D-Mbs Mus. MS 3154 (Leopold Codex)

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1466-1511

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 3154 (Leopold Codex)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	314 x 220 (ff. 370-379 and 390-399 slightly smaller, c. 298 x 211) mm
Other Identifiers	CCM: MunBS 3154 olim (Former shelfmark): MaiM 42; Chorbuch des Nikolaus Leopold
Relationships	Leopold (of Innsbruck), Nikolaus (owner) Lang, Matthaeus (reference to person in text)
External Links	colour images IIIF Manifest
External Authorities	RISM Online (sources/456052096)
Provenance	Bavaria, Germany
Contents	283 pieces from 29 composers

General Description

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section c. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19.

Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

DIAMM, 2017

Binding

Restored original covers of leather over wooden boards

DIAMM, 2017

Watermark

Forty-five patterns; see NoblDHM for list, discussion, and some reproductions. Descriptions etc now published online at https://www.wasserzeichen-online.de/wzis/lagenschema.php

DIAMM, 2025

Liminary Note

f. 370: "Magister nicolaus leopoldi ex ynsprugga"

DIAMM, 2025

Notation

not indicated

DIAMM, 2017

Foliation

Other numberings: New pencil numbering of pieces, 1-189, by J. J. Maier.

DIAMM, 2017

Foliation

472 ff.

Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; '225' applied to two consecutive folios; '294' applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier.

Blank staves (or blank folios): ff. 8v, 17v, 17bis-18v, 21, 37, 49, 62, 75, 81, 82-83v, 84v-86, 88v, 104v-105, 108v-109v, 113, 114v-116v, 117v-118, 126v-128, 155-155v, 157v-160, 178v, 196v-197, 199v-201, 204v-205, 214v, 231v, 232v-235v, 261v-264, 288, 290v-294, 301v-302, 328v-329, 330v-333, 353v, 358v, 411-412, 413v, 420, 425-426, 428-428v, 430v-431, 439v, 464, 468v-469, 470v-471v.

DIAMM, 2017

Decoration

Some folios (mainly those copied by main scribe) have inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(= MaiM 42) ("Chorbuch des Nikolaus Leopold")

22 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 6 Kyries, 1 Gloria, 2 Credos, 1 Sanctus, 1 Agnus, 33 Mass Proper sections, 11 Magnificats, 1 psalm, 10 hymns, 2 motet cycles (substitutes for Mass Ordinary sections), 64 motets, 7 German secular pieces, 1 Dutch secular piece, 20 textless pieces, 3 unidentified fragments = 187+4 duplicates = 191

(A. Agricola)-1, (A. Agricola/Aulenus?*/Cuvenor)-1, (A. Agricola/Isaac)-1, (Busnois)-1, (N. Clibano)-1, Compère-1, Dufay(?)-1, Ar. Fer.-1, A. Fevin-1, Finck-2, (Forest?)-1, (G.F.)-1, P. Hol.-1, Isaac-6, Jo. de Salice-1, (Josquin)-2, Josquin/(Compère)-1, (Josquin/Weerbecke)-1, Jung-1, Martini-7 + 2?, (Ninot le Petit/ Obrecht)-1, Obrecht-6, (Paulus de Broda)-1, Raber-1, Veye-1, anon-142

*Mass on ff. 400-407 bears inscription "Officium Auleni" in several concordant sources; discussion of possible identity of composer in JustM.

i + 472 paper folios, 314 x 220 (ff. 370-379 and 390-399 slightly smaller, ca. 298 x 211). Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; "225" applied to two consecutive folios; "294" applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier. New pencil numbering of pieces, 1-189, also by Maier. Blank folios or blank staves only: new ff. 8', 17', 17bis-18', 21, 37, 49, 62, 75, 81, 82-83', 84'-86, 88', 104'-105, 108'-109', 113, 114'-116', 117'-118, 126'-128, 155-155', 157'-160, 178', 196'-197, 199'-201, 204'-205, 214', 231', 232'-235', 261'-264, 288, 290'-294, 301'-302, 328'-329, 330'-333, 353', 358', 411-412, 413', 420, 425-426, 428-428', 430'-431, 439', 464, 468'-469, 470'-471'. Restored original covers of leather over wooden boards. No index.

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Some folios (mainly those copied by main scribe) have inked calligraphic initials. Forty-five watermarks; see NoblDHM for list, discussion, and some reproductions.

Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section ca. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19.

