D-As Tonkunst Schletterer 275

Staats- und Stadtbibliothek, Augsburg, Germany

printed partbook with manuscript additions: late 16th century

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 275
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 210 mm
Other Identifiers
  • CCM: AugsS 273-8
  • olim (Former shelfmark): SchlettKK 452-454
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 59 pieces from 12 composers
General Description

A Tenor partbook from a set of 6, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others dating from 1568-1572), with manuscript additions. Copied by one main scribe; the last three pieces are in a later hand.

DIAMM, 2023
Extent

D-64, A-69, T-49, B-59, Q-55, S-31 folios.

DIAMM, 2023
Physical Description

A number of leaves have been lost from the rear of this book, leaving 7 of the last 8 pieces incomplete. GottA's foliation shows that the pages are missing, although the catalogue makes no other reference to this.

DIAMM, 2023
Binding

Original covers of tan leather with voice designations impressed in gold; remnants of leather ties.

DIAMM, 2023
Watermark

Multiple Augsburg watermarks indicate that the paper for most of the music dates from c1571, that of the final three pieces is from c1598.

DIAMM, 2023
Notation

black void mensural

DIAMM, 2023
Foliation

Modem foliation

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 motets

(Clemens non Papa)-1, Erbach-3, (C. Hollander)-1, Lassus-20, (Palestrina)-1, (Utendal)-2, (Vaet)-2, Wert-1, anon-14

6 paper partbooks, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others), with manuscript additions (D-64 folios, A-69, T-59, B-59, Q-59, S-31), 155 x 210. Modem foliation. Original covers of tan leather with voice designations impressed in gold; remnants of leather ties. No index. Copied by one main scribe; the last three pieces are in a later hand.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 In illo tempore dixit Jesus -
Appears on: 1v–2
Genres: Motet
2v–3 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos -
Appears on: 2v–3
Genres: Motet
3v–4 Jam non dicam - 2a pars (of 2): Accipite spiritum -
Appears on: 3v–4
Genres: Motet
4v Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine -
Appears on: 4v
Genres: Motet
5 Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine -
Appears on: 5
Genres: Motet
5v–6 Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu -
Appears on: 5v–6
Genres: Motet
6v–7 Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes -
Appears on: 6v–7
Genres: Motet
7v Da pacem Domine (6vv, LV 63) -
Appears on: 7v
Genres: Motet
8 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me -
Appears on: 8
Genres: Motet
8v Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 8v
Genres: Motet
9–10 Postquam consumati essent -
Appears on: 9–10
Genres: Motet
10–10v Puer natus est nobis - 1a pars (of 2): Puer natus est nobis -
Appears on: 10–10v
Genres: Motet
10v–11 Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt -
Appears on: 10v–11
Genres: Motet
11–12v Tres veniunt reges parva ad praesepia -
Appears on: 11–12v
Genres: Motet
12v–13 Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis -
Appears on: 12v–13
Genres: Motet
13v–14 Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine -
Appears on: 13v–14
Genres: Motet
14–15 Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio -
Appears on: 14–15
Genres: Motet
15–15v Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro -
Appears on: 15–15v
Genres: Motet
16–16v In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus -
Appears on: 16–16v
Genres: Motet
16v–17v In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter -
Appears on: 16v–17v
Genres: Motet
18–18v Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes -
Appears on: 18–18v
Genres: Motet
18v–19 Dum complerentur - 2a pars (of 2): Dum ergo essent in unum -
Appears on: 18v–19
Genres: Motet
19v–20 Salve regina mater misericordiae - Anonymous
Appears on: 19v–20
Genres: Motet, Salve Regina
20–21 Regina caeli laetare - Anonymous
Appears on: 20–21
Genres: Motet, Regina caeli laetare
21–21v Alma redemptoris mater - Anonymous
Appears on: 21–21v
Genres: Alma redemptoris mater, BVM, Motet
21v–22 Ave regina caelorum - Anonymous
Appears on: 21v–22
Genres: Motet
22v–23 Domine Dominus noster quam admirabile est (6vv) Orlan: de Lasso
Appears on: 22v–23
Genres: Motet
Source Attribution: Orlan: de Lasso
23v Ecce sacerdos magnus - Anonymous
Appears on: 23v
Genres: Motet
23v–24 Crucem tuam adoramus - Anonymous
Appears on: 23v–24
Genres: Motet
24–25 Curremus in odorem - 1a pars (of 2): Curremus in odorem - Anonymous
Appears on: 24–25
Genres: Motet
25–26 Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione - Anonymous
Appears on: 25–26
Genres: Motet
26v–27 [blank pages] - -

[blank pages]

