A Tenor partbook from a set originally of four volumes. Scribal concordance with FlorBN Magl. 112 (BernC). Copied by a single scribe. Probably copied in Florence.
I-Fn MS Magl. XIX.111 [Tenor]
Biblioteca Nazionale Centrale, Florence, Italy
partbook: After 1528, probably c. 1530 (Fenlon/Haar)
| Archive | Biblioteca Nazionale Centrale, Florence, Italy (I-Fn) |
|---|---|
| Shelfmark | MS Magl. XIX.111 [Tenor] |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 170 x 235 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 10 compositions, 7 from 6 composers, 3 are anonymous. |
General Description
Extent
4 ff.
Binding
Modern cardboard covers
Watermark
probably identical to Briquet #3903 and #5963; the same mark or a similar one is also found in FlorBN Magl. 112, 122-5, 164-7, and BolC Q21
Notation
black void mensural
Date
After 1528, as the 4 chansons may have been copied from Attaignant's "Chansons nouvelles" of that year; on repertorial grounds c. 1530 (Fenlon/Haar)
Ruling
6 staves per page
Foliation
Modern foliation
Surface
4 paper folios. The original vellum cover is also bound in at the front of the book
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Italian secular pieces, 4 French secular pieces = 10
(Eustachius de Monte Regali)-1, (S. Festa)-1, (Sermisy)-3, (Verdelot)-1, anon-4
3 paper partbooks of an original 4 (D-4 folios, A-4, T-i parchment + 4), 170 x 235. Modern foliation. Modern cardboard covers. Scribal concordance with FlorBN Magl. 112 (BernC). Watermark is probably identical to Briquet #3903 and #5963; the same mark or a similar one is also found in FlorBN Magl. 112, 122-5, 164-7, and BolC Q21. The four French pieces are concordant with FlorBN Magl. 112 and RISM 1528/3; four of the Italian pieces are also found in BolC Q21.
After 1528. Copied in Florence.
Vol 4
Composers: Change "(S. Festa)-1" to "(C Festa/S. Festa)-1"; change "(Ser-misy)-3" to "(La Rue/Sermisy)-1, (Mouton/Sermisy)-1, (Sermisy)-1."
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Sets
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MS Magl. XIX.111
Partbooks · 3 sources
‡ denotes primary source study
Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 26: 1-68. Pages: 18. Notes: mention of MS.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 50-1. Notes: physical description; contents list (partial); concordances (partial).
Brown, Howard Mayer. 1963. Music in the French Secular Theater, 1400-1550. Cambridge, Massachusetts. Pages: 244, 248. Notes: concordances (partial).
Gallico, Claudio. 1961. Un Canzionere Musicale Italiano del Cinquecento (Bologna, Conservatorio di Musica "G. B. Martini" Ms. Q 21). Florence. Pages: 79, passim. Notes: concordances (partial); incipits (partial).
Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 46. Notes: physical description; contents list.
Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 91. Notes: mention of MS.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note