare
Voice: Triplum
Languages: Latin
Voice Text: Regina caeli laetare alleluia
302v–306 Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum - Anonymous
Appears on: 302v–306
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
306v–308 Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum - Anonymous
Appears on: 306v–308
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Et adhuc tecum (= Resurrexi et adhuc)
306v–308 Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me - Anonymous
Appears on: 306v–308
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Tu cognovisti sessionem (= Domine probasti me)
308v–315 Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered - Anonymous
Appears on: 308v–315
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
319v–328 Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered - Anonymous
Appears on: 319v–328
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
315v–317 Alleluia. Pascha nostrum immolatus est - Anonymous
Appears on: 315v–317
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
317v–319 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 317v–319
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Victimae paschali laudes
329v–330 Pascha nostrum immolatus est Christus - Anonymous
Appears on: 329v–330
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Pascha nostrum immolatus est Christus
328v–329 Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 328v–329
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Viri Galilaei
328v–329 Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus - Anonymous
Appears on: 328v–329
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Omnes gentes plaudite
339v–340 Alleluia. Ascendit Deus in jubilatione - Anonymous
Appears on: 339v–340
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Ascendit deus in iubilatione
340v–343 Summi triumphi regis prosequamur laude - Anonymous
Appears on: 340v–343
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Summi triumphum
342v–343 Psallite Domino nostro qui ascendit - Anonymous
Appears on: 342v–343
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Psallite domino nostro qui ascendit
343v–344 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo - Anonymous
Appears on: 343v–344
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Spiritus domini replevit
344v–345 Alleluia. Veni sancte spiritus - Anonymous
Appears on: 344v–345
Genres: Alleluia, Proper, Veni sancte spiritus
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus
345v–347 Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 345v–347
Genres: Motet, Proper, Veni sancte spiritus
Voice: Triplum
Languages: Latin
Voice Text: Veni sancte spiritus reple
347v–348 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] H. Ysaac
Appears on: 347v–348
Genres: Introit
Source Attribution: H. Ysaac
Voice: Triplum
Languages: Latin
Voice Text: Cibavit eos ex adipe
General Note

6vv. Version in Mü31: CW (119), 17-22; (konk?)

348v–349 Alleluia. Caro mea vere est cibus Fingk
Appears on: 348v–349
Genres: Alleluia, Proper
Source Attribution: Fingk
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Caro mea vere est cibus
General Note

EdM LVII, p. 93

349v Qui manducat carnem -
Appears on: 349v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Qui manducat carnem
General Note

only Canto and Tenor

350–356 Missa Maria zart Agnus Dei not noted - Anonymous
Appears on: 350–356
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Maria zart (Agnus dei not noted)
356v–357 Jubilate Deo omnis terra - Anonymous
Appears on: 356v–357
Genres: Psalm
Voice: Triplum
Languages: Latin
Voice Text: Iubilate deo omnis terra
357v–358 Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia -
Appears on: 357v–358
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Si oblitus fuero tui
General Note