Ca. 1466-1511 (NoblDHM). Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	.... tua dextra / Christi corpus ave / Verus homo	-	Anonymous
.... tua dextra / Christi corpus ave / Verus homo Anonymous Appears on: 1 Genres: fragment, Motet Voice: Bassus Languages: Latin Clef: f4 Voice Text: ... tua dextra malis pacem summe Voice: Contratenor primus Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: Verus homo Voice: Tenor Languages: Latin Mensuration: o / cut-o 3 Clef: c3 Voice Text: Cristi corpus ave
1v–2	Anima mea - 1a pars (of 3): Anima mea liquefacta est	-	Forest
Anima mea - 1a pars (of 3): Anima mea liquefacta est Forest Appears on: 1v–2 Genres: Motet Voice: Bassus Languages: Latin Clef: f4 Voice Text: Quesivi Voice: Superius Languages: Latin Mensuration: c Clef: c1 Voice Text: Anima mea liquefacta est Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Anima mea Voice: Tenor Languages: Latin Clef: c4 Voice Text: Quesivi General Note DTO, vol. 76, p. 87
2v	Anima mea - 2a pars (of 3): Tulerunt pallium meum	-	Forest
Anima mea - 2a pars (of 3): Tulerunt pallium meum Forest Appears on: 2v Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tulerunt Voice: Superius Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tulerunt palium meum General Note DTO, vol. 76, p. 87
2v–3	Anima mea - 3a pars (of 3): Filiae Jerusalem	-	Forest
Anima mea - 3a pars (of 3): Filiae Jerusalem Forest Appears on: 2v–3 Genres: Motet Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Filie iherusalem Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Filie Voice: Bassus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Filie i:lem Voice: Superius Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Filie ierusalem General Note DTO, vol. 76, p. 87
3v–4	O plebs que Deum amas	-	Anonymous
O plebs que Deum amas Anonymous Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O plebs que deum amas Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Requiem eternam eis domine Voice: Contratenor Languages: Latin Clef: f3 Voice Text: O plebs Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O plebs que deum amas
4v–5	O beata infantia - 1a pars (of 2): O beata infantia	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 4v–5 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Bassus Languages: Latin Clef: f4 Voice Text: O beata [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O beata infantia
5v–6	O beata infantia - 2a pars (of 2): O praesepe splendidum	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 5v–6 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe splendidum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O presepe splendidum Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe splendidum
6v–7	Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo	-	Anonymous
Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo Anonymous Appears on: 6v–7 Genres: Motet Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Virgo iustorum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Virgo iustorum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Virgo iustorum decus et levamen Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Virgo iustorum [text incipit only]
7v–8	Virgo iustorum- 2a pars (of 2): Nostra cantorum	-	Anonymous
Virgo iustorum- 2a pars (of 2): Nostra cantorum Anonymous Appears on: 7v–8 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Nostra cantorum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nostra cantorum [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nostra cantorum [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Nostra cantorum [text incipit only]
9	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 9 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Pascale Kyrieleyson Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrieleyson Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Kyrieleyson
9v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 9v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agnus dei qui tollis Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Agnus [text incipit only]
9v–10	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 9v–10 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: Kyrie fons bonitatis (recte: pascale): Kyrieleyson Voice: Tenor Languages: Greek Mensuration: c Clef: c4 Voice Text: Kyrieleyson Voice: Contratenor primus Languages: Latin Mensuration: c Clef: c4 Voice Text: Kyrielson Concordances Codex Tridentinus 88, 225v; and re-copied at f. 163v of this ms General Note incorrectly labelled "Kyrie fons bonitatis"
10v–11	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 10v–11 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Tenor Languages: Latin Clef: c2 Voice Text: [untexted] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra (=Gloria VI. toni) Voice: Contratenor Languages: Latin Clef: c3 Voice Text: [untexted] General Note Codex Tridentinus 88, 372v
11v	Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: o-dot Clef: c1 Voice Text: Gaudeamus: Omnes in domino [intonation in c4 clef] Voice: Tenor Languages: Latin Mensuration: o-dot Clef: c4 Voice Text: [untexted, but with intonation in this voice also]
11v	Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	-	Anonymous
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum Anonymous Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eructavit [text incipit only] Voice: Tenor Languages: Latin Clef: c4 Voice Text: Eructavit [text incipit only]
12	Kyrie de beata virgine	-	Anonymous
Kyrie de beata virgine Anonymous Appears on: 12 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyriel' de beata virgine: Kyrie leyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: Contratenor Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie leyson
12	Veni redemptor gentium / Christe redemptor omnium	-	Anonymous
Veni redemptor gentium / Christe redemptor omnium Anonymous Appears on: 12 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non ex virili semine (= Veni redemptor gentium) [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Voice Text: [untexted]
12v	Kyrie Angelicum	-	Anonymous
Kyrie Angelicum Anonymous Appears on: 12v Genres: Kyrie eleison, Mass Ordinary Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: [Kyrie] Angelicum: Kyrie leyson
13	Kyrie Pascale	-	Roullet, Johannes
Kyrie Pascale Roullet, Johannes Appears on: 13 Genres: Kyrie eleison, Mass Ordinary Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie pascale: Kyrie leyson Voice: Contratenor Languages: Greek Voice Text: Kyrie leyson General Note Codex Tridentinus 90, 74v
13v–15	Magnificat primi toni: Et exultavit [K.155]	-	Anonymous
Magnificat primi toni: Et exultavit [K.155] Anonymous Appears on: 13v–15 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Et exultavit spiritus meus (= Magnificat I. toni) Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Et exultavit [text incipit only] Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only] General Note Codex Tridentinus 89, 394v
15v–16	Magnificat octavi toni: Et exultavit [K.446]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.446] Anonymous Appears on: 15v–16 Genres: BVM, Canticle, Magnificat Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Et exultavit [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et exultavit spiritus meus (= Magnificat VIII. toni) Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et exultavit spiritus meus Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit [text incipit only] Concordances Codex Tridentinus 91, 209v General Note music for vv. 2,4,6 is re-used for vv. 8,10,12
16v–17	Magnificat Sexti Toni: Et exultavit [K.317]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.317] Anonymous Appears on: 16v–17 Genres: BVM, Canticle, Magnificat Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only[ Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit [text incipit only[ Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et exultavit (= Magnificat VI. toni) [text incipit only]
19	untexted	-	-
untexted Appears on: 19 Voice: [no designation] Languages: none Mensuration: c-2 Clef: f3 Voice Text: end of a composition in the bass, no text
19v–20	Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo	-	Anonymous
Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo Anonymous Appears on: 19v–20 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude maria virgo Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude maria virgo Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude maria virgo Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted]
19v–20	Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum	-	Anonymous
Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum Anonymous Appears on: 19v–20 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dum virgo Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum virgo deum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dum virgo deum
20v	Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede	-	Anonymous
Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede Anonymous Appears on: 20v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Dei genitrix [text incipit only] Voice: Tenor Languages: Latin Clef: c4 Voice Text: Dei genitrix intercede pro nobis Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Dei genitrix [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Dei genitrix intercede pro nobis
21v–22	En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis	-	Anonymous
En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis Anonymous Appears on: 21v–22 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ex fortissimis Israel omnes tenentes gladios Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [E]n lectulum Salomonis Voice: Contratenor primus Languages: Latin Clef: c1 Voice Text: En lectulum [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f4 Voice Text: Omnes tenentes [text incipit only]
22v–23	En lectulum Salomonis - 2a pars (of 2): Egredimini et videte	-	Anonymous
En lectulum Salomonis - 2a pars (of 2): Egredimini et videte Anonymous Appears on: 22v–23 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Egredimini et videte ... regem Salomonem Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Egredimini et videte filie Syon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Egredimini et videte [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Egredimini et videte filie Syon
23v–24	Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria	-	Roda, Paulus de
Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria Roda, Paulus de Appears on: 23v–24 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: c between 3/4 Voice Text: Ave salve [text incipit only] Voice: Contratenor Languages: Latin Mensuration: o Clef: c between 4/5 Voice Text: Ave salve gaude vale o maria non vernale Voice: [no designation] Languages: Latin Mensuration: o Clef: [c4] Voice Text: Ave salve gaude [text incipit only] General Note EdM XXXIV, p. 347
24v–25	Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis	-	Roda, Paulus de
Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis Roda, Paulus de Appears on: 24v–25 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c between 3/4 Voice Text: Ave celum deitatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: [c4] Voice Text: Ave celum deitatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c between 4/5 Voice Text: Ave celum deitatis [text incipit only] General Note EdM XXXIV, p. 347
25v–26	untexted	-	Roda, Paulus de
untexted Roda, Paulus de Appears on: 25v–26 Genres: Motet Voice: Discantus primus Languages: none Mensuration: o Clef: c between 2/3 Voice Text: [untexted] Voice: Secundus Discantus Languages: none Mensuration: o Clef: c between 2/3 Voice Text: [untexted] Voice: Tenor Languages: none Mensuration: o Clef: [c4] Voice Text: [untexted] Voice: Bassus Languages: none Mensuration: o Clef: c3 Voice Text: [untexted]
26v–27	untexted	-	Roda, Paulus de
untexted Roda, Paulus de Appears on: 26v–27 Genres: Motet Voice: [no designation] Languages: none Mensuration: c-2 Clef: c4 Voice Text: [untexted] Voice: Secundus Discantus Languages: Latin Mensuration: c-2 Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: c-2 Clef: c5 Voice Text: [untexted] Voice: Bassus Languages: none Mensuration: c-2 Clef: c3 Voice Text: [untexted]
27v–28	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	-	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante Busnoys, Antoine (ca. 1430–1492) Appears on: 27v–28 Genres: Motet Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: o Clef: c2 Voice Text: In hydraulis [text incipit only] General Note DTO vol. 14/15, p. 105 Layout No text underlay, but complete text copied at end
28v–29	In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	-	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis Busnoys, Antoine (ca. 1430–1492) Appears on: 28v–29 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hec oggkem [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Heg okgeghem [text incipit only] General Note DTO vol. 14/15, p. 105 General Note No text underlay, but complete text copied on f.28
29v–30	Ave mundi spes Maria / In Gottes Namen	-	Anonymous
Ave mundi spes Maria / In Gottes Namen Anonymous Appears on: 29v–30 Genres: Ave Maria, Motet Voice: Altus primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave maria ave [text incipit only] Voice: Tenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Gottes namen faren von [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave virgo maria Christe [text incipit only] Voice: Contratenor tertius Languages: Latin Mensuration: o Clef: f4 Voice Text: Ave virgo maria Christe [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Gottes namen faren von [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave mundi spes Maria Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave mundi spes maria [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c2 Voice Text: Gottes namen faren vor [text incipit only] General Note DTO vol. 14/15, p. 266
30v–32	Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris]	-	Anonymous
Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] Anonymous Appears on: 30v–32 Genres: Motet, Regina caeli laetare Voice: Subcontra Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Quia quem [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Regina caeli laetare alleluia Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Regina [text incipit only] Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina celi [text incipit only]
32v–33	O quam pulchra - 1a pars (of 2): O quam pulchra	-	Anonymous
O quam pulchra - 1a pars (of 2): O quam pulchra Anonymous Appears on: 32v–33 Genres: Motet Voice: Discantus Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: O quam pulchra [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O quam pulchra [text incipit only]
32v–33	O quam pulchra - 2a pars (of 2): Quoniam et apud	-	Anonymous
O quam pulchra - 2a pars (of 2): Quoniam et apud Anonymous Appears on: 32v–33 Genres: Motet Voice: Bassus Languages: Latin Mensuration: c-2 Clef: f4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: c-2 Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: c-2 Clef: c2 Voice Text: [untexted]
33v–35	untexted	-	-
untexted Appears on: 33v–35 Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: [untexted] Voice: Tenor Languages: none Mensuration: c Clef: c4 Voice Text: [untexted] Voice: Subcontra Languages: none Mensuration: c Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: none Mensuration: c Clef: f4 Voice Text: [untexted] General Note 2 partes: in c and cut-o
35v–36v	untexted	-	-
untexted Appears on: 35v–36v Voice: [no designation] Languages: none Mensuration: o Clef: c1 Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice: Subcontra Languages: none Mensuration: o Clef: c4 Voice: Bassus Languages: none Mensuration: o Clef: c4
37v–38	O beatorum supernorum civium concreata	-	Anonymous
O beatorum supernorum civium concreata Anonymous Appears on: 37v–38 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: [untexted] Voice: Secundus Discantus Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: [untexted] Voice: Bassus Languages: Latin Clef: f3 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: O beatorum supernorum civium cocreata [text incipit only]
38v–39	Gaude flore virginali - 1a pars (of 6): Gaude flore virginali	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 1a pars (of 6): Gaude flore virginali Martini, Johannes (ca. 1430–1497) (?) Appears on: 38v–39 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude flore [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude flore virginali Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude flore virginali Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude flore [text incipit only] Item Bibliography Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini. Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 270. Notes: proposed attribution to Martini.
39a	Veneremur [from 'Pange lingua gloriosi']	-	Anonymous
Veneremur [from 'Pange lingua gloriosi'] Anonymous Appears on: 39a Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Veneremur Voice: Superius Languages: Latin Clef: c1 Voice Text: Veneremur Voice: Altus Languages: Latin Clef: c3 Voice Text: Veneremur Voice: Bassus Languages: Latin Clef: f4 Voice Text: Veneremur (from the 'Tantum ergo' verse of Pange lingua gloriosi) General Note a slip of paper pasted between ff. 38v/39, containing a 4vv setting of the word "veneremur" only
39v–40	Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei Martini, Johannes (ca. 1430–1497) (?) Appears on: 39v–40 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude sponsa cara dei Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude sponsa cara dei Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude sponsa [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude sponsa [text incipit only]
39v–40	Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum Martini, Johannes (ca. 1430–1497) (?) Appears on: 39v–40 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaide splendens [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude splendens vas virtutum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude splendens vas virtutum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude splendens [text incipit only]
40v–41	Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis	loco offertorii	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis Martini, Johannes (ca. 1430–1497) (?) Appears on: 40v–41 Genres: Motet Source Attribution: loco offertorii Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude nexu voluntatis et amplexu Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude nexu voluntatis [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude nexu voluntatis [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude nexu voluntatis [text incipit only]
41v–42	Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima	loco sanctus	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima Martini, Johannes (ca. 1430–1497) (?) Appears on: 41v–42 Genres: Motet Source Attribution: loco sanctus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti maxima [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima
42v–43	Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura	loco Agnus	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura Martini, Johannes (ca. 1430–1497) (?) Appears on: 42v–43 Genres: Motet Source Attribution: loco Agnus Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Certa manens et secura [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Certa manens et secura Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude virgo mater pura certa manens et secura Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude virgo mater pura ... et secura
43v	Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus	loco Introitus	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus Martini, Johannes (ca. 1430–1497) (?) Appears on: 43v Genres: Motet Source Attribution: loco Introitus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: no clef Voice Text: Natus sapiencia veritas divina deus homo captus est Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [utexted] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Item Bibliography Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini. Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 144-150, 305. Notes: proposed attribution to Martini.
44	Natus sapientia - 2a pars (of 8): Cito derelictus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 2a pars (of 8): Cito derelictus Martini, Johannes (ca. 1430–1497) (?) Appears on: 44 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Cito derelictus Voice: Tenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted]
44v	Natus sapientia - 3a pars (of 8): Hora prima ductus est	loco patrem	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 3a pars (of 8): Hora prima ductus est Martini, Johannes (ca. 1430–1497) (?) Appears on: 44v Genres: Motet Source Attribution: loco patrem Voice: Altus Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: Hora prima ductus est Voice: Tenor Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted]
45	Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit	post elevationem	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit Martini, Johannes (ca. 1430–1497) (?) Appears on: 45 Genres: Motet Source Attribution: post elevationem Voice: Contratenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: 3 Clef: no clef Voice Text: Jhesus dominus expiravit
45v–46	Natus sapientia - 5a pars (of 8): Crucifige clamitant	loco offertorii	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 5a pars (of 8): Crucifige clamitant Martini, Johannes (ca. 1430–1497) (?) Appears on: 45v–46 Genres: Motet Source Attribution: loco offertorii Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Crucifige clamitant [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Crucufige clamitant hora tertia Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted]
46v–47	Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus Martini, Johannes (ca. 1430–1497) (?) Appears on: 46v–47 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: Iugi est cruci conclavatus Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted]
47v–48	Natus sapientia - 7a pars (of 8): Fortitudo latuit	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 7a pars (of 8): Fortitudo latuit Martini, Johannes (ca. 1430–1497) (?) Appears on: 47v–48 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: fortitudo [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Fortitudo latuit [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Fortitudo latuit monte
48v	Natus sapientia - 8a pars (of 8): Datur sepulturae corpus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 8a pars (of 8): Datur sepulturae corpus Martini, Johannes (ca. 1430–1497) (?) Appears on: 48v Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: 3 / 2 Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Datum sepulturae [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Datum sepulturae corpus Christi
49v–50	De tous biens plaine est ma maîtresse	-	Anonymous
De tous biens plaine est ma maîtresse Anonymous Appears on: 49v–50 Genres: Chanson Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [untexted] General Note "The treble is the same as in Hayne van Ghizeghem's Chanson (cf. Hewitt O, 137-139 and 263-264). The version in Munich 3154 is evidently identical with none of the numerous related compositions recorded by Hewitt." (Noblitt 1969)
50v–51	untexted	-	-
untexted Appears on: 50v–51 Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice: Contratenor Languages: none Mensuration: o Clef: f3 General Note completed on ff. 54v-55
51v	Se stee ich hie	-	Anonymous
Se stee ich hie Anonymous Appears on: 51v Genres: Song Voice: Superius Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: So stee ich hie auff diser erd Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: German Mensuration: cut-c Clef: f3 Voice Text: [untexted]
52	Ich sachs eins mals	-	Anonymous
Ich sachs eins mals Anonymous Appears on: 52 Genres: Song Voice: Bassus Languages: German Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich sachs ains mals den liechten morgen sterne Voice: Altus Languages: German Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich sachs ains mals den liechten morgen sterne
52v	Gespile liebe gespile	-	Anonymous
Gespile liebe gespile Anonymous Appears on: 52v Genres: Song Voice: Bassus Languages: German Mensuration: cut-c 3 Clef: f4 Voice Text: [untexted] Voice: Altus Languages: German Mensuration: cut-c 3 Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c 3 Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c 3 Clef: c1 Voice Text: Gespile liebe gespile gut
53	Tanhauser Ir seit mir	-	Anonymous
Tanhauser Ir seit mir Anonymous Appears on: 53 Genres: Song Voice: Bassus Languages: German Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c Clef: c3 Voice Text: Tanhauser Ir seit mir lieb [text incipit only] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted]
53	Es sassen höld	-	Anonymous
Es sassen höld Anonymous Appears on: 53 Genres: Song Voice: Contratenor Languages: German Mensuration: cut-c 3 Clef: f3 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c 3 Clef: c1 Voice Text: Es sassen höld in ainer stuben Voice: Tenor Languages: German Mensuration: cut-c 3 Clef: c4 Voice Text: [untexted]
53v	O Venus bant / O vierich brant 27.29	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Despres, Josquin (ca. 1450–1521) (?)
O Venus bant / O vierich brant 27.29 Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 53v Genres: Song Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: O venus pant [text incipit only] Voice: Contratenor Languages: German Mensuration: cut-c Clef: f4 Voice Text: O venus pannt [text incipit only] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted] Concordances Harmonice musices odhecaton, p. 383
54	Carmen (song)	-	Roda, Paulus de
Carmen (song) Roda, Paulus de Appears on: 54 Genres: textless Voice: [no designation] Languages: none General Note EdM IV, p. 95
54v–55	untexted (conclusion of piece on ff. 50v-51	-	-
untexted (conclusion of piece on ff. 50v-51 Appears on: 54v–55 Voice: [no designation] Languages: none Mensuration: c-2 Clef: c4 Voice: Contratenor Languages: none Mensuration: c-2 Clef: f3 Voice: [no designation] Languages: none Mensuration: o-2 Clef: c2 General Note completion of untexted piece on ff. 50v-51
55v–56	untexted	Jo. de Salice	Salice, Jo. de
untexted Salice, Jo. de Appears on: 55v–56 Genres: textless Source Attribution: Jo. de Salice Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice: Altus Languages: none Mensuration: o Clef: c2 Voice: Contratenor Languages: none Mensuration: o Clef: f4 Voice: Tenor Languages: none Mensuration: o Clef: c4
56v–58	no text two parts	-	-
no text two parts Appears on: 56v–58 Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice Text: (2a pars: cut-c) Voice: Altus Languages: none Mensuration: o Clef: c2 Voice Text: (2a pars: cut-c) Voice: Contratenor Languages: none Mensuration: o Clef: f4 Voice Text: (2a pars: Bassus, cut-c) Voice: Discantus primus Languages: none Mensuration: o Clef: c2 Voice Text: (2a pars: cut-c)
58v–59	Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria	-	Anonymous
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria Anonymous Appears on: 58v–59 Genres: Motet Voice: Contratenor Languages: Latin Clef: c4 Voice Text: B [initial only] Voice: [no designation] Languages: Latin Clef: g2 Voice Text: B [initial only] Voice: Tenor Languages: Latin Clef: c3 Voice Text: Beata dei genitrix [text incipit only] Voice: Altus Languages: Latin General Note a half-folio 58bis is inserted, with the resolution of the canons in the Tenor: "serpentem timeas letus cancrum[?] tibi summas"; "Hic serpens crescit in [cancrum?] et valde tumescit / Absque mora cantor caute caput cupiat"
59v–60	Beata Dei genitrix - 2a pars (of 2): Ora pro populo	-	Anonymous
Beata Dei genitrix - 2a pars (of 2): Ora pro populo Anonymous Appears on: 59v–60 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ora pro populo [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ora pro populo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ora pro populo interveni pro clero Voice: Tenor Languages: Latin Clef: c3 Voice Text: Ora pro populo [text incipit only] General Note Canon: "Serpens timeas letus cancrum[?] tibi summas"
60v–61	Alma chorus - 1a pars (of 2): Alma chorus Domini nunc	-	Anonymous
Alma chorus - 1a pars (of 2): Alma chorus Domini nunc Anonymous Appears on: 60v–61 Genres: Sequence Voice: Bassus Languages: Latin Clef: c4 Voice Text: [untexted] Voice: Altus Languages: Latin Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Alma chorus domini nunc Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Alma [text incipit only]
61v	Alma chorus - 2a pars (of 2): Os verbum splendor	-	Anonymous
Alma chorus - 2a pars (of 2): Os verbum splendor Anonymous Appears on: 61v Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O[s verbum splendor] [initial only] General Note incomplete: only part of the first voice is copied (2 staves)
62v–64	O Jesu clementissime	-	Anonymous
O Jesu clementissime Anonymous Appears on: 62v–64 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Altus Languages: Latin Clef: c4 Voice Text: O ihesu clementissime [text incipit only] Voice: Bassus Languages: Latin Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O iesu clementissime [text incipit only] General Note mensuration moves to cut-o on 63v-64
64v–65	Rex regum Christe	-	Anonymous
Rex regum Christe Anonymous Appears on: 64v–65 Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Rex regum Christe [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted]
65v–66	Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut	-	Anonymous
Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut Anonymous Appears on: 65v–66 Genres: Motet Voice: Tenor Primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ista est speciosa ... inter filias Jhesu Voice: Tenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Cristum regem adoremus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ista est speciosa odor fragrans velud rosa Voice: Bassus Languages: Latin Mensuration: o Clef: f5 Voice Text: Arbor omnis est spinosa Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Ista est speciosa odor fragrans velud rosa
66v–67	Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum	-	Anonymous
Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum Anonymous Appears on: 66v–67 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Sursum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Et beatissimam te supplex oro Voice: Bassus Languages: Latin Mensuration: o-2 Clef: f5 Voice Text: Venite exultemus domino Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Ista est speciosa inter filias Jherusalem Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Et beatissimam te supplex oro [text incipit only]
67v–68	Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum	-	Anonymous
Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum Anonymous Appears on: 67v–68 Genres: Hymn Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Salve mundi [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Salve mundi gloria regina celorum Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Dulcedo [text incipit only]
68v–69	Salve mundi gloria - 2a pars (of 2): Pietatis oculos	-	Anonymous
Salve mundi gloria - 2a pars (of 2): Pietatis oculos Anonymous Appears on: 68v–69 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: P[ietatis oculos] [initial only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Nos debiles [text incipit only] Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted]
69v–70	Der Bauer in dem Graben Rock	-	Anonymous
Der Bauer in dem Graben Rock Anonymous Appears on: 69v–70 Genres: Song Voice: Tenor bassus Languages: German Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Tenor altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: Der pawr in dem graben rock Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: German Mensuration: cut-c Clef: f4 Voice Text: der pawr [text incipit only] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Der pawr in dem graben rock
70v–71	Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat]	-	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?)
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?) Appears on: 70v–71 Genres: Contrafactum, Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaudent in celis [text incipit only] General Note text here: Gaudent in caelis
71v–72	Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.]	-	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 71v–72 Genres: Contrafactum, Motet Voice: Contratenor Languages: none Clef: f4 Voice Text: "2a pars" [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: "2a pars" [untexted] Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted]
72v–73	Argentum et aurum	H. Ysac	Isaac, Heinrich (ca. 1450–1517)
Argentum et aurum Isaac, Heinrich (ca. 1450–1517) Appears on: 72v–73 Genres: Troped ite Source Attribution: H. Ysac Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Argentum et aurum non est mihi quod habeo Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] General Note EdM XXXIII, p. 270
73v–74	Ecce sacerdos magnus [Ecce dilectus meus]	-	Isaac, Heinrich (ca. 1450–1517)
Ecce sacerdos magnus [Ecce dilectus meus] Isaac, Heinrich (ca. 1450–1517) Appears on: 73v–74 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce sacerdos magnus qui in diebus suis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce sacerdos [text incipit only] General Note EdM XXXIII, p. 264
74v	Inviolata integra et casta es Maria	-	Isaac, Heinrich (ca. 1450–1517)
Inviolata integra et casta es Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 74v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Inviolata integra [text incipit only] Concordances RISM 1508-1, no. 7 General Note incomplete: only 2 voices, and a canon instruction for a third, are copied. Opposite page left blank.
75v	untexted	-	Anonymous
untexted Anonymous Appears on: 75v Genres: textless Voice: [no designation] Languages: none Mensuration: c Clef: c2 Voice Text: no text [Alto and Bass on f. 84] Voice: Tenor Languages: none Mensuration: c Clef: c2 Concordances no text - Altus and Bass on f. 84
76–77v	Patrem omnipotentem [Credo] VIII toni	-	Anonymous
Patrem omnipotentem [Credo] VIII toni Anonymous Appears on: 76–77v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: P[atrem omnipotentem] [initial only] (= Credo VIII. toni) Voice: Tenor Languages: Latin Mensuration: o-dot Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: [untexted] General Note f. 76 contains the end of the piece, continued from f. 77v
78	untexted	-	Anonymous
untexted Anonymous Appears on: 78 Genres: textless Voice: [no designation] Languages: none Clef: c4 Voice Text: Two lines of a Tenor with substantial corrections (fair copy on f. 81v) Concordances cf. fragment at f. 81v General Note fragment: two lines of a Tenor
78v–80v	Credo / Patrem de village (quarti toni)	-	Clibano, Jacobus de
Credo / Patrem de village (quarti toni) Clibano, Jacobus de Appears on: 78v–80v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem factorem celi Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Patrem omnipotentem factorem celi General Note Codex Tridentinus 89, 404v
81v	untexted	-	Anonymous
untexted Anonymous Appears on: 81v Genres: textless Voice: [no designation] Languages: none Clef: c4 Concordances cf. fragment at f. 78
84	untexted	-	Anonymous
untexted Anonymous Appears on: 84 Genres: textless Voice: Altus Languages: none Mensuration: c Clef: c2 Voice: Bassus Languages: none Mensuration: c Clef: c4 Concordances untexted - Cantus and Tenor on f. 75v
86v–87	Salve regina - 1a pars (of 3): Salve regina misericordiae	wilhelmus duffay	Du Fay, Guillaume (1397–1474)
Salve regina - 1a pars (of 3): Salve regina misericordiae Du Fay, Guillaume (1397–1474) Appears on: 86v–87 Genres: BVM, Motet, Salve Regina Source Attribution: wilhelmus duffay Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Regina misericordie [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve: Regina misericordie vita dulcedo Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina misericordie vita et spes
86v–87	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Du Fay, Guillaume (1397–1474)
Salve regina - 2a pars (of 3): Eya ergo advocata Du Fay, Guillaume (1397–1474) Appears on: 86v–87 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Eya ergo advocata nostra Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo advocata nostra Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo advocata nostra Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo advocata nostra
87v–88	Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	-	Du Fay, Guillaume (1397–1474)
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia Du Fay, Guillaume (1397–1474) Appears on: 87v–88 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et ihesum benedictum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et ihesum benedictum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et ihesum benedictum [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Et ihesum benedictum [text incipit only]
89	Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine	Jo. M. [= Martini]	Martini, Johannes (ca. 1430–1497)
Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine Martini, Johannes (ca. 1430–1497) Appears on: 89 Genres: Motet, Salve Regina Source Attribution: Jo. M. [= Martini] Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Salve regina [text incipit only] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Salve regina misericordie vita dulcedo Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Salve regina misericordie vita dulcedo Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Da pacem domine in diebus nostris General Note each pars has a different chant as its c.f. - Da pacem, O crux, Vos amici, Gloria laus, Da tuis
89v–90	Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave Martini, Johannes (ca. 1430–1497) Appears on: 89v–90 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Ad te clamamus exules Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: O crux ave spes unica Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Ad te clamamus [text incipit only] Voice: Tenor Languages: Latin Clef: c3 Voice Text: Ad te clamamus exules
90v–91	Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici Martini, Johannes (ca. 1430–1497) Appears on: 90v–91 Genres: Motet, Salve Regina Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Advocata nostra Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Advocata nostra Voice: [Discantus] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo advocata nostra Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Eya ergo - Vos amici mei estis si feceritis
91v–92	Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor Martini, Johannes (ca. 1430–1497) Appears on: 91v–92 Genres: Motet, Salve Regina Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et Jhesum benedictum fructum ventris tui Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Gloria laus et honor tibi sit rex Christe Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et Jhesum benedictum fructum ventris tui Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Jhesum - Gloria laus et honor - benedictum fructum ventris tui
89–93	Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus Martini, Johannes (ca. 1430–1497) Appears on: 89–93 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: O clemens - Da tuis fidelibus in te confidentibus Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: O clemens o dulcis Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: O clemens o dulcis maria Voice: Discantus Languages: Latin Mensuration: c Clef: c1 Voice Text: O clemens o dulcis maria
93v–95	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 93v–95 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Salve [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] - Vita dulcedo [text incipit only] Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Salve regina misericordie Concordances [said to be concordant with Capp. Sist. 15 ff. 212v-215 -- but seems to be a different setting.]
95v–96	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Cornelius de Veye	Veye, Cornelius de
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Veye, Cornelius de Appears on: 95v–96 Genres: Alma redemptoris mater, Motet Source Attribution: Cornelius de Veye Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Alma [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Alma redemptoris mater quae pervia celi porta Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Alma redemptoris [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Alma redemptoris mater quae pervia celi porta
96v–98	Alma redemptoris mater - 2a pars (of 2): Surgere qui curas	-	Veye, Cornelius de
Alma redemptoris mater - 2a pars (of 2): Surgere qui curas Veye, Cornelius de Appears on: 96v–98 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Surgere qui curas populo tu quae genuisti Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Surgere qui curas populo tu quae genuisti [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Surgere qui curas populo tu quae genuisti
98v–99	Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur	Ar. Fer.	Fernandez, Aires (?)
Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur Fernandez, Aires (?) Appears on: 98v–99 Genres: Motet, Salve Regina Source Attribution: Ar. Fer. Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Salve regina [text incipit only] Voice: [no designation] Languages: French Mensuration: o Clef: c1 Voice Text: Le serviteur [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salve regina misericordie vita dulcedo Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Salve regina [text incipit only] General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Leservitor (=Le serviteur, by Isaac)
99v–100	Salve regina misericordiae - 2a pars (of 6): Ad te suspiramus / Zu iagen	-	Fernandez, Aires (?)
Salve regina misericordiae - 2a pars (of 6): Ad te suspiramus / Zu iagen Fernandez, Aires (?) Appears on: 99v–100 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ad te suspiramus [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ad te suspiramus [text incipit only] Voice: [no designation] Languages: German Mensuration: c-2 Clef: c1 Voice Text: Zu iagen [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ad te suspiramus gementes & flentes General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Zu iagen (unidentified)
99v–100	Salve regina misericordiae - 3a pars (of 6): Eya ergo / Je n'ay pris amour	-	Fernandez, Aires (?)
Salve regina misericordiae - 3a pars (of 6): Eya ergo / Je n'ay pris amour Fernandez, Aires (?) Appears on: 99v–100 Genres: Motet, Salve Regina Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Eya ergo [text incipit only] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Genepris amor Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Eya ergo [text incipit only] General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Genepris amor (= Je n'ay pris amour, by Isaac)
100v–101	Salve regina misericordiae - 4a pars (of 6): Et Jesum benedictum / Glick walt der rays	-	Fernandez, Aires (?)
Salve regina misericordiae - 4a pars (of 6): Et Jesum benedictum / Glick walt der rays Fernandez, Aires (?) Appears on: 100v–101 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Et Jhesum benedictum [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et Jhesum benedictum fructum ventris tui Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Jhesum [text incipit only] Voice: [no designation] Languages: German Mensuration: o Clef: c1 Voice Text: glick walt der rays [text incipit only] General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Glick walt der rays (unidentified)
100v–101	Salve regina misericordiae - 5a pars (of 6): O clemens / Wunschlich schon	-	Fernandez, Aires (?)
Salve regina misericordiae - 5a pars (of 6): O clemens / Wunschlich schon Fernandez, Aires (?) Appears on: 100v–101 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Wunschlich schon Voice: Bassus Languages: Latin Clef: f4 Voice Text: O clemens [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O clemens [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O clemens [text incipit only] General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wunschlich schon (cf. D-Mbs Cgm 810 ff. 132v-133)
100v–101	Salve regina misericordiae - 6a pars (of 6): O dulcis Maria / Wes ich mich leid	-	Fernandez, Aires (?)
Salve regina misericordiae - 6a pars (of 6): O dulcis Maria / Wes ich mich leid Fernandez, Aires (?) Appears on: 100v–101 Genres: Motet Voice: Discantus Languages: German Mensuration: cut-c Clef: g2 Voice Text: Wes ich mich leid [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O dulcis maria Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: O dulcis [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O dulcis maria General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wes ich mich leid (by Hans Sygler - cf. Das Tenorlied, 234.30)
101v–102	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 101v–102 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Regina [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Regina celi letare alleluia Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Regina celi letare alleluia
102v–103	Regina caeli - 2a pars (of 2): Ora pro nobis	-	Anonymous
Regina caeli - 2a pars (of 2): Ora pro nobis Anonymous Appears on: 102v–103 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ora pro nobis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ora pro nobis [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Ora pro nobis alleluia
103v–104	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Agricola, Alexander (ca. 1445–1506)
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Agricola, Alexander (ca. 1445–1506) Appears on: 103v–104 Genres: Alleluia, Motet, Regina caeli laetare Voice: [Discantus] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Regina celi [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: R[egina] [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Regina [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] General Note CMM 22/IV, p. 7
103v–104	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	-	Agricola, Alexander (ca. 1445–1506)
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Agricola, Alexander (ca. 1445–1506) Appears on: 103v–104 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Resurrexit [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Resurrexit [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Resurrexit sicut dixit alleluia Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Resurrexit [text incipit only] General Note CMM 22/IV, p. 7
105v–106	Salve regina - 1a pars (of 3): Salve regina misericordiae	-	Anonymous
Salve regina - 1a pars (of 3): Salve regina misericordiae Anonymous Appears on: 105v–106 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salve regina misericordie Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salve [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Salve [text incipit only]
106v–107	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Anonymous
Salve regina - 2a pars (of 3): Eya ergo advocata Anonymous Appears on: 106v–107 Genres: Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Eya ergo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo advocata nostra Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo [text incipit only]
107v–108	Salve regina - 3a pars (of 3): O clemens o pia	-	Anonymous
Salve regina - 3a pars (of 3): O clemens o pia Anonymous Appears on: 107v–108 Genres: Salve Regina Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O clemens O pia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O clemens o pia Voice: Bassus Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: O clemens O pia
110–112v	Magnificat Sexti Toni: Et exultavit [K.297]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.297] Anonymous Appears on: 110–112v Genres: BVM, Canticle, Magnificat Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et exultavit [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et exultavit spiritus (= Magnificat VI. toni) Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quia fecit (tacet in opening Et exultavit)
113v–114	untexted	-	-
untexted Appears on: 113v–114 Voice: [no designation] Languages: none Mensuration: o Clef: c3 Voice: [no designation] Languages: none Mensuration: o Clef: f3 Voice: [no designation] Languages: none Mensuration: o Clef: f3 Voice: [no designation] Languages: none Mensuration: o Clef: f5 Voice Text: [incomplete] General Note Bassus incomplete
117	Magnificat sexti toni: Anima mea [K.698]	loyset compere	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Anima mea [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 117 Genres: BVM, Canticle, Magnificat Source Attribution: loyset compere Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Anima mea [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Anima mea [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Anima mea Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sexti toni: Magnificat: Anima mea General Note Anima mea & Et exultavit verses only General Note CMM 15/III, p. 37
118v–120v	Magnificat quarti toni:: Et exultavit [K.908]	-	Martini, Johannes (ca. 1430–1497)
Magnificat quarti toni:: Et exultavit [K.908] Martini, Johannes (ca. 1430–1497) Appears on: 118v–120v Genres: BVM, Canticle, Magnificat Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f5 Voice Text: Et exultavit [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Et exultavit untexted] Quia fecit [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Et exultavit [text incipit only]
121–122v	Magnificat tertii toni: Anima mea [K.906]	Jo. Martini	Martini, Johannes (ca. 1430–1497)
Magnificat tertii toni: Anima mea [K.906] Martini, Johannes (ca. 1430–1497) Appears on: 121–122v Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Martini Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Secundi toni [wrongly!]. Anima mea dominum [text incipit only] Voice: Bassus Languages: Latin Mensuration: c Clef: f3 Voice Text: Anima mea dominum [text incipit only] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Anima mea dominum [text incipit only] Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Anima [text incipit only] General Note Chorwerk H. XLVI, p. 14
123–125	Magnificat sexti toni: Anima mea [K.909]	-	Martini, Johannes (ca. 1430–1497)
Magnificat sexti toni: Anima mea [K.909] Martini, Johannes (ca. 1430–1497) Appears on: 123–125 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: 6ti toni. Anima mea dominum [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Anima mea [text incipit only] Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: Anima [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Anima [text incipit only]
124v–126	Magnificat octavi toni: Anima mea [K.911]	Jo. Martini	Martini, Johannes (ca. 1430–1497)
Magnificat octavi toni: Anima mea [K.911] Martini, Johannes (ca. 1430–1497) Appears on: 124v–126 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Martini Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: Anima mea [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: 8 toni. Anima mea [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Anima mea [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Anima mea [text incipit only] General Note Anima mea, Et exultavit, Quia respexit verses only
128v–131	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 128v–131 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salve regina misericordie [text incipit only] Voice: Bassus Languages: Latin Clef: f4 Voice Text: Salve regina misericordie [text incipit only] Voice: Tenor Languages: Latin Clef: c4 Voice Text: Salve regina [text incipit only]
131v–137	Missa Je ne vis oncques (KGCSA)	phi. hol.	Phi. Hol
Missa Je ne vis oncques (KGCSA) Phi. Hol Appears on: 131v–137 Genres: Mass Ordinary Source Attribution: phi. hol. Voice: Baritonans Languages: Latin Mensuration: o Clef: f4 Voice Text: Kyrie eleyson Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Kyrie eleyson Voice: Altitonans Languages: Latin Mensuration: o Clef: c3 Voice Text: Kyrie [text incipit only] Layout Kyrie 131v-132; Gloria 132v-133; Credo 133v-134; Sanctus 134v-136; Agnus I-III 136v-137
137v–141	Sanctus Iste per magnus	-	Anonymous
Sanctus Iste per magnus Anonymous Appears on: 137v–141 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus [text incipit only] Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Sanctus [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Iste per magnus {c.f.)
141v–147	Missa Tertii Toni (KGCSA)	-	Anonymous
Missa Tertii Toni (KGCSA) Anonymous Appears on: 141v–147 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Kyrie eleyson Voice: [Bassus] Languages: Latin Mensuration: o Clef: f4 Voice Text: Kyrie eleyson Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie eleyson Layout Kyrie 141v-142; Gloria 142v-143; Credo 143v-144; Sanctus 144v-146; Agnus I-II 146v-147
147v–148	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 147v–148 Genres: Ave Maria, Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ave maria gratia plena dominus tecum virgo serena Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ave maria gratia plena dominus tecum virgo serena Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave maria gratia plena dominus tecum virgo serena Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave maria gratia plena dominus tecum virgo serena General Note Josquin GA, Motetten I, p. 1
148v–149	O propugnator noster O consolator	-	Anonymous
O propugnator noster O consolator Anonymous Appears on: 148v–149 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O propugnator noster O consolator
149v–150	untexted	-	-
untexted Appears on: 149v–150 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: none Clef: f4
150v–151	Festum nunc celebre	Jo. Martini	Martini, Johannes (ca. 1430–1497)
Festum nunc celebre Martini, Johannes (ca. 1430–1497) Appears on: 150v–151 Genres: Motet Source Attribution: Jo. Martini Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Festum nunc celebre [text incipit only] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Festum nunc [text incipit only] Voice: Bassus Languages: Latin Mensuration: c Clef: f3 Voice Text: Festum nunc celebre [text incipit only] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Festum nunc celebre magnaque gaudia [text incipit only]
151	Veni creator spiritus - Tannhauser ihr seit mir lieb	-	Anonymous
Veni creator spiritus - Tannhauser ihr seit mir lieb Anonymous Appears on: 151 Genres: Veni creator spiritus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Veni creator spiritus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veni creator spiritus Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veni [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Thanhauser ir seit mir lieb General Note Chorwerk H. XXXII, p. 18
151v	Tantum ergo sacramentum = Pange lingua gloriosi	-	Anonymous
Tantum ergo sacramentum = Pange lingua gloriosi Anonymous Appears on: 151v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Tantum [text incipit only] Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: [untexted]
152	Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Anonymous Appears on: 152 Genres: Hymn Voice: Bassus Languages: Latin Mensuration: c Clef: f3 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: ibant magis [sic - text incipit only] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Ibant magis [sic - text incipit only] Concordances text here: "Ibant magis" [sic], from "Hostis Herodes" as texted also in Stuttgart 24; in Munich 1/D/506, "Tu gloriose bajule"
152v–153	Iste confessor Domini	-	Anonymous
Iste confessor Domini Anonymous Appears on: 152v–153 Genres: Motet Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Iste confessor [text incipit only] Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Iste confessor [text incipit only] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Iste confessor [text incipit only] Voice: Bassus Languages: Latin Mensuration: c Clef: f3 Voice Text: Iste confessor [text incipit only]
153v	Ave maris stella	-	Martini, Johannes (ca. 1430–1497)
Ave maris stella Martini, Johannes (ca. 1430–1497) Appears on: 153v Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Ave maris stella Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Ave maris stella [text incipit only] Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave maris stella
154	Jesu corona virginum - Ein frischen	-	Anonymous
Jesu corona virginum - Ein frischen Anonymous Appears on: 154 Genres: Motet Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Ein frischen Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Ihesu corona virginum [text incipit only] Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Ihesu corona virginum [text incipit only] General Note Chorwerk H. XXXII, p. 16
154v	Hodie Deus homo factus / Gaude visceribus	-	Anonymous
Hodie Deus homo factus / Gaude visceribus Anonymous Appears on: 154v Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude visceribus Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hodie deus homo [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Gaude visceribus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Hodie deus homo factus
156	Quem terra pontus / Ave maris stella	-	Anonymous
Quem terra pontus / Ave maris stella Anonymous Appears on: 156 Genres: Ave maris stella, Hymn Voice: Baritonans Languages: Latin Clef: f4 Voice Text: Quem terra General Note EdM XXXII, 40-41
156v–157	Domus mea domus orationis vocabitur	-	Anonymous
Domus mea domus orationis vocabitur Anonymous Appears on: 156v–157 Genres: Hymn Voice: Discantus Languages: Latin Clef: c2 Voice Text: Domus mea: Domus oracionis [text incipit only] Voice: Altus Languages: Latin Clef: c4 Voice Text: Domus oracionis [text incipit only] Voice: Tenor Languages: Latin Mensuration: c-2 Clef: c4 Voice Text: Domus oracionis [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Domus oracionis [text incipit only]
160v–161	Resurrexi et adhuc tecum sum Vs: Domine probasti me Tu cognovisti	-	Anonymous
Resurrexi et adhuc tecum sum Vs: Domine probasti me Tu cognovisti Anonymous Appears on: 160v–161 Genres: Introit, Proper Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Resurrexi: Et adhuc tecum sum alleluia Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et adhuc tecum sum [text incipit only] Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et adhuc tecum [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Et adhuc tecum sum [text incipit only]
161v–168	Missa paschalis (KGSA)	-	Anonymous
Missa paschalis (KGSA) Anonymous Appears on: 161v–168 Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Kyrie leyson Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Pascale: Kyrie leyson Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie leyson Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie leyson General Note Kyrie: 161v-164; Gloria 164v-166; Sanctus 166v-168; Agnus I-II 167v-168
163v–164	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 163v–164 Genres: Kyrie eleison, Mass Ordinary Voice: Contratenor primus Languages: Greek Mensuration: o Clef: c4 Voice Text: Aliud kyrie pascale & ultimum trium vocum: Kyrie eleyson Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: Aliud kyriel' pascale Trium vocum [identical with no. 8]: Kyrie eleyson Voice: Tenor Languages: Greek Mensuration: c Clef: c4 Voice Text: Kyrie eleyson General Note Codex Tridentinus 88, 225v Layout Inserted after the Kyrie of the Easter Mass at the foot of the page, before the Gloria, as 'another Easter kyrie'
168v–169	Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit	-	Anonymous
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit Anonymous Appears on: 168v–169 Genres: Cantio Voice: Tenor Languages: Latin Clef: c4 Voice Text: Cristus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Christus surrexit mala nostra texit Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Clef: f4 Voice Text: Cristus surrexit mala nostra texit Layout the scribe evidently turned 2 folios by mistake before copying the 2a pars: hence note at end "verte duo folia et habebis 2dam partem stz [satz?] allleuia"
169v–170	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 169v–170 Genres: Motet, Regina caeli laetare Voice: Bassus Languages: Latin Clef: c4 Voice Text: Regina [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: g2 Voice Text: Regina celi letare alleluia Voice: Tenor Languages: Latin Clef: c4 Voice Text: Regina celi letare alleluia Voice: Altus Languages: Latin Clef: c3 Voice Text: Regina celi letare [text incipit only] General Note Codex Tridentinus 91, 95v
170v	Christus surrexit - 2a pars (of 2): Alleluia. Des solln wir alle	-	Anonymous
Christus surrexit - 2a pars (of 2): Alleluia. Des solln wir alle Anonymous Appears on: 170v Genres: Alleluia, Motet Voice: Bassus Languages: Latin Clef: f4 Voice Text: Alleluia [text incipit only] Voice: Tenor Languages: Latin, German Clef: c4 Voice Text: Alelluia. Des sol wir [text incipit only] Voice: Altus Languages: Latin Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Des sol wir alle
171–171v	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 171–171v Genres: Sequence Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [untexted] : Mors et vita duello conflixere mirando Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Victimae pascali laudes ymolent cristiani : Mors et vita duello conflixere mirando Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Victimae pascali : Mors et vita [text incipits only]
172–173	Missa Fortuna desperata 8.2: Kyrie	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 172–173 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie eleison Voice: Bassus Languages: Greek Mensuration: o Clef: f3 Voice Text: Kyrie eleison Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie eleison Voice: Altus Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie eleison General Note Josquin GA Missen I, p. 81
