GB-Olc MS Lat. 124

Lincoln College, Oxford, England

fragment: 15th century: c. 1450-70

Archive Lincoln College, Oxford, England (GB-Olc)
Shelfmark MS Lat. 124
Surface Parchment
Numbering System Foliation
Format landscape: motet in score format, Kyrie in choirbook format
Measurements 285 x 200 originally prob. c.290 x 215 mm
Other Identifiers
  • CCM: OxfBLC 124
Notations
  • black full mensural
  • black void mensural
  • coloration in black full
  • coloration in red void
Copyists
Relationships
Provenance
  • England
Contents 3 pieces from 4 composers
General Description

Main corpus contains miscellaneous medical, grammatical, and theological notes; music found only on former wrapper (parchment bifolio, 285 x 400, folded to form 2 folios, new ff. 222-223), apparently the only surviving remnant of a 15th-century music manuscript containing Kyries and votive antiphons. Music on ff. 222'-223' copied by one or two scribes; canticle on f. 222 is later addition, probably copied by Richard Frevylle. Of English origin; music perhaps copied in Cambridgeshire or East Anglia, non-musical portions copied in Cambridge. The compiler and original owner was John Smith, a Cambridge physician. Acquired (possibly c. 1755) by Lincoln College, Oxford; presently deposited in Bodleian Library.

DIAMM, 2017
Physical Description

Portions of inner margins of both music folios now missing.

DIAMM, 2017
Binding

Rebound in new covers of dark red cloth on cardboard.

DIAMM, 2017
Notation

black full mensural notation with black full red and black full black void coloration, Canticle in black void mensural notation

DIAMM, 2017
Foliation

222-223v

DIAMM, 2017
Foliation

Original ink foliation, 3-195; modern pencil foliation, 196-223.

DIAMM, 2017
Decoration

Initial and text for motet decorated in red.

DIAMM, 2017
Surface

ii paper folios + 193 paper folios + 2 parchment folios + 24 paper folios or scraps of folios recovered from former binding + 2 parchment folios [former wrapper] + ii paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Commonplace book of John Smith, with polyphony on former wrapper:

1 Kyrie, 1 canticle (later addition), 1 motet = 3 (all fragmentary)

(Anglia)-1, Frevylle-1, anon-1

ii paper folios + 193 paper folios + 2 parchment folios + 24 paper folios or scraps of folios recovered from former binding + 2 parchment folios [former wrapper] + ii paper folios, 196 x 145 (parchment wrapper larger; see below). Original ink foliation, 3-195; modern pencil foliation, 196-223. Rebound in new covers of dark red cloth on cardboard.

Main body of manuscript contains miscellaneous medical, grammatical, and theological notes; music found only on former wrapper (parchment bifolio, 285 x 400, folded to form 2 folios, 285 x 200; = new ff. 222-223), apparently the only surviving remnant of a 15th-century music manuscript containing Kyries and votive antiphons (original folio size probably ca. 290 x 215). Portions of inner margins of both folios now missing. Music on ff. 222'-223' copied by one or two scribes, in black mensural notation with full red and black void coloration (motet in score format, Kyrie in choirbook format); canticle on f. 222 is later addition in white mensural notation, probably copied by Richard Frevylle. Initial and text for motet decorated in red.

Ca. 1450-70, with addition in early 16th century; non-musical contents date from 1581-1603 (WathN). Of English origin; music perhaps copied in Cambridgeshire or East Anglia, non-musical portions copied in Cambridge. The compiler and original owner was John Smith, a Cambridge physician. Acquired (possibly ca. 1755) by Lincoln College, Oxford; presently deposited in Bodleian Library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

222

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
222r Nunc dimittis servum tuum Rycharde Frevylle
Appears on: 222r
Genres: Canticle
Source Attribution: Rycharde Frevylle
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum
222v Kyrie Rex splendens - Anonymous
Appears on: 222v
Genres: Kyrie eleison, Mass Ordinary
General Note

tenor, with chant Rex splendens, lost

223r–223v Benedicta es caelorum regina -
Appears on: 223r–223v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es caelorum regina

Images © Lincoln College, Oxford

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Wright, Peter. 1989. The Related Parts of Trent, Museo Provinciale d’Arte, MSS 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study.  New York.

Wathey, Andrew B. 1983. Newly Discovered Fifteenth-Century English Polyphony at Oxford. Music and Letters, 58-66.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

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Peter Wright

Wednesday, 17 January, 2018

bibliography updated

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description