CMM 87, p. 96

359 Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis - Anonymous
Appears on: 359
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis
359 Ecce concipies- 2a pars (of 3): Et vocabis nomen - Anonymous
Appears on: 359
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et vocabis nomen
359 Ecce concipies- 3a pars (of 3): Hic erit magnus - Anonymous
Appears on: 359
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Hic erit magnus
359v–362 Sancti spiritus assit nobis gratia - Anonymous
Appears on: 359v–362
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Sancti spiritus assit nobis gratia
362v Omnes sancti seraphim - Anonymous
Appears on: 362v
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Omnes sancti seraphim
363 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem - Anonymous
Appears on: 363
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
363 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei - Anonymous
Appears on: 363
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ecce agnus dei
363v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - Anonymous
Appears on: 363v
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Grates nunc omnes
363v Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus - Anonymous
Appears on: 363v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Huic opportet ut canamus
364 Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant - Anonymous
Appears on: 364
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Gaude dei genitrix quam circumstant
364 Gaude Dei genitrix - 2a pars (of 2): Et quorum participem - Anonymous
Appears on: 364
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Et quorum participem
364v Viderunt omnes fines terrae salutare - Anonymous
Appears on: 364v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Viderunt omnes fines terrae salutare
364v Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate - Anonymous
Appears on: 364v
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Laudate pueri dominum laudate
364v Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum - Anonymous
Appears on: 364v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Laudate pueri dominum
365 Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate - Anonymous
Appears on: 365
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Laudate pueri dominum laudate
365 Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum - Anonymous
Appears on: 365
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Laudate pueri dominum
365 Lux perpetua lucebit sanctis tuis - Anonymous
Appears on: 365
Genres: Responsory
Voice: Triplum
Languages: Latin
Voice Text: Lux perpetua lucebit sanctis tuis
365v–366 Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt - Anonymous
Appears on: 365v–366
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Iusti autem in perpetuum vivunt
365v–366 Iusti autem - 2a pars (of 2): Gloria patri - Anonymous
Appears on: 365v–366
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
366 Iustorum autem animae - Anonymous
Appears on: 366
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Iustorum autem animae
366v Sancti tui Domine benedicent te gloriam - Anonymous
Appears on: 366v
Genres: Introit, Proper
Voice: Triplum
Languages: Latin
Voice Text: Sancti tui domine benedicent te gloriam
367 Ego vos elegi de mundo ut eatis - Anonymous
Appears on: 367
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ego vos elegi de mundo ut eatis
367v Alleluia. Gaudete justi in Domino - Anonymous
Appears on: 367v
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Gaudete iusti in domino
367v–368 Alleluia. Ascendit Deus in jubilatione - Anonymous
Appears on: 367v–368
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Ascendit deus in iubilatione
368 Alleluia. Dominus in Sina in sancto - Anonymous
Appears on: 368
Genres: Alleluia, Motet
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Dominus in Sina in sancto
368 Alleluia. Dominus in Sina in sancto - Anonymous
Appears on: 368
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dominus in Sina in sancto
368v–369 Kyrie fons bonitatis - Anonymous
Appears on: 368v–369
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
369v Hodie Deus homo factus - Anonymous
Appears on: 369v
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Hodie deus homo factus
369v Gloria laus et honor - Anonymous
Appears on: 369v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria laus et honor
370 Magister nicolaus leopoldi ex ynsprugga - Anonymous
Appears on: 370
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: presumably: Magister nicolaus leopoldi ex ynsprugga
370–379 Missa Je ne demande: Kyrie and Agnus III (fragments) -
Appears on: 370–379
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Je ne demande (Kyrie and Agnus III fragments)
General Note

Obrecht GA (Wolf), Missen I, p. 1

380–388 Missa Primi Toni: Agnus not noted - Anonymous
Appears on: 380–388
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa I. toni (Agnus not noted)
388v–389 Benedicite Dominum - 1a pars (of 2): Benedicite Dominum -
Appears on: 388v–389
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Benedicite domino omnes angeli
388v–389 Benedicite dominum - 2a pars (of 2): Benedic anima mea -
Appears on: 388v–389
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Benedic anima mea
390–395v Missa Salve regina - Anonymous

Missa Salve regina

Anonymous
Appears on: 390–395v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Salve Regina, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Salve regina (fragment: Kyrie and Agnus dei missing, Gloria and Sanctus fragments)
396–399 Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna) - Anonymous
Appears on: 396–399
Genres: Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa III. toni (fragment: Kyrie missing, Gloria fragment, two osanna)
398v–399v Es wolt ein maidlein Nach grasse gann - Anonymous
Appears on: 398v–399v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Es wolt eynn Maidlenn Nach grasse gann
400–407 Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II -
Appears on: 400–407
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa II. toni (fragment: Kyrie and Agnus II missing, Gloria fragment)
General Note

Chorwerk H. XXXI

408–409 Salve regina misericordiae [7 partes] -
Appears on: 408–409
Genres: Motet, Salve Regina
Voice: Triplum
Languages: Latin
Voice Text: Salve regina
410–410v Salve regina mater misericordiae - Anonymous
Appears on: 410–410v
Genres: Motet, Salve Regina
Voice: Triplum
Languages: Latin
Voice Text: Salve regina
412v [untexted] - -

[untexted]

Appears on: 412v
Voice: Canon
Languages: none
413 Salve regina misericordiae [7 partes] -
Appears on: 413
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: part of no. 160 (Salve Regina)
414–419v [Victimae paschali] Agnus redemit oves - Anonymous
Appears on: 414–419v
Genres: Hymn
Voice: Triplum
Languages: Latin
Voice Text: Victimae paschali laudes
414v–419 Benedicta semper sancta sit trinitas -
Appears on: 414v–419
Genres: Hymn
Voice: Triplum
Languages: Latin
Voice Text: Benedicta semper sancta sit trinitas
General Note

