GB-Ob MS. Add. C. 87*

Bodleian Library, Oxford, England

fragment: 15th century: c. 1450-1460

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Add. C. 87*
Surface Paper
Numbering System Foliation
Format portrait
Measurements 300 x 215 (II says 300 x 213) mm
Other Identifiers
  • CCM: OxfB C87*
  • olim (Former shelfmark): MadanSC 30252
External Links
Provenance
  • England
Contents 8 pieces from 4 composers
General Description

Originally part of MS Additional C. 87 in this library. Copied by a single scribe. Copied in England. Acquired by Bodleian Library not later than c. 1875.

DIAMM, 2017
Binding

Now bound separately in new covers of tan cloth on cardboard.

DIAMM, 2017
Watermark

One watermark generally resembles Briquet #11684; second watermark (flower with eight petals) not in Briquet.

DIAMM, 2017
Notation

Not indicated.

DIAMM, 2017
Date

Ca. 1450 (HugESM); ca. 1460 (HughM).

DIAMM, 2017
Ruling

13.5

DIAMM, 2017
Foliation

New pencil foliation, 221-226, not reflecting original sequence (ff. 221-224-222-223 originally formed a sequence, and ff. 225-226 also belong together).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(= MadanSC 30252)

1 G-C-S Mass (incomplete), 1 Gloria (incomplete), 1 Credo, 1 Sanctus fragment, 2 motets = 6

Bedingham-1, Benet-3, Plummer-1, anon-1

i + 6 + i paper folios, 300 x 213. New pencil foliation, 221-226. Originally part of MS Additional C. 87 in this library; now bound separately in new covers of tan cloth on cardboard. Copied by a single scribe. No initials or decoration. One watermark generally resembles Briquet #11684; second watermark (flower with eight petals) not in Briquet.

Ca. 1450 (HugESM); ca. 1460 (HughM). Copied in England. Acquired by Bodleian Library not later than ca. 1875.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

226v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
221 Et in terra pax [Gloria] -
Benet, John (–ca. 1458)

Et in terra pax [Gloria]

Benet, John (–ca. 1458)
Appears on: 221
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

incomplete - Ct & T only
221v, 224 Patrem omnipotentem [Credo] -
Benet, John (–ca. 1458)

Patrem omnipotentem [Credo]

Benet, John (–ca. 1458)
Appears on: 221v, 224
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

Cantus on f. 221v, Ct & T on f. 224
222, 224v Anna mater matris Christi Plomer
Plummer, John (ca. 1410–ca. 1484)

Anna mater matris Christi

Plummer, John (ca. 1410–ca. 1484)
Appears on: 222, 224v
Genres: Motet
Source Attribution: Plomer
Voice: [no designation]
Languages: Latin
Voice Text: Anna mater matris Christi
General Note

Cantus and 'si placebit' Triplex on f. 224v, Ct & T on f. 222
222v–223 Gaude pia Magdalena Benett
Benet, John (–ca. 1458)

Gaude pia Magdalena

Benet, John (–ca. 1458)
Appears on: 222v–223
Genres: Motet
Source Attribution: Benett
Voice: [no designation]
Languages: Latin
Voice Text: Gaude pia Magdalena
223v Sanctus Bedyngham
Bedingham, John (–ca. 1460)

Sanctus

Bedingham, John (–ca. 1460)
Appears on: 223v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Bedyngham
General Note

incomplete - Cantus and beginning of Ct only
225 Missa 'Requiem aeternam': Et in terra pax {Gloria] - Anonymous

Missa 'Requiem aeternam': Et in terra pax {Gloria]

Anonymous
Appears on: 225
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

incomplete - Ct & T only
225v–226 Missa 'Requiem aeternam': Patrem omnipotentem [Credo] - Anonymous

Missa 'Requiem aeternam': Patrem omnipotentem [Credo]

Anonymous
Appears on: 225v–226
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

Tenor texted 'Requiem aeternam' for first part of the Creed.
226v Missa 'Requiem aeternam': Sanctus - Anonymous

Missa 'Requiem aeternam': Sanctus

Anonymous
Appears on: 226v
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

incomplete, Cantus only
Composer Compositions
Anonymous
Bedingham, John (–ca. 1460)
Benet, John (–ca. 1458)
Plummer, John (ca. 1410–ca. 1484)
Composition Composers (? Uncertain) Folios / Pages
Anna mater matris Christi
Plummer, John (ca. 1410–ca. 1484)
222, 224v
Et in terra pax [Gloria]
Benet, John (–ca. 1458)
221
Gaude pia Magdalena
Benet, John (–ca. 1458)
222v–223
Missa 'Requiem aeternam': Et in terra pax {Gloria] Anonymous 225
Missa 'Requiem aeternam': Patrem omnipotentem [Credo] Anonymous 225v–226
Missa 'Requiem aeternam': Sanctus Anonymous 226v
Patrem omnipotentem [Credo]
Benet, John (–ca. 1458)
221v, 224
Sanctus
Bedingham, John (–ca. 1460)
223v

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Pryer, Anthony. 1975. A paleographic and Musicological Study of MS Oxford; Bodleian. Additional C87 (30252). London University, MMus dissertation.

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 47-76. Pages: 47. Notes: mention of MS.

Kovarik, Edward. 1968. A Newly-Discovered Dunstable Fragment. Journal of the American Musicological Society, 21-33. Pages: 33. Notes: mention of MS.

Braithwaite, James Roland. 1967. The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Boston University, Unpublished Ph.D. dissertation. Pages: 1,15. Notes: physical description; mention of MS; discussion.

Russell, Theodore C. 1967. Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance. Student Musicologists at Minnesota, 52-77. Pages: 60,71. Notes: mention of MS.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: VIII,34-43,173-4. Notes: contents list (partial); transcription (partial).

Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation. Pages: 1,17,74-5,365-8; II/l, 41-2,63; II/2, 78-83; II1,197-232. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 302-3. Notes: contents list (partial); transcription (partial).

Trowell, Brian. 1954-5. Some English Contemporaries of Dunstable. Proceedings of the Royal Musical Association, 77-92. Pages: 91-2. Notes: contents list (partial); concordances (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music.  London, New York, and Toronto. Pages: III,195ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 5-6. Notes: physical description (partial); contents list.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X,514-5.

Madan, Falconer (editor). 1895-1953. A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford.  Oxford. Pages: V, 768.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description