GB-Ob MS. Barlow 22

Bodleian Library, Oxford, England

Psalter with added polyphony: Early 14th century

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Barlow 22
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 264 x 178 mm
Other Identifiers
  • RISM: GB-Ob 22
Notations
  • Ars Nova
Relationships
External Links
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

A Benedictine Psalter from Peterborough Abbey, followed by canticles (f. 168), the litany (f. 184) and the Office for the Dead (f. 196). On f. 5 is a calendar with obits. Fol. i + 1-4 are the 5 old flyleaves. Fol. 1 is a leaf from a late 13th century choir Breviary, while f. i contains the polyphony. After the first composition a second hand has added the Conditor alme hymn in the free space. This is monodic, but the Procedens de thalamo which precedes no. 2 has no notes at all. Belonged in the 14th century to Fr. Walter de Rouceby of Peterborough, who died in 1341. On December 20, 1604 it was the property of John Harborne, and shortly afterwards entered the Barlow collection (Thos. Barlow's signature dated 1666 appears on f. 2).

DIAMM, 2017
Physical Description

1 leaf has been cut out after f. 1, and 9 more before f. 5. 1 1/2 staves at the top have been cut away

DIAMM, 2017
Binding

white leather over wooden boards; original

DIAMM, 2017
Notation

Ars Nova type notation

DIAMM, 2017
Ruling

Originally there were 4 accolades of three brown five-line staves per page

DIAMM, 2017
Foliation

modern pencil foliation at t.r.r.

DIAMM, 2017
Foliation

i r+v

DIAMM, 2017
Decoration

contains 19 fine miniatures and has initials coloured blue, red, gold and other shades (Psalter); initials in polyphony section are blue-red.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 2: An early 14th century Benedictine Psalter from Peterborough Abbey meas. 264 x 178 mm. and containing 5 + 203 folios. This very ornate codex belonged in the 14th century to Fr. Walter de Rouceby of Peterborough, who died in 1341. On December 20, 1604 it was the property of John Harborne, and shortly afterwards entered the Barlow collection (Thos. Barlow's signature dated 1666 appears on f. 2). The Psalter, which contains 19 fine miniatures and has initials coloured blue, red, gold and other shades, is followed by canticles (f. 168), the litany (f. 184) and the Office for the Dead (f. 196). On f. 5 is a calendar with obits. Fol. i + 1-4 are the 5 old flyleaves; 1 leaf has been cut out after f. 1, and 9 more before f. 5. The foliation is in modern pencil at t.r.r., and the binding of white leather over wooden boards is original. Fol. 1 is a leaf from a late 13th century choir Breviary, while f. i contains the polyphony. Originally there were 4 accolades of three brown five-line staves per page, but 1 1/2 staves at the top have been cut away. The notation is of Ars Nova type. After the first composition a second hand has added the Conditor alme hymn in the free space. While this is monodic, the Procedens de thalamo which precedes no. 2 has no notes at all. The initials in this section of the ms are blue-red.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

front board offset

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i Constantes estote, videbitis … Gloria patri - Anonymous
Appears on: i
Genres: Doxology, Response
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Constantes estote. . . Gloria patri
Layout

score

Item Bibliography

Summers, William John. 1990. English Fourteenth-Century Polyphonic Music. An Inventory of the Extant Manuscript Sources. The Journal of Musicology, 173-226. Pages: plate 151, plate 49.

Bent, Margaret. 1987. The Fountains Fragments [facsimile with introduction]. Musical Sources.  Clarabricken: Boethius Press. Pages: [facs.] plate 4.

i verso Eructavit cor meum … Gloria patri - Anonymous
Appears on: i verso
Genres: Doxology, Motet, Verse
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Eructavit cor meum. . . Gloria patri
Layout

score

Composition Composers (? Uncertain) Folios / Pages
Constantes estote, videbitis … Gloria patri Anonymous i
Eructavit cor meum … Gloria patri Anonymous i verso

Images © Bodleian Library, Oxford

denotes primary source study

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: I, 62.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 153 (transcription of opening of "Gloria patri" of no. 2); 152f.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description