EdM XXXIII, p. 131

421–422 Alleluia. Vox exultationis et salutis - Anonymous
Appears on: 421–422
Genres: Alleluia, Proper
Voice: Triplum
Languages: Latin
Voice Text: Alleluia. Vox exultationis et salutis
422v–424 Omnes sancti seraphim - Anonymous
Appears on: 422v–424
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Omnes sancti seraphim
424v Alleluia. Martinus episcopus - Anonymous
Appears on: 424v
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Martinus episcopus
426v–427 Benedicite Dominum - 1a pars (of 2): Benedicite Dominum -
Appears on: 426v–427
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Benedicite domino omnes angeli
426v–427 Benedicite dominum - 2a pars (of 2): Benedic anima mea -
Appears on: 426v–427
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Benedic anima mea
429 Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem - Anonymous
Appears on: 429
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Gaudent chori angelorum consortes et concives [= Super salutem]
429v–430 Gaudent chori - 2a pars (of 2): Paradisi porta per evam - Anonymous
Appears on: 429v–430
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Paradisi porta per evam (= part two of no. 169)
431v–432 Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela - Anonymous
Appears on: 431v–432
Genres: Responsory
Voice: Triplum
Languages: Latin
Voice Text: Calicem domini biberunt et amici dei [= Fuerunt sine querela]
432v–434 Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua - Anonymous
Appears on: 432v–434
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Tradiderunt corpora sua (= part two of no. 171)
432v–434 Calicem Domini - 3a pars (of 3): Gloria patri - Anonymous
Appears on: 432v–434
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= part three of no. 171)
434v–435 In patientia vestra possidebitis animas - Anonymous
Appears on: 434v–435
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: In patientia vestra possidebitis animas
435v–436 Ecce ego mitto vos sicut oves in medio - Anonymous
Appears on: 435v–436
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Ecce ego mitto vos sicut oves in medio
436v–439 Magnificat octavi toni: Et exultavit [K.401] - Anonymous
Appears on: 436v–439
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit spiritus (= Magnificat VIII. toni)
440–441v Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo - Anonymous
Appears on: 440–441v
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Sanctae Annae devotus decantet chorus
441v–443 Gaude Sion quod egressum (= Stabat mater) -
Appears on: 441v–443
Genres: Contrafactum, Sequence
Voice: Triplum
Languages: Latin
Voice Text: Gaude Sion quod egressum
443–443v Deus in tua virtute sanctus Andreas
Appears on: 443–443v
Genres: Sequence
Source Attribution: Andreas
Voice: Triplum
Languages: Latin
Voice Text: Deus in tua virtute sanctus Andreas
444 Salve regina Wilhelma Duffay
Appears on: 444
Genres: Motet, Salve Regina
Source Attribution: Wilhelma Duffay
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
444v–445 Virgo Dei genitrix te rogitamus - Anonymous
Appears on: 444v–445
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Virgo dei genitrix te rogitamus
445v–446 Gaude virgo mater Jesu Christi - Anonymous
Appears on: 445v–446
Genres: Sequence
Voice: Triplum
Languages: Latin
Voice Text: Gaude virgo mater Iesu Christi
446v–447 untexted - -

untexted

Appears on: 446v–447
Voice: [no designation]
Languages: none
447v–448 Da pater omnipotens firmam jam pectore - Anonymous
Appears on: 447v–448
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: Da pater omnipotens firmam iam pectore
448v untexted - -

untexted

Appears on: 448v
Voice: [no designation]
Languages: none
449 untexted - -

untexted

Appears on: 449
Voice: [no designation]
Languages: none
447–456 Missa Si dedero somnum: with two Agnus Dei -
Appears on: 447–456
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Si dedero sommum (with two Agnus dei)
General Note

Obrecht GA (Wolf), Missen III, p. 1

456v–463 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus -
Appears on: 456v–463
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Wohlauf Gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei; Agnus dei II fragment)
464v–468 Ave mundi spes Maria ave maris ave pia - Anonymous
Appears on: 464v–468
Genres: Marian antiphon, Motet
Voice: Altus
Languages: Latin