Appears on: 26v–27
27v–28 Si bene perpendi -
Appears on: 27v–28
Genres: Motet
28v–29 Domine non est - 1a pars (of 2): Domine non est exaltatum -
Appears on: 28v–29
Genres: Motet
29v–30 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 29v–30
Genres: Motet
30v–31 Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus -
Appears on: 30v–31
Genres: Motet
31v–32 Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes -
Appears on: 31v–32
Genres: Motet
32v–33 Heu mihi Domine -
Appears on: 32v–33
Genres: Motet
33v Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus -
Appears on: 33v
Genres: Motet
34 Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores -
Appears on: 34
Genres: Motet
34v–35 Peccavi quid faciam tibi O custos -
Appears on: 34v–35
Genres: Motet
35v Contere Domine - 1a pars (of 2): Contere Domine - Anonymous
Appears on: 35v
Genres: Motet
36 Contere Domine - 2a pars (of 2): Cognoscant quia non - Anonymous
Appears on: 36
Genres: Motet
36v–37 Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum -
Appears on: 36v–37
Genres: Motet
37–37v Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo -
Appears on: 37–37v
Genres: Motet
37v–38 Martini festum celebremus - 1a pars (of 2): Martini festum celebremus Orlan: di Las:
Appears on: 37v–38
Genres: Motet
Source Attribution: Orlan: di Las:
38–38v Martini festum celebremus - 2a pars (of 2): Plebs igitur concors -
Appears on: 38–38v
Genres: Motet
38v–40 Congratulamini nunc ... Maria die Zart Junckhfrau - Anonymous
Appears on: 38v–40
Genres: Motet
40–41v Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant -
Appears on: 40–41v
Genres: Motet
41v–42v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 41v–42v
Genres: Motet
43–43v O sacrum convivium in quo Christus sumitur Jaches de Werdt
Appears on: 43–43v
Genres: Motet
Source Attribution: Jaches de Werdt
43v–44 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio -
Appears on: 43v–44
Genres: Motet
44–44v Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 44–44v
Genres: Motet
44v–45 Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca -
Appears on: 44v–45
Genres: Motet
45–45v Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti -
Appears on: 45–45v
Genres: Motet
46–46v Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo -
Appears on: 46–46v
Genres: Motet
46v–47 Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos -
Appears on: 46v–47
Genres: Motet
47–48v Salve regina mater misericordiae - Anonymous
Appears on: 47–48v
Genres: Motet, Salve Regina
49–inside rear cover Alma redemptoris mater C.E. (= Erbach)
Appears on: 49–inside rear cover
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: C.E. (= Erbach)
General Note

continues onto the leaf pasted to the inside of the rear cover. Not copied in the Bassus, so incomplete

Composer Compositions
Anonymous
Buissons, Michael Charles des (fl. 1560–70)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Erbach, Christian (ca. 1568–1635)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Regnart, Jacob (ca. 1540–1599)
Trehou, Gregorius
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater Anonymous 21–21v
Alma redemptoris mater 49–inside rear cover
Ave regina caelorum Anonymous 21v–22
Congratulamini nunc ... Maria die Zart Junckhfrau Anonymous 38v–40
Contere Domine - 1a pars (of 2): Contere Domine Anonymous 35v
Contere Domine - 2a pars (of 2): Cognoscant quia non Anonymous 36
Crucem tuam adoramus Anonymous 23v–24
Curremus in odorem - 1a pars (of 2): Curremus in odorem Anonymous 24–25
Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione Anonymous 25–26
Da pacem Domine (6vv, LV 63) 7v
Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum 36v–37
Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo 37–37v
Domine Dominus noster quam admirabile est (6vv) 22v–23
Domine non est - 1a pars (of 2): Domine non est exaltatum 28v–29
Domine non est - 2a pars (of 2): Sicut ablactatus est 29v–30
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes 18–18v
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum 18v–19
Ecce sacerdos magnus Anonymous 23v
Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca 44v–45
Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti 45–45v
Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu 5v–6
Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes 6v–7
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus 30v–31
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes 31v–32
Heu mihi Domine 32v–33
In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus 16–16v
In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter 16v–17v
In illo tempore dixit Jesus 1v–2
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 2v–3
Jam non dicam - 2a pars (of 2): Accipite spiritum 3v–4
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 40–41v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 41v–42v
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus 37v–38
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors 38–38v
O sacrum convivium in quo Christus sumitur 43–43v
Peccavi quid faciam tibi O custos 34v–35
Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis 12v–13
Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine 13v–14
Postquam consumati essent 9–10
Puer natus est nobis - 1a pars (of 2): Puer natus est nobis 10–10v
Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt 10v–11
Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus 33v
Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores 34
Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine 4v
Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine 5
Regina caeli laetare Anonymous 20–21
Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo 46–46v
Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos 46v–47
Salve regina mater misericordiae Anonymous 19v–20
Salve regina mater misericordiae Anonymous 47–48v
Si bene perpendi 27v–28
Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio 14–15
Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro 15–15v
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 43v–44
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 44–44v
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 8
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 8v
Tres veniunt reges parva ad praesepia 11–12v

Set: Tonkunst Schletterer 273-278

Type: Partbooks

No images available

D-As Tonkunst Schletterer 273

No images available

D-As Tonkunst Schletterer 274

No images available

D-As Tonkunst Schletterer 275

No images available

D-As Tonkunst Schletterer 276

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D-As Tonkunst Schletterer 277

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D-As Tonkunst Schletterer 278

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 175-81. Notes: physical description; contents list; concordances.

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