D-Mbs Mus. MS 3154 (Leopold Codex)

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1466-1511

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 3154 (Leopold Codex)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	314 x 220 (ff. 370-379 and 390-399 slightly smaller, c. 298 x 211) mm
Other Identifiers	CCM: MunBS 3154 olim (Former shelfmark): MaiM 42; Chorbuch des Nikolaus Leopold
Relationships	Leopold (of Innsbruck), Nikolaus (owner) Lang, Matthaeus (reference to person in text)
External Links	colour images IIIF Manifest
External Authorities	RISM Online (sources/456052096)
Provenance	Bavaria, Germany
Contents	266 pieces from 29 composers

General Description

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section c. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19. Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

DIAMM, 2017

Binding

Restored original covers of leather over wooden boards

DIAMM, 2017

Watermark

Forty-five patterns; see NoblDHM for list, discussion, and some reproductions.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Other numberings: New pencil numbering of pieces, 1-189, by J. J. Maier.

DIAMM, 2017

Foliation

Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; '225' applied to two consecutive folios; '294' applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier.

DIAMM, 2017

Foliation

472 ff

DIAMM, 2017

Decoration

Some folios (mainly those copied by main scribe) have inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(= MaiM 42) ("Chorbuch des Nikolaus Leopold")

22 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 6 Kyries, 1 Gloria, 2 Credos, 1 Sanctus, 1 Agnus, 33 Mass Proper sections, 11 Magnificats, 1 psalm, 10 hymns, 2 motet cycles (substitutes for Mass Ordinary sections), 64 motets, 7 German secular pieces, 1 Dutch secular piece, 20 textless pieces, 3 unidentified fragments = 187+4 duplicates = 191

(A. Agricola)-1, (A. Agricola/Aulenus?*/Cuvenor)-1, (A. Agricola/Isaac)-1, (Busnois)-1, (N. Clibano)-1, Compère-1, Dufay(?)-1, Ar. Fer.-1, A. Fevin-1, Finck-2, (Forest?)-1, (G.F.)-1, P. Hol.-1, Isaac-6, Jo. de Salice-1, (Josquin)-2, Josquin/(Compère)-1, (Josquin/Weerbecke)-1, Jung-1, Martini-7 + 2?, (Ninot le Petit/ Obrecht)-1, Obrecht-6, (Paulus de Broda)-1, Raber-1, Veye-1, anon-142

*Mass on ff. 400-407 bears inscription "Officium Auleni" in several concordant sources; discussion of possible identity of composer in JustM.

i + 472 paper folios, 314 x 220 (ff. 370-379 and 390-399 slightly smaller, ca. 298 x 211). Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; "225" applied to two consecutive folios; "294" applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier. New pencil numbering of pieces, 1-189, also by Maier. Blank folios or blank staves only: new ff. 8', 17', 17bis-18', 21, 37, 49, 62, 75, 81, 82-83', 84'-86, 88', 1O4'-1O5, 1O8'-1O9', 113, 114'116', 117'-118, 126'-128, 155-155', 157'160, 178', 196'197, 199'-201, 204'-205, 214', 231', 232'-235', 261'-264, 288, 29O'-294, 301'-302, 328'-S29, SSO'-SSS, 353', 358', 411-412, 413', 420, 425-426, 428-428', 43O'-4S1, 439', 464, 468'-469, 47O'-471'. Restored original covers of leather over wooden boards. No index.

One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Some folios (mainly those copied by main scribe) have inked calligraphic initials. Forty-five watermarks; see NoblDHM for list, discussion, and some reproductions.

Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section ca. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19.