Voice: Tenor
Languages: Latin

Voice: Bassus
Languages: Latin

Voice: Triplum
Languages: Latin
Voice Text: Ave mundi spes Maria
General Note

Die Kantorei der Spätgotik, ed. by H.J. Moser (Berlin, 1928), p. 7

464v–468 O dulcedo virginalis - Anonymous
Appears on: 464v–468
Genres: Motet
Voice: Triplum
Languages: Latin
Voice Text: O dulcedo virginalis
469v–470 untexted -
Appears on: 469v–470
Genres: textless
Voice: [no designation]
Languages: none
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Andreas, Magister Phillipotus (fl. late 14th century)
Anonymous
Aulen, Johannes (fl. late 15th century)
Busnoys, Antoine (ca. 1430–1492)
Clibano, Jacobus de
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Du Fay, Guillaume (1397–1474)
Ferdinandus et frater eius
Fernandez, Aires
Fevin, Antoine de (ca. 1470–ca. 1512)
Finck, Heinrich
Forest
G.F.
Isaac, Heinrich (ca. 1450–1517)
Jung, G.
Martini, Johannes (ca. 1430–1497)
Merques, Nicolas
Obrecht, Jacobus (ca. 1457–1505)
Petit, Nino le (fl. c1500)
Phi. Hol
Raber, W
Roda, Paulus de
Roullet, Johannes
Salice, Jo. de
Stoltzer, Thomas (ca. 1480–1526)
Veye, Cornelius de
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Composition Composers (? Uncertain) Folios / Pages
.... tua dextra / Christi corpus ave / Verus homo Anonymous 1
[Victimae paschali] Agnus redemit oves Anonymous 414–419v
Agnus Dei Anonymous 9v
Alleluia. Ascendit Deus in jubilatione Anonymous 339v–340
Alleluia. Ascendit Deus in jubilatione Anonymous 367v–368
Alleluia. Caro mea vere est cibus 348v–349
Alleluia. Dominus in Sina in sancto Anonymous 368
Alleluia. Dominus in Sina in sancto Anonymous 368
Alleluia. Gaudete justi in Domino Anonymous 367v
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate Anonymous 364v
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate Anonymous 365
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum Anonymous 364v
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum Anonymous 365
Alleluia. Martinus episcopus Anonymous 424v
Alleluia. Pascha nostrum immolatus est Anonymous 315v–317
Alleluia. Veni sancte spiritus Anonymous 344v–345
Alleluia. Vox exultationis et salutis Anonymous 421–422
Alma chorus - 1a pars (of 2): Alma chorus Domini nunc Anonymous 60v–61
Alma chorus - 2a pars (of 2): Os verbum splendor Anonymous 61v
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater 95v–98
Alma redemptoris mater - 2a pars (of 2): Surgere qui curas 95v–98
Anima mea - 1a pars (of 3): Anima mea liquefacta est 1v–2
Anima mea - 2a pars (of 3): Tulerunt pallium meum 2v
Anima mea - 3a pars (of 3): Filiae Jerusalem 2v–3
Argentum et aurum 72v–73
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) 147v–148
Ave maris stella 153v
Ave maris stella 253v
Ave mundi spes Maria / In Gottes Namen Anonymous 29v–30
Ave mundi spes Maria ave maris ave pia Anonymous 464v–468
Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria 23v–24
Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis 24v–25
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria Anonymous 58v–59
Beata Dei genitrix - 2a pars (of 2): Ora pro populo Anonymous 59v–60
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum 388v–389
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum 426v–427
Benedicite dominum - 2a pars (of 2): Benedic anima mea 388v–389
Benedicite dominum - 2a pars (of 2): Benedic anima mea 426v–427
Benedicta semper sancta sit trinitas 414v–419
Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela Anonymous 431v–432
Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua Anonymous 432v–434
Calicem Domini - 3a pars (of 3): Gloria patri Anonymous 432v–434
Carmen (song) 54
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit Anonymous 168v–169
Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle Anonymous 170v
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] 347v–348
Concentu parili hic de Maria Anonymous 254–261
Credo / Patrem de village (quarti toni) 78v–80v
Da pater omnipotens firmam jam pectore Anonymous 447v–448
De tous biens plaine est ma maîtresse Anonymous 49v–50
Der Bauer in dem Graben Rock Anonymous 69v–70
Deus in tua virtute sanctus 443–443v
Domus mea domus orationis vocabitur Anonymous 156v–157
Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis Anonymous 359
Ecce concipies- 2a pars (of 3): Et vocabis nomen Anonymous 359
Ecce concipies- 3a pars (of 3): Hic erit magnus Anonymous 359
Ecce ego mitto vos sicut oves in medio Anonymous 435v–436
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Anonymous 363
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei Anonymous 363
Ecce sacerdos magnus [Ecce dilectus meus] 73v–74
Ego vos elegi de mundo ut eatis Anonymous 367
En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis Anonymous 21v–22
En lectulum Salomonis - 2a pars (of 2): Egredimini et videte Anonymous 22v–23
Es sassen höld Anonymous 53
Es wolt ein maidlein Nach grasse gann Anonymous 398v–399v
Et in terra pax [Gloria] Anonymous 10v–11
Festum nunc celebre 150v–151
Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant Anonymous 364
Gaude Dei genitrix - 2a pars (of 2): Et quorum participem Anonymous 364
