GB-Onc MS 362

New College, Oxford, England

Codex fragment (polyphony), within fragment collection: 14th century

Archive New College, Oxford, England (GB-Onc)
Shelfmark MS 362
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 321 x 215 mm
Other Identifiers
  • RISM: ONC
  • olim (Former shelfmark): (formerly held in Bodleian Library, now in New College)
Notations
  • post-Franconian
  • simple discant style
Provenance
  • England
Contents Contains 22 compositions, 22 are anonymous.
General Description

A modern collection of medieval liturgical fragments, nearly all English, taken from various bindings. The polyphony on item XXVI consists10 folios of a 14th century motet manuscript, containing all or parts of 15 motets, 4 conductus and 2 pieces in simple discant style which appear to be polyphonic introductions to lessons. Score notation is only used for nos. 13, 19 and 20.

DIAMM, 2017
Physical Description

The fragments are misbound, so that f. 82-83 should fit between the two sets of bifolios f. 84-87 and 88-91

DIAMM, 2017
Binding

modern dull brown cloth; 1908.

DIAMM, 2017
Notation

simple discant style. Petronian notation: makes use of downward-tailed semibreves; nos. 19 and 20 employing minims

DIAMM, 2017
Ruling

11 red five-line staves per page

DIAMM, 2017
Foliation

82-91v

DIAMM, 2017
Foliation

old foliation in red ink at t.m.r., here given in brackets in Roman numerals, while the new arabic foliation is in pencil at t.r.r.

DIAMM, 2017
Decoration

red-blue or blue-red initials

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A modern collection of medieval liturgical fragments, nearly all English, taken from various bindings. The polyphony on item XXVI consists of no less then 10 folios of a 14th century motet manuscript meas. 321 x 215 mm. when complete. On f. 82, for instance, 30-50 mm. of the page are missing on the right; even so, most pages are musically complete. This parchment codex contains all or parts of 15 motets, 4 conductus and 2 pieces in simple discant style which appear to be polyphonic introductions to lessons. The notation is Petronian and employs 11 red five-line staves per page. ONC 18 is a later addition, and already makes use of downward-tailed semibreves, while nos. 19 and 20 employing minims are later still. It would appear that f. 90-91 were originally blank, since f. 91v belongs to the corpus. There is an old foliation in red ink at t.m.r., here given in brackets in Roman numerals, while the new arabic foliation is in pencil at t.r.r. The script is typical of English motet manuscripts and employs red-blue or blue-red initials. The script of no. 18 is not as heavy as that of the corpus, and the initials are omitted. The fragments are misbound, so that f. 82-83 should fit between the two sets of bifolios f. 84-87 and 88-91. Score notation is only used for nos. 13, 19 and 20. The modern dull brown cloth binding dates from 1908.

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Répertoire International des Sources Musicales

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denotes primary source study

Harrison, Frank Llewellyn. 1978. Polyphonic Music for a Chapel of Edward . Music & Letters, 59, no. 4: 420-428.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 37 ff (diplomatic facsimiles oîONC 17, 2, 3, 5-7, 9, 11 and 18 in score with ligatures reduced to single notes); I, 45 ff.

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLII etc.

Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 70 (transcription of ONC 13 and 16).

Harrison, Frank Llewellyn. 1954-1960. New Oxford History of Music. 89ff. Pages: 85, 86, 87f (transcription of opening of ONC, 2, 9 and 18); 83 ff, 91, 93, 95.

Hughes, Dom Anselm. 1953. History of Music in Sound. Pages: 58ff, 61 ff (transcription of ONC 3 and 10); 60, 63.

Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. . Pages: 98 (transcription of ONC 16); 97,101.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I and III, nos. 340-341 (facsimile and transcription of ONC 4 as two separate pieces after Mo); IV, 90.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 229 ff.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description