Ca. 1466-1511 (NoblDHM). Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	.... tua dextra / Christi corpus ave / Verus homo	-	Anonymous
.... tua dextra / Christi corpus ave / Verus homo Anonymous Appears on: 1 Genres: fragment, Motet Voice: Bassus Languages: Latin Clef: f4 Voice Text: ... tua dextra malis pacem summe Voice: Contratenor primus Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: Verus homo Voice: Tenor Languages: Latin Mensuration: o / cut-o 3 Clef: c3 Voice Text: Cristi corpus ave
1v–2	Anima mea - 1a pars (of 3): Anima mea liquefacta est	-	Forest
Anima mea - 1a pars (of 3): Anima mea liquefacta est Forest Appears on: 1v–2 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Quesivi Voice: Bassus Languages: Latin Clef: f4 Voice Text: Quesivi Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Anima mea Voice: Superius Languages: Latin Mensuration: c Clef: c1 Voice Text: Anima mea liquefacta est General Note DTO, vol. 76, p. 87
2v	Anima mea - 2a pars (of 3): Tulerunt pallium meum	-	Forest
Anima mea - 2a pars (of 3): Tulerunt pallium meum Forest Appears on: 2v Genres: Motet Voice: Superius Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tulerunt palium meum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tulerunt General Note DTO, vol. 76, p. 87
2v–3	Anima mea - 3a pars (of 3): Filiae Jerusalem	-	Forest
Anima mea - 3a pars (of 3): Filiae Jerusalem Forest Appears on: 2v–3 Genres: Motet Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Filie iherusalem Voice: Bassus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Filie i:lem Voice: Superius Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Filie ierusalem Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Filie General Note DTO, vol. 76, p. 87
3v–4	O plebs que Deum amas	-	Anonymous
O plebs que Deum amas Anonymous Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O plebs que deum amas Voice: Contratenor Languages: Latin Clef: f3 Voice Text: O plebs Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Requiem eternam eis domine Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O plebs que deum amas
4v–5	O beata infantia - 1a pars (of 2): O beata infantia	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 4v–5 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Bassus Languages: Latin Clef: f4 Voice Text: O beata [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O beata infantia
5v–6	O beata infantia - 2a pars (of 2): O praesepe splendidum	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 5v–6 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe splendidum Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O presepe splendidum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe splendidum
6v–7	Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo	-	Anonymous
Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo Anonymous Appears on: 6v–7 Genres: Motet Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Virgo iustorum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Virgo iustorum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Virgo iustorum decus et levamen Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Virgo iustorum [text incipit only]
7v–8	Virgo iustorum- 2a pars (of 2): Nostra cantorum	-	Anonymous
Virgo iustorum- 2a pars (of 2): Nostra cantorum Anonymous Appears on: 7v–8 Genres: Motet Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Nostra cantorum [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Nostra cantorum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nostra cantorum [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nostra cantorum [text incipit only]
9	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 9 Genres: Kyrie eleison, Mass Ordinary Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Kyrieleyson Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Pascale Kyrieleyson Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrieleyson
9v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 9v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agnus dei qui tollis Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Agnus [text incipit only]
9v–10	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 9v–10 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: Kyrie fons bonitatis (recte: pascale): Kyrieleyson Voice: Tenor Languages: Greek Mensuration: c Clef: c4 Voice Text: Kyrieleyson Voice: Contratenor primus Languages: Latin Mensuration: c Clef: c4 Voice Text: Kyrielson Concordances Codex Tridentinus 88, 225v General Note incorrectly labelled "Kyrie fons bonitatis"
10v–11	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 10v–11 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra (=Gloria VI. toni) Voice: Tenor Languages: Latin Clef: c2 Voice Text: [untexted] Voice: Contratenor Languages: Latin Clef: c3 Voice Text: [untexted] General Note Codex Tridentinus 88, 372v
11v	Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous Appears on: 11v Genres: Motet Voice: Tenor Languages: Latin Mensuration: o-dot Clef: c4 Voice Text: [untexted, but with intonation in this voice also] Voice: [no designation] Languages: Latin Mensuration: o-dot Clef: c1 Voice Text: Gaudeamus: Omnes in domino [intonation in c4 clef]
11v	Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	-	Anonymous
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum Anonymous Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eructavit [text incipit only] Voice: Tenor Languages: Latin Clef: c4 Voice Text: Eructavit [text incipit only]
12	Kyrie de beata virgine	-	Anonymous
Kyrie de beata virgine Anonymous Appears on: 12 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyriel' de beata virgine: Kyrie leyson Voice: Contratenor Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie leyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson
12	Veni redemptor gentium / Christe redemptor omnium	-	Anonymous
Veni redemptor gentium / Christe redemptor omnium Anonymous Appears on: 12 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non ex virili semine (= Veni redemptor gentium) [text incipit only]
12v	Kyrie Angelicum	-	Anonymous
Kyrie Angelicum Anonymous Appears on: 12v Genres: Kyrie eleison, Mass Ordinary Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: [Kyrie] Angelicum: Kyrie leyson
13	Kyrie Pascale	-	Roullet, Johannes
Kyrie Pascale Roullet, Johannes Appears on: 13 Genres: Kyrie eleison, Mass Ordinary Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie leyson Voice: Contratenor Languages: Greek Voice Text: Kyrie leyson Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie pascale: Kyrie leyson General Note Codex Tridentinus 90, 74v
13v–15	Magnificat primi toni: Et exultavit [K.155]	-	Anonymous
Magnificat primi toni: Et exultavit [K.155] Anonymous Appears on: 13v–15 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Et exultavit spiritus meus (= Magnificat I. toni) Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Et exultavit [text incipit only] Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only] General Note Codex Tridentinus 89, 394v
15v–16	Magnificat octavi toni: Et exultavit [K.446]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.446] Anonymous Appears on: 15v–16 Genres: BVM, Canticle, Magnificat Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Et exultavit [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et exultavit spiritus meus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et exultavit spiritus meus (= Magnificat VIII. toni) Concordances Codex Tridentinus 91, 209v General Note music for vv. 2,4,6 is re-used for vv. 8,10,12
16v–17	Magnificat Sexti Toni: Et exultavit [K.317]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.317] Anonymous Appears on: 16v–17 Genres: BVM, Canticle, Magnificat Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit [text incipit only[ Voice: Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit [text incipit only[ Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et exultavit (= Magnificat VI. toni) [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit [text incipit only]
19	untexted	-	-
untexted Appears on: 19 Voice: [no designation] Languages: none Mensuration: c-2 Clef: f3 Voice Text: end of a composition in the bass, no text
19v–20	Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo	-	Anonymous
Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo Anonymous Appears on: 19v–20 Genres: Motet Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude maria virgo Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude maria virgo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude maria virgo
19v–20	Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum	-	Anonymous
Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum Anonymous Appears on: 19v–20 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dum virgo Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dum virgo deum Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum virgo deum
20v	Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede	-	Anonymous
Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede Anonymous Appears on: 20v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Dei genitrix [text incipit only] Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Dei genitrix [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Dei genitrix intercede pro nobis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Dei genitrix intercede pro nobis
21v–22	En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis	-	Anonymous
En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis Anonymous Appears on: 21v–22 Genres: Motet Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f4 Voice Text: Omnes tenentes [text incipit only] Voice: Contratenor primus Languages: Latin Clef: c1 Voice Text: En lectulum [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ex fortissimis Israel omnes tenentes gladios Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [E]n lectulum Salomonis
22v–23	En lectulum Salomonis - 2a pars (of 2): Egredimini et videte	-	Anonymous
En lectulum Salomonis - 2a pars (of 2): Egredimini et videte Anonymous Appears on: 22v–23 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Egredimini et videte [text incipit only] Voice: Tenor Languages: Latin Clef: c4 Voice Text: Egredimini et videte ... regem Salomonem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Egredimini et videte filie Syon Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Egredimini et videte filie Syon
23v–24	Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria	-	Roda, Paulus de
Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria Roda, Paulus de Appears on: 23v–24 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: o Clef: c between 4/5 Voice Text: Ave salve gaude vale o maria non vernale Voice: [no designation] Languages: Latin Mensuration: o Clef: [c4] Voice Text: Ave salve gaude [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c between 3/4 Voice Text: Ave salve [text incipit only] General Note EdM XXXIV, p. 347
24v–25	Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis	-	Roda, Paulus de
Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis Roda, Paulus de Appears on: 24v–25 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c between 3/4 Voice Text: Ave celum deitatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: [c4] Voice Text: Ave celum deitatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c between 4/5 Voice Text: Ave celum deitatis [text incipit only] General Note EdM XXXIV, p. 347
25v–26	untexted	-	Roda, Paulus de
untexted Roda, Paulus de Appears on: 25v–26 Genres: Motet Voice: Bassus Languages: none Mensuration: o Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: none Mensuration: o Clef: [c4] Voice Text: [untexted] Voice: Secundus Discantus Languages: none Mensuration: o Clef: c between 2/3 Voice Text: [untexted] Voice: Discantus primus Languages: none Mensuration: o Clef: c between 2/3 Voice Text: [untexted]
26v–27	untexted	-	Roda, Paulus de
untexted Roda, Paulus de Appears on: 26v–27 Genres: Motet Voice: Bassus Languages: none Mensuration: c-2 Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: c-2 Clef: c5 Voice Text: [untexted] Voice: Secundus Discantus Languages: Latin Mensuration: c-2 Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: c-2 Clef: c4 Voice Text: [untexted]
27v–28	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	-	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante Busnoys, Antoine (ca. 1430–1492) Appears on: 27v–28 Genres: Motet Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: o Clef: c2 Voice Text: In hydraulis [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: [untexted] General Note DTO vol. 14/15, p. 105 Layout No text underlay, but complete text copied at end
28v–29	In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	-	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis Busnoys, Antoine (ca. 1430–1492) Appears on: 28v–29 Genres: Motet Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Heg okgeghem [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hec oggkem [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 General Note DTO vol. 14/15, p. 105 General Note No text underlay, but complete text copied on f.28
29v–30	Ave mundi spes Maria / In Gottes Namen	-	Anonymous
Ave mundi spes Maria / In Gottes Namen Anonymous Appears on: 29v–30 Genres: Ave Maria, Motet Voice: Altus primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave maria ave [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave virgo maria Christe [text incipit only] Voice: Tenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Gottes namen faren von [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c2 Voice Text: Gottes namen faren vor [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave mundi spes maria [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave mundi spes Maria Voice: Contratenor tertius Languages: Latin Mensuration: o Clef: f4 Voice Text: Ave virgo maria Christe [text incipit only] Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Gottes namen faren von [text incipit only] General Note DTO vol. 14/15, p. 266
30v–32	Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris]	-	Anonymous
Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] Anonymous Appears on: 30v–32 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Regina caeli laetare alleluia Voice: Subcontra Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Quia quem [text incipit only] Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina celi [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Regina [text incipit only]
32v–33	O quam pulchra - 1a pars (of 2): O quam pulchra	-	Anonymous
O quam pulchra - 1a pars (of 2): O quam pulchra Anonymous Appears on: 32v–33 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O quam pulchra [text incipit only] Voice: Discantus Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: O quam pulchra [text incipit only]
32v–33	O quam pulchra - 2a pars (of 2): Quoniam et apud	-	Anonymous
O quam pulchra - 2a pars (of 2): Quoniam et apud Anonymous Appears on: 32v–33 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: c-2 Clef: c2 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: c-2 Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: c-2 Clef: f4 Voice Text: [untexted]
33v–35	untexted	-	-
untexted Appears on: 33v–35 Voice: Bassus Languages: none Mensuration: c Clef: f4 Voice Text: [untexted] Voice: Subcontra Languages: none Mensuration: c Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: none Mensuration: c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: [untexted] General Note 2 partes: in c and cut-o
35v–36v	untexted	-	-
untexted Appears on: 35v–36v Voice: [no designation] Languages: none Mensuration: o Clef: c1 Voice: Bassus Languages: none Mensuration: o Clef: c4 Voice: Subcontra Languages: none Mensuration: o Clef: c4 Voice: Tenor Languages: none Mensuration: o Clef: c4
37v–38	O beatorum supernorum civium concreata	-	Anonymous
O beatorum supernorum civium concreata Anonymous Appears on: 37v–38 Genres: Motet Voice: Altus Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: Latin Clef: f3 Voice Text: [untexted] Voice: Secundus Discantus Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: [untexted] Voice: Discantus primus Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: O beatorum supernorum civium cocreata [text incipit only] Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: [untexted]
38v–39	Gaude flore virginali - 1a pars (of 6): Gaude flore virginali	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 1a pars (of 6): Gaude flore virginali Martini, Johannes (ca. 1430–1497) (?) Appears on: 38v–39 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude flore [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude flore virginali Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude flore virginali Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude flore [text incipit only] Item Bibliography Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini. Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 270. Notes: proposed attribution to Martini.
39a	Veneremur [from 'Pange lingua gloriosi']	-	Anonymous
Veneremur [from 'Pange lingua gloriosi'] Anonymous Appears on: 39a Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Veneremur Voice: Altus Languages: Latin Clef: c3 Voice Text: Veneremur Voice: Superius Languages: Latin Clef: c1 Voice Text: Veneremur Voice: Bassus Languages: Latin Clef: f4 Voice Text: Veneremur (from the 'Tantum ergo' verse of Pange lingua gloriosi) General Note a slip of paper pasted between ff. 38v/39, containing a 4vv setting of the word "veneremur" only
39v–40	Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei Martini, Johannes (ca. 1430–1497) (?) Appears on: 39v–40 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude sponsa [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude sponsa cara dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude sponsa cara dei Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude sponsa [text incipit only]
39v–40	Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum	-	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum Martini, Johannes (ca. 1430–1497) (?) Appears on: 39v–40 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaide splendens [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude splendens vas virtutum [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude splendens [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude splendens vas virtutum
40v–41	Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis	loco offertorii	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis Martini, Johannes (ca. 1430–1497) (?) Appears on: 40v–41 Genres: Motet Source Attribution: loco offertorii Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude nexu voluntatis [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude nexu voluntatis [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude nexu voluntatis [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude nexu voluntatis et amplexu
41v–42	Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima	loco sanctus	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima Martini, Johannes (ca. 1430–1497) (?) Appears on: 41v–42 Genres: Motet Source Attribution: loco sanctus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude mater miserorum quia pater - Domine Jesu Christe - Meruisti maxima Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude mater miserorum [text incipit only] - Domine Jesu Christi - Meruisti maxima [text incipit only]
42v–43	Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura	loco Agnus	Martini, Johannes (ca. 1430–1497) (?)
Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura Martini, Johannes (ca. 1430–1497) (?) Appears on: 42v–43 Genres: Motet Source Attribution: loco Agnus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude virgo mater pura certa manens et secura Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude virgo mater pura ... et secura Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Certa manens et secura [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Certa manens et secura
43v	Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus	loco Introitus	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus Martini, Johannes (ca. 1430–1497) (?) Appears on: 43v Genres: Motet Source Attribution: loco Introitus Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [utexted] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: no clef Voice Text: Natus sapiencia veritas divina deus homo captus est Item Bibliography Noblitt, Thomas L (editor). 1987-1996. Der Kodex des Magister Nicolaus Leopold. Staatsbibliothek München Mus. ms. 3154. Das Erbe Deutscher Musik. 4 vols. Kassel, Basel, London, and New York. Pages: 364. Notes: withdrew attribution to Martini. Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 144-150, 305. Notes: proposed attribution to Martini.
44	Natus sapientia - 2a pars (of 8): Cito derelictus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 2a pars (of 8): Cito derelictus Martini, Johannes (ca. 1430–1497) (?) Appears on: 44 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Cito derelictus
44v	Natus sapientia - 3a pars (of 8): Hora prima ductus est	loco patrem	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 3a pars (of 8): Hora prima ductus est Martini, Johannes (ca. 1430–1497) (?) Appears on: 44v Genres: Motet Source Attribution: loco patrem Voice: Contratenor Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: Hora prima ductus est Voice: Tenor Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c 3 Clef: no clef Voice Text: [untexted]
45	Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit	post elevationem	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit Martini, Johannes (ca. 1430–1497) (?) Appears on: 45 Genres: Motet Source Attribution: post elevationem Voice: Tenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: 3 Clef: no clef Voice Text: Jhesus dominus expiravit Voice: Contratenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: 3 Clef: no clef Voice Text: [untexted]
45v–46	Natus sapientia - 5a pars (of 8): Crucifige clamitant	loco offertorii	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 5a pars (of 8): Crucifige clamitant Martini, Johannes (ca. 1430–1497) (?) Appears on: 45v–46 Genres: Motet Source Attribution: loco offertorii Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Crucifige clamitant [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Crucufige clamitant hora tertia
46v–47	Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus Martini, Johannes (ca. 1430–1497) (?) Appears on: 46v–47 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: Iugi est cruci conclavatus Voice: Contratenor Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: o Clef: no clef Voice Text: [untexted]
47v–48	Natus sapientia - 7a pars (of 8): Fortitudo latuit	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 7a pars (of 8): Fortitudo latuit Martini, Johannes (ca. 1430–1497) (?) Appears on: 47v–48 Genres: Motet Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Fortitudo latuit [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: fortitudo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Fortitudo latuit monte Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: [untexted]
48v	Natus sapientia - 8a pars (of 8): Datur sepulturae corpus	-	Martini, Johannes (ca. 1430–1497) (?)
Natus sapientia - 8a pars (of 8): Datur sepulturae corpus Martini, Johannes (ca. 1430–1497) (?) Appears on: 48v Genres: Motet Voice: Altus Languages: Latin Mensuration: 3 / 2 Clef: no clef Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Datum sepulturae corpus Christi Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-o Clef: no clef Voice Text: Datum sepulturae [text incipit only]
49v–50	De tous biens plaine est ma maîtresse	-	Anonymous
De tous biens plaine est ma maîtresse Anonymous Appears on: 49v–50 Genres: Chanson Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [untexted] General Note "The treble is the same as in Hayne van Ghizeghem's Chanson (cf. Hewitt O, 137-139 and 263-264). The version in Munich 3154 is evidently identical with none of the numerous related compositions recorded by Hewitt." (Noblitt 1969)
50v–51	untexted	-	-
untexted Appears on: 50v–51 Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice: Contratenor Languages: none Mensuration: o Clef: f3 Voice: [no designation] Languages: none Mensuration: o Clef: c2 General Note completed on ff. 54v-55
51v	Se stee ich hie	-	Anonymous
Se stee ich hie Anonymous Appears on: 51v Genres: Song Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Superius Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: So stee ich hie auff diser erd Voice: Bassus Languages: German Mensuration: cut-c Clef: f3 Voice Text: [untexted]
52	Ich sachs eins mals	-	Anonymous
Ich sachs eins mals Anonymous Appears on: 52 Genres: Song Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich sachs ains mals den liechten morgen sterne Voice: Altus Languages: German Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich sachs ains mals den liechten morgen sterne Voice: Bassus Languages: German Mensuration: cut-c Clef: f3 Voice Text: [untexted]
52v	Gespile liebe gespile	-	Anonymous
Gespile liebe gespile Anonymous Appears on: 52v Genres: Song Voice: Altus Languages: German Mensuration: cut-c 3 Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: German Mensuration: cut-c 3 Clef: f4 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c 3 Clef: c1 Voice Text: Gespile liebe gespile gut Voice: Tenor Languages: German Mensuration: cut-c 3 Clef: c4 Voice Text: [untexted]
53	Tanhauser Ir seit mir	-	Anonymous
Tanhauser Ir seit mir Anonymous Appears on: 53 Genres: Song Voice: Tenor Languages: German Mensuration: cut-c Clef: c3 Voice Text: Tanhauser Ir seit mir lieb [text incipit only] Voice: Bassus Languages: German Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted]
53	Es sassen höld	-	Anonymous
Es sassen höld Anonymous Appears on: 53 Genres: Song Voice: Contratenor Languages: German Mensuration: cut-c 3 Clef: f3 Voice Text: [untexted] Voice: Tenor Languages: German Mensuration: cut-c 3 Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c 3 Clef: c1 Voice Text: Es sassen höld in ainer stuben
53v	O Venus bant / O vierich brant 27.29	-	Despres, Josquin (ca. 1450–1521) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)
O Venus bant / O vierich brant 27.29 Despres, Josquin (ca. 1450–1521) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Appears on: 53v Genres: Song Voice: Contratenor Languages: German Mensuration: cut-c Clef: f4 Voice Text: O venus pannt [text incipit only] Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: O venus pant [text incipit only] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: [untexted] Concordances Harmonice musices odhecaton, p. 383
54	Carmen (song)	-	Roda, Paulus de
Carmen (song) Roda, Paulus de Appears on: 54 Genres: textless Voice: [no designation] Languages: none General Note EdM IV, p. 95
54v–55	untexted (conclusion of piece on ff. 50v-51	-	-
untexted (conclusion of piece on ff. 50v-51 Appears on: 54v–55 Voice: Contratenor Languages: none Mensuration: c-2 Clef: f3 Voice: [no designation] Languages: none Mensuration: c-2 Clef: c4 Voice: [no designation] Languages: none Mensuration: o-2 Clef: c2 General Note completion of untexted piece on ff. 50v-51
55v–56	untexted	Jo. de Salice	Salice, Jo. de
untexted Salice, Jo. de Appears on: 55v–56 Genres: textless Source Attribution: Jo. de Salice Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice: Contratenor Languages: none Mensuration: o Clef: f4 Voice: Altus Languages: none Mensuration: o Clef: c2 Voice: Tenor Languages: none Mensuration: o Clef: c4
56v–58	no text two parts	-	-
no text two parts Appears on: 56v–58 Voice: Contratenor Languages: none Mensuration: o Clef: f4 Voice Text: (2a pars: Bassus, cut-c) Voice: Altus Languages: none Mensuration: o Clef: c2 Voice Text: (2a pars: cut-c) Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice Text: (2a pars: cut-c) Voice: Discantus primus Languages: none Mensuration: o Clef: c2 Voice Text: (2a pars: cut-c)
58v–59	Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria	-	Anonymous
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria Anonymous Appears on: 58v–59 Genres: Motet Voice: Contratenor Languages: Latin Clef: c4 Voice Text: B [initial only] Voice: Altus Languages: Latin Voice: Tenor Languages: Latin Clef: c3 Voice Text: Beata dei genitrix [text incipit only] Voice: [no designation] Languages: Latin Clef: g2 Voice Text: B [initial only] General Note a half-folio 58bis is inserted, with the resolution of the canons in the Tenor: "serpentem timeas letus cancrum[?] tibi summas"; "Hic serpens crescit in [cancrum?] et valde tumescit / Absque mora cantor caute caput cupiat"
59v–60	Beata Dei genitrix - 2a pars (of 2): Ora pro populo	-	Anonymous
Beata Dei genitrix - 2a pars (of 2): Ora pro populo Anonymous Appears on: 59v–60 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Ora pro populo [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ora pro populo interveni pro clero Voice: Bassus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ora pro populo [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ora pro populo [text incipit only] General Note Canon: "Serpens timeas letus cancrum[?] tibi summas"
60v–61	Alma chorus - 1a pars (of 2): Alma chorus Domini nunc	-	Anonymous
Alma chorus - 1a pars (of 2): Alma chorus Domini nunc Anonymous Appears on: 60v–61 Genres: Sequence Voice: Bassus Languages: Latin Clef: c4 Voice Text: [untexted] Voice: Altus Languages: Latin Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Alma [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Alma chorus domini nunc
61v	Alma chorus - 2a pars (of 2): Os verbum splendor	-	Anonymous
Alma chorus - 2a pars (of 2): Os verbum splendor Anonymous Appears on: 61v Genres: Sequence Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O[s verbum splendor] [initial only] General Note incomplete: only part of the first voice is copied (2 staves)
62v–64	O Jesu clementissime	-	Anonymous
O Jesu clementissime Anonymous Appears on: 62v–64 Genres: Motet Voice: Altus Languages: Latin Clef: c4 Voice Text: O ihesu clementissime [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O iesu clementissime [text incipit only] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: Bassus Languages: Latin Clef: f4 Voice Text: [untexted] General Note mensuration moves to cut-o on 63v-64
64v–65	Rex regum Christe	-	Anonymous
Rex regum Christe Anonymous Appears on: 64v–65 Genres: Hymn Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Rex regum Christe [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted]
65v–66	Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut	-	Anonymous
Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut Anonymous Appears on: 65v–66 Genres: Motet Voice: Bassus Languages: Latin Mensuration: o Clef: f5 Voice Text: Arbor omnis est spinosa Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Ista est speciosa odor fragrans velud rosa Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ista est speciosa odor fragrans velud rosa Voice: Tenor Primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ista est speciosa ... inter filias Jhesu Voice: Tenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Cristum regem adoremus
66v–67	Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum	-	Anonymous
Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum Anonymous Appears on: 66v–67 Genres: Motet Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Ista est speciosa inter filias Jherusalem Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Et beatissimam te supplex oro Voice: Bassus Languages: Latin Mensuration: o-2 Clef: f5 Voice Text: Venite exultemus domino Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Et beatissimam te supplex oro [text incipit only] Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Sursum [text incipit only]
67v–68	Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum	-	Anonymous
Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum Anonymous Appears on: 67v–68 Genres: Hymn Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Salve mundi [text incipit only] Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Salve mundi gloria regina celorum Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Dulcedo [text incipit only] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted]
68v–69	Salve mundi gloria - 2a pars (of 2): Pietatis oculos	-	Anonymous
Salve mundi gloria - 2a pars (of 2): Pietatis oculos Anonymous Appears on: 68v–69 Genres: Motet Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Nos debiles [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: P[ietatis oculos] [initial only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted]
69v–70	Der Bauer in dem Graben Rock	-	Anonymous
Der Bauer in dem Graben Rock Anonymous Appears on: 69v–70 Genres: Song Voice: Tenor altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: Der pawr in dem graben rock Voice: Bassus Languages: German Mensuration: cut-c Clef: f4 Voice Text: der pawr [text incipit only] Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Der pawr in dem graben rock Voice: Tenor bassus Languages: German Mensuration: cut-c Clef: f4 Voice Text: [untexted]
70v–71	Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat]	-	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 70v–71 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaudent in celis [text incipit only] Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] General Note text here: Gaudent in caelis
71v–72	Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.]	-	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 71v–72 Genres: Contrafactum, Motet Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: "2a pars" [untexted] Voice: Contratenor Languages: none Clef: f4 Voice Text: "2a pars" [untexted]
72v–73	Argentum et aurum	H. Ysac	Isaac, Heinrich (ca. 1450–1517)
Argentum et aurum Isaac, Heinrich (ca. 1450–1517) Appears on: 72v–73 Genres: Troped ite Source Attribution: H. Ysac Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Argentum et aurum non est mihi quod habeo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] General Note EdM XXXIII, p. 270
73v–74	Ecce sacerdos magnus [Ecce dilectus meus]	-	Isaac, Heinrich (ca. 1450–1517)
Ecce sacerdos magnus [Ecce dilectus meus] Isaac, Heinrich (ca. 1450–1517) Appears on: 73v–74 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [untexted] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce sacerdos [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce sacerdos magnus qui in diebus suis General Note EdM XXXIII, p. 264
74v	Inviolata integra et casta es Maria	-	Isaac, Heinrich (ca. 1450–1517)
Inviolata integra et casta es Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 74v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Inviolata integra [text incipit only] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: [untexted] Concordances RISM 1508-1, no. 7 General Note incomplete: only 2 voices, and a canon instruction for a third, are copied. Opposite page left blank.
75v	untexted	-	Anonymous
untexted Anonymous Appears on: 75v Genres: textless Voice: [no designation] Languages: none Mensuration: c Clef: c2 Voice Text: no text [Alto and Bass on f. 84] Voice: Tenor Languages: none Mensuration: c Clef: c2 Concordances no text - Altus and Bass on f. 84
76–77v	Patrem omnipotentem [Credo] VIII toni	-	Anonymous
Patrem omnipotentem [Credo] VIII toni Anonymous Appears on: 76–77v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Tenor Languages: Latin Mensuration: o-dot Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: P[atrem omnipotentem] [initial only] (= Credo VIII. toni) Voice: Bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: [untexted] Voice: Altus Languages: Latin Mensuration: o Clef: c3 Voice Text: [untexted] General Note f. 76 contains the end of the piece, continued from f. 77v
78	untexted	-	Anonymous
untexted Anonymous Appears on: 78 Genres: textless Voice: [no designation] Languages: none Clef: c4 Voice Text: Two lines of a Tenor with substantial corrections (fair copy on f. 81v) Concordances cf. fragment at f. 81v General Note fragment: two lines of a Tenor
78v–80v	Credo / Patrem de village (quarti toni)	-	Clibano, Jacobus de
Credo / Patrem de village (quarti toni) Clibano, Jacobus de Appears on: 78v–80v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Patrem omnipotentem factorem celi Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem factorem celi Voice: Altus Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem factorem celi General Note Codex Tridentinus 89, 404v
81v	untexted	-	Anonymous
untexted Anonymous Appears on: 81v Genres: textless Voice: [no designation] Languages: none Clef: c4 Concordances cf. fragment at f. 78
84	untexted	-	Anonymous
untexted Anonymous Appears on: 84 Genres: textless Voice: Bassus Languages: none Mensuration: c Clef: c4 Voice: Altus Languages: none Mensuration: c Clef: c2 Concordances untexted - Cantus and Tenor on f. 75v
86v–87	Salve regina - 1a pars (of 3): Salve regina misericordiae	wilhelmus duffay	Du Fay, Guillaume (1397–1474)
Salve regina - 1a pars (of 3): Salve regina misericordiae Du Fay, Guillaume (1397–1474) Appears on: 86v–87 Genres: BVM, Motet, Salve Regina Source Attribution: wilhelmus duffay Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina misericordie vita et spes Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [untexted] Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve: Regina misericordie vita dulcedo Voice: Bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Regina misericordie [text incipit only]
86v–87	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Du Fay, Guillaume (1397–1474)
Salve regina - 2a pars (of 3): Eya ergo advocata Du Fay, Guillaume (1397–1474) Appears on: 86v–87 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo advocata nostra Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Eya ergo advocata nostra Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo advocata nostra Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo advocata nostra
87v–88	Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	-	Du Fay, Guillaume (1397–1474)
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia Du Fay, Guillaume (1397–1474) Appears on: 87v–88 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et ihesum benedictum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et ihesum benedictum [text incipit only] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et ihesum benedictum [text incipit only] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Et ihesum benedictum [text incipit only]
89	Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine	Jo. M. [= Martini]	Martini, Johannes (ca. 1430–1497)
Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine Martini, Johannes (ca. 1430–1497) Appears on: 89 Genres: Motet, Salve Regina Source Attribution: Jo. M. [= Martini] Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Salve regina misericordie vita dulcedo Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Salve regina misericordie vita dulcedo Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Da pacem domine in diebus nostris Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Salve regina [text incipit only] General Note each pars has a different chant as its c.f. - Da pacem, O crux, Vos amici, Gloria laus, Da tuis