Gaude flore virginali - 1a pars (of 6): Gaude flore virginali 38v–39
Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei 39v–40
Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum 39v–40
Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis 40v–41
Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima 41v–42
Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura 42v–43
Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo Anonymous 19v–20
Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum Anonymous 19v–20
Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede Anonymous 20v
Gaude Sion quod egressum (= Stabat mater) 441v–443
Gaude virgo mater Jesu Christi Anonymous 445v–446
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous 11v
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum Anonymous 11v
Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem Anonymous 429
Gaudent chori - 2a pars (of 2): Paradisi porta per evam Anonymous 429v–430
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] 70v–71
Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] 71v–72
Gespile liebe gespile Anonymous 52v
Gloria laus et honor Anonymous 369v
Gloria. Et in terra IV. toni, fragment Anonymous 289v–290
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes Anonymous 363v
Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus Anonymous 363v
Hodie Deus homo factus Anonymous 369v
Hodie Deus homo factus / Gaude visceribus Anonymous 154v
Hostis Herodes impie Anonymous 152
Ich sachs eins mals Anonymous 52
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante 27v–28
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis 28v–29
In patientia vestra possidebitis animas Anonymous 434v–435
Inviolata integra et casta es Maria 74v
Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut Anonymous 65v–66
Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum Anonymous 66v–67
Iste confessor Domini Anonymous 152v–153
Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt Anonymous 365v–366
Iusti autem - 2a pars (of 2): Gloria patri Anonymous 365v–366
Iustorum autem animae Anonymous 366
Jesu corona virginum Anonymous 154
Jesu fili patris / O Venus Kraft 213v–214
Jubilate Deo omnis terra Anonymous 356v–357
Kyrie Angelicum Anonymous 12v
Kyrie de beata virgine Anonymous 12
Kyrie eleison Anonymous 289v–290
Kyrie fons bonitatis Anonymous 368v–369
Kyrie pascale Anonymous 9
Kyrie pascale Anonymous 9v–10
Kyrie Pascale 13
Kyrie pascale Anonymous 163v–164
Lux perpetua lucebit sanctis tuis Anonymous 365
Magister nicolaus leopoldi ex ynsprugga Anonymous 370
Magistri nicolai leipoldi ex ynsprugga Anonymous 264
Magnificat octavi toni: Anima mea [K.911] 124v–126
Magnificat octavi toni: Et exultavit [K.401] Anonymous 436v–439
Magnificat octavi toni: Et exultavit [K.446] Anonymous 15v–16
Magnificat primi toni: Et exultavit [K.155] Anonymous 13v–15
Magnificat quarti toni:: Et exultavit [K.908] 118v–120v
Magnificat sexti toni: Anima mea [K.909] 123–124
Magnificat Sexti Toni: Et exultavit [K.297] Anonymous 110v–112v
Magnificat Sexti Toni: Et exultavit [K.317] Anonymous 16v–17
Magnificat Sexti Toni: Et exultavit [K.318] Anonymous 201v–204
Magnificat sexti toni: Et exultavit [K.698] 117
Magnificat tertii toni: Anima mea [K.906] 121–122v
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis Anonymous 288v–289
Mihi autem nimis - 2a pars (of 2): Domine probasti me Anonymous 288v–289
Missa Beata viscera: with three Agnus Dei; Gloria and Credo 246–253
Missa Fortuna desperata 8.2 172–178
Missa I. toni, fragment Aliud officium Anonymous 281v–287
Missa Je ne demande: Kyrie and Agnus III (fragments) 370–379
Missa Je ne vis oncques 131v–137
Missa L'homme armé 6.1 264v–273
Missa Maria zart Agnus Dei not noted Anonymous 350–356
Missa O osterreich Anonymous 205v–213
Missa paschalis no Credo, with two Agnus Dei Anonymous 161v–168
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered Anonymous 308v–315
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered Anonymous 319v–328
Missa Petite camusette Anonymous 294v–301
Missa Primi Toni (no Credo, no Agnus Dei) Anonymous 225–231
Missa Primi Toni (with two Agnus Dei) Anonymous 273v–281
Missa Primi Toni: Agnus not noted Anonymous 380–388
Missa Rose playsante 236–237
Missa Salve regina Anonymous 390–395v
Missa Schoen lief 237v–245v
Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II 400–407
Missa Si dedero somnum: with two Agnus Dei 447–456
Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna) Anonymous 396–399
Missa Tertii Toni (with two Agnus Dei) Anonymous 141v–147
Missa tous biens plaine: with two Osanna and two Agnus Dei Anonymous 215–224
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv) 179–196
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus 456v–463
Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus 43v
Natus sapientia - 2a pars (of 8): Cito derelictus 44
Natus sapientia - 3a pars (of 8): Hora prima ductus est 44v
Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit 45
Natus sapientia - 5a pars (of 8): Crucifige clamitant 45v–46
Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus 46v–47
Natus sapientia - 7a pars (of 8): Fortitudo latuit 47v–48
Natus sapientia - 8a pars (of 8): Datur sepulturae corpus 48v
O beata infantia - 1a pars (of 2): O beata infantia Anonymous 4v–5
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous 5v–6
O beatorum supernorum civium concreata Anonymous 37v–38
O dulcedo virginalis Anonymous 464v–468
O Jesu clementissime Anonymous 62v–64
O plebs que Deum amas Anonymous 3v–4
O propugnator noster O consolator Anonymous 148v–149
O quam pulchra - 1a pars (of 2): O quam pulchra Anonymous 32v–33
O quam pulchra - 2a pars (of 2): Quoniam et apud Anonymous 32v–33
O Venus bant / O vierich brant 27.29 53v
Omnes sancti seraphim Anonymous 362v
Omnes sancti seraphim Anonymous 422v–424
Pascha nostrum immolatus est Christus Anonymous 329v–330
Patrem omnipotentem [Credo] (M12) 197v–199
Patrem omnipotentem [Credo] VIII toni Anonymous 76–77v
Psallite Domino nostro qui ascendit Anonymous 342v–343
Qui manducat carnem 349v
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous 101v–103
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia 103v–104
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous 302v–306
Regina caeli - 2a pars (of 2): Ora pro nobis Anonymous 101v–103
Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum Anonymous 302v–306
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit 103v–104
Regina caeli laetare alleluia Anonymous 169v–170
Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] Anonymous 30v–32
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum Anonymous 160v–161
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum Anonymous 306v–308
Resurrexi et adhuc - 2a pars (of 2): Domine probasti me Anonymous 160v–161
Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me Anonymous 306v–308
Rex regum Christe Anonymous 64v–65
Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum Anonymous 67v–68
Salve mundi gloria - 2a pars (of 2): Pietatis oculos Anonymous 68v–69
Salve regina 444
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Anonymous 105v–108
Salve regina - 1a pars (of 3): Salve regina misericordiae 86v–87
Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine 89
Salve regina - 2a pars (of 3): Eya ergo advocata 86v–87
Salve regina - 2a pars (of 3): Eya ergo advocata Anonymous 105v–108
Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave 89v–90
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia 87v–88
Salve regina - 3a pars (of 3): O clemens o pia Anonymous 105v–108
Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici 90v–91
Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor 91v–92
Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus 89–93
Salve regina mater misericordiae Anonymous 93v–95
Salve regina mater misericordiae Anonymous 128v–131
Salve regina mater misericordiae Anonymous 410–410v
Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur 98v–101
Salve regina misericordiae - 2a pars (of 6): Zu iagen 98v–101
Salve regina misericordiae - 3a pars (of 6): Genepris amor 98v–101
Salve regina misericordiae - 4a pars (of 6): Glick walt der rays 98v–101
Salve regina misericordiae - 5a pars (of 6): Wunschlich schon 98v–101
Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid 98v–101
Salve regina misericordiae [7 partes] 408–409
Salve regina misericordiae [7 partes] 413
Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant 232
Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum 232
Salve sancta parens - 3a pars (of 3): Gloria patri 232
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo Anonymous 440–441v
Sancti spiritus assit nobis gratia Anonymous 359v–362
Sancti tui Domine benedicent te gloriam Anonymous 366v
Sanctus Iste per magnus Pleni and Benedictus for three parts Anonymous 137v–141
Se stee ich hie Anonymous 51v
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia 357v–358
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous 343v–344
Summi triumphi regis prosequamur laude Anonymous 340v–343
Tanhauser Ir seit mir Anonymous 53
Tantum ergo sacramentum = Pange lingua gloriosi Anonymous 151v
untexted 25v–26
untexted 26v–27
untexted 55v–56
untexted Anonymous 75v
untexted Anonymous 78
untexted Anonymous 81v
untexted Anonymous 84
untexted 224v
untexted 469v–470
Veneremur [from 'Pange lingua gloriosi'] Anonymous 39a
Veni creator spiritus mentes tuorum Anonymous 151
Veni redemptor gentium / Christe redemptor omnium Anonymous 12
Veni sancte spiritus reple tuorum corda Anonymous 345v–347
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 171–171v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 317v–319
Viderunt omnes fines terrae salutare Anonymous 364v
Virgo Dei genitrix te rogitamus Anonymous 444v–445
Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo Anonymous 6v–7
Virgo iustorum- 2a pars (of 2): Nostra cantorum Anonymous 7v–8
Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 328v–329
Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus Anonymous 328v–329
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denotes primary source study

