D-Mbs Clm. 23286

Bayerische Staatsbibliothek, München (Munich), Germany

Gradual with added polyphony: Early 15th century

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Clm. 23286
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 192 x 130 mm
Other Identifiers
  • RISM: D-Mbs23286
Notations
  • Bohemian chant
  • black full mensural
Relationships
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 4 pieces from 1 composers
General Description

According to Ludwig, this MS is a Gradual of the Kollegiatstift Moosburg a.d. Isar, but the Bohemian traits of the notation make whether the manuscript originated in Moosburg doubtful. Contains modern movements of the ordinary f. 1-40 (troped); f. Graduale 41-230v, f. 230v-241r Alleluia; f. 241ff. Sequences. Oolyphonic pieces are in score.

DIAMM, 2017
Binding

White leather over wooden boards, 15th Century. Fittings and clasp are missing.

DIAMM, 2017
Notation

Bohemian plainchant (includes Pes: two rhombuses connected with a slash); black mensural (f. 1v, 35v-40)

DIAMM, 2017
Ruling

8 red four-line systems

DIAMM, 2017
Foliation

4 polyphonic works

DIAMM, 2017
Foliation

Modern foliation of f. 1-308; original foliation of f. 1-202 (= modern foliation 41-241).

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 3: 15. Jh.; 308 Blätter Pergament, 192 x 130 mm. Moderne Foliierung von f. 1-308; originale Foliierung von f. 1-202 (= moderne Foliierung 41-241). Je Seite 8 rote Vierliniensysteme mit böhmischer Choral- und vereinzelt schwarzer Mensuralnotation (f. 1v, 35v-40); mehrstimmige Stücke in Partiturnotation - Einband: 15. Jh.; mit weißem Leder überzogene Holzdeckel; Beschläge und Schließen fehlen.

Diese Handschrift ist nach Ludwig ein aus dem Kollegiatsstift Moosburg an der Isar stammendes Graduale aus dem frühesten 15. Jh. Die Notation zeigt böhmische Züge (zum Beispiel Pes: zwei mit Schrägstrich verbundene Rhomben). Es ist daher fraglich, ob die Handschrift in Moosburg geschrieben worden ist.

Inhalt: moderne f. 1-40 Ordinariumssätze (tropiert); f. 41-230v Graduale; f. 230v-241r Alleluia; f. 241ff. Sequenzen.

[Translation] 308 parchment sheets, 192 x 130 mm. Modern foliation of f. 1-308; original foliation of f. 1-202 (= modern foliation 41-241). 8 red four-line systems with Bohemian chant and isolated black mensural notation (f. 1v, 35v-40); polyphonic pieces in score notation - Cover: 15th Century, with white leather covered wooden boards, fittings and clasp are missing.

This manuscript is, according to Ludwig, one from the Graduale of the Kollegiatstift Moosburg a.d. Isar originating from the early 15th century. The notation shows Bohemian traits (such as Pes: two rhombuses connected with a slash). It is therefore questionable whether the manuscript originated in Moosburg.

Content: Modern movements of the ordinary f. 1-40 (troped); f. Graduale 41-230v, f. 230v-241r Alleluia; f. 241ff. Sequences.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4–5 Kyrie fons bonitatis - Anonymous

Kyrie fons bonitatis

Anonymous
Appears on: 4–5
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: none
Clef: c4
Voice: [no designation]
Languages: Latin, Greek
Clef: c4
Voice Text: Kyrie fons bonitatis
General Note

M. Schneider, Geschichte der Mehrstimmigkeit. Tutzing 1969, II, Anh., p. 46

Layout

score
5–5v Kyrie [Tro] magne Deus potentiae - Anonymous

Kyrie [Tro] magne Deus potentiae

Anonymous
Appears on: 5–5v
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne deus ...
General Note

Greorius-Blatt 13 (1888), p. 49
5v–6 Rex omnium virignum Deus - Anonymous

Rex omnium virignum Deus

Anonymous
Appears on: 5v–6
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: none
Voice: [no designation]
Languages: Latin
Voice Text: Rex omnium virignum deus ...
General Note

El còdex musical de Las Huelgas, Barcelona 1931
32v–33v In semper, o pie - Anonymous

In semper, o pie

Anonymous
Appears on: 32v–33v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In semper o pie ...
General Note

Göllner, Lesungen, I, p. 153
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
In semper, o pie Anonymous 32v–33v
Kyrie [Tro] magne Deus potentiae Anonymous 5–5v
Kyrie fons bonitatis Anonymous 4–5
Rex omnium virignum Deus Anonymous 5v–6

‡ denotes primary source study

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen.  Munich. Pages: 51.

Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing.

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert.  Bern. Pages: 13, Nr.42.

Wolf, Johannes. 1936. Eine deutsche Quelle geistlicher Musik aus dem Ende des 15. Jahrhunderts. Jahrbuch der Musikbibliothek Peters, . Pages: siehe Ausgaben und Literatur bei D-Bds40580.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 104, 114, 117, 120; III, Iff.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: II, 35.

Handschin, Jacques. 1923. Die ältesten Denkmäler mensural notierter Musik in der Schweiz. Archiv für Musikwissenschaft, 1-10. Pages: 69ff.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 302.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description