I-Fn Incunab. F.5.5

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

fragment: 14th century

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark Incunab. F.5.5
Image Availability DIAMM does not have images of this source.
Numbering System None
Copyists
Provenance
  • Italy
Contents 6 pieces from 1 composers
General Description

Contain Italian secular music, and serve as front and back guard-sheets of a Florentine incunabulum. The MS. was first described by Fabbri and Nádas in 1982. The contents are 6 ballate by Landini. The scribal hand is known in Pit.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
137 Benché ora piova, pur buon tempo aspetto -
Appears on: 137
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Benché ora piova, pur buon tempo aspetto
137 Che fa che pensi che cercando vai -
Appears on: 137
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Che fa'? che pensi? ché cercando vai
137v Chi pregio vuol in virtu pong' amore -
Appears on: 137v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Chi pregio vuol in virù pong'amore
138 Cosa nulla più fe' ch'amor richiede -
Appears on: 138
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Cosa nulla più fe' ch'amor richiede
138v Che pen' e' quest' al cor che si non posso -
Appears on: 138v
Genres: Ballata
Voice: [no designation]
Languages: Italian
Voice Text: Che pen'è quest'al cor, che sï non posso
General Note

Contra part missing from 26th breve

138v Con gli ochi assai ne miro -
Appears on: 138v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Cholgli ochi assai ne miro

denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Fabbri, Mario, and John Nadas. 1983. A Newly Discovered Trecento Fragment: Scribal Concordances in Late-Medieval Florentine Manuscripts. Early Music History, 67-81. Pages: 67-81.

Bukofzer, Manfred F. 1950. Two fourteenth century motets on St. Edmund. Studies in Medieval and Renaissance Music, 17–33. New York: W. W. Norton & Co. Pages: 17-33.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; DIAMM Note