GB-Ob MS. Fairfax 27

Bodleian Library, Oxford, England

non-music MS with interpolated music: 14th century

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Fairfax 27
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 175 x 133 mm
Other Identifiers
  • RISM: GB-Ob 27
Notations
  • Ars Nova
Relationships
External Links
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

Originally 3 distinct manuscripts. A (f. 1-6v dating from the second quarter of the 13th century) contains formulae for ecclesiastical and lay letters. B (f. 7-24v dating from the mid-14th century) contains the (liber) correctorius secundum ordinem Biblie, a treatise on the accentuation of words in the Bible. C (f. 26 to the end dating from the first quarter of the 15th century) contains in a small monastic script various scientific treatises, e.g. an algorismus, a calendar of archbishops of York, the treatise on the sphere by Johannes de Sacro Bosco. The music on f. ii is in three-part score, with the cantus firmus in the middle part. Fol. ii has the remains of a stub, now otherwise lost, containing the following music page of a bifolio.

DIAMM, 2017
Binding

white leather over bevelled wooden boards has a brown spine; the clasp and centre boss are lost.

DIAMM, 2017
Notation

Ars Nova: accidentals and dots are frequent, and a red finis punctorum follows each brown one in the Gloria.

DIAMM, 2017
Ruling

Originally 9 brown five-line staves per page; now the bottom 1.5 staves are cut away.

DIAMM, 2017
Foliation

ii r+v

DIAMM, 2017
Foliation

Numbered at t.r.r. in modern pencil

DIAMM, 2017
Decoration

A: very small minuscule script with red initials; B: larger script with red initials and red acute accents.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM B/IV 2: A parchment manuscript meas. 175 x 133 mm. and containing ii+95+i folios. 95 folios are numbered at t.r.r. in modern pencil; f. i and the final unnumbered paper flyleaf are recent; f. ii is the 14th century music. Originally this codex was 3 distinct manuscripts. A (f. 1-6v dating from the second quarter of the 13th century) contains formulae for ecclesiastical and lay letters in a very small minuscule script with red initials. B (f. 7-24v dating from the mid-14th century) contains the (liber) correctorius secundum ordinem Biblie, a treatise on the accentuation of words in the Bible in a larger script with red initials and red acute accents. C (f. 26 to the end dating from the first quarter of the 15th century) contains in a small monastic script various scientific treatises, e.g. an algorismus, a calendar of archbishops of York, the treatise on the sphere by Johannes de Sacro Bosco. The binding of white leather over bevelled wooden boards has a brown spine; the clasp and centre boss are lost. The music on f. ii is in Ars Nova notation, and as usual the three-part score has the cantus firmus in the middle part. Originally there were 9 brown five-line staves per page, but now the bottom 1.5 staves are cut away. Accidentals and dots are frequent, and a red finis punctorum follows each brown one in the Gloria. Fol. ii has the remains of a stub, now otherwise lost, containing the following music page of a bifolio.

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Répertoire International des Sources Musicales

ii

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
ii Qui tollis peccata mundi Amen - Anonymous
Appears on: ii
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Qui tollis peccata mundi . . . Amen
General Note

second hald of a Gloria; bottom 1.5 staves cut away on f. ii

Layout

score

Item Bibliography

Summers, William John. 1990. English Fourteenth-Century Polyphonic Music. An Inventory of the Extant Manuscript Sources. The Journal of Musicology, 173-226. Pages: plate 159.

ii verso Alma redemptoris mater - Anonymous
Appears on: ii verso
Genres: Alma redemptoris mater, BVM, Motet
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alma redemptoris mater
General Note

first half of piece only; bottom 1.5 staves cut away; piece ends at words 'natura mirante'

Layout

score

Item Bibliography

Summers, William John. 1990. English Fourteenth-Century Polyphonic Music. An Inventory of the Extant Manuscript Sources. The Journal of Musicology, 173-226. Pages: plate 159.

Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater Anonymous ii verso
Qui tollis peccata mundi Amen Anonymous ii

Images © Bodleian Library, Oxford

denotes primary source study

Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler. Pages: 69.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 22 f (facsimile of f. ii-ii verso); I, 61 f, 68, 78f.

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Margaret Bent

Saturday, 5 January, 2019

Additional bibliography.

Margaret Bent

Saturday, 5 January, 2019

Incorrect genre designation and typo fixed.

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description