172v–174	Missa Fortuna desperata 8.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 172v–174 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Et in terra pax hominibus bonae voluntatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et in terra pax hominibus bonae voluntatis [text incipit only] Voice: [Altus] Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax hominibus [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra [text incipit only]
174v–176	Missa Fortuna desperata 8.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 174v–176 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Patrem omnipotentem factorem coeli & terrae [text incipit only] Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Patrem omnipotentem [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Patrem omnipotentem [text incipit only] General Note With canon: Discantus crescit in duplo
176v–178	Missa Fortuna desperata 8.2: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 176v–178 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sanctus [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sanctus Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Sanctus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sanctus sanctus [text incipit only] General Note Canon in Altus: "Sanctus in diapenthe superius, Osanna vero decrescit in dapenthe item superius"
177v–178	Missa Fortuna desperata 8.2: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 177v–178 Genres: Agnus Dei, Mass Ordinary Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnus primus - Agnus secundus [text incipits only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Agnus primus - Agnus 2dus [text incipits only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnus dei qui tollis primus - Agnus secundus [text incipits only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agnus dei qui Tollis General Note Agnus I-II. Canon in Bassus for Agnus I: "Crescite et multiplicamini et replete ...] et inebriamini"
179–180v	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 179–180v Genres: Kyrie eleison, Mass Ordinary Voice: Secundus Discantus Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Contratenor secundus Languages: Greek Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Bassus Languages: Greek Mensuration: cut-c Clef: f4 Voice Text: Kyrie eleyson Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wol auff gesell von hynnen [text incipit only] Voice: Discantus primus Languages: Greek Mensuration: cut-c Clef: c2 Voice Text: Kyrie eleyson Voice: Contratenor primus Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: [untexted]
181–184	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 181–184 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Canon: Contra sub secundo in diapente Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Canon: Cont. primus fuga Tenor in basso in dyapason / Tenor sub contra primo in diapente Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et in terra pax hominibus
184v–189	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 184v–189 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Contratenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Deus de deo Voice: Discantus primus Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Patrem omnipotentem [text incipit only] [Canon: in diapente Deus de Deo Tenor Wolauff gesell von hynnen] Voice: Secundus Discantus Languages: Latin Mensuration: o Clef: c3 Voice Text: Deus de Deo Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: [untexted]
189v–193v	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 189v–193v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Sanctus sanctus sanctus [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Sanctus [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sanctus sanctus sanctus dominus deus sabaoth Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted]
194–196	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 194–196 Genres: Agnus Dei, Mass Ordinary Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei qui tollis [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: o Clef: f4 Voice Text: Agnus dei qui tollis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: f3 Voice Text: Stave labelled: Contra S[ecun]dus / Discantus / Tenor. Agnus [text incipit only] General Note Agnus I-III
197v–199	Patrem omnipotentem [Credo sexti toni] (M12)	-	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo sexti toni] (M12) Isaac, Heinrich (ca. 1450–1517) Appears on: 197v–199 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Patrem omnipotentem factorem celi et terrae Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] General Note MD VII, p. 80
201v–204	Magnificat Sexti Toni: Et exultavit [K.318]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.318] Anonymous Appears on: 201v–204 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit spiritus meus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ex exultavit spiritus meus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et exultavit spiritus meus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit [text incipit only]
205v–213	Missa O Osterreich (KGCSA)	-	Anonymous
Missa O Osterreich (KGCSA) Anonymous Appears on: 205v–213 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Kyrie; O Osterreich; leyson Voice: Altus Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: Kyrie leyson Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Kyrie leyson Voice: Bassus Languages: Latin Mensuration: o-2 Clef: f4 Voice Text: Kyrie eleyson Layout Kyrie 205v-206; Gloria 206v-208; Credo 208v-210; Sanctus 210v-212; Agnus 212v-213
213v–214	Jesu fili patris / O Venus Kraft	G. Jung	Jung, G.
Jesu fili patris / O Venus Kraft Jung, G. Appears on: 213v–214 Genres: Motet Source Attribution: G. Jung Voice: Tenor Languages: German Mensuration: cut-c Clef: c3 Voice Text: O Venus krafft [text incipit only] Voice: Bassus Languages: German Mensuration: cut-c Clef: c5 Voice Text: O Venus krafft [text incipit only] Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: O Venus krafft [text incipit only] Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c1 Voice Text: Ihesu fili patris per amorem [fully texted] / O Venus krafft gantzlich behafft [text incipit only] Layout Discantus underlaid with the text "Jesu fili patris"; but the decorative capital is the 'O' of "O Venus krafft gantzlich behafft" (text incipit only, apparently added in a lighter-coloured ink). The other 3 voices have the text incipit "O Venus krafft" only (in the same lighter-coloured ink).
215–224	Missa De tous biens (KGCSA)	-	Anonymous
Missa De tous biens (KGCSA) Anonymous Appears on: 215–224 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Kyrie [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Kyrie [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: marked "tube plene" but otherwise untexted Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Layout Kyrie 215-216; Gloria 216v-218; Credo 218v-221; Sanctus 221v-223; Agnus I-II ("3ius ut primus") 223v-224
224v	untexted	opprecht [?]	Obrecht, Jacobus (ca. 1457–1505)
untexted Obrecht, Jacobus (ca. 1457–1505) Appears on: 224v Genres: textless Source Attribution: opprecht [?] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note Obrecht GA (Wolf), Wereldlijke werken, p. 48
225–231	Missa Cunctipotens genitor (primi toni) (KGS)	-	Anonymous
Missa Cunctipotens genitor (primi toni) (KGS) Anonymous Appears on: 225–231 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Kyrie leyson [text incipits only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Kyriel' [text incipits only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Kyriel' [text incipits only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: ... Christel' [text incipits only] Layout Kyrie 225-226; Gloria 226v-229; Sanctus 229v-231
232	Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant	-	Isaac, Heinrich (ca. 1450–1517) (?)
Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 232 Genres: Introit, Proper Voice: Secundus Languages: none Mensuration: c Clef: c1 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: [untexted] Voice: Tercius Languages: none Mensuration: c Clef: c2 Voice Text: [untexted] Concordances concordance in D-Mbs Mus. MS 19 texted "Salve sancta parens"
236	Missa Rose playsante: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 236 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Osanna - Benedictus [text incipits only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Osanna - Benedictus [text incipits only] General Note Van Ockeghem tot Sweelinck, H. 2, p. 58 General Note Sanctus incomplete: the final page only, containing 2vv (T & B) only, music from Osanna I & Benedictus
236v–237	Missa Rose playsante: Agnus I, Agnus II	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Agnus I, Agnus II Obrecht, Jacobus (ca. 1457–1505) Appears on: 236v–237 Genres: Agnus Dei, Mass Ordinary Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agnus dei qui tollis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agnus dei [text incipit only] - multiple mensurations in Agnus I (c-dot, c, cut-c) Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei qui tollis
237v–238	Missa Schoen lief: Kyrie	hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 237v–238 Genres: Kyrie eleison, Mass Ordinary Source Attribution: hobrecht Voice: Bassus Languages: German, Greek Mensuration: cut-c Clef: f3 Voice Text: Kyrie - Scaun lief - eleyson [text incipits only] Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie [text incipit only] Voice: Tenor Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie [text incipit only] Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: Kyrie eleyson [text incipit only] General Note Obrecht GA (Wolf), Missen IV, p. 129
238v–240	Missa Schoen lief: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 238v–240 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Et in terra pax hominibus [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Et in terra pax hominibus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax hominibus [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra [text incipit only]
240v–242	Missa Schoen lief: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 240v–242 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Patrem [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Patrem [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Patrem [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Patrem [text incipit only]
242v–244	Missa Schoen lief: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 242v–244 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sanctus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sanctus [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sanctus [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Sanctus [text incipit only]
244v–245v	Missa Schoen lief: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 244v–245v Genres: Agnus Dei, Mass Ordinary Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agnus dei [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnus dei [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei [text incipit only] General Note Agnus I-III
246	Missa Beata viscera: Kyrie	hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 246 Genres: Kyrie eleison, Mass Ordinary Source Attribution: hobrecht Voice: Bassus Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrie eleyson Voice: Altus Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie eleyson Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie eleyson Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyrie eleyson General Note Obrecht GA (Wolf), Missen V, p. 97
246v–247v	Missa Beata viscera: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 246v–247v Genres: Gloria (et in terra pax), Mass Ordinary Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: beata viscera [text incipits only] Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Gratias agimus tibi Voice: [Altus] Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Et in terra pax hominibus General Note incomplete - missing folio after 247 with end of Gloria (AB) and beginning of Credo (DT)
248–250	Missa Beata viscera: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 248–250 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [Altus] Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem factorem celi et terrae Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: [opening missing] ... Et incarnatus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et incarnatus [tacet] Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Et Jesum Christum (?) General Note incomplete - missing folio after 247 with end of Gloria (AB) and beginning of Credo (DT)
250v–252	Missa Beata viscera: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 250v–252 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [Altus] Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: [Bassus] Languages: Latin Mensuration: o Clef: f3 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus General Note The scribe apparently turned 2 folios by mistakes after the Credo; the Sanctus & Pleni are on 251v-252, then the Osanna & Benedictus - filling in the missed opening - are on 250v-251
252v–253	Missa Beata viscera: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 252v–253 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei qui tollis Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei qui tollis Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Agnus dei qui tollis Layout Agnus I-III
253v	Ave maris stella	-	Martini, Johannes (ca. 1430–1497)
Ave maris stella Martini, Johannes (ca. 1430–1497) Appears on: 253v Genres: Ave maris stella, Motet Voice: [no designation] Languages: none Mensuration: o Clef: c1 Voice Text: [untexted - but identical with Ave maris stella, no. 83] Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice: [no designation] Languages: none Mensuration: o Clef: f2
254–261	Concentu parili hic te Maria	-	Anonymous
Concentu parili hic te Maria Anonymous Appears on: 254–261 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Concentu parili [text incipit only, but later sections texted fully] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Concentu parili hic te Maria Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Concentu [text incipit only, but later sections texted fully] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: ... Generosi Abrahe [first section untexted, but later sections fully texted]
261v	brief fragment of Discantus	-	-
brief fragment of Discantus Appears on: 261v General Note possibly intended as continuation/conclusion of previous piece?
264v–265	Missa L'homme armé 6.1: Kyrie	Josquin	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Kyrie Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 264v–265 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquin Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: [Kyrie untexted] - Christe elyson - [Kyrie untexted] Voice: [no designation] Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrieleyson - Christeleyson - Kyrieleyson Voice: [no designation] Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrieleyson - Christeleyson - Kyrieleyson Voice: [no designation] Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrieleyson - Christeleyson - Kyrieleyson General Note CMM 15/I, p. 1
265v–267	Missa L'homme armé 6.1: Gloria	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Gloria Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 265v–267 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: bonae voluntatis laudamus te Voice: [no designation] Languages: Latin Mensuration: o Clef: f4 Voice Text: Et in terra pax hominbus ... laudamus te Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra pax hominbus bonae voluntatis laudamus te Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: bone voluntatis laudamus te
267v–270	Missa L'homme armé 6.1: Credo	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Credo Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 267v–270 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Patrem omnipotentem factorem celi & terrae Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Patrem omnipotentem factorem celi & terrae Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Patrem omnipotentem factorem celi & terrae Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Patrem - secula -
270v–272	Missa L'homme armé 6.1: Sanctus	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Sanctus Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 270v–272 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Pleni sunt celi Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: f4 Voice Text: Sanctus
272v–273	Missa L'homme armé 6.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Agnus Dei Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 272v–273 Genres: Mass Ordinary Voice: [no designation] Languages: none Mensuration: o Clef: f4 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: [Agnus I-III untexted] Voice: Altus Languages: none Mensuration: o Clef: c4 Voice: [no designation] Languages: none Mensuration: c Clef: c4
273v–281	Missa Primi Toni (KGCSA)	-	Anonymous
Missa Primi Toni (KGCSA) Anonymous Appears on: 273v–281 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Missa I. toni (with two Agnus dei) Voice: [no designation] Languages: Latin Mensuration: o Clef: f4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Layout Kyrie 273v-274; Gloria 274v-276; Credo 276v-277; Sanctus 277v-280; Agnus 280v-281. Untexted from "non erit finis" in the Credo onwards.
281v–287v	Missa primi toni (KGCS)	-	Anonymous
Missa primi toni (KGCS) Anonymous Appears on: 281v–287v Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Aliud officium (= Missa I. toni) Layout Kyrie 281v-282; Gloria 282v-284; Credo 284v-286; Sanctus 286v-287v. Sanctus incomplete, Agnus missing; Kyrie texted but remainder untexted.
288v–289	Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	-	Anonymous
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis Anonymous Appears on: 288v–289 Genres: Introit, Proper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Michi autem nimis: Honorati sunt amici tui Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Michi autem nimis: Honorati sunt amici tui Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Michi autem nimis: Honorati sunt amici tui
288v–289	Mihi autem nimis - 2a pars (of 2): Domine probasti me	-	Anonymous
Mihi autem nimis - 2a pars (of 2): Domine probasti me Anonymous Appears on: 288v–289 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine probasti me & cognovisti me: Tu cognovisti Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Domine probasti me & cognovisti me: Tu cognovisti Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine probasti me & cognovisti me: Tu cognovisti
289–290	Missa Jesu redemptor: Kyrie	-	Anonymous
Missa Jesu redemptor: Kyrie Anonymous Appears on: 289–290 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: o Clef: f3 Voice Text: Kyrieleyson Voice: [no designation] Languages: Greek Mensuration: o Clef: f4 Voice Text: KyrieLeyson Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrieleyson General Note for tenor, baritone & bass
289v–290	Missa Jesu redemptor: Gloria [Et in terra]	-	Anonymous
Missa Jesu redemptor: Gloria [Et in terra] Anonymous Appears on: 289v–290 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et in terra pax hominibus General Note for tenor, baritone & bass. 'Short' Gloria in 2 sections only, ending at "...Domine fili unigenite Jesu Christe altissime"
294v–301	Missa Petite camusette (KGCSA)	-	Anonymous
Missa Petite camusette (KGCSA) Anonymous Appears on: 294v–301 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c1 Voice Text: Kirie primus - Christe - Kirie ultimus Voice: Bassus Languages: Latin, Greek Mensuration: cut-c Clef: f4 Voice Text: Kirie - Christeleyson - ultimum kirie Voice: Altus Languages: Latin, Greek Mensuration: cut-c Clef: c3 Voice Text: kirie primum - Christe - ultimum kirie Voice: Tenor Languages: Latin, Greek Mensuration: cut-c Clef: c4 Voice Text: kirieleyson - Christeleyson - ultimum Layout Kyrie 294v-295; Gloria 295v-297; Credo 297v-299; Sanctus 299v-300; Agnus I-III 300v-301
302v–304	Regina caeli - 1a pars (of 3): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 3): Regina caeli laetare alleluia Anonymous Appears on: 302v–304 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Regina coeli letare alleluia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Regina coeli letare alleluia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Regina coeli letare alleluia
304v–305	Regina caeli - 2a pars (of 3): Resurrexit sicut dixit	-	Anonymous
Regina caeli - 2a pars (of 3): Resurrexit sicut dixit Anonymous Appears on: 304v–305 Genres: Introit, Proper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Resurrexit sicut dixit Alleluia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Resurrexit sicut dixit Alleluia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Resurrexit sicut dixit Alleluia
304v–306	Regina caeli - 3a pars (of 3): Alleluia Domine nate matris	-	Anonymous
Regina caeli - 3a pars (of 3): Alleluia Domine nate matris Anonymous Appears on: 304v–306 Genres: Introit, Proper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia domine nate matris Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Alleluia domine nate matris Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia domine nate matris
306v–308	Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	-	Anonymous
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum Anonymous Appears on: 306v–308 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Resurrexi: Et adhuc tecum sum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Resurrexi: Et adhuc tecum sum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Et adhuc tecum sum
307v–308	Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me	-	Anonymous
Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me Anonymous Appears on: 307v–308 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu cognovisti sessionem meam Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu cognovisti sessionem meam Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Tu cognovisti sessionem meam
308v–315	Missa paschalis: Kyrie-Gloria (Christe trope Qui super me scandis)	-	Anonymous
Missa paschalis: Kyrie-Gloria (Christe trope Qui super me scandis) Anonymous Appears on: 308v–315 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c3 Voice Text: Kirie eleyson Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: f3 Voice Text: Kirie eleyson Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c4 Voice Text: Kirie eleyson General Note Kyrie with Christe trope: Christe Qui super me scandis, with canon "Tenor incipit in sol, deinde Disc[antu]s in c, Tandem bassus in ut" Layout Kyrie 308v-310, Gloria 310v-315
315v–317	Alleluia. Pascha nostrum immolatus est	-	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 315v–317 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Pascha nostrum immolatus est Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Pascha nostrum immolatus est Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Pascha nostrum immolatus est
317v–319	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 317v–319 Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Victimae paschali laudes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Victimae paschali laudes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Victimae paschali laudes
319v–328	Missa paschalis: Credo-Sanctus	-	Anonymous
Missa paschalis: Credo-Sanctus Anonymous Appears on: 319v–328 Genres: Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Patrem omnipotentem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Patrem omnipotentem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Patrem omnipotentem Layout Credo 319v-324; Sanctus 324v-328
329v–330	Pascha nostrum immolatus est Christus	-	Anonymous
Pascha nostrum immolatus est Christus Anonymous Appears on: 329v–330 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Immolatus est Christus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Immolatus est Christus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pasca nostrum: Immolatus est Christus
338v–339	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	-	Anonymous
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous Appears on: 338v–339 Genres: Introit, Proper Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Quid admiramini aspicientes Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quid admiramini aspicientes Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quid admiramini aspicientes Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Viri Galilaei Quid admiramini aspicientes
339v–340	Alleluia. Ascendit Deus in jubilatione	-	Anonymous
Alleluia. Ascendit Deus in jubilatione Anonymous Appears on: 339v–340 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Ascendit deus in iubilatione Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Ascendit deus in iubilatione Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Ascendit deus [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Ascendit deus [text incipit only]
340v–343	Summi triumphi regis prosequamur laude	-	Anonymous
Summi triumphi regis prosequamur laude Anonymous Appears on: 340v–343 Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Summi triumphum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Summi triumphum] Qui celi [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Summi triumphum Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Summi triumphum
342v–343	Psallite Domino nostro qui ascendit	-	Anonymous
Psallite Domino nostro qui ascendit Anonymous Appears on: 342v–343 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Psallite. Qui ascendit [text incipit] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Psallite domino: Qui ascendit super celos Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui ascendit [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Psallite domino qui ascendit super celos
343v–344	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous Appears on: 343v–344 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Replevit [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Replevit [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Replevit [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Spiritus domini] Replevit orbem terrae
344v–345	Alleluia. Veni sancte spiritus	-	Anonymous
Alleluia. Veni sancte spiritus Anonymous Appears on: 344v–345 Genres: Alleluia, Proper, Veni sancte spiritus Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Veni [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Alleluia. Veni sancte spiritus Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Veni [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Alleluia. Veni [text incipit only]
345v–347	Veni sancte spiritus reple tuorum corda	-	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 345v–347 Genres: Motet, Proper, Veni sancte spiritus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Veni pater pauperum Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Veni pater pauperum Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veni pater pauperum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Veni sancte spiritus reple General Note Discantus: canon for second part "Sine tuo numine discantus ex Tenore in epidyathessaron"
347v–348	Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	h. ysaac	Isaac, Heinrich (ca. 1450–1517)
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 347v–348 Genres: Introit Source Attribution: h. ysaac Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: C[ibavit eos]: [Ex adipe] frumenti alleluia Voice: Bassus Languages: none Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Tenor Languages: none Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Altus Languages: none Mensuration: cut-c Clef: c3 Voice Text: [untexted] General Note 6vv. Version in Mü31: CW (119), 17-22; not concordant
348v–349	Alleluia. Caro mea vere est cibus	Fingk	Finck, Heinrich
Alleluia. Caro mea vere est cibus Finck, Heinrich Appears on: 348v–349 Genres: Alleluia, Proper Source Attribution: Fingk Voice: [Altus] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Caro mea vere est cibus Voice: [Bassus] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [Tenor] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted] General Note EdM LVII, p. 93
349v	Qui manducat carnem	W. Raber	Raber, W
Qui manducat carnem Raber, W Appears on: 349v Genres: Motet Source Attribution: W. Raber Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: untexted; 'Qui manducat carnem meam' added in pencil General Note only Canto and Tenor
350–356	Missa Maria zart (KGCS)	-	Anonymous
Missa Maria zart (KGCS) Anonymous Appears on: 350–356 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: Bassus Languages: Latin, Greek Mensuration: cut-c Clef: f4 Voice Text: Kyrieleyson Voice: Discantus Languages: Latin, Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrieleyson Voice: Tenor Languages: Latin, Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrieleyson Layout Kyrie 350-351; Gloria 351v-352; Credo 352v-353; Sanctus 354-356
356v–357	Jubilate Deo omnis terra	-	Anonymous
Jubilate Deo omnis terra Anonymous Appears on: 356v–357 Genres: Psalm Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Jubilate deo omnis terra: Servite dominum in letitia Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Jubilate [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jubilate [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Jubilate [text incipit only]
357v–358	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	-	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 357v–358 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si oblitus fuero [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Si oblitus [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Si oblitus [text incipit only] Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Si oblitus [text incipit only] General Note CMM 87, p. 96 Layout Only the 1a pars is copied.
359	Ecce concipies et paries filium et vocabis	-	Anonymous
Ecce concipies et paries filium et vocabis Anonymous Appears on: 359 Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce concipies Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce concipies Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ecce concipies Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce concipies et paries filium et vocabis Layout in 3 sections: all 4 voices laid out sequentially for each section, continuously on the same staves.
359v–362	Sancti spiritus assit Quae corda nostra	-	Anonymous
