D-Z 69.2.12 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1580

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.12 [Bassus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 205 x 162-70 mm
Other Identifiers
  • CCM: ZwiR 33/34
  • Other catalogues/source: VollBM [see bibliography] 19; 482; 637
  • olim (Former shelfmark): MS 33,34
  • olim (Former shelfmark): MS XXXIII,34
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 46 pieces from 24 composers
General Description

A Bassus partbook from a set of five volumes. Copied mostly by Cornelius Freundt (c. 1535-91), cantor at Church of St. Mary, Zwickau. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

loss of pages in all but the Discantus 2 (& Bassus?) book.

DIAMM, 2022
Binding

Bassus book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil.

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Red inked initials in plain block style; attributions, beginnings of texts, and 'Altera pars' indications also in red

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets

Buissons-1, (Cadéac)-1, (Clemens non Papa)-2, (Clemens non Papa/Crecquillon)-1, Cleve/(Baston)-1, (Deiss)-1, Freundt-1, (Gombert/Hesdin)-1, Josquin-1, (La Court)-1, Lassus-5, (Lassus/Wert)-1, J. Louys-1, (Marazzi)-1, (Merulo)-1, (Pale-strina)-1, (Phinot)-1, (A. Ponte)-1, Regnart-2, (Rivulo)-1, (Schröter)-1, anon-2

5 paper partbooks (D1-33 folios, D2-i + 43 + i, A-44, T-34, B-44), 205 x 162-70. New pencil foliation in each book. Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil. B book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations. No index. Copied mostly by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; see general index for other manuscripts copied by the same scribe. Red inked initials in plain block style; attributions, beginnings of texts, and "Altera pars" indications also in red.

