D-As Tonkunst Schletterer 277

Staats- und Stadtbibliothek, Augsburg, Germany

printed partbook with manuscript additions: late 16th century

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 277
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 210 mm
Other Identifiers
  • CCM: AugsS 273-8
  • olim (Former shelfmark): SchlettKK 452-454
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 65 pieces from 12 composers
General Description

A Quintus partbook from a set of 6, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others dating from 1568-1572), with manuscript additions. Copied by one main scribe; the last three pieces are in a later hand.

DIAMM, 2023
Extent

D-64, A-69, T-49, B-59, Q-55, S-31 folios.

DIAMM, 2023
Physical Description

A number of leaves have been lost from the rear of this book, leaving 7 of the last 8 pieces incomplete. GottA's foliation shows that the pages are missing, although the catalogue makes no other reference to this.

DIAMM, 2023
Binding

Original covers of tan leather with voice designations impressed in gold; remnants of leather ties.

DIAMM, 2023
Watermark

Multiple Augsburg watermarks indicate that the paper for most of the music dates from c1571, that of the final three pieces is from c1598.

DIAMM, 2023
Notation

black void mensural

DIAMM, 2023
Foliation

Modem foliation

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 motets

(Clemens non Papa)-1, Erbach-3, (C. Hollander)-1, Lassus-20, (Palestrina)-1, (Utendal)-2, (Vaet)-2, Wert-1, anon-14

6 paper partbooks, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others), with manuscript additions (D-64 folios, A-69, T-59, B-59, Q-59, S-31), 155 x 210. Modem foliation. Original covers of tan leather with voice designations impressed in gold; remnants of leather ties. No index. Copied by one main scribe; the last three pieces are in a later hand.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 In illo tempore dixit Jesus -
Appears on: 1v–2
Genres: Motet
2v–3 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos -
Appears on: 2v–3
Genres: Motet
3v–4 Jam non dicam - 2a pars (of 2): Accipite spiritum -
Appears on: 3v–4
Genres: Motet
4v Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine -
Appears on: 4v
Genres: Motet
5 Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine -
Appears on: 5
Genres: Motet
5v–6 Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu -
Appears on: 5v–6
Genres: Motet
6v–7 Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes -
Appears on: 6v–7
Genres: Motet
7v Da pacem Domine (6vv, LV 63) -
Appears on: 7v
Genres: Motet
8 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me -
Appears on: 8
Genres: Motet
8v Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 8v
Genres: Motet
9–10 Postquam consumati essent -
Appears on: 9–10
Genres: Motet
10–10v Puer natus est nobis - 1a pars (of 2): Puer natus est nobis -
Appears on: 10–10v
Genres: Motet
10v–11 Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt -
Appears on: 10v–11
Genres: Motet
11–12v Tres veniunt reges parva ad praesepia -
Appears on: 11–12v
Genres: Motet
12v–13 Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis -
Appears on: 12v–13
Genres: Motet
13v–14 Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine -
Appears on: 13v–14
Genres: Motet
14–14v Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio -
Appears on: 14–14v
Genres: Motet
14v Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro -
Appears on: 14v
Genres: Motet
15–15v In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus -
Appears on: 15–15v
Genres: Motet
15v–16v In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter -
Appears on: 15v–16v
Genres: Motet
16v–17 Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes -
Appears on: 16v–17
Genres: Motet
17v–18 Dum complerentur - 2a pars (of 2): Dum ergo essent in unum -
Appears on: 17v–18
Genres: Motet
18–18v Salve regina mater misericordiae - Anonymous
Appears on: 18–18v
Genres: Motet, Salve Regina
19–19v Regina caeli laetare - Anonymous
Appears on: 19–19v
Genres: Motet, Regina caeli laetare
19v–20 Alma redemptoris mater - Anonymous
Appears on: 19v–20
Genres: Alma redemptoris mater, BVM, Motet
20v–21 Ave regina caelorum - Anonymous
Appears on: 20v–21
Genres: Motet
21–22 Domine Dominus noster quam admirabile est (6vv) Orlan: de Lasso
Appears on: 21–22
Genres: Motet
Source Attribution: Orlan: de Lasso
22–23 Ecce sacerdos magnus - Anonymous
Appears on: 22–23
Genres: Motet
23–23v Crucem tuam adoramus - Anonymous
Appears on: 23–23v
Genres: Motet
23v–24v Curremus in odorem - 1a pars (of 2): Curremus in odorem - Anonymous
Appears on: 23v–24v
Genres: Motet
24v–25 Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione - Anonymous
Appears on: 24v–25
Genres: Motet
25v–26v Salve regina mater misericordiae - Anonymous
Appears on: 25v–26v
Genres: Motet, Salve Regina
27–27v [blank staves] - -

[blank staves]

Appears on: 27–27v
28–30 [blank pages] - -

[blank pages]

Appears on: 28–30
30v–31 Si bene perpendi -
Appears on: 30v–31
Genres: Motet
31v–32 Domine non est - 1a pars (of 2): Domine non est exaltatum -
Appears on: 31v–32
Genres: Motet
32v–33 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 32v–33
Genres: Motet
33v–34 Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus -
Appears on: 33v–34
Genres: Motet
34v–35 Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes -
Appears on: 34v–35
Genres: Motet
35v–36 Heu mihi Domine -
Appears on: 35v–36
Genres: Motet
36v Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus -
Appears on: 36v
Genres: Motet
37 Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores -
Appears on: 37
Genres: Motet
37v–38 Peccavi quid faciam tibi O custos -
Appears on: 37v–38
Genres: Motet
38v Contere Domine - 1a pars (of 2): Contere Domine - Anonymous
Appears on: 38v
Genres: Motet
39 Contere Domine - 2a pars (of 2): Cognoscant quia non - Anonymous
Appears on: 39
Genres: Motet
39v–40 Hodie de virgine - 1a pars (of 2): Hodie de virgine salvator mundi natus est - Anonymous
Appears on: 39v–40
Genres: Motet
General Note

