F-CA MS 6 (MS D 6)

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Communale), Cambrai, France

choirbook: c. 1430-40

Archive	Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Communale), Cambrai, France (F-CA)
Shelfmark	MS 6 (MS D 6)
Surface	Parchment
Numbering System	Foliation
Measurements	500 x 335 mm
Other Identifiers	CCM: CambraiBM 6
Notations	black full mensural red mensural
Copyists	? Mellet, Simon (ca. 1415–ca. 1480) Text and Music scribal concordance [48], possibly Simon Mellet Text and Music
Relationships	Cambrai Cathedral (commissioned/made for)
External Links	Selected images of all Cambrai MSS external b/w images
Provenance	Cambrai Cathedral , Cambrai, France
Contents	22 pieces from 5 composers

General Description

Copied by one main scribe, with some additions by the scribe of MS D 11, probably Simon Mellet. The two flyleaves are from a chant manuscript. Additional leaves are pasted inside the front and back covers; these contain various ink scribblings, including the names (signatures?) of such composers as Franchois and Johannes Lupi. Most of the pieces are concordant with CambraiBM 11. The manuscript also contains a monophonic Mass Ordinary cycle and two other monophonic pieces. Copied for the Cathedral at Cambrai.

DIAMM, 2017

Binding

Modern covers of pasteboard. Was in original binding at the time of Molinier's catalogue (1891).

DIAMM, 2017

Notation

black/red mensural notation

DIAMM, 2017

Ruling

4- and 5- line staves, height 16.5/28.5 mm; up to 8 staves per page.

DIAMM, 2020

Foliation

Original ink foliation, 36 ff + 2 endpapers

DIAMM, 2017

Decoration

Red and blue initials on a background of red or black filigree work.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Kyries, 5 Glorias, 5 Credos, 3 hymns = 16

(Binchois)-2, (Dufay)-7, (Franchois)-1, anon-6

i + 36 + i parchment folios, 500x335. Original ink foliation. Modern covers of pasteboard. No index. Black/red mensural notation. Copied by a single scribe, who also copied CambraiBM 11. Red and blue initials on a background of red or black filigree work. The two flyleaves are from a chant manuscript. Additional leaves are pasted inside the front and back covers; these contain various ink scribblings, including the names of such composers as Franchois and Johannes Lupi. Most of the pieces are concordant with CambraiBM 11. The manuscript also contains a monophonic Mass Ordinary cycle and two other monophonic pieces.

Ca. 1430-40. Copied for the Cathedral at Cambrai.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Alleluia: O Maria pia mater	-	Anonymous
Alleluia: O Maria pia mater Anonymous Appears on: 1 Number of voices: 1
1–1v	Salve decus purtatis	-	Anonymous
Salve decus purtatis Anonymous Appears on: 1–1v Number of voices: 1
2	Kyrie eleison (KGC group - iv/1)	-	Du Fay, Guillaume (1397–1474)
Kyrie eleison (KGC group - iv/1) Du Fay, Guillaume (1397–1474) Appears on: 2 Genres: Kyrie eleison, Motet Number of voices: 3
2v–4	Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte)	-	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte) Du Fay, Guillaume (1397–1474) Appears on: 2v–4 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
4v–5	Kyrie eleison (iv/19)	-	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Kyrie eleison (iv/19) Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 4v–5 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3
5v–10	Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella)	-	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) Du Fay, Guillaume (1397–1474) Appears on: 5v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary, Troped Credo Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Patrem (Credo)
10v–12	Et in terra pax [Gloria] (iv/5)	-	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 10v–12 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
12v–13	Kyrie	-	Anonymous
Kyrie Anonymous Appears on: 12v–13 Number of voices: 3
13v–17	Patrem omnipotentem [Credo] (iv/5)	-	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 13v–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
17v–20	Et in terra pax [Gloria] [Kaye 1a]	-	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 1a] Binchois, Gilles (ca. 1400–1460) Appears on: 17v–20 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
20v–23	Patrem omnipotentem [Credo] [Kaye 1b]	-	Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 1b] Binchois, Gilles (ca. 1400–1460) Appears on: 20v–23 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
23v–24	Iam ter quaternis	-	Anonymous
Iam ter quaternis Anonymous Appears on: 23v–24 Genres: Hymn Number of voices: 3
24v–27	Et in terra pax [Gloria] (with CT by Du Fay) (iv/30)	-	Grenon, Nicolas (ca. 1375–1456) (?) Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (with CT by Du Fay) (iv/30) Grenon, Nicolas (ca. 1375–1456) (?) Du Fay, Guillaume (1397–1474) Appears on: 24v–27 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
27v–30	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 27v–30 Number of voices: 1
30v	O quam glorifica luce (I)	-	Anonymous
O quam glorifica luce (I) Anonymous Appears on: 30v Genres: Hymn Number of voices: 3
31	O quam glorifica luce (II)	-	Anonymous
O quam glorifica luce (II) Anonymous Appears on: 31 Genres: Hymn Number of voices: 3
31v–33	Et in terra pax [Gloria] (iv/21)	-	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/21) Du Fay, Guillaume (1397–1474) Appears on: 31v–33 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
33v–36	Patrem omnipotentem [Credo]	-	Gemblaco (Gembloux), Johannes Franchois de
Patrem omnipotentem [Credo] Gemblaco (Gembloux), Johannes Franchois de Appears on: 33v–36 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
36v	Kyrie	-	Anonymous
Kyrie Anonymous Appears on: 36v Number of voices: 1
36v–37	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 36v–37 Number of voices: 1
37v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 37v Number of voices: 1
38	Gaude summe summa parens	-	Anonymous
Gaude summe summa parens Anonymous Appears on: 38 Number of voices: 1