Sancti spiritus assit Quae corda nostra Anonymous Appears on: 359v–362 Genres: Sequence Voice: [Altus] Languages: Latin Clef: c3 Voice Text: Que corda nostra sibi faciat habitaculum Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Que corda nostra sibi faciat habitaculum Voice: [Discantus secundus] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Que corda nostra sibi faciat habitaculum Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Que corda nostra sibi faciat habitaculum Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Que corda nostra sibi faciat habitaculum Layout The 5 voices of each verse are copied one after another continuously on the same staves; each verse begins on a new stave
362v	Omnes sancti seraphim Archangeli angeli	-	Anonymous
Omnes sancti seraphim Archangeli angeli Anonymous Appears on: 362v Genres: Sequence Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Archangeli angeli vos decet laus et honores Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Archangeli [text incipits only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Archangeli angeli [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Archangeli [text incipits only] Layout The 4 voices are copied one after another continuously on the same staves, a group of verses for each voice, then for the next voice.
363	Ecce Maria genuit nobis salvatorem	-	Anonymous
Ecce Maria genuit nobis salvatorem Anonymous Appears on: 363 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ecce Maria [text incipits only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce Maria [text incipits only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce Maria genuit nobis salvatorem Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce Maria [text incipits only] Layout The 4 voices are copied one after another continuously on the same staves, a group of verses for each voice, then for the next voice.
363v	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 363v Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Grates nunc [text incipits only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Grates [text incipits only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Grates [text incipits only] Layout The 4 voices are copied one after another continuously on the same staves, for the first verse then the second.
364	Gaude Dei genitrix quam circumstant	-	Anonymous
Gaude Dei genitrix quam circumstant Anonymous Appears on: 364 Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude dei genitrix [text incipits only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude [text incipits only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Gaude [text incipits only] Layout The 4 voices are copied one after another continuously on the same staves, for the first verse then the second.
364v	Viderunt omnes fines terrae salutare	-	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 364v Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Viderunt [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Viderunt [text incipits only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Viderunt omnes fines terrae salutare Voice: Bassus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Viderunt [text incipits only] Layout The 4 voices are copied one after another continuously on the same staves
364v	Alleluia. Laudate pueri Dominum laudate	-	Anonymous
Alleluia. Laudate pueri Dominum laudate Anonymous Appears on: 364v Genres: Alleluia, Proper Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Laudate pueri [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. Laudate pueri [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Laudate pueri [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Laudate pueri [text incipit only] Layout The 4 voices are copied one after another continuously on the same staves Copying Style Alleuia in mensural notation, laudate in dashed notation
365	Alleluia. Laudate pueri Dominum laudate	-	Anonymous
Alleluia. Laudate pueri Dominum laudate Anonymous Appears on: 365 Genres: Alleluia, Proper Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Laudate [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. Laudate pueri [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Laudate pueri [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Laudate pueri [text incipit only] Layout The 4 voices are copied one after another continuously on the same staves Copying Style Alleluia in mensural notation, Lauidate in dashed notation
365	Lux perpetua lucebit sanctis tuis	-	Anonymous
Lux perpetua lucebit sanctis tuis Anonymous Appears on: 365 Genres: Responsory Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lux perpetua lucebit sanctis tuis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Lux perpetua lucebit sanctis tuis Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Lux perpetua lucebit sanctis tuis Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Lux perpetua lucebit sanctis tuis Layout The 4 voices are copied one after another continuously on the same staves Copying Style Discantus in dashed notation, other voices in mensural notation
365v–366	Justi autem in perpetuum vivunt	-	Anonymous
Justi autem in perpetuum vivunt Anonymous Appears on: 365v–366 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Iusti autem in perpetuum vivunt Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Iusti autem in perpetuum vivunt Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Iusti autem in perpetuum vivunt Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Iusti autem in perpetuum vivunt Layout The 4 voices are copied one after another continuously on the same staves, all 4 voices of one verse, then all 4 of the next Copying Style Discantus in dashed notation, other voices in mensural notation
366	Justorum autem animae	-	Anonymous
Justorum autem animae Anonymous Appears on: 366 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In manu dei sunt Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In manu dei sunt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Iustorum autem animae: In manu dei sunt Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: In manu dei sunt Layout The 4 voices are copied one after another continuously on the same staves, all 4 vpoices of one verse, then all 4 of the next
366v–367	Sancti tui domine benedicent te gloriam Vs: Exaltabo te domine deus meus rex	-	Anonymous
Sancti tui domine benedicent te gloriam Vs: Exaltabo te domine deus meus rex Anonymous Appears on: 366v–367 Genres: Introit, Proper Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sancti tui [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Sancti tui domine benedicant te Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancti tui domine benedicant te Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sancti tui domine benedicant te Layout The 4 voices are copied one after another continuously on the same staves, all 4 voice for the opening line then all 4 for the next
367	Ego vos elegi de mundo ut eatis	-	Anonymous
Ego vos elegi de mundo ut eatis Anonymous Appears on: 367 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ego [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ego [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ego vos [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ego vos elegi de mundo ut eatis Layout The 4 voices are copied one after another continuously on the same staves
367v	Alleluia. Gaudete justi in Domino	-	Anonymous
Alleluia. Gaudete justi in Domino Anonymous Appears on: 367v Genres: Alleluia, Proper Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. Gaudete iusti [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Gaudete iusti in domino Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Gaudete iusti in domino Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Gaudete iusti in do... Layout The 4 voices are copied one after another continuously on the same staves
367v–368	Alleluia. Ascendit Deus in jubilatione	-	Anonymous
Alleluia. Ascendit Deus in jubilatione Anonymous Appears on: 367v–368 Genres: Alleluia, Proper Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. Ascendit deus in iubilatione Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Ascendit deus in iubilatione Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Ascendit deus in iubilatione Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Ascendit deus in iubilatione Layout The 4 voices are copied one after another continuously on the same staves
368–368v	Alleluia. Dominus in Sina in sancto Vs. Captivam duxit	-	Anonymous
Alleluia. Dominus in Sina in sancto Vs. Captivam duxit Anonymous Appears on: 368–368v Genres: Alleluia, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Dominus in Sina in sancto Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Dominus in Sina in sancto Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Dominus in Sina in sancto Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Dominus in Sina in sancto Layout The 4 voices are copied one after another continuously on the same staves, all 4 voices for one verse then all 4 for the next
368v–369	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 368v–369 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Voice: Altus Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: Kyrie - Christe - Kyrie Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie fons bonitatis - Christe unice dei patris - Kyrie ignis divine Voice: Tenor Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie - Christe - Kyrie Voice: Bassus Languages: Greek Mensuration: cut-c Clef: f4 Voice Text: Kyrie - Christe - Kyrie Layout The 4 voices are copied one after another continuously on the same staves, all 4 voices of Kyrie I then all 4 for the Christe etc
369v	Hodie Deus homo factus - Gloria laus et honor	-	Anonymous
Hodie Deus homo factus - Gloria laus et honor Anonymous Appears on: 369v Genres: Hymn Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hodie deus homo factus Voice: [Discantus] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Hodie deus homo factus Voice: [Discantus secundus] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Hodie [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hodie deus homo factus Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Hodie deus homo factus Layout The 4 voices are copied one after another continuously on the same staves. The Hodie is in 5vv, the doxology in 4vv
370–379v	Missa Je ne demande	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Je ne demande Obrecht, Jacobus (ca. 1457–1505) Appears on: 370–379v Genres: Mass Ordinary Voice: Altus Languages: Latin, Greek Mensuration: cut-c Clef: c4 Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c2 Voice Text: Missa Je ne demande Voice: Tenor Languages: Latin, Greek Clef: c4 Voice Text: Tenor: Jenedemande with 3 mensurations in each Kyrie: o, c, cut-c Voice: Bassus Languages: Latin, Greek Mensuration: cut-c Clef: f4 General Note Obrecht GA (Wolf), Missen I, p. 1 Layout Kyrie 370 (lacks opening page with the Discantus & Bassus of the Kyrie); Gloria 370v-372 (the scribe apparently turned 2 pages before starting the Gloria on 371v-372, then turned back to add the Qui tollis on 370v-371, adding note "in anteriori folio"); Credo 372v-375; Sanctus 375v-377; Agnus I-III 377v-379v (missing the last page with the Altus & Tenor of Agnus III)
380–388	Missa primi toni (KGCS)	-	Anonymous
Missa primi toni (KGCS) Anonymous Appears on: 380–388 Genres: Mass Ordinary Voice: Altus Languages: Latin, Greek Mensuration: c-2 Clef: c4 Voice Text: Kyrie eleyson Voice: Tenor Languages: Latin, Greek Mensuration: c-2 Clef: c4 Voice Text: Kyrie eleyson Voice: Bassus Languages: Latin, Greek Mensuration: c-2 Clef: f4 Voice Text: Kyrieeleyson Voice: [no designation] Languages: Latin, Greek Mensuration: c-2 Clef: c1 Voice Text: Kyrie eleyson Layout Kyrie 380-381 (Ktrie I-Christe-Kyrie II each on one page); Gloria 381v-383; Credo 383v-385 (partly untexted); Sanctus 385v-388 (partly untexted; lacks Osanna?)
388v–389	Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	-	Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?)
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?) Appears on: 388v–389 Genres: Motet Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedicite domino omnes angeli Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Benedicite domino omnes angeli Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedicite domino omnes angeli Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted]
389v	Benedicite dominum - 2a pars (of 2): Benedic anima mea	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite dominum - 2a pars (of 2): Benedic anima mea Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 389v Genres: Motet Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedic anima mea domino Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: ... Et omnia ... nomini sancto eius Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Benedic anima mea domino Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedic anima mea domino
390–395v	Missa Salve regina (GCS)	-	Anonymous
Missa Salve regina (GCS) Anonymous Appears on: 390–395v Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: ... Gratias agimus tibi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Salve regina, Salve regina Voice: [Altus] Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Et in terra pax hominibus Layout Gloria 390-391; Credo 391v-394; Sanctus 394v-395v. Tenor sings 'Salve regina' as c.f. throughout. The 2 partes of the Gloria are reversed: Et in terra on opening 390v-391; Qui tollis for Altus & part of Bassus on 390, the parts for Discantus & Tenor, and beginning of the Bassus, on a now-lost folio before 390. In the Sanctus, the scribe began copying the text of the Patrem again for Discantus, but corrected himself and replaced it with the Sanctus text. The end of the Sanctus is lost, 395v containing the Osanna & Benedictus for Discantus & Tenor, and the Osanna only for the Bassus.
396–399	Missa Tertii Toni 'Ein maid zu dem brunnen' (GCSA)	-	Anonymous
Missa Tertii Toni 'Ein maid zu dem brunnen' (GCSA) Anonymous Appears on: 396–399 Genres: Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: ... Invisibilium [text incipits only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Factorem celi et terrae [text incipits only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Patrem [text incipits only] Layout Gloria incomplete f. 396 only ('Domine deus' to end, Altus only); Credo 396v-397; Sanctus 397v-399
398v, 399v	Es wolt ein maidlein Nach grasse gann	-	Anonymous
Es wolt ein maidlein Nach grasse gann Anonymous Appears on: 398v, 399v Genres: Song Voice: Vagans Languages: German Clef: f4 Voice Text: Es wolt eynn Maidlenn Nach grasse gann [full text added after all voices on f.399; individual parts are untexted] Voice: Bassus Languages: German Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice: [Tenor] Languages: German Mensuration: cut-c Clef: c4
400–401	'Missa Auleni': Gloria	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Gloria Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 400–401 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [Tenor] Languages: none Mensuration: o Clef: c4 Voice Text: [untexted throughout] Voice: [Bassus] Languages: none Mensuration: o Clef: f4 Voice Text: [untexted throughout] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: ... Qui tollis General Note Chorwerk H. XXXI General Note incomplete - beginning missing. Folio 400 contains the opening section (untexted) for Tenor & the end of the Bassus, the Discantus & beginning of Bassus are lost; the Qui tollis is on f.400v-401, complete.
401v–404	'Missa Auleni': Credo	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Credo Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 401v–404 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [Bassus] Languages: none Mensuration: o Clef: f4 Voice Text: [untexted] Voice: [Tenor] Languages: none Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Patrem omnipotentem
404v–407	'Missa Auleni': Sanctus	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Sanctus Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 404v–407 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [Bassus] Languages: none Mensuration: o Clef: f4 Voice Text: [untexted] Voice: [Tenor] Languages: none Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus
407–407v	'Missa Auleni': Agnus Dei	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Agnus Dei Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 407–407v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus I-II : Agnus I untexted (cut-c mensuration), Agnus II texted (o mensuration) Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus I-II : Agnus I untexted (cut-c mensuration), Agnus II texted (c3 mensuration) Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agnus I-II : Agnus I untexted (cut-c mensuration), Agnus II texted (c3 mensuration)
408	Salve regina - 1a pars (of 7): Salve regina misericordiae	-	Finck, Heinrich
Salve regina - 1a pars (of 7): Salve regina misericordiae Finck, Heinrich Appears on: 408 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Salve regina misericordie [text incipit only] Voice: [Altus] Languages: Latin Mensuration: o Clef: c4 Voice Text: Salve regina [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: o Clef: c5 Voice Text: Salve regina [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: o Clef: f4 Voice Text: Salve regina [text incipit only]
408–408v	Salve regina - 2a pars (of 7): Vita dulcedo et spes nostra	-	Finck, Heinrich
Salve regina - 2a pars (of 7): Vita dulcedo et spes nostra Finck, Heinrich Appears on: 408–408v Genres: Motet, Salve Regina Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vita dulcedo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vita dulcedo [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vita dulcedo [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Vita dulcedo [text incipit only]
408v	Salve regina - 3a pars (of 7): Ad te clamamus exsules filii Hevae	-	Finck, Heinrich
Salve regina - 3a pars (of 7): Ad te clamamus exsules filii Hevae Finck, Heinrich Appears on: 408v Genres: Motet, Salve Regina Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ad te clamamus [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ad te clamamus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ad te clamamus [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Ad te clamamus [text incipit only]
408v	Salve regina - 4a pars (of 7): Ad te suspiramus gementes et flentes	-	Finck, Heinrich
Salve regina - 4a pars (of 7): Ad te suspiramus gementes et flentes Finck, Heinrich Appears on: 408v Genres: Motet, Salve Regina Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Ad te suspiramus [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ad te suspiramus [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ad te suspiramus [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ad te suspiramus [text incipit only]
409	Salve regina - 6a pars (of 7): Et Jesum benedictum fructum ventris	-	Finck, Heinrich
Salve regina - 6a pars (of 7): Et Jesum benedictum fructum ventris Finck, Heinrich Appears on: 409 Genres: Motet, Salve Regina Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Et Jhesum benedictum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et Jhesum benedictum [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et Jhesum benedictum [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et Jhesum benedictum [text incipit only]
409v	Salve regina - 7a pars (of 7): O clemens o pia o dulcis virgo Maria	-	Finck, Heinrich
Salve regina - 7a pars (of 7): O clemens o pia o dulcis virgo Maria Finck, Heinrich Appears on: 409v Genres: Motet, Salve Regina Voice: [Bassus] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: O clemens (cut-o) - O pia (cut-c) - O dulcis (cut-c) [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O clemens (cut-o) - O pia (cut-c) - O dulcis (c1, cut-c) [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O clemens (cut-o) - O pia (cut-c) - O dulcis (cut-c) [text incipit only] Voice: [Tenor] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O clemens (cut-o) - O pia (cut-c) - O dulcis (cut-c) [text incipit only]
410–410v	[Salve regina] Vita dulcedo	-	Anonymous
[Salve regina] Vita dulcedo Anonymous Appears on: 410–410v Genres: Motet, Salve Regina Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vita dulcedo Voice: Bassus Languages: Latin Clef: f4 Voice Text: Vita dulcedo Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vita dulcedo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vita dulcedo
412v	[untexted]	-	-
[untexted] Appears on: 412v Voice: Canon Languages: none Mensuration: o Clef: f4 Voice Text: [additional clefs for canonic parts - c1, c2, f3, f4, c5, [c6] ]
413	Salve regina - 5a pars (of 7): Eia ergo advocata nostra illos tuos misericordes	-	Finck, Heinrich
Salve regina - 5a pars (of 7): Eia ergo advocata nostra illos tuos misericordes Finck, Heinrich Appears on: 413 Genres: Motet, Salve Regina Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eia ergo [text incipit only] Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Eia ergo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eia ergo advocata [text incipit only] Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eia ergo advocata [text incipit only]
414, 419v	[Victimae paschali] Agnus redemit oves	-	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 414, 419v Genres: Hymn Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnus redemit - Dic nobis [text incipits only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus redemit - Sepulchrum cristi - Credendum est magis [text incipits only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus redemit - Dic nobis - Credendum est magis [text incipits only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agnus - Dic nobis - Soli Mariae [text incipits only] Layout A&B on 414, D&T on 419v - the pages should be a single opening 419v-414
414v–419	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 414v–419 Genres: Hymn Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Semper sancta sit trinitas Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Semper sancta sit trinitas Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Semper sancta sit trinitas [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Benedicta - intonation untexted] Semper sancta sit trinitas General Note EdM XXXIII, p. 131
420v	Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	-	Anonymous
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis Anonymous Appears on: 420v Genres: Introit, Proper Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 General Note fragment of Tenor (with intonation) only, untexted
421–422	Alleluia. Vox exultationis et salutis	-	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 421–422 Genres: Alleluia, Proper Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. Vox [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Vox exultationis Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. Vox exultationis et salutis Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia. Vox [text incipit only]
422v–424	Omnes sancti seraphim	-	Anonymous
Omnes sancti seraphim Anonymous Appears on: 422v–424 Genres: Sequence Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Archangeli [text incipits only] Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Omnes sancti seraphim] Archangeli angeli vos decet laus et honores Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Archangeli [text incipits only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Archangeli [text incipits only]
424v	Alleluia. [Martinus episcopus]	-	Anonymous
Alleluia. [Martinus episcopus] Anonymous Appears on: 424v Genres: Alleluia Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluia Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alleluia. General Note Alleluia only. "De Sancto Martino"
426v–427v	Benedicite Domino (de angelis / de omnibus sanctis)	-	Anonymous
Benedicite Domino (de angelis / de omnibus sanctis) Anonymous Appears on: 426v–427v Genres: Benedicite Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: De omnibus sanctus vel de angelis -- Benedicite: Domino omnes angli eius [sic] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domino omnes angeli eius [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domino omnes angeli eius
429	Gaudent chori - 1a pars (of 2): [Super salutem] Gaudent chori angelorum consortes et concives	-	Anonymous
Gaudent chori - 1a pars (of 2): [Super salutem] Gaudent chori angelorum consortes et concives Anonymous Appears on: 429 Genres: Motet Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Gaudent chori angelorum consortes et concives Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaudent chori angelorum consortes et concives General Note incomplete: missing the opening folio with D&T (& perhaps the intonation of 'Super salutem')
429v–430	Gaudent chori - 2a pars (of 2): Paradisi porta per evam	-	Anonymous
Gaudent chori - 2a pars (of 2): Paradisi porta per evam Anonymous Appears on: 429v–430 Genres: Motet Voice: [Tenor] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (2a pars) Paradisi porta per evam Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: (2a pars) Paradisi porta per evam Voice: [Bassus] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: [beginning untexted] ... et per mariam virginem Voice: [Altus] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pradisi po... [text incipit only]
431v–432	Calicem Domini - 1a pars (of 3): [Isti sunt triumphatores] Calicem Domini biberunt et amici Deii	-	Anonymous
Calicem Domini - 1a pars (of 3): [Isti sunt triumphatores] Calicem Domini biberunt et amici Deii Anonymous Appears on: 431v–432 Genres: Responsory Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Calicem domini biberunt et amici dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: [Isti sunt triumphatores] Calicem domini biberunt et amici dei Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Calicem domini biberunt et amici dei Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domini biberunt et amici dei
432v–433	Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua	-	Anonymous
Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua Anonymous Appears on: 432v–433 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (2a pars) Tradiderunt corpora sua Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: (2a pars) Tradiderunt corpora sua Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: (2a pars) Tradiderunt corpora sua Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (2a pars) Tradiderunt corpora sua
433v–434	Calicem Domini - 3a pars (of 3): Gloria patri	-	Anonymous
Calicem Domini - 3a pars (of 3): Gloria patri Anonymous Appears on: 433v–434 Genres: Doxology Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: (3a pars) Gloria patri Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: (3a pars) Gloria patri Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (3a pars) Gloria patri Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (3a pars) Gloria patri
434v–435	In patientia vestra possidebitis animas	-	Anonymous
In patientia vestra possidebitis animas Anonymous Appears on: 434v–435 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In patientia vestra possidebitis animas Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: In patientia vestra possidebitis animas Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In patientia vestra possidebitis animas Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In patientia vestra possidebitis animas
435v–436	Ecce ego mitto vos sicut oves in medio	-	Anonymous
Ecce ego mitto vos sicut oves in medio Anonymous Appears on: 435v–436 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ecce ego mitto vos sicut oves in medio
436v–439	Magnificat octavi toni: Et exultavit [K.401]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.401] Anonymous Appears on: 436v–439 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VIII. toni)
440–441v	Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	-	Anonymous
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo Anonymous Appears on: 440–441v Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Sanctae Annae devotus decantet chorus
441v–443	Gaude Sion quod egressum (= Stabat mater)	-	Stoltzer, Thomas (ca. 1480–1526)
Gaude Sion quod egressum (= Stabat mater) Stoltzer, Thomas (ca. 1480–1526) Appears on: 441v–443 Genres: Contrafactum, Sequence Voice: Triplum Languages: Latin Voice Text: Gaude Sion quod egressum
443–443v	Deus in tua virtute sanctus	Andreas	Andreas, Magister Phillipotus (fl. late 14th century)
Deus in tua virtute sanctus Andreas, Magister Phillipotus (fl. late 14th century) Appears on: 443–443v Genres: Sequence Source Attribution: Andreas Voice: Triplum Languages: Latin Voice Text: Deus in tua virtute sanctus Andreas
444	Magistri Nicolai Leipoldi ex Ynsprugga	-	Anonymous
Magistri Nicolai Leipoldi ex Ynsprugga Anonymous Appears on: 444 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: presumably: Magistri nicolai leipoldi ex ynsprugga
444	Salve regina	Wilhelma Duffay	Du Fay, Guillaume (1397–1474)
Salve regina Du Fay, Guillaume (1397–1474) Appears on: 444 Genres: Motet, Salve Regina Source Attribution: Wilhelma Duffay Voice: [no designation] Languages: Latin Voice Text: Salve regina
444v–445	Virgo Dei genitrix te rogitamus	-	Anonymous
Virgo Dei genitrix te rogitamus Anonymous Appears on: 444v–445 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Virgo dei genitrix te rogitamus
445v–446	Gaude virgo mater Jesu Christi	-	Anonymous
Gaude virgo mater Jesu Christi Anonymous Appears on: 445v–446 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Gaude virgo mater Iesu Christi
446v–447	untexted	-	-
untexted Appears on: 446v–447 Voice: [no designation] Languages: none
447v–448	Da pater omnipotens firmam jam pectore	-	Anonymous
Da pater omnipotens firmam jam pectore Anonymous Appears on: 447v–448 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Da pater omnipotens firmam iam pectore
448v	untexted	-	-
untexted Appears on: 448v Voice: [no designation] Languages: none
449	untexted	-	-
untexted Appears on: 449 Voice: [no designation] Languages: none
447–456	Missa Si dedero somnum: with two Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero somnum: with two Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 447–456 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Si dedero sommum (with two Agnus dei) General Note Obrecht GA (Wolf), Missen III, p. 1
456v–463	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 456v–463 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Wohlauf Gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei; Agnus dei II fragment)
464v–468	Ave mundi spes Maria ave maris ave pia	-	Anonymous
Ave mundi spes Maria ave maris ave pia Anonymous Appears on: 464v–468 Genres: Marian antiphon, Motet Voice: Tenor Languages: Latin Voice: Altus Languages: Latin Voice: Triplum Languages: Latin Voice Text: Ave mundi spes Maria Voice: Bassus Languages: Latin General Note Die Kantorei der Spätgotik, ed. by H.J. Moser (Berlin, 1928), p. 7
464v–468	O dulcedo virginalis	-	Anonymous
O dulcedo virginalis Anonymous Appears on: 464v–468 Genres: Motet Voice: Triplum Languages: Latin Voice Text: O dulcedo virginalis
469v–470	untexted	-	Fevin, Antoine de (ca. 1470–ca. 1512)
untexted Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 469v–470 Genres: textless Voice: [no designation] Languages: none

