Two folios, remnants of a choirbook containing Masses, motets, and secular pieces; other fragments from same manuscript now NurS 9a and Melk MS 749. See also the reconstruction of the fragments. Copied by a single scribe, who also wrote NurS 9a. Possibly copied in Vienna; used at Church of St. Stephen (StroMB). Folios used c. 1460 by bookbinder Mathias aus Wien as binding material for manuscript treatise (“Tractatus Albion”) owned by the mathematician and astronomer Johannes Regiomontanus (Johann Müller) of Vienna. Regiomontanus later moved to Nuremberg; after his death (1476), his manuscripts passed to Nuremberg Stadtbibliothek, where “Tractatus Albion” was catalogued as MS Centurio V, 61.
D-Nst Fragm. lat. 9
Stadtbibliothek, Nuremberg, Germany
choirbook fragments: Late 14th or early 15th century
| Archive | Stadtbibliothek, Nuremberg, Germany (D-Nst) |
|---|---|
| Shelfmark | Fragm. lat. 9 |
| Surface | Other |
| Numbering System | Foliation |
| Measurements | 291 x 225 (trimmed from original size of ca. 355 x 275) mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Binding
Fragments with music later removed from binding; now preserved separately.
Notation
Black mensural with red coloration
Ruling
8 red five-line staves per page; staff height 22.
Foliation
No original foliation remains; first folio numbered “1” in modern pencil.
Foliation
1-2v
Decoration
Red inked Gothic initials, some with filigree work.
Surface
parchment; vellum (RISM)
RISM Description
RISM B/IV 2: Two late 14th century vellum flyleaves meas. 291 x 225 mm., which are now detached from the parent ms. Cent-V, 61. Originally they belonged to a collection of motets in Ars Nova notation with red notes and rests. There are 8 red five-line staves per page and red initials, sometimes with filigree. The French influence is obvious, not only because of the notation and a well-known French motet, but also due to the general style of the compositions. However, a German origin is suggested by the reference to Louis of Bavaria in motet 2, the German words in the lower parts of motet 1 (Siehs an and Lug auff), and the unique textless instrumental piece Bobik (?) blasen, which seems to have been originally a Virelai, judging from the overt and clos at the end of each voice. The two flyleaves were apparently originally a bifolio, though the absence of the Mot in no. 1 is surprising.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 motets, 1 piece with title "bobik blasen" = 4
Anonymous
2 fragmentary parchment folios, 291 x 255 (trimmed from original size of ca. 355 x 275). Remnants of a choirbook containing Masses, motets, and secular pieces; other fragments from same manuscript now NurS 9a. No original foliation remains; first folio numbered “1” in modern pencil. Black mensural notation on red staves, with red coloration. Copied by a single scribe, who also wrote NurS 9a. Staff height 22. Red inked Gothic initials, some with filigree work.
Ca. 1390-1410, or slightly later (Reinhard Strohm). Possibly of south German or Austrian origin. Folios used ca. 1460 by bookbinder Mathias aus Wien as binding material for manuscript treatise (“Tractatus Albion”) owned by the mathematician and astronomer Johannes Regiomontanus [ = Johann Müller] of Vienna. Regiomontanus later moved to Nuremberg; after his death (1476), his manuscripts passed to Nuremberg Stadtbibliothek, where “Tractatus Albion” was catalogued as MS Centurio V, 61. Fragments with music later removed from binding; now preserved separately.
Revision from CCM Vol 4
Physical: Revise second sentence to read: ". . . other fragments from same manuscript now MelkS 749 and NurS 9a (StroMB)."
Provenance: Probably copied in Vienna; used at Church of St. Stephen (StroMB).
1v
The inventory could not be loaded.
Sets
copied by same scribe
Copyist or Scribal Concordance · 3 sources
Nuremberg-Melk fragments
Fragments of a whole · 3 sources
‡ denotes primary source study
‡ Cuthbert, Michael Scott. 2010. The Nuremberg and Melk fragments and the international "Ars Nova" . Studi musicali , 39: 7-51. Pages: 10-15; 27-28 (inventory); 40-45 (reconstruction), 49-51 (facsimile). Notes: Contents; description; layout; concordances; facsimile.
Strohm, Reinhard. 1985. Music in Late Medieval Bruges. Oxford. Pages: 103-5, 167-8, 201-5, Plate 4. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Kreyszig, Walter Kurt. 1984. Anonymous Compositions from the Late-Fourteenth and Early-Fifteenth Centuries. Forschungen zur älteren Musikgeschichte, vol. 5. Vienna: Braumüller. Pages: 30-l,123,248,276-8. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Ward, Tom Robert. 1981. A Central European Repertory in Munich, Bayerische Staatsbibliothek, Clm 14274. Early Music History, 1: 325-43. Pages: We thank Prof. Reinhard Strohm for his assistance in the preparation of this entry. Notes: contents list (partial); concordances (partial).
Wright, Craig M. 1979. Music at the Court of Burgundy 1364-1419: A Documentary History. Musicological Studies, vol. 28. Henryville, Pennsylvania: Institute of Medieval Music. Pages: 153. Notes: contents list (partial); concordances (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/2, 84-5. Notes: physical description; contents list; concordances; incipits.
Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae, vol. 39. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: no. 2 (transcription of Nst61 1); XXI ff.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description