Probably removed from binding of unidentified book in this library (see WrighCT for discussion of several incunabula possibly associated with present fragments). All folios are remnants from same original manuscript. Copied by Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467 (WrighCT); Lupi was also the main scribe of Part I of TrentC 87 and Part II of TrentC 92. Possibly copied in Basel-Strasbourg region (WrighCT); copied in northern Italy, possibly in vicinity of Milan or Ravenna (FischN).
| Archive | Bibliothek des Zisterzienserstiftes, Zwettl, Austria (A-Z) |
|---|---|
| Shelfmark | s.s. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 390 x 290 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| External Links | |
| Provenance |
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| Contents | Contains 6 compositions, 4 from 4 composers, 2 are anonymous. |
General Description
Physical Description
Folios trimmed and cut in half for use in binding, but most music still legible.
Watermark
resembles Briquet #11849-50 (FischN).
Notation
black void mensural with black full coloration
Foliation
Remnants of original foliation, 54, 76-77, 80-81, visible on upper center rectos
Foliation
5 ff
Decoration
Inked calligraphic initials.
Surface
paper
DIAMM Note
This source was lost at the time the DIAMM images were created (reproduced were scanned from large-format b/w transparencies). They were reported rediscovered by Robert Klugseder in 2013. The "External Links" section has an inventory where each item links to its images.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Glorias (most are fragmentary)
(Grossin)-1, Loqueville-1, Roullet-1, Verben-1, anon-2
5 paper folios [= 2 bifolios + 1 single folio], 390 x 290, probably removed from binding of unidentified book in this library (see WrighCT for discussion of several incunabula possibly associated with present fragments). All folios are remnants from same original manuscript. Folios trimmed and cut in half for use in binding, but most music still legible. Remnants of original foliation, 54, 76-77, 80-81, visible on upper center rectos. Copied by Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467 (WrighCT); Lupi was also the main scribe of Part I of TrentC 87 and Part II of TrentC 92. Inked calligraphic initials. Watermark resembles Briquet #11849-50 (FischN).
Ca. 1430 (WrighCT); ca. 1440-50 (FischN). Possibly copied in Basel-Strasbourg region (WrighCT); copied in northern Italy, possibly in vicinity of Milan or Ravenna (FischN).
80a
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‡ denotes primary source study
Bent, Margaret. 2007. Trompetta and Concordans Parts in the Early Fifteenth Century. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm, edited by Margaret Bent, 38-73. Woodbridge.
Wright, Peter. 1986. The Related Parts of Trent, Museo Provinciale d'Arte, Mss. 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study. University of Nottingham, Ph.D. dissertation.
Rumbold, Ian. 1982. The Compilation and Ownership of the 'St Emmeram' Codex (Munich, Bayerische Staatsbibliothek, Clm 14274). Early Music History, 2: 161-235. Pages: 168.
‡ Wright, Peter. 1982. The Compilation of Trent 87<sup>1</sup> and 92<sup>2</sup>. Early Music History, 2: 237-71. Pages: 265-71.
Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I, 103 ff, 188-9, 341-2.
Fischer, Kurt von. 1964. Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts. Acta Musicologica, 36: 79-97.
Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae, vol. 11, 1-6. Rome: American Institute of Musicology. Pages: III, xxiv, 107.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description