89v–90	Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave Martini, Johannes (ca. 1430–1497) Appears on: 89v–90 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Ad te clamamus exules Voice: Tenor Languages: Latin Clef: c3 Voice Text: Ad te clamamus exules Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: Ad te clamamus [text incipit only] Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: O crux ave spes unica
90v–91	Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici Martini, Johannes (ca. 1430–1497) Appears on: 90v–91 Genres: Motet, Salve Regina Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Advocata nostra Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Advocata nostra Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Eya ergo - Vos amici mei estis si feceritis Voice: [Discantus] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo advocata nostra
91v–92	Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor Martini, Johannes (ca. 1430–1497) Appears on: 91v–92 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Gloria laus et honor tibi sit rex Christe Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Jhesum - Gloria laus et honor - benedictum fructum ventris tui Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et Jhesum benedictum fructum ventris tui Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et Jhesum benedictum fructum ventris tui
89–93	Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus Martini, Johannes (ca. 1430–1497) Appears on: 89–93 Genres: Motet, Salve Regina Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: O clemens o dulcis maria Voice: Discantus Languages: Latin Mensuration: c Clef: c1 Voice Text: O clemens o dulcis maria Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: O clemens - Da tuis fidelibus in te confidentibus Voice: Altus Languages: Latin Mensuration: c Clef: c3 Voice Text: O clemens o dulcis
93v–95	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 93v–95 Genres: Motet, Salve Regina Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Salve [text incipit only] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [untexted] - Vita dulcedo [text incipit only] Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Salve regina misericordie Concordances [said to be concordant with Capp. Sist. 15 ff. 212v-215 -- but seems to be a different setting.]
95v–98	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Cornelius de Veye	Veye, Cornelius de
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Veye, Cornelius de Appears on: 95v–98 Genres: Alma redemptoris mater, Motet Source Attribution: Cornelius de Veye Voice: Triplum Languages: Latin Voice Text: Alma redemptoris mater
95v–98	Alma redemptoris mater - 2a pars (of 2): Surgere qui curas	-	Veye, Cornelius de
Alma redemptoris mater - 2a pars (of 2): Surgere qui curas Veye, Cornelius de Appears on: 95v–98 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Surgere qui curas
98v–101	Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur	Ar. Fer.	Fernandez, Aires (?)
Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet, Salve Regina Source Attribution: Ar. Fer. Voice: [no designation] Languages: Latin Voice Text: Salve regina/Le serviteur General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Leservitor (=Le serviteur, by Isaac)
98v–101	Salve regina misericordiae - 2a pars (of 6): Zu iagen	-	Fernandez, Aires (?)
Salve regina misericordiae - 2a pars (of 6): Zu iagen Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie: Zu iagen General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Zu iagen (unidentified)
98v–101	Salve regina misericordiae - 3a pars (of 6): Genepris amor	-	Fernandez, Aires (?)
Salve regina misericordiae - 3a pars (of 6): Genepris amor Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie: Genepris amor General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Genepris amor (= Je n'ay pris amour, by Isaac)
98v–101	Salve regina misericordiae - 4a pars (of 6): Glick walt der rays	-	Fernandez, Aires (?)
Salve regina misericordiae - 4a pars (of 6): Glick walt der rays Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie: Glick walt der rays General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Glick walt der rays (unidentified)
98v–101	Salve regina misericordiae - 5a pars (of 6): Wunschlich schon	-	Fernandez, Aires (?)
Salve regina misericordiae - 5a pars (of 6): Wunschlich schon Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie: Wunschlich schon General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wunschlich schon (cf. D-Mbs Cgm 810 ff. 132v-133)
98v–101	Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid	-	Fernandez, Aires (?)
Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid Fernandez, Aires (?) Appears on: 98v–101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie: Wes ich mich leid General Note Each part of the Salve regina has a different cantus firmus identified in the text: for this part, Wes ich mich leid (by Hans Sygler - cf. Das Tenorlied, 234.30)
101v–103	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 101v–103 Genres: Motet, Regina caeli laetare Voice: Triplum Languages: Latin Voice Text: Regina caeli laetare alleluia
101v–103	Regina caeli - 2a pars (of 2): Ora pro nobis	-	Anonymous
Regina caeli - 2a pars (of 2): Ora pro nobis Anonymous Appears on: 101v–103 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ora pro nobis
103v–104	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Agricola, Alexander (ca. 1445–1506)
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Agricola, Alexander (ca. 1445–1506) Appears on: 103v–104 Genres: Alleluia, Motet, Regina caeli laetare Voice: Triplum Languages: Latin Voice Text: Regina caeli laetare alleluia General Note CMM 22/IV, p. 7
103v–104	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	-	Agricola, Alexander (ca. 1445–1506)
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Agricola, Alexander (ca. 1445–1506) Appears on: 103v–104 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Resurrexit sicut dixt General Note CMM 22/IV, p. 7
105v–108	Salve regina - 1a pars (of 3): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Anonymous Appears on: 105v–108 Genres: Motet, Salve Regina Voice: Triplum Languages: Latin Voice Text: Salve regina
105v–108	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Anonymous
Salve regina - 2a pars (of 3): Eya ergo advocata Anonymous Appears on: 105v–108 Genres: Salve Regina Voice: Triplum Languages: Latin Voice Text: Eya ergo advocata
105v–108	Salve regina - 3a pars (of 3): O clemens o pia	-	Anonymous
Salve regina - 3a pars (of 3): O clemens o pia Anonymous Appears on: 105v–108 Genres: Salve Regina Voice: Triplum Languages: Latin Voice Text: O clemens o pia
110v–112v	Magnificat Sexti Toni: Et exultavit [K.297]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.297] Anonymous Appears on: 110v–112v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VI. toni)
113v–114	untexted	-	-
untexted Appears on: 113v–114 Voice: [no designation] Languages: none
117	Magnificat sexti toni: Et exultavit [K.698]	-	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 117 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat Sexti toni General Note CMM 15/III, p. 37
118v–120v	Magnificat quarti toni:: Et exultavit [K.908]	-	Martini, Johannes (ca. 1430–1497)
Magnificat quarti toni:: Et exultavit [K.908] Martini, Johannes (ca. 1430–1497) Appears on: 118v–120v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat IV. toni)
121–122v	Magnificat tertii toni: Anima mea [K.906]	-	Martini, Johannes (ca. 1430–1497)
Magnificat tertii toni: Anima mea [K.906] Martini, Johannes (ca. 1430–1497) Appears on: 121–122v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Anima mea dominum (= Magnificat III. toni) General Note Chorwerk H. XLVI, p. 14
123–124	Magnificat sexti toni: Anima mea [K.909]	-	Martini, Johannes (ca. 1430–1497)
Magnificat sexti toni: Anima mea [K.909] Martini, Johannes (ca. 1430–1497) Appears on: 123–124 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Anima mea dominum (= Magnificat VI. toni)
124v–126	Magnificat octavi toni: Anima mea [K.911]	-	Martini, Johannes (ca. 1430–1497)
Magnificat octavi toni: Anima mea [K.911] Martini, Johannes (ca. 1430–1497) Appears on: 124v–126 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Anima mea dominum (= Magnificat VIII. toni)
128v–131	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 128v–131 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
131v–137	Missa Je ne vis oncques	-	Phi. Hol
Missa Je ne vis oncques Phi. Hol Appears on: 131v–137 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Je ne vis oncques
137v–141	Sanctus Iste per magnus Pleni and Benedictus for three parts	-	Anonymous
Sanctus Iste per magnus Pleni and Benedictus for three parts Anonymous Appears on: 137v–141 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus Iste per magnus (Pleni and Benedictus for three parts)
141v–147	Missa Tertii Toni (with two Agnus Dei)	-	Anonymous
Missa Tertii Toni (with two Agnus Dei) Anonymous Appears on: 141v–147 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa III. toni (with two Agnus dei)
147v–148	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 147v–148 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note Josquin GA, Motetten I, p. 1
148v–149	O propugnator noster O consolator	-	Anonymous
O propugnator noster O consolator Anonymous Appears on: 148v–149 Genres: Motet Voice: Triplum Languages: Latin Voice Text: O propugnator noster O consolator
149v–150	untexted	-	-
untexted Appears on: 149v–150 Voice: [no designation] Languages: none
150v–151	Festum nunc celebre	-	Martini, Johannes (ca. 1430–1497)
Festum nunc celebre Martini, Johannes (ca. 1430–1497) Appears on: 150v–151 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Festum nunc celebre
151	Veni creator spiritus mentes tuorum	-	Anonymous
Veni creator spiritus mentes tuorum Anonymous Appears on: 151 Genres: Veni creator spiritus Voice: Triplum Languages: Latin Voice Text: Veni creator spiritus General Note Chorwerk H. XXXII, p. 18
151v	Tantum ergo sacramentum = Pange lingua gloriosi	-	Anonymous
Tantum ergo sacramentum = Pange lingua gloriosi Anonymous Appears on: 151v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Tantum ergo sacramentum (= Pange lingua gloriosi)
152	Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Anonymous Appears on: 152 Genres: Hymn Voice: Triplum Languages: Latin Voice Text: Ibant magis quam (= Hostis Herodes impie) Concordances text here: Ibant magi quam (Hostis Herodes impie) as also in Stuttgart 24; in Munich 1/D/506, "Tu gloriose bajule"
152v–153	Iste confessor Domini	-	Anonymous
Iste confessor Domini Anonymous Appears on: 152v–153 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Iste confessor domini
153v	Ave maris stella	-	Martini, Johannes (ca. 1430–1497)
Ave maris stella Martini, Johannes (ca. 1430–1497) Appears on: 153v Genres: Ave maris stella, Motet Voice: Triplum Languages: Latin Voice Text: Ave maris stella
154	Jesu corona virginum	-	Anonymous
Jesu corona virginum Anonymous Appears on: 154 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ihesu corona virginum General Note Chorwerk H. XXXII, p. 16
154v	Hodie Deus homo factus / Gaude visceribus	-	Anonymous
Hodie Deus homo factus / Gaude visceribus Anonymous Appears on: 154v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo factus/Gaude visceribus
156v–157	Domus mea domus orationis vocabitur	-	Anonymous
Domus mea domus orationis vocabitur Anonymous Appears on: 156v–157 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Domus mea domus orationis vocabitur
160v–161	Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	-	Anonymous
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum Anonymous Appears on: 160v–161 Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
160v–161	Resurrexi et adhuc - 2a pars (of 2): Domine probasti me	-	Anonymous
Resurrexi et adhuc - 2a pars (of 2): Domine probasti me Anonymous Appears on: 160v–161 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Domine probasti me
161v–168	Missa paschalis no Credo, with two Agnus Dei	-	Anonymous
Missa paschalis no Credo, with two Agnus Dei Anonymous Appears on: 161v–168 Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa paschalis (no Credo, with two Agnus dei)
163v–164	Kyrie pascale	-	Anonymous
Kyrie pascale Anonymous Appears on: 163v–164 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie pascale (identical with no. 8) General Note Codex Tridentinus 88, 225v
168v–169	Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit	-	Anonymous
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit Anonymous Appears on: 168v–169 Genres: Cantio Voice: Triplum Languages: Latin Voice Text: Christus surrexit mala nostra texit
170v	Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle	-	Anonymous
Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle Anonymous Appears on: 170v Genres: Alleluia, Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia. Des sol wir alle
169v–170	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 169v–170 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Codex Tridentinus 91, 95v
171–171v	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 171–171v Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Victimae paschali laudes
172–178	Missa Fortuna desperata 8.2	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2 Despres, Josquin (ca. 1450–1521) Appears on: 172–178 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Fortuna desperata 8.2 General Note Josquin GA Missen I, p. 81
179–196	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv)	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv) Isaac, Heinrich (ca. 1450–1517) Appears on: 179–196 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Wol auff gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei)
197v–199	Patrem omnipotentem [Credo] (M12)	-	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M12) Isaac, Heinrich (ca. 1450–1517) Appears on: 197v–199 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem (= Credo VI. toni) General Note MD VII, p. 80
201v–204	Magnificat Sexti Toni: Et exultavit [K.318]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.318] Anonymous Appears on: 201v–204 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VI. toni)
205v–213	Missa O osterreich	-	Anonymous
Missa O osterreich Anonymous Appears on: 205v–213 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa O osterreich
213v–214	Jesu fili patris / O Venus Kraft	-	Jung, G.
Jesu fili patris / O Venus Kraft Jung, G. Appears on: 213v–214 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iesu fili patris/O Venus Kraft
215–224	Missa tous biens plaine: with two Osanna and two Agnus Dei	-	Anonymous
Missa tous biens plaine: with two Osanna and two Agnus Dei Anonymous Appears on: 215–224 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa De tous biens (with two Osanna and two Agnus dei)
224v	untexted	-	Obrecht, Jacobus (ca. 1457–1505)
untexted Obrecht, Jacobus (ca. 1457–1505) Appears on: 224v Genres: textless Voice: [no designation] Languages: none General Note Obrecht GA (Wolf), Wereldlijke werken, p. 48
225–231	Missa Primi Toni (no Credo, no Agnus Dei)	-	Anonymous
Missa Primi Toni (no Credo, no Agnus Dei) Anonymous Appears on: 225–231 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa I. toni ( no Credo, no Agnus dei)
232	Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant	-	Isaac, Heinrich (ca. 1450–1517) (?)
Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 232 Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Salve sancta parens
232	Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum	-	Isaac, Heinrich (ca. 1450–1517) (?)
Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 232 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Sentiant omnes tuum
232	Salve sancta parens - 3a pars (of 3): Gloria patri	-	Isaac, Heinrich (ca. 1450–1517) (?)
Salve sancta parens - 3a pars (of 3): Gloria patri Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 232 Genres: Doxology, Motet Voice: Triplum Languages: Latin Voice Text: Gloria patri
236–237	Missa Rose playsante	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante Obrecht, Jacobus (ca. 1457–1505) Appears on: 236–237 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Rose playsante General Note Van Ockeghem tot Sweelinck, H. 2, p. 58
237v–245v	Missa Schoen lief	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief Obrecht, Jacobus (ca. 1457–1505) Appears on: 237v–245v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Scoen lief (with three Agnus dei) General Note Obrecht GA (Wolf), Missen IV, p. 129
246–253	Missa Beata viscera: with three Agnus Dei; Gloria and Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Beata viscera: with three Agnus Dei; Gloria and Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 246–253 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Beata viscera (with three Agnus dei; Gloria and Credo incomplete) General Note Obrecht GA (Wolf), Missen V, p. 97
253v	Ave maris stella	-	Martini, Johannes (ca. 1430–1497)
Ave maris stella Martini, Johannes (ca. 1430–1497) Appears on: 253v Genres: Ave maris stella, Motet Voice: Triplum Languages: Latin Voice Text: Ave maris stella (identical with no. 83)
254–261	Concentu parili hic de Maria	-	Anonymous
Concentu parili hic de Maria Anonymous Appears on: 254–261 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Concentu parili hic de Maria
264	Magistri nicolai leipoldi ex ynsprugga	-	Anonymous
Magistri nicolai leipoldi ex ynsprugga Anonymous Appears on: 264 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: presumably: Magistri nicolai leipoldi ex ynsprugga
264v–273	Missa L'homme armé 6.1	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1 Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 264v–273 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa L'homme armé (with two Agnus dei) General Note CMM 15/I, p. 1
273v–281	Missa Primi Toni (with two Agnus Dei)	-	Anonymous
Missa Primi Toni (with two Agnus Dei) Anonymous Appears on: 273v–281 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa I. toni (with two Agnus dei)
281v–287	Missa I. toni, fragment Aliud officium	-	Anonymous
Missa I. toni, fragment Aliud officium Anonymous Appears on: 281v–287 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Aliud officium (= Missa I. toni), fragment
288v–289	Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	-	Anonymous
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis Anonymous Appears on: 288v–289 Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Mihi autem nimis
288v–289	Mihi autem nimis - 2a pars (of 2): Domine probasti me	-	Anonymous
Mihi autem nimis - 2a pars (of 2): Domine probasti me Anonymous Appears on: 288v–289 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Domine probasti me
289v–290	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 289v–290 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
289v–290	Gloria. Et in terra IV. toni, fragment	-	Anonymous
Gloria. Et in terra IV. toni, fragment Anonymous Appears on: 289v–290 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra (= Gloria IV. toni), fragment
294v–301	Missa Petite camusette	-	Anonymous
Missa Petite camusette Anonymous Appears on: 294v–301 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Petite camusette (with three Agnus dei) General Note KGCS only
302v–306	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 302v–306 Genres: Motet, Regina caeli laetare Voice: Triplum Languages: Latin Voice Text: Regina caeli laetare alleluia
302v–306	Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum Anonymous Appears on: 302v–306 Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
306v–308	Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	-	Anonymous
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum Anonymous Appears on: 306v–308 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Et adhuc tecum (= Resurrexi et adhuc)
306v–308	Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me	-	Anonymous
Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me Anonymous Appears on: 306v–308 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Tu cognovisti sessionem (= Domine probasti me)
308v–315	Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered	-	Anonymous
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered Anonymous Appears on: 308v–315 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
319v–328	Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered	-	Anonymous
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered Anonymous Appears on: 319v–328 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
315v–317	Alleluia. Pascha nostrum immolatus est	-	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 315v–317 Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
317v–319	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 317v–319 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Victimae paschali laudes
329v–330	Pascha nostrum immolatus est Christus	-	Anonymous
Pascha nostrum immolatus est Christus Anonymous Appears on: 329v–330 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Pascha nostrum immolatus est Christus
328v–329	Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	-	Anonymous
Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous Appears on: 328v–329 Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Viri Galilaei
328v–329	Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus	-	Anonymous
Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus Anonymous Appears on: 328v–329 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Omnes gentes plaudite
339v–340	Alleluia. Ascendit Deus in jubilatione	-	Anonymous
Alleluia. Ascendit Deus in jubilatione Anonymous Appears on: 339v–340 Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Ascendit deus in iubilatione
340v–343	Summi triumphi regis prosequamur laude	-	Anonymous
Summi triumphi regis prosequamur laude Anonymous Appears on: 340v–343 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Summi triumphum
342v–343	Psallite Domino nostro qui ascendit	-	Anonymous
Psallite Domino nostro qui ascendit Anonymous Appears on: 342v–343 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Psallite domino nostro qui ascendit
343v–344	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous Appears on: 343v–344 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Spiritus domini replevit
344v–345	Alleluia. Veni sancte spiritus	-	Anonymous
Alleluia. Veni sancte spiritus Anonymous Appears on: 344v–345 Genres: Alleluia, Proper, Veni sancte spiritus Voice: Triplum Languages: Latin Voice Text: Alleluia. Veni sancte spiritus
345v–347	Veni sancte spiritus reple tuorum corda	-	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 345v–347 Genres: Motet, Proper, Veni sancte spiritus Voice: Triplum Languages: Latin Voice Text: Veni sancte spiritus reple
347v–348	Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	H. Ysaac	Isaac, Heinrich (ca. 1450–1517)
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 347v–348 Genres: Introit Source Attribution: H. Ysaac Voice: Triplum Languages: Latin Voice Text: Cibavit eos ex adipe General Note 6vv. Version in Mü31: CW (119), 17-22; (konk?)
348v–349	Alleluia. Caro mea vere est cibus	Fingk	Finck, Heinrich
Alleluia. Caro mea vere est cibus Finck, Heinrich Appears on: 348v–349 Genres: Alleluia, Proper Source Attribution: Fingk Voice: Triplum Languages: Latin Voice Text: Alleluia. Caro mea vere est cibus General Note EdM LVII, p. 93
349v	Qui manducat carnem	-	Raber, W
Qui manducat carnem Raber, W Appears on: 349v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Qui manducat carnem General Note only Canto and Tenor
350–356	Missa Maria zart Agnus Dei not noted	-	Anonymous
Missa Maria zart Agnus Dei not noted Anonymous Appears on: 350–356 Genres: Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Maria zart (Agnus dei not noted)
356v–357	Jubilate Deo omnis terra	-	Anonymous
Jubilate Deo omnis terra Anonymous Appears on: 356v–357 Genres: Psalm Voice: Triplum Languages: Latin Voice Text: Iubilate deo omnis terra
357v–358	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	-	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 357v–358 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Si oblitus fuero tui General Note CMM 87, p. 96
359	Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis	-	Anonymous
Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis Anonymous Appears on: 359 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ecce concipies et paries filium et vocabis
359	Ecce concipies- 2a pars (of 3): Et vocabis nomen	-	Anonymous
Ecce concipies- 2a pars (of 3): Et vocabis nomen Anonymous Appears on: 359 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et vocabis nomen
359	Ecce concipies- 3a pars (of 3): Hic erit magnus	-	Anonymous
Ecce concipies- 3a pars (of 3): Hic erit magnus Anonymous Appears on: 359 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Hic erit magnus
359v–362	Sancti spiritus assit nobis gratia	-	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 359v–362 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
362v	Omnes sancti seraphim	-	Anonymous
Omnes sancti seraphim Anonymous Appears on: 362v Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Omnes sancti seraphim
363	Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem	-	Anonymous
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Anonymous Appears on: 363 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ecce Maria genuit nobis salvatorem
363	Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei	-	Anonymous
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei Anonymous Appears on: 363 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ecce agnus dei
363v	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	-	Anonymous
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes Anonymous Appears on: 363v Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Grates nunc omnes
363v	Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus	-	Anonymous
Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus Anonymous Appears on: 363v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Huic opportet ut canamus
364	Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant	-	Anonymous
Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant Anonymous Appears on: 364 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Gaude dei genitrix quam circumstant
364	Gaude Dei genitrix - 2a pars (of 2): Et quorum participem	-	Anonymous
Gaude Dei genitrix - 2a pars (of 2): Et quorum participem Anonymous Appears on: 364 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Et quorum participem
364v	Viderunt omnes fines terrae salutare	-	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 364v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Viderunt omnes fines terrae salutare
364v	Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate	-	Anonymous
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate Anonymous Appears on: 364v Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Laudate pueri dominum laudate
364v	Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum	-	Anonymous
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum Anonymous Appears on: 364v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Laudate pueri dominum
365	Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate	-	Anonymous
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate Anonymous Appears on: 365 Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Laudate pueri dominum laudate
365	Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum	-	Anonymous
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum Anonymous Appears on: 365 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Laudate pueri dominum
365	Lux perpetua lucebit sanctis tuis	-	Anonymous
Lux perpetua lucebit sanctis tuis Anonymous Appears on: 365 Genres: Responsory Voice: Triplum Languages: Latin Voice Text: Lux perpetua lucebit sanctis tuis
365v–366	Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt	-	Anonymous
Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt Anonymous Appears on: 365v–366 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Iusti autem in perpetuum vivunt
365v–366	Iusti autem - 2a pars (of 2): Gloria patri	-	Anonymous
Iusti autem - 2a pars (of 2): Gloria patri Anonymous Appears on: 365v–366 Genres: Doxology, Motet Voice: [no designation] Languages: Latin Voice Text: Gloria patri
366	Iustorum autem animae	-	Anonymous
Iustorum autem animae Anonymous Appears on: 366 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Iustorum autem animae
366v	Sancti tui Domine benedicent te gloriam	-	Anonymous
Sancti tui Domine benedicent te gloriam Anonymous Appears on: 366v Genres: Introit, Proper Voice: Triplum Languages: Latin Voice Text: Sancti tui domine benedicent te gloriam
367	Ego vos elegi de mundo ut eatis	-	Anonymous
Ego vos elegi de mundo ut eatis Anonymous Appears on: 367 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ego vos elegi de mundo ut eatis
367v	Alleluia. Gaudete justi in Domino	-	Anonymous
Alleluia. Gaudete justi in Domino Anonymous Appears on: 367v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Gaudete iusti in domino
367v–368	Alleluia. Ascendit Deus in jubilatione	-	Anonymous
Alleluia. Ascendit Deus in jubilatione Anonymous Appears on: 367v–368 Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Ascendit deus in iubilatione
368	Alleluia. Dominus in Sina in sancto	-	Anonymous
Alleluia. Dominus in Sina in sancto Anonymous Appears on: 368 Genres: Alleluia, Motet Voice: Triplum Languages: Latin Voice Text: Alleluia. Dominus in Sina in sancto
368	Alleluia. Dominus in Sina in sancto	-	Anonymous
Alleluia. Dominus in Sina in sancto Anonymous Appears on: 368 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dominus in Sina in sancto
368v–369	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 368v–369 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis
369v	Hodie Deus homo factus	-	Anonymous
Hodie Deus homo factus Anonymous Appears on: 369v Genres: Motet Voice: Triplum Languages: Latin Voice Text: Hodie deus homo factus
369v	Gloria laus et honor	-	Anonymous
Gloria laus et honor Anonymous Appears on: 369v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
370	Magister nicolaus leopoldi ex ynsprugga	-	Anonymous
Magister nicolaus leopoldi ex ynsprugga Anonymous Appears on: 370 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: presumably: Magister nicolaus leopoldi ex ynsprugga
370–379	Missa Je ne demande: Kyrie and Agnus III (fragments)	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Je ne demande: Kyrie and Agnus III (fragments) Obrecht, Jacobus (ca. 1457–1505) Appears on: 370–379 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Je ne demande (Kyrie and Agnus III fragments) General Note Obrecht GA (Wolf), Missen I, p. 1
380–388	Missa Primi Toni: Agnus not noted	-	Anonymous
Missa Primi Toni: Agnus not noted Anonymous Appears on: 380–388 Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa I. toni (Agnus not noted)
388v–389	Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 388v–389 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Benedicite domino omnes angeli
388v–389	Benedicite dominum - 2a pars (of 2): Benedic anima mea	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite dominum - 2a pars (of 2): Benedic anima mea Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 388v–389 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Benedic anima mea
390–395v	Missa Salve regina	-	Anonymous
Missa Salve regina Anonymous Appears on: 390–395v Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Salve Regina, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Salve regina (fragment: Kyrie and Agnus dei missing, Gloria and Sanctus fragments)
396–399	Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna)	-	Anonymous
Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna) Anonymous Appears on: 396–399 Genres: Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa III. toni (fragment: Kyrie missing, Gloria fragment, two osanna)
398v–399v	Es wolt ein maidlein Nach grasse gann	-	Anonymous
Es wolt ein maidlein Nach grasse gann Anonymous Appears on: 398v–399v Genres: Song Voice: [no designation] Languages: German Voice Text: Es wolt eynn Maidlenn Nach grasse gann
400–407	Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 400–407 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa II. toni (fragment: Kyrie and Agnus II missing, Gloria fragment) General Note Chorwerk H. XXXI
408–409	Salve regina misericordiae [7 partes]	-	Finck, Heinrich
Salve regina misericordiae [7 partes] Finck, Heinrich Appears on: 408–409 Genres: Motet, Salve Regina Voice: Triplum Languages: Latin Voice Text: Salve regina
410–410v	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 410–410v Genres: Motet, Salve Regina Voice: Triplum Languages: Latin Voice Text: Salve regina
412v	[untexted]	-	-
[untexted] Appears on: 412v Voice: Canon Languages: none
413	Salve regina misericordiae [7 partes]	-	Finck, Heinrich
Salve regina misericordiae [7 partes] Finck, Heinrich Appears on: 413 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: part of no. 160 (Salve Regina)
414–419v	[Victimae paschali] Agnus redemit oves	-	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 414–419v Genres: Hymn Voice: Triplum Languages: Latin Voice Text: Victimae paschali laudes
414v–419	Benedicta semper sancta sit trinitas	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 414v–419 Genres: Hymn Voice: Triplum Languages: Latin Voice Text: Benedicta semper sancta sit trinitas General Note EdM XXXIII, p. 131
421–422	Alleluia. Vox exultationis et salutis	-	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 421–422 Genres: Alleluia, Proper Voice: Triplum Languages: Latin Voice Text: Alleluia. Vox exultationis et salutis
422v–424	Omnes sancti seraphim	-	Anonymous
Omnes sancti seraphim Anonymous Appears on: 422v–424 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Omnes sancti seraphim
424v	Alleluia. Martinus episcopus	-	Anonymous
Alleluia. Martinus episcopus Anonymous Appears on: 424v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Martinus episcopus
426v–427	Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 426v–427 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Benedicite domino omnes angeli
426v–427	Benedicite dominum - 2a pars (of 2): Benedic anima mea	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Benedicite dominum - 2a pars (of 2): Benedic anima mea Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 426v–427 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Benedic anima mea
429	Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem	-	Anonymous
Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem Anonymous Appears on: 429 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Gaudent chori angelorum consortes et concives [= Super salutem]
429v–430	Gaudent chori - 2a pars (of 2): Paradisi porta per evam	-	Anonymous
Gaudent chori - 2a pars (of 2): Paradisi porta per evam Anonymous Appears on: 429v–430 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Paradisi porta per evam (= part two of no. 169)
431v–432	Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela	-	Anonymous
Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela Anonymous Appears on: 431v–432 Genres: Responsory Voice: Triplum Languages: Latin Voice Text: Calicem domini biberunt et amici dei [= Fuerunt sine querela]
432v–434	Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua	-	Anonymous
Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua Anonymous Appears on: 432v–434 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Tradiderunt corpora sua (= part two of no. 171)
432v–434	Calicem Domini - 3a pars (of 3): Gloria patri	-	Anonymous
Calicem Domini - 3a pars (of 3): Gloria patri Anonymous Appears on: 432v–434 Genres: Doxology Voice: [no designation] Languages: Latin Voice Text: Gloria patri (= part three of no. 171)
434v–435	In patientia vestra possidebitis animas	-	Anonymous
In patientia vestra possidebitis animas Anonymous Appears on: 434v–435 Genres: Motet Voice: Triplum Languages: Latin Voice Text: In patientia vestra possidebitis animas
435v–436	Ecce ego mitto vos sicut oves in medio	-	Anonymous
Ecce ego mitto vos sicut oves in medio Anonymous Appears on: 435v–436 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Ecce ego mitto vos sicut oves in medio
436v–439	Magnificat octavi toni: Et exultavit [K.401]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.401] Anonymous Appears on: 436v–439 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exultavit spiritus (= Magnificat VIII. toni)
440–441v	Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	-	Anonymous
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo Anonymous Appears on: 440–441v Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Sanctae Annae devotus decantet chorus
441v–443	Gaude Sion quod egressum (= Stabat mater)	-	Stoltzer, Thomas (ca. 1480–1526)
Gaude Sion quod egressum (= Stabat mater) Stoltzer, Thomas (ca. 1480–1526) Appears on: 441v–443 Genres: Contrafactum, Sequence Voice: Triplum Languages: Latin Voice Text: Gaude Sion quod egressum
443–443v	Deus in tua virtute sanctus	Andreas	Andreas, Magister Phillipotus (fl. late 14th century)
Deus in tua virtute sanctus Andreas, Magister Phillipotus (fl. late 14th century) Appears on: 443–443v Genres: Sequence Source Attribution: Andreas Voice: Triplum Languages: Latin Voice Text: Deus in tua virtute sanctus Andreas
444	Salve regina	Wilhelma Duffay	Du Fay, Guillaume (1397–1474)
Salve regina Du Fay, Guillaume (1397–1474) Appears on: 444 Genres: Motet, Salve Regina Source Attribution: Wilhelma Duffay Voice: [no designation] Languages: Latin Voice Text: Salve regina
444v–445	Virgo Dei genitrix te rogitamus	-	Anonymous
Virgo Dei genitrix te rogitamus Anonymous Appears on: 444v–445 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Virgo dei genitrix te rogitamus
445v–446	Gaude virgo mater Jesu Christi	-	Anonymous
Gaude virgo mater Jesu Christi Anonymous Appears on: 445v–446 Genres: Sequence Voice: Triplum Languages: Latin Voice Text: Gaude virgo mater Iesu Christi
446v–447	untexted	-	-
untexted Appears on: 446v–447 Voice: [no designation] Languages: none
447v–448	Da pater omnipotens firmam jam pectore	-	Anonymous
Da pater omnipotens firmam jam pectore Anonymous Appears on: 447v–448 Genres: Motet Voice: Triplum Languages: Latin Voice Text: Da pater omnipotens firmam iam pectore
448v	untexted	-	-
untexted Appears on: 448v Voice: [no designation] Languages: none
449	untexted	-	-
untexted Appears on: 449 Voice: [no designation] Languages: none
447–456	Missa Si dedero somnum: with two Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero somnum: with two Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 447–456 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Si dedero sommum (with two Agnus dei) General Note Obrecht GA (Wolf), Missen III, p. 1
456v–463	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 456v–463 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Wohlauf Gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei; Agnus dei II fragment)
464v–468	Ave mundi spes Maria ave maris ave pia	-	Anonymous
Ave mundi spes Maria ave maris ave pia Anonymous Appears on: 464v–468 Genres: Marian antiphon, Motet Voice: Altus Languages: Latin Voice: Tenor Languages: Latin Voice: Bassus Languages: Latin Voice: Triplum Languages: Latin Voice Text: Ave mundi spes Maria General Note Die Kantorei der Spätgotik, ed. by H.J. Moser (Berlin, 1928), p. 7
464v–468	O dulcedo virginalis	-	Anonymous
O dulcedo virginalis Anonymous Appears on: 464v–468 Genres: Motet Voice: Triplum Languages: Latin Voice Text: O dulcedo virginalis
469v–470	untexted	-	Fevin, Antoine de (ca. 1470–ca. 1512)
untexted Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 469v–470 Genres: textless Voice: [no designation] Languages: none