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) 'Missa Auleni': Agnus Dei – 407–407v (?) 'Missa Auleni': Credo – 401v–404 (?) 'Missa Auleni': Gloria – 400–401 (?) 'Missa Auleni': Sanctus – 404v–407 (?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 (?) Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] – 71v–72 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 103v–104 Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 103v–104
Andreas, Magister Phillipotus (fl. late 14th century)	Deus in tua virtute sanctus – 443–443v
Anonymous	.... tua dextra / Christi corpus ave / Verus homo – 1 Agnus Dei – 9v Alleluia. Ascendit Deus in jubilatione – 367v–368 Alleluia. Ascendit Deus in jubilatione – 339v–340 Alleluia. Dominus in Sina in sancto Vs. Captivam duxit – 368–368v Alleluia. Gaudete justi in Domino – 367v Alleluia. Laudate pueri Dominum laudate – 365 Alleluia. Laudate pueri Dominum laudate – 364v Alleluia. Pascha nostrum immolatus est – 315v–317 Alleluia. Veni sancte spiritus – 344v–345 Alleluia. Vox exultationis et salutis – 421–422 Alleluia. [Martinus episcopus] – 424v Alma chorus - 1a pars (of 2): Alma chorus Domini nunc – 60v–61 Alma chorus - 2a pars (of 2): Os verbum splendor – 61v Ave mundi spes Maria / In Gottes Namen – 29v–30 Ave mundi spes Maria ave maris ave pia – 464v–468 Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria – 58v–59 Beata Dei genitrix - 2a pars (of 2): Ora pro populo – 59v–60 Benedicite Domino (de angelis / de omnibus sanctis) – 426v–427v Calicem Domini - 1a pars (of 3): [Isti sunt triumphatores] Calicem Domini biberunt et amici Deii – 431v–432 Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua – 432v–433 Calicem Domini - 3a pars (of 3): Gloria patri – 433v–434 Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit – 168v–169 Christus surrexit - 2a pars (of 2): Alleluia. Des solln wir alle – 170v Concentu parili hic te Maria – 254–261 Da pater omnipotens firmam jam pectore – 447v–448 De tous biens plaine est ma maîtresse – 49v–50 Der Bauer in dem Graben Rock – 69v–70 Domus mea domus orationis vocabitur – 156v–157 Ecce Maria genuit nobis salvatorem – 363 Ecce concipies et paries filium et vocabis – 359 Ecce ego mitto vos sicut oves in medio – 435v–436 Ego vos elegi de mundo ut eatis – 367 En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis – 21v–22 En lectulum Salomonis - 2a pars (of 2): Egredimini et videte – 22v–23 Es sassen höld – 53 Es wolt ein maidlein Nach grasse gann – 398v, 399v Et in terra pax [Gloria] – 10v–11 Gaude Dei genitrix quam circumstant – 364 Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo – 19v–20 Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum – 19v–20 Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede – 20v Gaude virgo mater Jesu Christi – 445v–446 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino – 11v Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum – 11v Gaudent chori - 1a pars (of 2): [Super salutem] Gaudent chori angelorum consortes et concives – 429 Gaudent chori - 2a pars (of 2): Paradisi porta per evam – 429v–430 Gespile liebe gespile – 52v Grates nunc omnes – 363v Hodie Deus homo factus - Gloria laus et honor – 369v Hodie Deus homo factus / Gaude visceribus – 154v Hostis Herodes impie – 152 Ich sachs eins mals – 52 In patientia vestra possidebitis animas – 434v–435 Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut – 65v–66 Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum – 66v–67 Iste confessor Domini – 152v–153 Jesu corona virginum - Ein frischen – 154 Jubilate Deo omnis terra – 356v–357 Justi autem in perpetuum vivunt – 365v–366 Justorum autem animae – 366 Kyrie Angelicum – 12v Kyrie de beata virgine – 12 Kyrie fons bonitatis – 368v–369 Kyrie pascale – 9 Kyrie pascale – 9v–10 Kyrie pascale – 163v–164 Lux perpetua lucebit sanctis tuis – 365 Magistri Nicolai Leipoldi ex Ynsprugga – 444 Magnificat Sexti Toni: Et exultavit [K.297] – 110–112v Magnificat Sexti Toni: Et exultavit [K.317] – 16v–17 Magnificat Sexti Toni: Et exultavit [K.318] – 201v–204 Magnificat octavi toni: Et exultavit [K.401] – 436v–439 Magnificat octavi toni: Et exultavit [K.446] – 15v–16 Magnificat primi toni: Et exultavit [K.155] – 13v–15 Mihi autem nimis - 1a pars (of 2): Mihi autem nimis – 288v–289 Mihi autem nimis - 1a pars (of 2): Mihi autem nimis – 420v Mihi autem nimis - 2a pars (of 2): Domine probasti me – 288v–289 Missa Cunctipotens genitor (primi toni) (KGS) – 225–231 Missa De tous biens (KGCSA) – 215–224 Missa Jesu redemptor: Gloria [Et in terra] – 289v–290 Missa Jesu redemptor: Kyrie – 289–290 Missa Maria zart (KGCS) – 350–356 Missa O Osterreich (KGCSA) – 205v–213 Missa Petite camusette (KGCSA) – 294v–301 Missa Primi Toni (KGCSA) – 273v–281 Missa Salve regina (GCS) – 390–395v Missa Tertii Toni 'Ein maid zu dem brunnen' (GCSA) – 396–399 Missa Tertii Toni (KGCSA) – 141v–147 Missa paschalis (KGSA) – 161v–168 Missa paschalis: Credo-Sanctus – 319v–328 Missa paschalis: Kyrie-Gloria (Christe trope Qui super me scandis) – 308v–315 Missa primi toni (KGCS) – 281v–287v Missa primi toni (KGCS) – 380–388 O Jesu clementissime – 62v–64 O beata infantia - 1a pars (of 2): O beata infantia – 4v–5 O beata infantia - 2a pars (of 2): O praesepe splendidum – 5v–6 O beatorum supernorum civium concreata – 37v–38 O dulcedo virginalis – 464v–468 O plebs que Deum amas – 3v–4 O propugnator noster O consolator – 148v–149 O quam pulchra - 1a pars (of 2): O quam pulchra – 32v–33 O quam pulchra - 2a pars (of 2): Quoniam et apud – 32v–33 Omnes sancti seraphim – 422v–424 Omnes sancti seraphim Archangeli angeli – 362v Pascha nostrum immolatus est Christus – 329v–330 Patrem omnipotentem [Credo] VIII toni – 76–77v Psallite Domino nostro qui ascendit – 342v–343 Quem terra pontus / Ave maris stella – 156 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 101v–102 Regina caeli - 1a pars (of 3): Regina caeli laetare alleluia – 302v–304 Regina caeli - 2a pars (of 2): Ora pro nobis – 102v–103 Regina caeli - 2a pars (of 3): Resurrexit sicut dixit – 304v–305 Regina caeli - 3a pars (of 3): Alleluia Domine nate matris – 304v–306 Regina caeli laetare alleluia – 169v–170 Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] – 30v–32 Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum – 306v–308 Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me – 307v–308 Resurrexi et adhuc tecum sum Vs: Domine probasti me Tu cognovisti – 160v–161 Rex regum Christe – 64v–65 Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum – 67v–68 Salve mundi gloria - 2a pars (of 2): Pietatis oculos – 68v–69 Salve regina - 1a pars (of 3): Salve regina misericordiae – 105v–106 Salve regina - 2a pars (of 3): Eya ergo advocata – 106v–107 Salve regina - 3a pars (of 3): O clemens o pia – 107v–108 Salve regina mater misericordiae – 93v–95 Salve regina mater misericordiae – 128v–131 Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo – 440–441v Sancti spiritus assit Quae corda nostra – 359v–362 Sancti tui domine benedicent te gloriam Vs: Exaltabo te domine deus meus rex – 366v–367 Sanctus Iste per magnus – 137v–141 Se stee ich hie – 51v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo – 343v–344 Summi triumphi regis prosequamur laude – 340v–343 Tanhauser Ir seit mir – 53 Tantum ergo sacramentum = Pange lingua gloriosi – 151v Veneremur [from 'Pange lingua gloriosi'] – 39a Veni creator spiritus - Tannhauser ihr seit mir lieb – 151 Veni redemptor gentium / Christe redemptor omnium – 12 Veni sancte spiritus reple tuorum corda – 345v–347 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 171–171v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 317v–319 Viderunt omnes fines terrae salutare – 364v Virgo Dei genitrix te rogitamus – 444v–445 Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo – 6v–7 Virgo iustorum- 2a pars (of 2): Nostra cantorum – 7v–8 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 338v–339 [Salve regina] Vita dulcedo – 410–410v [Victimae paschali] Agnus redemit oves – 414, 419v untexted – 84 untexted – 75v untexted – 78 untexted – 81v [No description] – 113v–114 [No description] – 35v–36v [No description] – 19 [No description] – 448v [No description] – 33v–35 [No description] – 446v–447 [No description] – 56v–58 [No description] – 149v–150 [No description] – 54v–55 [No description] – 50v–51 [No description] – 412v [No description] – 449 [No description] – 261v
Aulen, Johannes (fl. late 15th century)	'Missa Auleni': Agnus Dei – 407–407v 'Missa Auleni': Credo – 401v–404 'Missa Auleni': Gloria – 400–401 'Missa Auleni': Sanctus – 404v–407
Busnoys, Antoine (ca. 1430–1492)	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante – 27v–28 In hydraulis - 2a pars (of 2): Heg ockeghem cunctis – 28v–29
Clibano, Jacobus de	Credo / Patrem de village (quarti toni) – 78v–80v
Compère, Loyset (ca. 1445–1518)	Magnificat sexti toni: Anima mea [K.698] – 117 Missa L'homme armé 6.1: Agnus Dei – 272v–273 Missa L'homme armé 6.1: Credo – 267v–270 Missa L'homme armé 6.1: Gloria – 265v–267 Missa L'homme armé 6.1: Kyrie – 264v–265 Missa L'homme armé 6.1: Sanctus – 270v–272
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 147v–148 Missa Fortuna desperata 8.2: Agnus Dei – 177v–178 Missa Fortuna desperata 8.2: Credo – 174v–176 Missa Fortuna desperata 8.2: Gloria – 172v–174 Missa Fortuna desperata 8.2: Kyrie – 172–173 Missa Fortuna desperata 8.2: Sanctus – 176v–178 (?) Missa L'homme armé 6.1: Agnus Dei – 272v–273 (?) Missa L'homme armé 6.1: Credo – 267v–270 (?) Missa L'homme armé 6.1: Gloria – 265v–267 (?) Missa L'homme armé 6.1: Kyrie – 264v–265 (?) Missa L'homme armé 6.1: Sanctus – 270v–272 (?) O Venus bant / O vierich brant 27.29 – 53v
Du Fay, Guillaume (1397–1474)	(?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 388v–389 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 389v Salve regina – 444 Salve regina - 1a pars (of 3): Salve regina misericordiae – 86v–87 Salve regina - 2a pars (of 3): Eya ergo advocata – 86v–87 Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia – 87v–88
Ferdinandus et frater eius	(?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 (?) Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] – 71v–72
Fernandez, Aires	(?) Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur – 98v–99 (?) Salve regina misericordiae - 2a pars (of 6): Ad te suspiramus / Zu iagen – 99v–100 (?) Salve regina misericordiae - 3a pars (of 6): Eya ergo / Je n'ay pris amour – 99v–100 (?) Salve regina misericordiae - 4a pars (of 6): Et Jesum benedictum / Glick walt der rays – 100v–101 (?) Salve regina misericordiae - 5a pars (of 6): O clemens / Wunschlich schon – 100v–101 (?) Salve regina misericordiae - 6a pars (of 6): O dulcis Maria / Wes ich mich leid – 100v–101
Fevin, Antoine de (ca. 1470–ca. 1512)	untexted – 469v–470
Finck, Heinrich	Alleluia. Caro mea vere est cibus – 348v–349 Salve regina - 1a pars (of 7): Salve regina misericordiae – 408 Salve regina - 2a pars (of 7): Vita dulcedo et spes nostra – 408–408v Salve regina - 3a pars (of 7): Ad te clamamus exsules filii Hevae – 408v Salve regina - 4a pars (of 7): Ad te suspiramus gementes et flentes – 408v Salve regina - 5a pars (of 7): Eia ergo advocata nostra illos tuos misericordes – 413 Salve regina - 6a pars (of 7): Et Jesum benedictum fructum ventris – 409 Salve regina - 7a pars (of 7): O clemens o pia o dulcis virgo Maria – 409v
Forest	Anima mea - 1a pars (of 3): Anima mea liquefacta est – 1v–2 Anima mea - 2a pars (of 3): Tulerunt pallium meum – 2v Anima mea - 3a pars (of 3): Filiae Jerusalem – 2v–3
G.F.	Benedicta semper sancta sit trinitas – 414v–419
Isaac, Heinrich (ca. 1450–1517)	Argentum et aurum – 72v–73 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] – 347v–348 Ecce sacerdos magnus [Ecce dilectus meus] – 73v–74 (?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 Inviolata integra et casta es Maria – 74v Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei – 194–196 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo – 184v–189 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Gloria – 181–184 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie – 179–180v Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus – 456v–463 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus – 189v–193v Patrem omnipotentem [Credo sexti toni] (M12) – 197v–199 (?) Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant – 232
Jung, G.	Jesu fili patris / O Venus Kraft – 213v–214
Martini, Johannes (ca. 1430–1497)	Ave maris stella – 253v Ave maris stella – 153v Festum nunc celebre – 150v–151 (?) Gaude flore virginali - 1a pars (of 6): Gaude flore virginali – 38v–39 (?) Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei – 39v–40 (?) Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum – 39v–40 (?) Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis – 40v–41 (?) Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima – 41v–42 (?) Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura – 42v–43 Magnificat octavi toni: Anima mea [K.911] – 124v–126 Magnificat quarti toni:: Et exultavit [K.908] – 118v–120v Magnificat sexti toni: Anima mea [K.909] – 123–125 Magnificat tertii toni: Anima mea [K.906] – 121–122v (?) Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus – 43v (?) Natus sapientia - 2a pars (of 8): Cito derelictus – 44 (?) Natus sapientia - 3a pars (of 8): Hora prima ductus est – 44v (?) Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit – 45 (?) Natus sapientia - 5a pars (of 8): Crucifige clamitant – 45v–46 (?) Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus – 46v–47 (?) Natus sapientia - 7a pars (of 8): Fortitudo latuit – 47v–48 (?) Natus sapientia - 8a pars (of 8): Datur sepulturae corpus – 48v Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine – 89 Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave – 89v–90 Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici – 90v–91 Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor – 91v–92 Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus – 89–93
Merques, Nicolas	(?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 388v–389 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 389v
Obrecht, Jacobus (ca. 1457–1505)	Missa Beata viscera: Agnus Dei – 252v–253 Missa Beata viscera: Credo – 248–250 Missa Beata viscera: Gloria – 246v–247v Missa Beata viscera: Kyrie – 246 Missa Beata viscera: Sanctus – 250v–252 Missa Je ne demande – 370–379v Missa Rose playsante: Agnus I, Agnus II – 236v–237 Missa Rose playsante: Sanctus – 236 Missa Schoen lief: Agnus Dei – 244v–245v Missa Schoen lief: Credo – 240v–242 Missa Schoen lief: Gloria – 238v–240 Missa Schoen lief: Kyrie – 237v–238 Missa Schoen lief: Sanctus – 242v–244 Missa Si dedero somnum: with two Agnus Dei – 447–456 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 357v–358 untexted – 224v
Petit, Nino le (fl. c1500)	(?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 357v–358
Phi. Hol	Missa Je ne vis oncques (KGCSA) – 131v–137
Raber, W	Qui manducat carnem – 349v
Roda, Paulus de	Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria – 23v–24 Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis – 24v–25 Carmen (song) – 54 untexted – 25v–26 untexted – 26v–27
Roullet, Johannes	Kyrie Pascale – 13
Salice, Jo. de	untexted – 55v–56
Stoltzer, Thomas (ca. 1480–1526)	Gaude Sion quod egressum (= Stabat mater) – 441v–443
Veye, Cornelius de	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 95v–96 Alma redemptoris mater - 2a pars (of 2): Surgere qui curas – 96v–98
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) O Venus bant / O vierich brant 27.29 – 53v

