D-Mbs Mus. MS 1516 [Tenor]

Bayerische Staatsbibliothek, Munich, Germany

partbook: c. 1540 (WhisM)

Archive Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark Mus. MS 1516 [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 103 x 152 mm
Other Identifiers
  • CCM: MunBS 1516
  • olim (Former shelfmark): MaiM 204
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Augsburg, Bavaria, Germany
Contents Contains 158 compositions, 55 from 33 composers, 103 are anonymous.
General Description

A Tenor partbook from a set of four volumes. Copied by a single scribe, except for # 157, # 171, and # 189, which are later additions in a different hand. One German piece has full text underlaid; two French pieces without text in this source; other pieces have text incipits or titles only, some highly corrupt. Most repertory apparently copied from printed sources, including RISM 1504/3, 1512/3, [c. 1528]/6, [c. 1528]/7, and 1538/9; other possible sources discussed in WhisM, 11-68. Probably copied in Augsburg. In Bavarian ducal court library at Munich by 1618 (dated bookplate); latter library's holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Extent

vi -I- 119 + vi leaves

DIAMM, 2017
Binding

Original covers of dark brown leather, blind-tooled with ornamental designs and voice designations; spines restored

DIAMM, 2017
Watermark

Watermark is Briquet #12270, also found in VienNB 18745 and VienNB 18810 (BenteNW)

DIAMM, 2017
Liminary Note

Original title page in each book gives voice designation; modern inscription: 'Teutsche, Französische, und Lateinische Lieder mit 4 Stimmen.' (though #122-157, missing in A, are actually for three voices; the last piece, by Senfl, is for six voices).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation by J. J. Maier omits some blank folios in each book.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Original indices at beginning of D, T, and B books group pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

Original ink numbering of pieces, 1-193 (#108-121, #136, #158-164, #172-179 and #190-191 missing in all books; #122-157 missing in A; numbers present for some missing pieces, but music never added,

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 126 French secular pieces, 8 Dutch secular pieces, 4 Italian secular pieces, 2 German secular pieces, 1 Latin secular piece, 9 dances, 1 textless "Trium" =158 + 3 duplicates = 161

(A. Agricola/Brumel)-1, (Appenzeller/Josquin)-1, Blanckenmüller-1, (Brumel)-1, (Conseil)-2, (Craen)-1, (Crecquillon/Richafort)-1, (A. Févin)-2, (A. Févin/Josquin)-1, (Ghiselin)-3, (Gombert)-1, (Isaac)-1, (Izagha/Le Heurteur/Moulu/Sermisy)-1, (Jacotin/Sermisy)-1, (Janequin)-2, (Janequin/Ninot le Petit/Willaert)-1, Josquin-6, (La Rue)-1, (La Rue/Obrecht)-1, (La Rue/Sermisy)-1, Mouton/(Sermisy)-1, (Obrecht)-1, (Ockeghem)-1, (Passereau)-1, (Pinarol)-1, (Pipelare)-1, (Renez)-1, (Richafort)-2, (Richafort/ Willaert)-1, (Samson)-1, (Senfl)-1, (Sermisy)-10 + 1?, (Unterholtzer)-1, anon-104

4 paper partbooks (DT-vi -I- 119 + vi folios each, A-vi + 108 + vi, B-v + 119 + vi), 103 x 152. Modern foliation by J. J. Maier omits some blank folios in each book. Original ink numbering of pieces, 1-193 (#108-121, #158-164, and #190-191 missing in all books; #122-157 missing in A; #136 and #172-179 missing in DTB; numbers present for some missing pieces, but music never added). Original covers of dark brown leather, blind-tooled with ornamental designs and voice designations; spines restored. Original indices at beginning of D, T, and B books group pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by a single scribe, except for # 157, # 171, and # 189, which are later additions in a different hand. Original title page in each book gives voice designation; modern inscription: "Teutsche, Französische, und Lateinische Lieder mit 4 Stimmen." (Some pieces actually for three voices; one for six voices). No initials or decoration.

One German piece has full text underlaid; two French pieces without text in this source; other pieces have text incipits or titles only, some highly corrupt. Watermark is Briquet #12270, also found in VienNB 18745 and VienNB 18810 (BenteNW). Most repertory apparently copied from printed sources, including RISM 1504/3, 1512/3, [c. 1528]/6, [c. 1528]/7, and 1538/9; other possible sources discussed in WhisM, 11-68.

Ca. 1540 (WhisM). Probably copied in Augsburg. In Bavarian ducal court library at Munich by 1618 (dated bookplate); latter library's holdings formed foundation of present Bayerische Staatsbibliothek.

Vol 4

Composers: Add "(Leo X)-l"; change "anon-104" to "anon-103."

Physical: In last paragraph, second sentence, change "VienNB 18745 and VienNB 18810" to "VienNB Mus. 18745 and VienNB Mus. 18810."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) .  Munich and Salzburg. Pages: II, 10,90-110. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 166, 198-200. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen, vol. 5/2.  Munich. Pages: 92-101. Notes: physical description; contents list; concordances (partial); incipits (partial).

Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 82-3, 136, 139, 175, 179, 198-200, 359ff, 532-3. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I-II. Notes: physical description; contents list; concordances; texts; discussion.

Bernstein, Lawrence F. 1969. Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. New York University, Unpublished Ph.D. dissertation. Pages: 264-9, 350ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363, 397ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 94. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 124; XV, 142, 166. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: III, ix, xi, xiii, xv; IV, vii-ix, xiii; V, xi-xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI, vii-ff. Notes: physical description (partial); contents list (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 114-7. Notes: physical description; contents list; concordances.

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