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 (?) Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] – 71v–72 (?) Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II – 400–407 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 103v–104 Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 103v–104
Andreas, Magister Phillipotus (fl. late 14th century)	Deus in tua virtute sanctus – 443–443v
Anonymous	.... tua dextra / Christi corpus ave / Verus homo – 1 Agnus Dei – 9v Alleluia. Ascendit Deus in jubilatione – 367v–368 Alleluia. Ascendit Deus in jubilatione – 339v–340 Alleluia. Dominus in Sina in sancto – 368 Alleluia. Dominus in Sina in sancto – 368 Alleluia. Gaudete justi in Domino – 367v Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate – 365 Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate – 364v Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum – 365 Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum – 364v Alleluia. Martinus episcopus – 424v Alleluia. Pascha nostrum immolatus est – 315v–317 Alleluia. Veni sancte spiritus – 344v–345 Alleluia. Vox exultationis et salutis – 421–422 Alma chorus - 1a pars (of 2): Alma chorus Domini nunc – 60v–61 Alma chorus - 2a pars (of 2): Os verbum splendor – 61v Ave mundi spes Maria / In Gottes Namen – 29v–30 Ave mundi spes Maria ave maris ave pia – 464v–468 Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria – 58v–59 Beata Dei genitrix - 2a pars (of 2): Ora pro populo – 59v–60 Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela – 431v–432 Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua – 432v–434 Calicem Domini - 3a pars (of 3): Gloria patri – 432v–434 Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit – 168v–169 Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle – 170v Concentu parili hic de Maria – 254–261 Da pater omnipotens firmam jam pectore – 447v–448 De tous biens plaine est ma maîtresse – 49v–50 Der Bauer in dem Graben Rock – 69v–70 Domus mea domus orationis vocabitur – 156v–157 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem – 363 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei – 363 Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis – 359 Ecce concipies- 2a pars (of 3): Et vocabis nomen – 359 Ecce concipies- 3a pars (of 3): Hic erit magnus – 359 Ecce ego mitto vos sicut oves in medio – 435v–436 Ego vos elegi de mundo ut eatis – 367 En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis – 21v–22 En lectulum Salomonis - 2a pars (of 2): Egredimini et videte – 22v–23 Es sassen höld – 53 Es wolt ein maidlein Nach grasse gann – 398v–399v Et in terra pax [Gloria] – 10v–11 Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant – 364 Gaude Dei genitrix - 2a pars (of 2): Et quorum participem – 364 Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo – 19v–20 Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum – 19v–20 Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede – 20v Gaude virgo mater Jesu Christi – 445v–446 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino – 11v Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum – 11v Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem – 429 Gaudent chori - 2a pars (of 2): Paradisi porta per evam – 429v–430 Gespile liebe gespile – 52v Gloria laus et honor – 369v Gloria. Et in terra IV. toni, fragment – 289v–290 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes – 363v Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus – 363v Hodie Deus homo factus – 369v Hodie Deus homo factus / Gaude visceribus – 154v Hostis Herodes impie – 152 Ich sachs eins mals – 52 In patientia vestra possidebitis animas – 434v–435 Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut – 65v–66 Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum – 66v–67 Iste confessor Domini – 152v–153 Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt – 365v–366 Iusti autem - 2a pars (of 2): Gloria patri – 365v–366 Iustorum autem animae – 366 Jesu corona virginum – 154 Jubilate Deo omnis terra – 356v–357 Kyrie Angelicum – 12v Kyrie de beata virgine – 12 Kyrie eleison – 289v–290 Kyrie fons bonitatis – 368v–369 Kyrie pascale – 163v–164 Kyrie pascale – 9 Kyrie pascale – 9v–10 Lux perpetua lucebit sanctis tuis – 365 Magister nicolaus leopoldi ex ynsprugga – 370 Magistri nicolai leipoldi ex ynsprugga – 264 Magnificat Sexti Toni: Et exultavit [K.297] – 110v–112v Magnificat Sexti Toni: Et exultavit [K.317] – 16v–17 Magnificat Sexti Toni: Et exultavit [K.318] – 201v–204 Magnificat octavi toni: Et exultavit [K.401] – 436v–439 Magnificat octavi toni: Et exultavit [K.446] – 15v–16 Magnificat primi toni: Et exultavit [K.155] – 13v–15 Mihi autem nimis - 1a pars (of 2): Mihi autem nimis – 288v–289 Mihi autem nimis - 2a pars (of 2): Domine probasti me – 288v–289 Missa I. toni, fragment Aliud officium – 281v–287 Missa Maria zart Agnus Dei not noted – 350–356 Missa O osterreich – 205v–213 Missa Petite camusette – 294v–301 Missa Primi Toni (no Credo, no Agnus Dei) – 225–231 Missa Primi Toni (with two Agnus Dei) – 273v–281 Missa Primi Toni: Agnus not noted – 380–388 Missa Salve regina – 390–395v Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna) – 396–399 Missa Tertii Toni (with two Agnus Dei) – 141v–147 Missa paschalis no Credo, with two Agnus Dei – 161v–168 Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered – 319v–328 Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered – 308v–315 Missa tous biens plaine: with two Osanna and two Agnus Dei – 215–224 O Jesu clementissime – 62v–64 O beata infantia - 1a pars (of 2): O beata infantia – 4v–5 O beata infantia - 2a pars (of 2): O praesepe splendidum – 5v–6 O beatorum supernorum civium concreata – 37v–38 O dulcedo virginalis – 464v–468 O plebs que Deum amas – 3v–4 O propugnator noster O consolator – 148v–149 O quam pulchra - 1a pars (of 2): O quam pulchra – 32v–33 O quam pulchra - 2a pars (of 2): Quoniam et apud – 32v–33 Omnes sancti seraphim – 422v–424 Omnes sancti seraphim – 362v Pascha nostrum immolatus est Christus – 329v–330 Patrem omnipotentem [Credo] VIII toni – 76–77v Psallite Domino nostro qui ascendit – 342v–343 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 101v–103 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 302v–306 Regina caeli - 2a pars (of 2): Ora pro nobis – 101v–103 Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum – 302v–306 Regina caeli laetare alleluia – 169v–170 Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris] – 30v–32 Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum – 306v–308 Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum – 160v–161 Resurrexi et adhuc - 2a pars (of 2): Domine probasti me – 160v–161 Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me – 306v–308 Rex regum Christe – 64v–65 Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum – 67v–68 Salve mundi gloria - 2a pars (of 2): Pietatis oculos – 68v–69 Salve regina - 1a pars (of 3): Salve regina mater misericordiae – 105v–108 Salve regina - 2a pars (of 3): Eya ergo advocata – 105v–108 Salve regina - 3a pars (of 3): O clemens o pia – 105v–108 Salve regina mater misericordiae – 93v–95 Salve regina mater misericordiae – 128v–131 Salve regina mater misericordiae – 410–410v Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo – 440–441v Sancti spiritus assit nobis gratia – 359v–362 Sancti tui Domine benedicent te gloriam – 366v Sanctus Iste per magnus Pleni and Benedictus for three parts – 137v–141 Se stee ich hie – 51v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo – 343v–344 Summi triumphi regis prosequamur laude – 340v–343 Tanhauser Ir seit mir – 53 Tantum ergo sacramentum = Pange lingua gloriosi – 151v Veneremur [from 'Pange lingua gloriosi'] – 39a Veni creator spiritus mentes tuorum – 151 Veni redemptor gentium / Christe redemptor omnium – 12 Veni sancte spiritus reple tuorum corda – 345v–347 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 171–171v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 317v–319 Viderunt omnes fines terrae salutare – 364v Virgo Dei genitrix te rogitamus – 444v–445 Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo – 6v–7 Virgo iustorum- 2a pars (of 2): Nostra cantorum – 7v–8 Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 328v–329 Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus – 328v–329 [Victimae paschali] Agnus redemit oves – 414–419v untexted – 75v untexted – 84 untexted – 78 untexted – 81v [No description] – 448v [No description] – 35v–36v [No description] – 113v–114 [No description] – 33v–35 [No description] – 56v–58 [No description] – 19 [No description] – 446v–447 [No description] – 149v–150 [No description] – 54v–55 [No description] – 449 [No description] – 412v [No description] – 50v–51
Aulen, Johannes (fl. late 15th century)	Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II – 400–407
Busnoys, Antoine (ca. 1430–1492)	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante – 27v–28 In hydraulis - 2a pars (of 2): Heg ockeghem cunctis – 28v–29
Clibano, Jacobus de	Credo / Patrem de village (quarti toni) – 78v–80v
Compère, Loyset (ca. 1445–1518)	Magnificat sexti toni: Et exultavit [K.698] – 117 Missa L'homme armé 6.1 – 264v–273
Despres, Josquin (ca. 1450–1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 147v–148 Missa Fortuna desperata 8.2 – 172–178 (?) Missa L'homme armé 6.1 – 264v–273 (?) O Venus bant / O vierich brant 27.29 – 53v
Du Fay, Guillaume (1397–1474)	(?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 388v–389 (?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 426v–427 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 426v–427 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 388v–389 Salve regina – 444 Salve regina - 1a pars (of 3): Salve regina misericordiae – 86v–87 Salve regina - 2a pars (of 3): Eya ergo advocata – 86v–87 Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia – 87v–88
Ferdinandus et frater eius	(?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 (?) Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.] – 71v–72
Fernandez, Aires	(?) Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur – 98v–101 (?) Salve regina misericordiae - 2a pars (of 6): Zu iagen – 98v–101 (?) Salve regina misericordiae - 3a pars (of 6): Genepris amor – 98v–101 (?) Salve regina misericordiae - 4a pars (of 6): Glick walt der rays – 98v–101 (?) Salve regina misericordiae - 5a pars (of 6): Wunschlich schon – 98v–101 (?) Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid – 98v–101
Fevin, Antoine de (ca. 1470–ca. 1512)	untexted – 469v–470
Finck, Heinrich	Alleluia. Caro mea vere est cibus – 348v–349 Salve regina misericordiae [7 partes] – 413 Salve regina misericordiae [7 partes] – 408–409
Forest	Anima mea - 1a pars (of 3): Anima mea liquefacta est – 1v–2 Anima mea - 2a pars (of 3): Tulerunt pallium meum – 2v Anima mea - 3a pars (of 3): Filiae Jerusalem – 2v–3
G.F.	Benedicta semper sancta sit trinitas – 414v–419
Isaac, Heinrich (ca. 1450–1517)	Argentum et aurum – 72v–73 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] – 347v–348 Ecce sacerdos magnus [Ecce dilectus meus] – 73v–74 (?) Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat] – 70v–71 Inviolata integra et casta es Maria – 74v Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv) – 179–196 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus – 456v–463 Patrem omnipotentem [Credo] (M12) – 197v–199 (?) Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant – 232 (?) Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum – 232 (?) Salve sancta parens - 3a pars (of 3): Gloria patri – 232
Jung, G.	Jesu fili patris / O Venus Kraft – 213v–214
Martini, Johannes (ca. 1430–1497)	Ave maris stella – 253v Ave maris stella – 153v Festum nunc celebre – 150v–151 (?) Gaude flore virginali - 1a pars (of 6): Gaude flore virginali – 38v–39 (?) Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei – 39v–40 (?) Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum – 39v–40 (?) Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis – 40v–41 (?) Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima – 41v–42 (?) Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura – 42v–43 Magnificat octavi toni: Anima mea [K.911] – 124v–126 Magnificat quarti toni:: Et exultavit [K.908] – 118v–120v Magnificat sexti toni: Anima mea [K.909] – 123–124 Magnificat tertii toni: Anima mea [K.906] – 121–122v (?) Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus – 43v (?) Natus sapientia - 2a pars (of 8): Cito derelictus – 44 (?) Natus sapientia - 3a pars (of 8): Hora prima ductus est – 44v (?) Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit – 45 (?) Natus sapientia - 5a pars (of 8): Crucifige clamitant – 45v–46 (?) Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus – 46v–47 (?) Natus sapientia - 7a pars (of 8): Fortitudo latuit – 47v–48 (?) Natus sapientia - 8a pars (of 8): Datur sepulturae corpus – 48v Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine – 89 Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave – 89v–90 Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici – 90v–91 Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor – 91v–92 Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus – 89–93
Merques, Nicolas	(?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 388v–389 (?) Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 426v–427 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 388v–389 (?) Benedicite dominum - 2a pars (of 2): Benedic anima mea – 426v–427
Obrecht, Jacobus (ca. 1457–1505)	Missa Beata viscera: with three Agnus Dei; Gloria and Credo – 246–253 Missa Je ne demande: Kyrie and Agnus III (fragments) – 370–379 Missa Rose playsante – 236–237 Missa Schoen lief – 237v–245v Missa Si dedero somnum: with two Agnus Dei – 447–456 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 357v–358 untexted – 224v
Petit, Nino le (fl. c1500)	(?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 357v–358
Phi. Hol	Missa Je ne vis oncques – 131v–137
Raber, W	Qui manducat carnem – 349v
Roda, Paulus de	Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria – 23v–24 Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis – 24v–25 Carmen (song) – 54 untexted – 25v–26 untexted – 26v–27
Roullet, Johannes	Kyrie Pascale – 13
Salice, Jo. de	untexted – 55v–56
Stoltzer, Thomas (ca. 1480–1526)	Gaude Sion quod egressum (= Stabat mater) – 441v–443
Veye, Cornelius de	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 95v–98 Alma redemptoris mater - 2a pars (of 2): Surgere qui curas – 95v–98
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) O Venus bant / O vierich brant 27.29 – 53v