Ca. 1580 (BoettL). Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 2–3
Genres: Motet
3–4 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 3–4
Genres: Motet
4–5 Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra -
Appears on: 4–5
Genres: Motet
5–6 Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris -
Appears on: 5–6
Genres: Motet
6–7 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes -
Appears on: 6–7
Genres: Motet
7–8 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 7–8
8–9v Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 8–9v
Genres: Motet
9v–11 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 9v–11
Genres: Motet
11–11v Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis -
Appears on: 11–11v
Genres: Lamentations, Motet
11v–12 Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium -
Appears on: 11v–12
Genres: Motet
12v–13 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 12v–13
Genres: Motet
13v–14 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 13v–14
Genres: Motet
14–15v Audite reges et intelligite discite judices -
Appears on: 14–15v
Genres: Motet
15v–16v Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit -
Appears on: 15v–16v
Genres: Motet
17–18 Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est -
Appears on: 17–18
Genres: Motet
18–19 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin
Appears on: 18–19
Genres: Motet, Stabat Mater
Source Attribution: Josquin
19–20 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 19–20
Genres: Motet
20–21 Dum complerentur dies pentecostes erant omnes -
Appears on: 20–21
Genres: Motet
21 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orland:
Appears on: 21
Genres: Motet
Source Attribution: Orland:
21v Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 21v
Genres: Motet
22–22v Dicite filiae Sion ecce rex tuus venit - Anonymous
Appears on: 22–22v
Genres: Motet
22v–23 Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem -
Appears on: 22v–23
Genres: Motet
23v–24 Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora -
Appears on: 23v–24
Genres: Motet
24v–25 Apparens Christus post passionem suam -
Appears on: 24v–25
Genres: Motet
25v–26 In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram -
Appears on: 25v–26
Genres: Motet
26–26v In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 26–26v
Genres: Motet
26v–27 Inter natos mulierum non surrexit major -
Appears on: 26v–27
Genres: Motet
27–28 Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disperditae linguae Jacobus Regnart
Appears on: 27–28
Genres: Motet
Source Attribution: Jacobus Regnart
28–29 Apparuerunt apostolis - 2a pars (of 2): Et coeperunt loqui variis linguis -
Appears on: 28–29
Genres: Motet
29–29v Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 29–29v
Genres: Motet, Veni sancte spiritus
29v–30 Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras -
Appears on: 29v–30
Genres: Motet
30v–31 Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium -
Appears on: 30v–31
Genres: Motet
31v–32 Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit Michael des Buissons
Appears on: 31v–32
Genres: Motet
Source Attribution: Michael des Buissons
32v–33 Hodie nobis de caelo - 2a pars (of 2): Gloria in excelsis deo et in terra -
Appears on: 32v–33
Genres: Motet
33–34 Responsum accepit Simeon a spiritu sancto -
Appears on: 33–34
Genres: Motet
34–34v Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo -
Appears on: 34–34v
Genres: Motet
34v–35 Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur -
Appears on: 34v–35
Genres: Motet
35v–36 Jucundare filia Sion et exulta satis -
Appears on: 35v–36
Genres: Motet
36–37 Stella quam viderant magi in oriente -
Appears on: 36–37
Genres: Motet
37–37v Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant -
Appears on: 37–37v
Genres: Introit
37v–38 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 37v–38
Genres: Introit
38v–39 Hodie beata virgo Maria puerum Jesu -
Appears on: 38v–39
Genres: Motet
39–40 Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget -
Appears on: 39–40
Genres: Motet
40–41 Si quis vult - 2a pars (of 2): Quid proderit homini si universum -
Appears on: 40–41
41–41v Surrexit pastor bonus qui animam suam -
Appears on: 41–41v
Genres: Motet
41v–42 Tristis est anima mea usque ad mortem -
Appears on: 41v–42
Genres: Motet
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Buissons, Michael Charles des (fl. 1560–70)
Cadeac, P(ierre?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Deiss, Michael
Despres, Josquin (ca. 1450–1521)
Freundt, Cornelius (1535–1591)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hesdin, Nicolle des Celliers de (–1538)
Lassus, Orlande de (ca. 1532–1594)
Louys, Jean (ca. 1530–1563)
Marazzi, Silvio
Merulo, Claudio (1533–1604)
Palestrina, Giovanni Pierluigi da (1525–1594)
Phinot, Dominique
Ponta, Adamus de
Regnart, Jacob (ca. 1540–1599)
Rivulo, Franziscus de
Schroeter, Leonhard
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem 22v–23
Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora 23v–24
Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo 34–34v
Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur 34v–35
Apparens Christus post passionem suam 24v–25
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disperditae linguae 27–28
Apparuerunt apostolis - 2a pars (of 2): Et coeperunt loqui variis linguis 28–29
Audite reges et intelligite discite judices 14–15v
Dicite filiae Sion ecce rex tuus venit Anonymous 22–22v
Dum complerentur dies pentecostes erant omnes 20–21
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 2–3
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 3–4
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 21
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 21v
Hodie beata virgo Maria puerum Jesu 38v–39
Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit 31v–32
Hodie nobis de caelo - 2a pars (of 2): Gloria in excelsis deo et in terra 32v–33
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 8–9v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 9v–11
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 25v–26
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 26–26v
Inter natos mulierum non surrexit major 26v–27
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 6–7
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 7–8
Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis 11–11v
Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium 11v–12
Jucundare filia Sion et exulta satis 35v–36
Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras 29v–30
Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium 30v–31
Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit 15v–16v
Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est 17–18
Responsum accepit Simeon a spiritu sancto 33–34
Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant 37–37v
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 37v–38
Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget 39–40
Si quis vult - 2a pars (of 2): Quid proderit homini si universum 40–41
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 18–19
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 19–20
Stella quam viderant magi in oriente 36–37
Surrexit pastor bonus qui animam suam 41–41v
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 12v–13
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 13v–14
Tristis est anima mea usque ad mortem 41v–42
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 4–5
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 5–6
Veni sancte spiritus reple tuorum corda Anonymous 29–29v

Set: D-Z MS Mus. 33,34

Type: Partbooks

No images available

D-Z 69.2.12 [Altus]

No images available

D-Z 69.2.12 [Bassus]

No images available

D-Z 69.2.12 [Discantus 1]

No images available

D-Z 69.2.12 [Discantus 2]

No images available

D-Z 69.2.12 [Tenor]

denotes primary source study

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 45-6. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII,vi,viii-xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 39-40,230. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

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