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	407–407v
'Missa Auleni': Credo	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	401v–404
'Missa Auleni': Gloria	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	400–401
'Missa Auleni': Sanctus	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	404v–407
.... tua dextra / Christi corpus ave / Verus homo	Anonymous	1
[Salve regina] Vita dulcedo	Anonymous	410–410v
[Victimae paschali] Agnus redemit oves	Anonymous	414, 419v
Agnus Dei	Anonymous	9v
Alleluia. [Martinus episcopus]	Anonymous	424v
Alleluia. Ascendit Deus in jubilatione	Anonymous	339v–340
Alleluia. Ascendit Deus in jubilatione	Anonymous	367v–368
Alleluia. Caro mea vere est cibus	Finck, Heinrich	348v–349
Alleluia. Dominus in Sina in sancto Vs. Captivam duxit	Anonymous	368–368v
Alleluia. Gaudete justi in Domino	Anonymous	367v
Alleluia. Laudate pueri Dominum laudate	Anonymous	364v
Alleluia. Laudate pueri Dominum laudate	Anonymous	365
Alleluia. Pascha nostrum immolatus est	Anonymous	315v–317
Alleluia. Veni sancte spiritus	Anonymous	344v–345
Alleluia. Vox exultationis et salutis	Anonymous	421–422
Alma chorus - 1a pars (of 2): Alma chorus Domini nunc	Anonymous	60v–61
Alma chorus - 2a pars (of 2): Os verbum splendor	Anonymous	61v
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Veye, Cornelius de	95v–96
Alma redemptoris mater - 2a pars (of 2): Surgere qui curas	Veye, Cornelius de	96v–98
Anima mea - 1a pars (of 3): Anima mea liquefacta est	Forest	1v–2
Anima mea - 2a pars (of 3): Tulerunt pallium meum	Forest	2v
Anima mea - 3a pars (of 3): Filiae Jerusalem	Forest	2v–3
Argentum et aurum	Isaac, Heinrich (ca. 1450–1517)	72v–73
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	147v–148
Ave maris stella	Martini, Johannes (ca. 1430–1497)	153v
Ave maris stella	Martini, Johannes (ca. 1430–1497)	253v
Ave mundi spes Maria / In Gottes Namen	Anonymous	29v–30
Ave mundi spes Maria ave maris ave pia	Anonymous	464v–468
Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria	Roda, Paulus de	23v–24
Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis	Roda, Paulus de	24v–25
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria	Anonymous	58v–59
Beata Dei genitrix - 2a pars (of 2): Ora pro populo	Anonymous	59v–60
Benedicite Domino (de angelis / de omnibus sanctis)	Anonymous	426v–427v
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?)	388v–389
Benedicite dominum - 2a pars (of 2): Benedic anima mea	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	389v
Benedicta semper sancta sit trinitas	G.F.	414v–419
Calicem Domini - 1a pars (of 3): [Isti sunt triumphatores] Calicem Domini biberunt et amici Deii	Anonymous	431v–432
Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua	Anonymous	432v–433
Calicem Domini - 3a pars (of 3): Gloria patri	Anonymous	433v–434
Carmen (song)	Roda, Paulus de	54
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit	Anonymous	168v–169
Christus surrexit - 2a pars (of 2): Alleluia. Des solln wir alle	Anonymous	170v
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	Isaac, Heinrich (ca. 1450–1517)	347v–348
Concentu parili hic te Maria	Anonymous	254–261
Credo / Patrem de village (quarti toni)	Clibano, Jacobus de	78v–80v
Da pater omnipotens firmam jam pectore	Anonymous	447v–448
De tous biens plaine est ma maîtresse	Anonymous	49v–50
Der Bauer in dem Graben Rock	Anonymous	69v–70
Deus in tua virtute sanctus	Andreas, Magister Phillipotus (fl. late 14th century)	443–443v
Domus mea domus orationis vocabitur	Anonymous	156v–157
Ecce concipies et paries filium et vocabis	Anonymous	359
Ecce ego mitto vos sicut oves in medio	Anonymous	435v–436
Ecce Maria genuit nobis salvatorem	Anonymous	363
Ecce sacerdos magnus [Ecce dilectus meus]	Isaac, Heinrich (ca. 1450–1517)	73v–74
Ego vos elegi de mundo ut eatis	Anonymous	367
En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis	Anonymous	21v–22
En lectulum Salomonis - 2a pars (of 2): Egredimini et videte	Anonymous	22v–23
Es sassen höld	Anonymous	53
Es wolt ein maidlein Nach grasse gann	Anonymous	398v, 399v
Et in terra pax [Gloria]	Anonymous	10v–11
Festum nunc celebre	Martini, Johannes (ca. 1430–1497)	150v–151
Gaude Dei genitrix quam circumstant	Anonymous	364
Gaude flore virginali - 1a pars (of 6): Gaude flore virginali	Martini, Johannes (ca. 1430–1497) (?)	38v–39
Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei	Martini, Johannes (ca. 1430–1497) (?)	39v–40
Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum	Martini, Johannes (ca. 1430–1497) (?)	39v–40
Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis	Martini, Johannes (ca. 1430–1497) (?)	40v–41
Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima	Martini, Johannes (ca. 1430–1497) (?)	41v–42
Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura	Martini, Johannes (ca. 1430–1497) (?)	42v–43
Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo	Anonymous	19v–20
Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum	Anonymous	19v–20
Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede	Anonymous	20v
Gaude Sion quod egressum (= Stabat mater)	Stoltzer, Thomas (ca. 1480–1526)	441v–443
Gaude virgo mater Jesu Christi	Anonymous	445v–446
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	Anonymous	11v
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	Anonymous	11v
Gaudent chori - 1a pars (of 2): [Super salutem] Gaudent chori angelorum consortes et concives	Anonymous	429
Gaudent chori - 2a pars (of 2): Paradisi porta per evam	Anonymous	429v–430
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat]	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?)	70v–71
Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.]	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	71v–72
Gespile liebe gespile	Anonymous	52v
Grates nunc omnes	Anonymous	363v
Hodie Deus homo factus - Gloria laus et honor	Anonymous	369v
Hodie Deus homo factus / Gaude visceribus	Anonymous	154v
Hostis Herodes impie	Anonymous	152
Ich sachs eins mals	Anonymous	52
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	Busnoys, Antoine (ca. 1430–1492)	27v–28
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	Busnoys, Antoine (ca. 1430–1492)	28v–29
In patientia vestra possidebitis animas	Anonymous	434v–435
Inviolata integra et casta es Maria	Isaac, Heinrich (ca. 1450–1517)	74v
Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut	Anonymous	65v–66
Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum	Anonymous	66v–67
Iste confessor Domini	Anonymous	152v–153
Jesu corona virginum - Ein frischen	Anonymous	154
Jesu fili patris / O Venus Kraft	Jung, G.	213v–214
Jubilate Deo omnis terra	Anonymous	356v–357
Justi autem in perpetuum vivunt	Anonymous	365v–366
Justorum autem animae	Anonymous	366
Kyrie Angelicum	Anonymous	12v
Kyrie de beata virgine	Anonymous	12
Kyrie fons bonitatis	Anonymous	368v–369
Kyrie pascale	Anonymous	9
Kyrie pascale	Anonymous	9v–10
Kyrie Pascale	Roullet, Johannes	13
Kyrie pascale	Anonymous	163v–164
Lux perpetua lucebit sanctis tuis	Anonymous	365
Magistri Nicolai Leipoldi ex Ynsprugga	Anonymous	444
Magnificat octavi toni: Anima mea [K.911]	Martini, Johannes (ca. 1430–1497)	124v–126
Magnificat octavi toni: Et exultavit [K.401]	Anonymous	436v–439
Magnificat octavi toni: Et exultavit [K.446]	Anonymous	15v–16
Magnificat primi toni: Et exultavit [K.155]	Anonymous	13v–15
Magnificat quarti toni:: Et exultavit [K.908]	Martini, Johannes (ca. 1430–1497)	118v–120v
Magnificat sexti toni: Anima mea [K.698]	Compère, Loyset (ca. 1445–1518)	117
Magnificat sexti toni: Anima mea [K.909]	Martini, Johannes (ca. 1430–1497)	123–125
Magnificat Sexti Toni: Et exultavit [K.297]	Anonymous	110–112v
Magnificat Sexti Toni: Et exultavit [K.317]	Anonymous	16v–17
Magnificat Sexti Toni: Et exultavit [K.318]	Anonymous	201v–204
Magnificat tertii toni: Anima mea [K.906]	Martini, Johannes (ca. 1430–1497)	121–122v
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	Anonymous	288v–289
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	Anonymous	420v
Mihi autem nimis - 2a pars (of 2): Domine probasti me	Anonymous	288v–289
Missa Beata viscera: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	252v–253
Missa Beata viscera: Credo	Obrecht, Jacobus (ca. 1457–1505)	248–250
Missa Beata viscera: Gloria	Obrecht, Jacobus (ca. 1457–1505)	246v–247v
Missa Beata viscera: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	246
Missa Beata viscera: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	250v–252
Missa Cunctipotens genitor (primi toni) (KGS)	Anonymous	225–231
Missa De tous biens (KGCSA)	Anonymous	215–224
Missa Fortuna desperata 8.2: Agnus Dei	Despres, Josquin (ca. 1450–1521)	177v–178
Missa Fortuna desperata 8.2: Credo	Despres, Josquin (ca. 1450–1521)	174v–176
Missa Fortuna desperata 8.2: Gloria	Despres, Josquin (ca. 1450–1521)	172v–174
Missa Fortuna desperata 8.2: Kyrie	Despres, Josquin (ca. 1450–1521)	172–173
Missa Fortuna desperata 8.2: Sanctus	Despres, Josquin (ca. 1450–1521)	176v–178
Missa Je ne demande	Obrecht, Jacobus (ca. 1457–1505)	370–379v
Missa Je ne vis oncques (KGCSA)	Phi. Hol	131v–137
Missa Jesu redemptor: Gloria [Et in terra]	Anonymous	289v–290
Missa Jesu redemptor: Kyrie	Anonymous	289–290
Missa L'homme armé 6.1: Agnus Dei	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	272v–273
Missa L'homme armé 6.1: Credo	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	267v–270
Missa L'homme armé 6.1: Gloria	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	265v–267
Missa L'homme armé 6.1: Kyrie	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	264v–265
Missa L'homme armé 6.1: Sanctus	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	270v–272
Missa Maria zart (KGCS)	Anonymous	350–356
Missa O Osterreich (KGCSA)	Anonymous	205v–213
Missa paschalis (KGSA)	Anonymous	161v–168
Missa paschalis: Credo-Sanctus	Anonymous	319v–328
Missa paschalis: Kyrie-Gloria (Christe trope Qui super me scandis)	Anonymous	308v–315
Missa Petite camusette (KGCSA)	Anonymous	294v–301
Missa primi toni (KGCS)	Anonymous	281v–287v
Missa primi toni (KGCS)	Anonymous	380–388
Missa Primi Toni (KGCSA)	Anonymous	273v–281
Missa Rose playsante: Agnus I, Agnus II	Obrecht, Jacobus (ca. 1457–1505)	236v–237
Missa Rose playsante: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	236
Missa Salve regina (GCS)	Anonymous	390–395v
Missa Schoen lief: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	244v–245v
Missa Schoen lief: Credo	Obrecht, Jacobus (ca. 1457–1505)	240v–242
Missa Schoen lief: Gloria	Obrecht, Jacobus (ca. 1457–1505)	238v–240
Missa Schoen lief: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	237v–238
Missa Schoen lief: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	242v–244
Missa Si dedero somnum: with two Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	447–456
Missa Tertii Toni 'Ein maid zu dem brunnen' (GCSA)	Anonymous	396–399
Missa Tertii Toni (KGCSA)	Anonymous	141v–147
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	194–196
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo	Isaac, Heinrich (ca. 1450–1517)	184v–189
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Gloria	Isaac, Heinrich (ca. 1450–1517)	181–184
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie	Isaac, Heinrich (ca. 1450–1517)	179–180v
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	189v–193v
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	456v–463
Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus	Martini, Johannes (ca. 1430–1497) (?)	43v
Natus sapientia - 2a pars (of 8): Cito derelictus	Martini, Johannes (ca. 1430–1497) (?)	44
Natus sapientia - 3a pars (of 8): Hora prima ductus est	Martini, Johannes (ca. 1430–1497) (?)	44v
Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit	Martini, Johannes (ca. 1430–1497) (?)	45
Natus sapientia - 5a pars (of 8): Crucifige clamitant	Martini, Johannes (ca. 1430–1497) (?)	45v–46
Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus	Martini, Johannes (ca. 1430–1497) (?)	46v–47
Natus sapientia - 7a pars (of 8): Fortitudo latuit	Martini, Johannes (ca. 1430–1497) (?)	47v–48
Natus sapientia - 8a pars (of 8): Datur sepulturae corpus	Martini, Johannes (ca. 1430–1497) (?)	48v
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	4v–5
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	5v–6
O beatorum supernorum civium concreata	Anonymous	37v–38
O dulcedo virginalis	Anonymous	464v–468
O Jesu clementissime	Anonymous	62v–64
O plebs que Deum amas	Anonymous	3v–4
O propugnator noster O consolator	Anonymous	148v–149
O quam pulchra - 1a pars (of 2): O quam pulchra	Anonymous	32v–33
O quam pulchra - 2a pars (of 2): Quoniam et apud	Anonymous	32v–33
O Venus bant / O vierich brant 27.29	Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Despres, Josquin (ca. 1450–1521) (?)	53v
Omnes sancti seraphim	Anonymous	422v–424
Omnes sancti seraphim Archangeli angeli	Anonymous	362v
Pascha nostrum immolatus est Christus	Anonymous	329v–330
Patrem omnipotentem [Credo sexti toni] (M12)	Isaac, Heinrich (ca. 1450–1517)	197v–199
Patrem omnipotentem [Credo] VIII toni	Anonymous	76–77v
Psallite Domino nostro qui ascendit	Anonymous	342v–343
Quem terra pontus / Ave maris stella	Anonymous	156
Qui manducat carnem	Raber, W	349v
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	101v–102
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Agricola, Alexander (ca. 1445–1506)	103v–104
Regina caeli - 1a pars (of 3): Regina caeli laetare alleluia	Anonymous	302v–304
Regina caeli - 2a pars (of 2): Ora pro nobis	Anonymous	102v–103
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Agricola, Alexander (ca. 1445–1506)	103v–104
Regina caeli - 2a pars (of 3): Resurrexit sicut dixit	Anonymous	304v–305
Regina caeli - 3a pars (of 3): Alleluia Domine nate matris	Anonymous	304v–306
Regina caeli laetare alleluia	Anonymous	169v–170
Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris]	Anonymous	30v–32
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	Anonymous	306v–308
Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me	Anonymous	307v–308
Resurrexi et adhuc tecum sum Vs: Domine probasti me Tu cognovisti	Anonymous	160v–161
Rex regum Christe	Anonymous	64v–65
Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum	Anonymous	67v–68
Salve mundi gloria - 2a pars (of 2): Pietatis oculos	Anonymous	68v–69
Salve regina	Du Fay, Guillaume (1397–1474)	444
Salve regina - 1a pars (of 3): Salve regina misericordiae	Du Fay, Guillaume (1397–1474)	86v–87
Salve regina - 1a pars (of 3): Salve regina misericordiae	Anonymous	105v–106
Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine	Martini, Johannes (ca. 1430–1497)	89
Salve regina - 1a pars (of 7): Salve regina misericordiae	Finck, Heinrich	408
Salve regina - 2a pars (of 3): Eya ergo advocata	Du Fay, Guillaume (1397–1474)	86v–87
Salve regina - 2a pars (of 3): Eya ergo advocata	Anonymous	106v–107
Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave	Martini, Johannes (ca. 1430–1497)	89v–90
Salve regina - 2a pars (of 7): Vita dulcedo et spes nostra	Finck, Heinrich	408–408v
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	Du Fay, Guillaume (1397–1474)	87v–88
Salve regina - 3a pars (of 3): O clemens o pia	Anonymous	107v–108
Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici	Martini, Johannes (ca. 1430–1497)	90v–91
Salve regina - 3a pars (of 7): Ad te clamamus exsules filii Hevae	Finck, Heinrich	408v
Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor	Martini, Johannes (ca. 1430–1497)	91v–92
Salve regina - 4a pars (of 7): Ad te suspiramus gementes et flentes	Finck, Heinrich	408v
Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus	Martini, Johannes (ca. 1430–1497)	89–93
Salve regina - 5a pars (of 7): Eia ergo advocata nostra illos tuos misericordes	Finck, Heinrich	413
Salve regina - 6a pars (of 7): Et Jesum benedictum fructum ventris	Finck, Heinrich	409
Salve regina - 7a pars (of 7): O clemens o pia o dulcis virgo Maria	Finck, Heinrich	409v
Salve regina mater misericordiae	Anonymous	93v–95
Salve regina mater misericordiae	Anonymous	128v–131
Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur	Fernandez, Aires (?)	98v–99
Salve regina misericordiae - 2a pars (of 6): Ad te suspiramus / Zu iagen	Fernandez, Aires (?)	99v–100
Salve regina misericordiae - 3a pars (of 6): Eya ergo / Je n'ay pris amour	Fernandez, Aires (?)	99v–100
Salve regina misericordiae - 4a pars (of 6): Et Jesum benedictum / Glick walt der rays	Fernandez, Aires (?)	100v–101
Salve regina misericordiae - 5a pars (of 6): O clemens / Wunschlich schon	Fernandez, Aires (?)	100v–101
Salve regina misericordiae - 6a pars (of 6): O dulcis Maria / Wes ich mich leid	Fernandez, Aires (?)	100v–101
Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant	Isaac, Heinrich (ca. 1450–1517) (?)	232
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	Anonymous	440–441v
Sancti spiritus assit Quae corda nostra	Anonymous	359v–362
Sancti tui domine benedicent te gloriam Vs: Exaltabo te domine deus meus rex	Anonymous	366v–367
Sanctus Iste per magnus	Anonymous	137v–141
Se stee ich hie	Anonymous	51v
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	357v–358
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo	Anonymous	343v–344
Summi triumphi regis prosequamur laude	Anonymous	340v–343
Tanhauser Ir seit mir	Anonymous	53
Tantum ergo sacramentum = Pange lingua gloriosi	Anonymous	151v
untexted	Roda, Paulus de	25v–26
untexted	Roda, Paulus de	26v–27
untexted	Salice, Jo. de	55v–56
untexted	Anonymous	75v
untexted	Anonymous	78
untexted	Anonymous	81v
untexted	Anonymous	84
untexted	Obrecht, Jacobus (ca. 1457–1505)	224v
untexted	Fevin, Antoine de (ca. 1470–ca. 1512)	469v–470
Veneremur [from 'Pange lingua gloriosi']	Anonymous	39a
Veni creator spiritus - Tannhauser ihr seit mir lieb	Anonymous	151
Veni redemptor gentium / Christe redemptor omnium	Anonymous	12
Veni sancte spiritus reple tuorum corda	Anonymous	345v–347
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	171–171v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	317v–319
Viderunt omnes fines terrae salutare	Anonymous	364v
Virgo Dei genitrix te rogitamus	Anonymous	444v–445
Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo	Anonymous	6v–7
Virgo iustorum- 2a pars (of 2): Nostra cantorum	Anonymous	7v–8
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Anonymous	338v–339