A Discantus (D2?) part; the piece is copied in this book only

40 Hodie de virgine - 2a pars (of 2): Hoide in terra canunt ange[li] - Anonymous
Appears on: 40
Genres: Motet
General Note

incomplete. The opening line only, with indication it will continue overleaf, but the verso is occupied by the next piece in the book

40v–41 Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum -
Appears on: 40v–41
Genres: Motet
41–41v Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo -
Appears on: 41–41v
Genres: Motet
41v–42 Martini festum celebremus - 1a pars (of 2): Martini festum celebremus Orlan: di Las:
Appears on: 41v–42
Genres: Motet
Source Attribution: Orlan: di Las:
42–42v Martini festum celebremus - 2a pars (of 2): Plebs igitur concors -
Appears on: 42–42v
Genres: Motet
43–44 Congratulamini nunc ... Maria die Zart Junckhfrau - Anonymous
Appears on: 43–44
Genres: Motet
44v–46 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant -
Appears on: 44v–46
Genres: Motet
46–47 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 46–47
Genres: Motet
47v–48 O sacrum convivium in quo Christus sumitur Jaches de Werdt ['Pamminger' crossed out]
Appears on: 47v–48
Genres: Motet
Source Attribution: Jaches de Werdt ['Pamminger' crossed out]
48–48v Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio -
Appears on: 48–48v
Genres: Motet
48v–49 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 48v–49
Genres: Motet
49–49v Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca -
Appears on: 49–49v
Genres: Motet
49v–50 Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti -
Appears on: 49v–50
Genres: Motet
50v–51 Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo -
Appears on: 50v–51
Genres: Motet
51 Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos -
Appears on: 51
Genres: Motet
51v–52 Salve regina mater misericordiae Christiani Erbach
Appears on: 51v–52
Genres: Motet, Salve Regina
Source Attribution: Christiani Erbach
52v–53 Ave regina caelorum C.E. (= Erbach)
Appears on: 52v–53
Genres: Motet
Source Attribution: C.E. (= Erbach)
53v–54v [blank staves] - -

[blank staves]

Appears on: 53v–54v
55–inside rear cover Alma redemptoris mater C.E. (= Erbach)
Appears on: 55–inside rear cover
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: C.E. (= Erbach)
General Note

continues onto the leaf pasted to the inside of the rear cover. Not copied in the Bassus, so incomplete

Composer Compositions
Anonymous
Buissons, Michael Charles des (fl. 1560–70)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Erbach, Christian (ca. 1568–1635)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Regnart, Jacob (ca. 1540–1599)
Trehou, Gregorius
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater Anonymous 19v–20
Alma redemptoris mater 55–inside rear cover
Ave regina caelorum Anonymous 20v–21
Ave regina caelorum 52v–53
Congratulamini nunc ... Maria die Zart Junckhfrau Anonymous 43–44
Contere Domine - 1a pars (of 2): Contere Domine Anonymous 38v
Contere Domine - 2a pars (of 2): Cognoscant quia non Anonymous 39
Crucem tuam adoramus Anonymous 23–23v
Curremus in odorem - 1a pars (of 2): Curremus in odorem Anonymous 23v–24v
Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione Anonymous 24v–25
Da pacem Domine (6vv, LV 63) 7v
Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum 40v–41
Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo 41–41v
Domine Dominus noster quam admirabile est (6vv) 21–22
Domine non est - 1a pars (of 2): Domine non est exaltatum 31v–32
Domine non est - 2a pars (of 2): Sicut ablactatus est 32v–33
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes 16v–17
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum 17v–18
Ecce sacerdos magnus Anonymous 22–23
Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca 49–49v
Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti 49v–50
Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu 5v–6
Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes 6v–7
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus 33v–34
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes 34v–35
Heu mihi Domine 35v–36
Hodie de virgine - 1a pars (of 2): Hodie de virgine salvator mundi natus est Anonymous 39v–40
Hodie de virgine - 2a pars (of 2): Hoide in terra canunt ange[li] Anonymous 40
In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus 15–15v
In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter 15v–16v
In illo tempore dixit Jesus 1v–2
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 2v–3
Jam non dicam - 2a pars (of 2): Accipite spiritum 3v–4
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 44v–46
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 46–47
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus 41v–42
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors 42–42v
O sacrum convivium in quo Christus sumitur 47v–48
Peccavi quid faciam tibi O custos 37v–38
Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis 12v–13
Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine 13v–14
Postquam consumati essent 9–10
Puer natus est nobis - 1a pars (of 2): Puer natus est nobis 10–10v
Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt 10v–11
Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus 36v
Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores 37
Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine 4v
Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine 5
Regina caeli laetare Anonymous 19–19v
Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo 50v–51
Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos 51
Salve regina mater misericordiae Anonymous 18–18v
Salve regina mater misericordiae Anonymous 25v–26v
Salve regina mater misericordiae 51v–52
Si bene perpendi 30v–31
Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio 14–14v
Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro 14v
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 48–48v
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 48v–49
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 8
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 8v
Tres veniunt reges parva ad praesepia 11–12v

Set: Tonkunst Schletterer 273-278

Type: Partbooks

No images available

D-As Tonkunst Schletterer 273

No images available

D-As Tonkunst Schletterer 274

No images available

D-As Tonkunst Schletterer 275

No images available

D-As Tonkunst Schletterer 276

No images available

D-As Tonkunst Schletterer 277

No images available

D-As Tonkunst Schletterer 278

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 175-81. Notes: physical description; contents list; concordances.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.