Composition	Composers (? Uncertain)	Folios / Pages
.... tua dextra / Christi corpus ave / Verus homo	Anonymous	1
[Victimae paschali] Agnus redemit oves	Anonymous	414–419v
Agnus Dei	Anonymous	9v
Alleluia. Ascendit Deus in jubilatione	Anonymous	339v–340
Alleluia. Ascendit Deus in jubilatione	Anonymous	367v–368
Alleluia. Caro mea vere est cibus	Finck, Heinrich	348v–349
Alleluia. Dominus in Sina in sancto	Anonymous	368
Alleluia. Dominus in Sina in sancto	Anonymous	368
Alleluia. Gaudete justi in Domino	Anonymous	367v
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate	Anonymous	364v
Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate	Anonymous	365
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum	Anonymous	364v
Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum	Anonymous	365
Alleluia. Martinus episcopus	Anonymous	424v
Alleluia. Pascha nostrum immolatus est	Anonymous	315v–317
Alleluia. Veni sancte spiritus	Anonymous	344v–345
Alleluia. Vox exultationis et salutis	Anonymous	421–422
Alma chorus - 1a pars (of 2): Alma chorus Domini nunc	Anonymous	60v–61
Alma chorus - 2a pars (of 2): Os verbum splendor	Anonymous	61v
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Veye, Cornelius de	95v–98
Alma redemptoris mater - 2a pars (of 2): Surgere qui curas	Veye, Cornelius de	95v–98
Anima mea - 1a pars (of 3): Anima mea liquefacta est	Forest	1v–2
Anima mea - 2a pars (of 3): Tulerunt pallium meum	Forest	2v
Anima mea - 3a pars (of 3): Filiae Jerusalem	Forest	2v–3
Argentum et aurum	Isaac, Heinrich (ca. 1450–1517)	72v–73
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	147v–148
Ave maris stella	Martini, Johannes (ca. 1430–1497)	153v
Ave maris stella	Martini, Johannes (ca. 1430–1497)	253v
Ave mundi spes Maria / In Gottes Namen	Anonymous	29v–30
Ave mundi spes Maria ave maris ave pia	Anonymous	464v–468
Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria	Roda, Paulus de	23v–24
Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis	Roda, Paulus de	24v–25
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria	Anonymous	58v–59
Beata Dei genitrix - 2a pars (of 2): Ora pro populo	Anonymous	59v–60
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	388v–389
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	426v–427
Benedicite dominum - 2a pars (of 2): Benedic anima mea	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	388v–389
Benedicite dominum - 2a pars (of 2): Benedic anima mea	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	426v–427
Benedicta semper sancta sit trinitas	G.F.	414v–419
Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela	Anonymous	431v–432
Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua	Anonymous	432v–434
Calicem Domini - 3a pars (of 3): Gloria patri	Anonymous	432v–434
Carmen (song)	Roda, Paulus de	54
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit	Anonymous	168v–169
Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle	Anonymous	170v
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi]	Isaac, Heinrich (ca. 1450–1517)	347v–348
Concentu parili hic de Maria	Anonymous	254–261
Credo / Patrem de village (quarti toni)	Clibano, Jacobus de	78v–80v
Da pater omnipotens firmam jam pectore	Anonymous	447v–448
De tous biens plaine est ma maîtresse	Anonymous	49v–50
Der Bauer in dem Graben Rock	Anonymous	69v–70
Deus in tua virtute sanctus	Andreas, Magister Phillipotus (fl. late 14th century)	443–443v
Domus mea domus orationis vocabitur	Anonymous	156v–157
Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis	Anonymous	359
Ecce concipies- 2a pars (of 3): Et vocabis nomen	Anonymous	359
Ecce concipies- 3a pars (of 3): Hic erit magnus	Anonymous	359
Ecce ego mitto vos sicut oves in medio	Anonymous	435v–436
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem	Anonymous	363
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei	Anonymous	363
Ecce sacerdos magnus [Ecce dilectus meus]	Isaac, Heinrich (ca. 1450–1517)	73v–74
Ego vos elegi de mundo ut eatis	Anonymous	367
En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis	Anonymous	21v–22
En lectulum Salomonis - 2a pars (of 2): Egredimini et videte	Anonymous	22v–23
Es sassen höld	Anonymous	53
Es wolt ein maidlein Nach grasse gann	Anonymous	398v–399v
Et in terra pax [Gloria]	Anonymous	10v–11
Festum nunc celebre	Martini, Johannes (ca. 1430–1497)	150v–151
Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant	Anonymous	364
Gaude Dei genitrix - 2a pars (of 2): Et quorum participem	Anonymous	364
Gaude flore virginali - 1a pars (of 6): Gaude flore virginali	Martini, Johannes (ca. 1430–1497) (?)	38v–39
Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei	Martini, Johannes (ca. 1430–1497) (?)	39v–40
Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum	Martini, Johannes (ca. 1430–1497) (?)	39v–40
Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis	Martini, Johannes (ca. 1430–1497) (?)	40v–41
Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima	Martini, Johannes (ca. 1430–1497) (?)	41v–42
Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura	Martini, Johannes (ca. 1430–1497) (?)	42v–43
Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo	Anonymous	19v–20
Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum	Anonymous	19v–20
Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede	Anonymous	20v
Gaude Sion quod egressum (= Stabat mater)	Stoltzer, Thomas (ca. 1480–1526)	441v–443
Gaude virgo mater Jesu Christi	Anonymous	445v–446
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	Anonymous	11v
Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum	Anonymous	11v
Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem	Anonymous	429
Gaudent chori - 2a pars (of 2): Paradisi porta per evam	Anonymous	429v–430
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis [=Caecus non iudicat]	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)	70v–71
Gaudent in caelis - 2a pars (of 2): (untexted) [=Caecus non iudicat 2p.]	Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	71v–72
Gespile liebe gespile	Anonymous	52v
Gloria laus et honor	Anonymous	369v
Gloria. Et in terra IV. toni, fragment	Anonymous	289v–290
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	Anonymous	363v
Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus	Anonymous	363v
Hodie Deus homo factus	Anonymous	369v
Hodie Deus homo factus / Gaude visceribus	Anonymous	154v
Hostis Herodes impie	Anonymous	152
Ich sachs eins mals	Anonymous	52
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	Busnoys, Antoine (ca. 1430–1492)	27v–28
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	Busnoys, Antoine (ca. 1430–1492)	28v–29
In patientia vestra possidebitis animas	Anonymous	434v–435
Inviolata integra et casta es Maria	Isaac, Heinrich (ca. 1450–1517)	74v
Ista est speciosa - 1a pars (of 2): Ista est speciosa odor fragrans velut	Anonymous	65v–66
Ista est speciosa - 2a pars (of 2): Et beatissimam te supplex oro rursum	Anonymous	66v–67
Iste confessor Domini	Anonymous	152v–153
Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt	Anonymous	365v–366
Iusti autem - 2a pars (of 2): Gloria patri	Anonymous	365v–366
Iustorum autem animae	Anonymous	366
Jesu corona virginum	Anonymous	154
Jesu fili patris / O Venus Kraft	Jung, G.	213v–214
Jubilate Deo omnis terra	Anonymous	356v–357
Kyrie Angelicum	Anonymous	12v
Kyrie de beata virgine	Anonymous	12
Kyrie eleison	Anonymous	289v–290
Kyrie fons bonitatis	Anonymous	368v–369
Kyrie pascale	Anonymous	9
Kyrie pascale	Anonymous	9v–10
Kyrie Pascale	Roullet, Johannes	13
Kyrie pascale	Anonymous	163v–164
Lux perpetua lucebit sanctis tuis	Anonymous	365
Magister nicolaus leopoldi ex ynsprugga	Anonymous	370
Magistri nicolai leipoldi ex ynsprugga	Anonymous	264
Magnificat octavi toni: Anima mea [K.911]	Martini, Johannes (ca. 1430–1497)	124v–126
Magnificat octavi toni: Et exultavit [K.401]	Anonymous	436v–439
Magnificat octavi toni: Et exultavit [K.446]	Anonymous	15v–16
Magnificat primi toni: Et exultavit [K.155]	Anonymous	13v–15
Magnificat quarti toni:: Et exultavit [K.908]	Martini, Johannes (ca. 1430–1497)	118v–120v
Magnificat sexti toni: Anima mea [K.909]	Martini, Johannes (ca. 1430–1497)	123–124
Magnificat Sexti Toni: Et exultavit [K.297]	Anonymous	110v–112v
Magnificat Sexti Toni: Et exultavit [K.317]	Anonymous	16v–17
Magnificat Sexti Toni: Et exultavit [K.318]	Anonymous	201v–204
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	117
Magnificat tertii toni: Anima mea [K.906]	Martini, Johannes (ca. 1430–1497)	121–122v
Mihi autem nimis - 1a pars (of 2): Mihi autem nimis	Anonymous	288v–289
Mihi autem nimis - 2a pars (of 2): Domine probasti me	Anonymous	288v–289
Missa Beata viscera: with three Agnus Dei; Gloria and Credo	Obrecht, Jacobus (ca. 1457–1505)	246–253
Missa Fortuna desperata 8.2	Despres, Josquin (ca. 1450–1521)	172–178
Missa I. toni, fragment Aliud officium	Anonymous	281v–287
Missa Je ne demande: Kyrie and Agnus III (fragments)	Obrecht, Jacobus (ca. 1457–1505)	370–379
Missa Je ne vis oncques	Phi. Hol	131v–137
Missa L'homme armé 6.1	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	264v–273
Missa Maria zart Agnus Dei not noted	Anonymous	350–356
Missa O osterreich	Anonymous	205v–213
Missa paschalis no Credo, with two Agnus Dei	Anonymous	161v–168
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered	Anonymous	308v–315
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered	Anonymous	319v–328
Missa Petite camusette	Anonymous	294v–301
Missa Primi Toni (no Credo, no Agnus Dei)	Anonymous	225–231
Missa Primi Toni (with two Agnus Dei)	Anonymous	273v–281
Missa Primi Toni: Agnus not noted	Anonymous	380–388
Missa Rose playsante	Obrecht, Jacobus (ca. 1457–1505)	236–237
Missa Salve regina	Anonymous	390–395v
Missa Schoen lief	Obrecht, Jacobus (ca. 1457–1505)	237v–245v
Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	400–407
Missa Si dedero somnum: with two Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	447–456
Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna)	Anonymous	396–399
Missa Tertii Toni (with two Agnus Dei)	Anonymous	141v–147
Missa tous biens plaine: with two Osanna and two Agnus Dei	Anonymous	215–224
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv)	Isaac, Heinrich (ca. 1450–1517)	179–196
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	456v–463
Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus	Martini, Johannes (ca. 1430–1497) (?)	43v
Natus sapientia - 2a pars (of 8): Cito derelictus	Martini, Johannes (ca. 1430–1497) (?)	44
Natus sapientia - 3a pars (of 8): Hora prima ductus est	Martini, Johannes (ca. 1430–1497) (?)	44v
Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit	Martini, Johannes (ca. 1430–1497) (?)	45
Natus sapientia - 5a pars (of 8): Crucifige clamitant	Martini, Johannes (ca. 1430–1497) (?)	45v–46
Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus	Martini, Johannes (ca. 1430–1497) (?)	46v–47
Natus sapientia - 7a pars (of 8): Fortitudo latuit	Martini, Johannes (ca. 1430–1497) (?)	47v–48
Natus sapientia - 8a pars (of 8): Datur sepulturae corpus	Martini, Johannes (ca. 1430–1497) (?)	48v
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	4v–5
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	5v–6
O beatorum supernorum civium concreata	Anonymous	37v–38
O dulcedo virginalis	Anonymous	464v–468
O Jesu clementissime	Anonymous	62v–64
O plebs que Deum amas	Anonymous	3v–4
O propugnator noster O consolator	Anonymous	148v–149
O quam pulchra - 1a pars (of 2): O quam pulchra	Anonymous	32v–33
O quam pulchra - 2a pars (of 2): Quoniam et apud	Anonymous	32v–33
O Venus bant / O vierich brant 27.29	Despres, Josquin (ca. 1450–1521) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)	53v
Omnes sancti seraphim	Anonymous	362v
Omnes sancti seraphim	Anonymous	422v–424
Pascha nostrum immolatus est Christus	Anonymous	329v–330
Patrem omnipotentem [Credo] (M12)	Isaac, Heinrich (ca. 1450–1517)	197v–199
Patrem omnipotentem [Credo] VIII toni	Anonymous	76–77v
Psallite Domino nostro qui ascendit	Anonymous	342v–343
Qui manducat carnem	Raber, W	349v
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	101v–103
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Agricola, Alexander (ca. 1445–1506)	103v–104
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	302v–306
Regina caeli - 2a pars (of 2): Ora pro nobis	Anonymous	101v–103
Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum	Anonymous	302v–306
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Agricola, Alexander (ca. 1445–1506)	103v–104
Regina caeli laetare alleluia	Anonymous	169v–170
Regina caeli laetare alleluia [final Alleluia troped 'Domine nate matris]	Anonymous	30v–32
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	Anonymous	160v–161
Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum	Anonymous	306v–308
Resurrexi et adhuc - 2a pars (of 2): Domine probasti me	Anonymous	160v–161
Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me	Anonymous	306v–308
Rex regum Christe	Anonymous	64v–65
Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum	Anonymous	67v–68
Salve mundi gloria - 2a pars (of 2): Pietatis oculos	Anonymous	68v–69
Salve regina	Du Fay, Guillaume (1397–1474)	444
Salve regina - 1a pars (of 3): Salve regina mater misericordiae	Anonymous	105v–108
Salve regina - 1a pars (of 3): Salve regina misericordiae	Du Fay, Guillaume (1397–1474)	86v–87
Salve regina - 1a pars (of 5): Salve regina misercicordiae - Da pacem Domine	Martini, Johannes (ca. 1430–1497)	89
Salve regina - 2a pars (of 3): Eya ergo advocata	Du Fay, Guillaume (1397–1474)	86v–87
Salve regina - 2a pars (of 3): Eya ergo advocata	Anonymous	105v–108
Salve regina - 2a pars (of 5): Ad te clamamus - O crux ave	Martini, Johannes (ca. 1430–1497)	89v–90
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	Du Fay, Guillaume (1397–1474)	87v–88
Salve regina - 3a pars (of 3): O clemens o pia	Anonymous	105v–108
Salve regina - 3a pars (of 5): Eya ergo advocata nostra - Vos amici	Martini, Johannes (ca. 1430–1497)	90v–91
Salve regina - 4a pars (of 5): Et Jesum benedictum - Gloria laus et honor	Martini, Johannes (ca. 1430–1497)	91v–92
Salve regina - 5a pars (of 5): O clemens o dulcis Maria - Da tuis fidelibus	Martini, Johannes (ca. 1430–1497)	89–93
Salve regina mater misericordiae	Anonymous	93v–95
Salve regina mater misericordiae	Anonymous	128v–131
Salve regina mater misericordiae	Anonymous	410–410v
Salve regina misericordiae - 1a pars (of 6): Salve regina misericordiae / Le serviteur	Fernandez, Aires (?)	98v–101
Salve regina misericordiae - 2a pars (of 6): Zu iagen	Fernandez, Aires (?)	98v–101
Salve regina misericordiae - 3a pars (of 6): Genepris amor	Fernandez, Aires (?)	98v–101
Salve regina misericordiae - 4a pars (of 6): Glick walt der rays	Fernandez, Aires (?)	98v–101
Salve regina misericordiae - 5a pars (of 6): Wunschlich schon	Fernandez, Aires (?)	98v–101
Salve regina misericordiae - 6a pars (of 6): Wes ich mich leid	Fernandez, Aires (?)	98v–101
Salve regina misericordiae [7 partes]	Finck, Heinrich	408–409
Salve regina misericordiae [7 partes]	Finck, Heinrich	413
Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant	Isaac, Heinrich (ca. 1450–1517) (?)	232
Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum	Isaac, Heinrich (ca. 1450–1517) (?)	232
Salve sancta parens - 3a pars (of 3): Gloria patri	Isaac, Heinrich (ca. 1450–1517) (?)	232
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	Anonymous	440–441v
Sancti spiritus assit nobis gratia	Anonymous	359v–362
Sancti tui Domine benedicent te gloriam	Anonymous	366v
Sanctus Iste per magnus Pleni and Benedictus for three parts	Anonymous	137v–141
Se stee ich hie	Anonymous	51v
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	357v–358
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo	Anonymous	343v–344
Summi triumphi regis prosequamur laude	Anonymous	340v–343
Tanhauser Ir seit mir	Anonymous	53
Tantum ergo sacramentum = Pange lingua gloriosi	Anonymous	151v
untexted	Roda, Paulus de	25v–26
untexted	Roda, Paulus de	26v–27
untexted	Salice, Jo. de	55v–56
untexted	Anonymous	75v
untexted	Anonymous	78
untexted	Anonymous	81v
untexted	Anonymous	84
untexted	Obrecht, Jacobus (ca. 1457–1505)	224v
untexted	Fevin, Antoine de (ca. 1470–ca. 1512)	469v–470
Veneremur [from 'Pange lingua gloriosi']	Anonymous	39a
Veni creator spiritus mentes tuorum	Anonymous	151
Veni redemptor gentium / Christe redemptor omnium	Anonymous	12
Veni sancte spiritus reple tuorum corda	Anonymous	345v–347
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	171–171v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	317v–319
Viderunt omnes fines terrae salutare	Anonymous	364v
Virgo Dei genitrix te rogitamus	Anonymous	444v–445
Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo	Anonymous	6v–7
Virgo iustorum- 2a pars (of 2): Nostra cantorum	Anonymous	7v–8
Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Anonymous	328v–329
Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus	Anonymous	328v–329

