D-Mbs Mus. MS 274a [Tenor]

Bayerische Staatsbibliothek, Munich, Germany

partbook: Mid-16th century

Archive Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark Mus. MS 274a [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Format a few folios are oblong
Measurements 268-321 x 205-17 mm
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Augsburg, Bavaria, Germany
Contents Contains 26 compositions, 17 from 9 composers, 9 are anonymous.
General Description

A Tenor partbook from a set of six volumes. Each partbook is a modern compilation (by J. J. Maier) of originally separate items, of varying sizes. Copied by eight scribes—I: #1, #7-14 (also wrote parts of MunBS 1503b and #1 of ParisBNC 1591); II: #2 and #17 (also wrote #3 of ParisBNC 1591); III: #3; IV: #4; V: #5 (also wrote #7 of MunBS 1503b); VI: #6; VII: #15 (also wrote #12 of ParisBNC 1591); VIII: #16 (also wrote #11 and #13 of ParisBNC 1591) (Rifkin). Most items probably copied in Augsburg; several items probably of Netherlandish origin; two or three items possibly copied in Italy. Owned by Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Extent

15 leaves

DIAMM, 2017
Binding

Modern wrappers of grey-blue paper.

Matthias Range, 2017
Watermark

Main watermark resembles Briquet #1241; other watermarks include Briquet #5079, #7086, #9866, and #9898 (some watermarks also appear in MunBS 1503a and MunBS 1503b)

DIAMM, 2017
Decoration

Plain initials.

DIAMM, 2017
Index

No index. Modern numbering of pieces, 1-17.

DIAMM, 2017
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Sets

Select a set to see its sources.

denotes primary source study

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen, vol. 5/2.  Munich. Pages: 49-51.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 412,445,514,803.

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,267,352 [incorrectly referred to as MS 174a].

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 720.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 380.

Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica.  Amsterdam. Pages: IX/2,ixI,229.

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 339.

Schmidt-Görg, Joseph (editor). 1951-75. Nicolai Gombert: Opera Omnia. Corpus mensurabilis musicae, vol. 6.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: X,61-6.

Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk.  Bonn. Pages: 364.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 85-6.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note