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Images © Bayerische Staatsbibliothek, Munich

‡ denotes primary source study

Cassia, Cristina (editor). 2023. Natus sapientia: A Motetti Missales Cycle form Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.

Pavanello, Agnese (editor). 2023. Gaude, flore virginali: A Motetti Missales Cycle from Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.

Diergarten, Felix. 2019. "Gaude flore virginali": Message from the "Black Hole"? Motet Cycles between Devotion and Liturgy, edited by Felix Diergarten, 429-455. Basel: Schwabe.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: II,xi-ff, [xxvi-xxvii], 1-31; V,xvii-xlii,[xlvi-xlvii],35-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1977. Problems of Transmission in Obrecht's Missa Je ne Demande. The Musical Quarterly, 211-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxxiii, 30, 44, 49,74-5,78,86; III,14,46-8,203-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,222-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fässler, Ewald. 1975. Zur Lebensgeschichte des Nicolaus Leopold aus Innsbruck. Festschrift Walter Senn zum 70. Geburtstag, 29-35. Munich and Salzburg. Notes: facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1974. Die Datierung der Handschrift Mus. ms. 3154 der Staatsbibliothek München. Die Musikforschung, 36-56. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 69, 71, 75, 80, 89.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 150-l. Notes: physical description; mention of MS; discussion.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 126-9, 144-9,158-60,259ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I,24ff, passim; II,6ff,52-79,111-5). Prof. Thomas L. Noblitt has prepared an edition of the manuscript, with commentary, to appear in EDMR. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 8-10,59-150, 270-338. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); texts (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII,91-2,97. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 1, v. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; VI,1023; IX,903, Tafel 56, 116. Notes: physical description (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397; LVII,93-4,99. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI; XXXII,3, 16-8; XLVI; CI, iii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I,x [incorrectly referred to as MS 3134],xiii. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,386,404-9,455. Notes: physical description (partial); transcription (partial); facsimile (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: I,iii-iv; Anhang, iv-vii; Xll.vii-viii; XV/XVI,vii,48-9; XXII,[v],179-88; XXVII, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 19-22. Notes: physical description; contents list (partial); concordances (partial).

Public Comments

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Lisa Colton

Wednesday, 21 August, 2019

This manuscript is currently being examined by the archivists at the Staatsbibliothek in order to prepare a full report on its watermarks, for publication by the archive online (August 2019).

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Benjamin Haider

Thursday, 10 July, 2025

Incorrect concordance for Gaffurius, 'Ave mundi spes Maria' identified.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description