Composer	Compositions
Anonymous	Alleluia: O Maria pia mater – 1 Et in terra pax [Gloria] – 36v–37 Gaude summe summa parens – 38 Iam ter quaternis – 23v–24 Kyrie – 12v–13 Kyrie – 36v O quam glorifica luce (I) – 30v O quam glorifica luce (II) – 31 Patrem omnipotentem [Credo] – 37v Patrem omnipotentem [Credo] – 27v–30 Salve decus purtatis – 1–1v
Binchois, Gilles (ca. 1400-1460)	Et in terra pax [Gloria] [Kaye 1a] – 17v–20 (?) Kyrie eleison (iv/19) – 4v–5 Patrem omnipotentem [Credo] [Kaye 1b] – 20v–23
Du Fay, Guillaume (1397-1474)	Et in terra pax [Gloria] (iv/21) – 31v–33 Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte) – 2v–4 Et in terra pax [Gloria] (iv/5) – 10v–12 Et in terra pax [Gloria] (with CT by Du Fay) (iv/30) – 24v–27 Kyrie eleison (KGC group - iv/1) – 2 (?) Kyrie eleison (iv/19) – 4v–5 Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) – 5v–10 Patrem omnipotentem [Credo] (iv/5) – 13v–17
Gemblaco (Gembloux), Johannes Franchois de	Patrem omnipotentem [Credo] – 33v–36
Grenon, Nicolas (ca. 1375-1456)	(?) Et in terra pax [Gloria] (with CT by Du Fay) (iv/30) – 24v–27

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia: O Maria pia mater	Anonymous	1
Et in terra pax [Gloria]	Anonymous	36v–37
Et in terra pax [Gloria] (iv/21)	Du Fay, Guillaume (1397–1474)	31v–33
Et in terra pax [Gloria] (iv/4) (Amen tropes Resurrexit dominus; Tu m’a monte)	Du Fay, Guillaume (1397–1474)	2v–4
Et in terra pax [Gloria] (iv/5)	Du Fay, Guillaume (1397–1474)	10v–12
Et in terra pax [Gloria] (with CT by Du Fay) (iv/30)	Grenon, Nicolas (ca. 1375–1456) (?) Du Fay, Guillaume (1397–1474)	24v–27
Et in terra pax [Gloria] [Kaye 1a]	Binchois, Gilles (ca. 1400–1460)	17v–20
Gaude summe summa parens	Anonymous	38
Iam ter quaternis	Anonymous	23v–24
Kyrie	Anonymous	12v–13
Kyrie	Anonymous	36v
Kyrie eleison (iv/19)	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	4v–5
Kyrie eleison (KGC group - iv/1)	Du Fay, Guillaume (1397–1474)	2
O quam glorifica luce (I)	Anonymous	30v
O quam glorifica luce (II)	Anonymous	31
Patrem omnipotentem [Credo]	Anonymous	27v–30
Patrem omnipotentem [Credo]	Gemblaco (Gembloux), Johannes Franchois de	33v–36
Patrem omnipotentem [Credo]	Anonymous	37v
Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella)	Du Fay, Guillaume (1397–1474)	5v–10
Patrem omnipotentem [Credo] (iv/5)	Du Fay, Guillaume (1397–1474)	13v–17
Patrem omnipotentem [Credo] [Kaye 1b]	Binchois, Gilles (ca. 1400–1460)	20v–23
Salve decus purtatis	Anonymous	1–1v

‡ denotes primary source study

Curtis, Liane. 1999. Simon Mellet, scribe of Cambrai Cathedral. Plainsong and Medieval Music, 8/2: 133-166.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 24/2: 199-225.

Curtis, Liane. 1994. The Origins of Cambrai, Bibliothèque Municipale Manuscript 6 and its Relationship to Cambrai 11. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 44: 6-35.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Curtis, Liane. 1991. Music Manuscripts and their Production in Fifteenth Century Cambrai. University of North Carolina at Chapel Hill, unpublished Ph. D. dissertation. Pages: 16-43, 185-188.

Bockholdt, Rudolf. 1979. Die Hymnen in der Handschrift Cambrai 6: Zwei Unbekannte Vertonungen von Dufay? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29: 75-91. Notes: facsimile (partial); transcriptions (partial).

Coussemaker, Charles Edmond Henri de. 1975 (reprint). Notice sur les Collections Musicales de la Bibliothèque de Cambrai. Paris, 1843. Hildesheim and New York. Pages: 37-43.

Monson, Craig. 1975. Stylistic Inconsistencies in a Kyrie Attributed to Dufay. Journal of the American Musicological Society, 28: 245-67. Pages: 246.

Dartus, Edmond. 1974. Un grand musicien cambrésien: Guillaume Du Fay. Cambrai. Pages: 19.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 40-1.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: 92-4.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,709-11.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,x, passim.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: xxviii.

Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: xiii, passim.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: 242-3.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 196.

Molinier, Auguste. 1885-. Catalogue General des Manuscrits des Bibliothèques Publiques de France. Paris. Pages: 2.

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Richard Dudas

Sunday, 26 July, 2020

link to BVMM's b/w images added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description