D-Mbs Mus. MS 1503a [Quintus]

Bayerische Staatsbibliothek, München (Munich), Germany

partbook: c. 1535-70

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 1503a [Quintus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	147-73 x 198-240 mm
Notations	black void mensural
Relationships	Wilhelm V (1548–1626) (owner) Herwart, Johann Heinrich (1520–1583) (owner) Schatzkammer - ducal court library (owner)
External Links	images
External Authorities	RISM Online (sources/456054743)
Provenance	Flanders
Contents	4 pieces from 3 composers

General Description

A Quintus partbook from a set of six volumes. Each volume is a modern compilation (by J. J. Maier) of originally separate items, of varying sizes. Some items probably copied in Augsburg; others probably of French or Netherlandish origin. Owned by Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Extent

i + 3 + i leaves.

DIAMM, 2017

Binding

Modern covers of grey-blue paper.

DIAMM, 2017

Watermark

Watermarks: (1) crossbow in circle surmounted by fleur-de-lis (resembles Briquet #760-2); (2) crown (resembles Briquet #4890-4934); (3) pot with flowers; (4) Gothic letter "P" (probably Briquet #8827); (5) coat of arms of city of Augsburg (Briquet #2112); (6) anchor in circle; (7) bird with cross (Briquet #12169). Some watermarks also appear in MunBS 274a and MunBS 1503b

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Foliation

Modern pencil foliation.

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Index

Modern list of represented composers (by Maier) on f. 1 of D book gives some concordant printed sources for several pieces.

Modern numbering of pieces, 1-14.

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	D'amour me plains et non de vous m'amie	Larchier	Larchier, Jean
D'amour me plains et non de vous m'amie Larchier, Jean Appears on: 1–1v Genres: Chanson Source Attribution: Larchier
2	O malheureuse journée	-	Gombert, Nicolas (ca. 1495–ca. 1560)
O malheureuse journée Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 2
3	Veu le grief mal que longuement jendure	Jaquet Berchem	Berchem, Jacques (ca. 1505–1567)
Veu le grief mal que longuement jendure Berchem, Jacques (ca. 1505–1567) Appears on: 3 Genres: Chanson Source Attribution: Jaquet Berchem
3v	Ung moins aimant aura peult estre mieulx	Ja Berchem	Berchem, Jacques (ca. 1505–1567)
Ung moins aimant aura peult estre mieulx Berchem, Jacques (ca. 1505–1567) Appears on: 3v Genres: Chanson Source Attribution: Ja Berchem

Composer	Compositions
Berchem, Jacques (ca. 1505–1567)	Ung moins aimant aura peult estre mieulx – 3v Veu le grief mal que longuement jendure – 3
Gombert, Nicolas (ca. 1495–ca. 1560)	O malheureuse journée – 2
Larchier, Jean	D'amour me plains et non de vous m'amie – 1–1v

Composition	Composers (? Uncertain)	Folios / Pages
D'amour me plains et non de vous m'amie	Larchier, Jean	1–1v
O malheureuse journée	Gombert, Nicolas (ca. 1495–ca. 1560)	2
Ung moins aimant aura peult estre mieulx	Berchem, Jacques (ca. 1505–1567)	3v
Veu le grief mal que longuement jendure	Berchem, Jacques (ca. 1505–1567)	3

Set: Mus. MS 1503a

Type: Partbooks

No images available

D-Mbs Mus. MS 1503a [Altus]

No images available

D-Mbs Mus. MS 1503a [Bassus]

No images available

D-Mbs Mus. MS 1503a [Discantus]

No images available

D-Mbs Mus. MS 1503a [Quintus]

No images available

D-Mbs Mus. MS 1503a [Sextus]

No images available

D-Mbs Mus. MS 1503a [Tenor]

‡ denotes primary source study

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen. Munich. Pages: 58-60.

Adams, Courtney S. 1977. Some Aspects of the Chanson for Three Voices during the Sixteenth Century. Acta Musicologica, 227ff. Pages: 245.

Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 180,379,425.

Dobbins, Frank. 1974. Jacques Moderne's 'Parangon des Chansons': A Bibliography of Music and Poetry at Lyon 1538-1543. Royal Musical Association Research Chronicle, 1-90. Pages: 44.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I,280,323.

Hall, Dale Emerson. 1973. The Italian Secular Vocal Works of Jacquet Berchem. Ohio State University, Unpublished Ph.D. dissertation. Pages: 344.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance. Kassel and Basel. Pages: 831.

Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk. Bonn. Pages: 369.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,456.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 121.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note