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Images © Bayerische Staatsbibliothek, Munich

‡ denotes primary source study

Cassia, Cristina (editor). 2023. Natus sapientia: A Motetti Missales Cycle form Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.

Pavanello, Agnese (editor). 2023. Gaude, flore virginali: A Motetti Missales Cycle from Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.

Diergarten, Felix. 2019. "Gaude flore virginali": Message from the "Black Hole"? Motet Cycles between Devotion and Liturgy, edited by Felix Diergarten, 429-455. Basel: Schwabe.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: II,xi-ff, [xxvi-xxvii], 1-31; V,xvii-xlii,[xlvi-xlvii],35-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1977. Problems of Transmission in Obrecht's Missa Je ne Demande. The Musical Quarterly, 211-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxxiii, 30, 44, 49,74-5,78,86; III,14,46-8,203-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,222-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fässler, Ewald. 1975. Zur Lebensgeschichte des Nicolaus Leopold aus Innsbruck. Festschrift Walter Senn zum 70. Geburtstag, 29-35. Munich and Salzburg. Notes: facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1974. Die Datierung der Handschrift Mus. ms. 3154 der Staatsbibliothek München. Die Musikforschung, 36-56. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 69, 71, 75, 80, 89.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 150-l. Notes: physical description; mention of MS; discussion.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 126-9, 144-9,158-60,259ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I,24ff, passim; II,6ff,52-79,111-5). Prof. Thomas L. Noblitt has prepared an edition of the manuscript, with commentary, to appear in EDMR. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 8-10,59-150, 270-338. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); texts (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII,91-2,97. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 1, v. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; VI,1023; IX,903, Tafel 56, 116. Notes: physical description (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397; LVII,93-4,99. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI; XXXII,3, 16-8; XLVI; CI, iii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I,x [incorrectly referred to as MS 3134],xiii. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,386,404-9,455. Notes: physical description (partial); transcription (partial); facsimile (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: I,iii-iv; Anhang, iv-vii; Xll.vii-viii; XV/XVI,vii,48-9; XXII,[v],179-88; XXVII, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 19-22. Notes: physical description; contents list (partial); concordances (partial).

Public Comments

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Lisa Colton

Wednesday, 21 August, 2019

This manuscript is currently being examined by the archivists at the Staatsbibliothek in order to prepare a full report on its watermarks, for publication by the archive online (August 2019).

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Benjamin Haider

Thursday, 10 July, 2025

Incorrect concordance for Gaffurius, 'Ave mundi spes Maria' identified.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description