Cassia, Cristina (editor). 2023. Natus sapientia: A Motetti Missales Cycle form Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154.  Middleton (Wisconsin): A-R Editions.

Pavanello, Agnese (editor). 2023. Gaude, flore virginali: A Motetti Missales Cycle from Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154.  Middleton (Wisconsin): A-R Editions.

Diergarten, Felix. 2019. "Gaude flore virginali": Message from the "Black Hole"? Motet Cycles between Devotion and Liturgy, edited by Felix Diergarten, 429-455. Basel: Schwabe.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Maas, Chris J (editor). 1983-. New Obrecht Edition.  Utrecht. Pages: II,xi-ff, [xxvi-xxvii], 1-31; V,xvii-xlii,[xlvi-xlvii],35-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1977. Problems of Transmission in Obrecht's Missa Je ne Demande. The Musical Quarterly, 211-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xxxiii, 30, 44, 49,74-5,78,86; III,14,46-8,203-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I,222-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fässler, Ewald. 1975. Zur Lebensgeschichte des Nicolaus Leopold aus Innsbruck. Festschrift Walter Senn zum 70. Geburtstag, 29-35. Munich and Salzburg. Notes: facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1974. Die Datierung der Handschrift Mus. ms. 3154 der Staatsbibliothek München. Die Musikforschung, 36-56. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 69, 71, 75, 80, 89.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 150-l. Notes: physical description; mention of MS; discussion.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 126-9, 144-9,158-60,259ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I,24ff, passim; II,6ff,52-79,111-5). Prof. Thomas L. Noblitt has prepared an edition of the manuscript, with commentary, to appear in EDMR. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 8-10,59-150, 270-338. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); texts (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VII,91-2,97. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia.  Amsterdam. Pages: I, fasc. 1, v. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,1339; VI,1023; IX,903, Tafel 56, 116. Notes: physical description (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397; LVII,93-4,99. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: XXXI; XXXII,3, 16-8; XLVI; CI, iii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,x [incorrectly referred to as MS 3134],xiii. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,386,404-9,455. Notes: physical description (partial); transcription (partial); facsimile (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: I,iii-iv; Anhang, iv-vii; Xll.vii-viii; XV/XVI,vii,48-9; XXII,[v],179-88; XXVII, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 19-22. Notes: physical description; contents list (partial); concordances (partial).

Public Comments

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Lisa Colton

Wednesday, 21 August, 2019

This manuscript is currently being examined by the archivists at the Staatsbibliothek in order to prepare a full report on its watermarks, for publication by the archive online (August 2019).

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Benjamin Haider

Thursday, 10 July, 2025

Incorrect concordance for Gaffurius, 'Ave mundi spes Maria' identified.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description