D-Z 69.2.12 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1580

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.12 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 205 x 162-70 mm
Other Identifiers
  • CCM: ZwiR 33/34
  • Other catalogues/source: VollBM [see bibliography] 19; 482; 637
  • olim (Former shelfmark): MS 33,34
  • olim (Former shelfmark): MS XXXIII,34
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 36 pieces from 22 composers
General Description

A Tenor partbook from a set of five volumes. Copied mostly by Cornelius Freundt (c. 1535-91), cantor at Church of St. Mary, Zwickau. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

loss of pages in all but the Discantus 2 (& Bassus?) book.

DIAMM, 2022
Binding

Bassus book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil.

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Red inked initials in plain block style; attributions, beginnings of texts, and 'Altera pars' indications also in red

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets

Buissons-1, (Cadéac)-1, (Clemens non Papa)-2, (Clemens non Papa/Crecquillon)-1, Cleve/(Baston)-1, (Deiss)-1, Freundt-1, (Gombert/Hesdin)-1, Josquin-1, (La Court)-1, Lassus-5, (Lassus/Wert)-1, J. Louys-1, (Marazzi)-1, (Merulo)-1, (Pale-strina)-1, (Phinot)-1, (A. Ponte)-1, Regnart-2, (Rivulo)-1, (Schröter)-1, anon-2

5 paper partbooks (D1-33 folios, D2-i + 43 + i, A-44, T-34, B-44), 205 x 162-70. New pencil foliation in each book. Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil. B book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations. No index. Copied mostly by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; see general index for other manuscripts copied by the same scribe. Red inked initials in plain block style; attributions, beginnings of texts, and "Altera pars" indications also in red.

Ca. 1580 (BoettL). Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 1–2
Genres: Motet
2–3 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 2–3
Genres: Motet
3–4 Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra -
Appears on: 3–4
Genres: Motet
4v–5v Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris -
Appears on: 4v–5v
Genres: Motet
5v–6v Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes -
Appears on: 5v–6v
Genres: Motet
6v–7v Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 6v–7v
8–9 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 8–9
Genres: Motet
9v–10v Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 9v–10v
Genres: Motet
10v–11 Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis -
Appears on: 10v–11
Genres: Lamentations, Motet
11v–12 Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium -
Appears on: 11v–12
Genres: Motet
12–13 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 12–13
Genres: Motet
13–14 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 13–14
Genres: Motet
14–15v Audite reges et intelligite discite judices -
Appears on: 14–15v
Genres: Motet
16–17 Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit -
Appears on: 16–17
Genres: Motet
17v–18v Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est -
Appears on: 17v–18v
Genres: Motet
18v–19v Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin
Appears on: 18v–19v
Genres: Motet, Stabat Mater
Source Attribution: Josquin
19v–20v Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 19v–20v
Genres: Motet
21–21v Dum complerentur dies pentecostes erant omnes -
Appears on: 21–21v
Genres: Motet
22 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orland:
Appears on: 22
Genres: Motet
Source Attribution: Orland:
22v Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 22v
Genres: Motet
23–23v Dicite filiae Sion ecce rex tuus venit - Anonymous
Appears on: 23–23v
Genres: Motet
23v–24v Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem -
Appears on: 23v–24v
Genres: Motet
24v–25v Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora -
Appears on: 24v–25v
Genres: Motet
25v–26v Apparens Christus post passionem suam -
Appears on: 25v–26v
Genres: Motet
26v–27 In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram -
Appears on: 26v–27
Genres: Motet
27v In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 27v
Genres: Motet
General Note

incomplete, end missing owing to lost pages

28 Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 28
Genres: Motet, Veni sancte spiritus
General Note

incomplete, lacks beginning owin to lost pages

28–29 Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras -
Appears on: 28–29
Genres: Motet
29–30 Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium -
Appears on: 29–30
Genres: Motet
30–30v Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit Michael des Buissons
Appears on: 30–30v
Genres: Motet
Source Attribution: Michael des Buissons
General Note

incomplete, the end of 1a pars (& all of the 2a pars) missing

31 Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo -
Appears on: 31
Genres: Motet
General Note

incomplete, missing the opening half of the 1a pars

31v–32 Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur -
Appears on: 31v–32
Genres: Motet
32v–33 Jucundare filia Sion et exulta satis -
Appears on: 32v–33
Genres: Motet
33–33v Stella quam viderant magi in oriente -
Appears on: 33–33v
Genres: Motet
General Note

incomplete, the last third of the piece is missing

34 Hodie beata virgo Maria puerum Jesu -
Appears on: 34
Genres: Motet
General Note

incomplete, the beginning is missing

34–34v Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget -
Appears on: 34–34v
Genres: Motet
General Note

incomplete, lacks end

Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Buissons, Michael Charles des (fl. 1560–70)
Cadeac, P(ierre?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Freundt, Cornelius (1535–1591)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hesdin, Nicolle des Celliers de (–1538)
Lassus, Orlande de (ca. 1532–1594)
Marazzi, Silvio
Merulo, Claudio (1533–1604)
Palestrina, Giovanni Pierluigi da (1525–1594)
Phinot, Dominique
Ponta, Adamus de
Regnart, Jacob (ca. 1540–1599)
Rivulo, Franziscus de
Schroeter, Leonhard
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem 23v–24v
Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora 24v–25v
Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo 31
Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur 31v–32
Apparens Christus post passionem suam 25v–26v
Audite reges et intelligite discite judices 14–15v
Dicite filiae Sion ecce rex tuus venit Anonymous 23–23v
Dum complerentur dies pentecostes erant omnes 21–21v
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 1–2
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 2–3
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 22
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 22v
Hodie beata virgo Maria puerum Jesu 34
Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit 30–30v
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 8–9
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 9v–10v
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 26v–27
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 27v
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 5v–6v
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 6v–7v
Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis 10v–11
Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium 11v–12
Jucundare filia Sion et exulta satis 32v–33
Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras 28–29
Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium 29–30
Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit 16–17
Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est 17v–18v
Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget 34–34v
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 18v–19v
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 19v–20v
Stella quam viderant magi in oriente 33–33v
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 12–13
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 13–14
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 3–4
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 4v–5v
Veni sancte spiritus reple tuorum corda Anonymous 28

Set: D-Z MS Mus. 33,34

Type: Partbooks

No images available

D-Z 69.2.12 [Altus]

No images available

D-Z 69.2.12 [Bassus]

No images available

D-Z 69.2.12 [Discantus 1]

No images available

D-Z 69.2.12 [Discantus 2]

No images available

D-Z 69.2.12 [Tenor]

denotes primary source study

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 45-6. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII,vi,viii-xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 39-40,230. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note