GB-Ob MS. Lat. liturg. a. 9

Bodleian Library, Oxford, England

fragment: 15th century: c.1490

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Lat. liturg. a. 9
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 518 x 415 (originally ca. 595 x 415) mm
Other Identifiers
  • CCM: OxfBLL a.9
  • olim (Former shelfmark): MadanSC 41962
Notations
  • black full mensural
  • coloration in red
Provenance
  • England
Contents Contains 2 compositions, 1 from 1 composer, 1 is anonymous.
General Description

Fragments of monophonic music, bearing polyphonic Magnificat fragments on ff. 5-6. These were copied by a single scribe, and are the remnants of a choirbook comparable to EtonC 178. They were copied in England.

DIAMM, 2017
Binding

New covers of black cloth on cardboard.

DIAMM, 2017
Notation

black mensural notation with red coloration

DIAMM, 2017
Date

Ca. 1490 (HughlF).

DIAMM, 2017
Foliation

5-6v

DIAMM, 2017
Foliation

Modern ink foliation, 1-6

DIAMM, 2017
Decoration

Painted initials in red and blue on f. 6'; many lines of text in red ink.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Magnificat fragments (Fayrfax)-1, anon-1

i + 6 + i parchment folios, 518 x 415 (originally ca. 595 x 415). Modern ink foliation, 1-6. New covers of black cloth on cardboard. Ff. 1-4 contain monophonic music in chant notation; ff. 5-6 (remnants of a choirbook comparable to EtonC 178) contain polyphonic Magnificat fragments, in black mensural notation with red coloration, copied by a single scribe. Painted initials in red and blue on f. 6'; many lines of text in red ink.

Ca. 1490 (HughlF). Copied in England.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

6

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
5–6 Magnificat Regale -
Fayrfax, Robert (1464–1521)

Magnificat Regale

Fayrfax, Robert (1464–1521)
Appears on: 5–6
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Regale
General Note

O334
6v Magnificat octavi toni: Anima mea [K.290] - Anonymous

Magnificat octavi toni: Anima mea [K.290]

Anonymous
Appears on: 6v
Genres: Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat
General Note

O302
Composer Compositions
Anonymous
Fayrfax, Robert (1464-1521)
Composition Composers (? Uncertain) Folios / Pages
Magnificat octavi toni: Anima mea [K.290] Anonymous 6v
Magnificat Regale
Fayrfax, Robert (1464–1521)
5–6

Images © Bodleian Library, Oxford

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575.  London. Pages: 58. Notes: physical description (partial); contents list.

Sandon, Nicholas. 1976-77. The Henrician Partbooks at Peterhouse, Cambridge. Proceedings of the Royal Musical Association, 103: 106-40. Pages: 114. Notes: mention of MS; contents list (partial).

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22.  American Institute of Musicology. Pages: 38, 44, 60, 111.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 153. Notes: contents list; concordances; incipits.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae, vol. 17.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 88.

Hughes, Dom Anselm. 1952. An Introduction to Fayrfax. Musica Disciplina, 6: 83-104. Pages: 90,95. Notes: physical description; contents list; concordances.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XII, 170.

Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 31-2.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description