D-Z 69.2.12 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1580

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.12 [Altus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 205 x 162-70 mm
Other Identifiers
  • CCM: ZwiR 33/34
  • Other catalogues/source: VollBM [see bibliography] 19; 482; 637
  • olim (Former shelfmark): MS 33,34
  • olim (Former shelfmark): MS XXXIII,34
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 42 pieces from 21 composers
General Description

An Altus partbook from a set of five volumes. Copied mostly by Cornelius Freundt (c. 1535-91), cantor at Church of St. Mary, Zwickau. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

loss of pages in all but the Discantus 2 (& Bassus?) book.

DIAMM, 2022
Binding

Bassus book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil.

DIAMM, 2017
Decoration

Red inked initials in plain block style; attributions, beginnings of texts, and 'Altera pars' indications also in red

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets

Buissons-1, (Cadéac)-1, (Clemens non Papa)-2, (Clemens non Papa/Crecquillon)-1, Cleve/(Baston)-1, (Deiss)-1, Freundt-1, (Gombert/Hesdin)-1, Josquin-1, (La Court)-1, Lassus-5, (Lassus/Wert)-1, J. Louys-1, (Marazzi)-1, (Merulo)-1, (Pale-strina)-1, (Phinot)-1, (A. Ponte)-1, Regnart-2, (Rivulo)-1, (Schröter)-1, anon-2

5 paper partbooks (D1-33 folios, D2-i + 43 + i, A-44, T-34, B-44), 205 x 162-70. New pencil foliation in each book. Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil. B book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations. No index. Copied mostly by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; see general index for other manuscripts copied by the same scribe. Red inked initials in plain block style; attributions, beginnings of texts, and "Altera pars" indications also in red.

Ca. 1580 (BoettL). Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 2–3
Genres: Motet
3–4 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 3–4
Genres: Motet
4v–5v Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra -
Appears on: 4v–5v
Genres: Motet
5v–6v Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris -
Appears on: 5v–6v
Genres: Motet
7v–8 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes -
Appears on: 7v–8
Genres: Motet
8v–9 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 8v–9
9–10v Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 9–10v
Genres: Motet
10v–12 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 10v–12
Genres: Motet
12–12v Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis -
Appears on: 12–12v
Genres: Lamentations, Motet
13–13v Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium -
Appears on: 13–13v
Genres: Motet
13v–14v Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 13v–14v
Genres: Motet
14v–15v Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 14v–15v
Genres: Motet
16–17v Audite reges et intelligite discite judices -
Appears on: 16–17v
Genres: Motet
18–19 Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit -
Appears on: 18–19
Genres: Motet
19–20 Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est -
Appears on: 19–20
Genres: Motet
20v–21v Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin
Appears on: 20v–21v
Genres: Motet, Stabat Mater
Source Attribution: Josquin
21v–22v Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 21v–22v
Genres: Motet
23–23v Dum complerentur dies pentecostes erant omnes -
Appears on: 23–23v
Genres: Motet
23v–24 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orland:
Appears on: 23v–24
Genres: Motet
Source Attribution: Orland:
24–24v Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 24–24v
Genres: Motet
25 In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram -
Appears on: 25
Genres: Motet
General Note

incomplete, beginning missing owing to lost pages

25v–26 In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 25v–26
Genres: Motet
26v–27 Inter natos mulierum non surrexit major -
Appears on: 26v–27
Genres: Motet
37–27v Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disperditae linguae Jacobus Regnart
Appears on: 37–27v
Genres: Motet
Source Attribution: Jacobus Regnart
27v–28 Apparuerunt apostolis - 2a pars (of 2): Et coeperunt loqui variis linguis -
Appears on: 27v–28
Genres: Motet
28v–29 Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 28v–29
Genres: Motet, Veni sancte spiritus
29v–30 Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras -
Appears on: 29v–30
Genres: Motet
30v–31 Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium -
Appears on: 30v–31
Genres: Motet
31v–32 Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit Michael des Buissons
Appears on: 31v–32
Genres: Motet
Source Attribution: Michael des Buissons
32v–33 Hodie nobis de caelo - 2a pars (of 2): Gloria in excelsis deo et in terra -
Appears on: 32v–33
Genres: Motet
33–34 Responsum accepit Simeon a spiritu sancto -
Appears on: 33–34
Genres: Motet
34–35 Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo -
Appears on: 34–35
Genres: Motet
35v–36v Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur -
Appears on: 35v–36v
Genres: Motet
36v–37 Jucundare filia Sion et exulta satis -
Appears on: 36v–37
Genres: Motet
37v–38v Stella quam viderant magi in oriente -
Appears on: 37v–38v
Genres: Motet
38v–39 Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant -
Appears on: 38v–39
Genres: Introit
39v–40 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 39v–40
Genres: Introit
40–40v Hodie beata virgo Maria puerum Jesu -
Appears on: 40–40v
Genres: Motet
40v–41v Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget -
Appears on: 40v–41v
Genres: Motet
42–43 Si quis vult - 2a pars (of 2): Quid proderit homini si universum -
Appears on: 42–43
43–44 Surrexit pastor bonus qui animam suam -
Appears on: 43–44
Genres: Motet
44–44v Tristis est anima mea usque ad mortem -
Appears on: 44–44v
Genres: Motet
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Buissons, Michael Charles des (fl. 1560–70)
Cadeac, P(ierre?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Deiss, Michael
Despres, Josquin (ca. 1450–1521)
Freundt, Cornelius (1535–1591)
Lassus, Orlande de (ca. 1532–1594)
Louys, Jean (ca. 1530–1563)
Marazzi, Silvio
Merulo, Claudio (1533–1604)
Palestrina, Giovanni Pierluigi da (1525–1594)
Ponta, Adamus de
Regnart, Jacob (ca. 1540–1599)
Rivulo, Franziscus de
Schroeter, Leonhard
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Angelus autem Domini - 1a pars (of 2): Angelus autem Domini descendit de caelo 34–35
Angelus autem Domini - 2a pars (of 2): Erat autem aspectus eius sicut fulgur 35v–36v
Apparuerunt apostolis - 1a pars (of 2): Apparuerunt apostolis disperditae linguae 37–27v
Apparuerunt apostolis - 2a pars (of 2): Et coeperunt loqui variis linguis 27v–28
Audite reges et intelligite discite judices 16–17v
Dum complerentur dies pentecostes erant omnes 23–23v
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 2–3
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 3–4
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 23v–24
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 24–24v
Hodie beata virgo Maria puerum Jesu 40–40v
Hodie nobis de caelo - 1a pars (of 2): Hodie nobis de caelo pax vera descendit 31v–32
Hodie nobis de caelo - 2a pars (of 2): Gloria in excelsis deo et in terra 32v–33
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 9–10v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 10v–12
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 25
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 25v–26
Inter natos mulierum non surrexit major 26v–27
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 7v–8
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 8v–9
Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis 12–12v
Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium 13–13v
Jucundare filia Sion et exulta satis 36v–37
Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras 29v–30
Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium 30v–31
Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit 18–19
Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est 19–20
Responsum accepit Simeon a spiritu sancto 33–34
Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant 38v–39
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 39v–40
Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget 40v–41v
Si quis vult - 2a pars (of 2): Quid proderit homini si universum 42–43
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 20v–21v
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 21v–22v
Stella quam viderant magi in oriente 37v–38v
Surrexit pastor bonus qui animam suam 43–44
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 13v–14v
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 14v–15v
Tristis est anima mea usque ad mortem 44–44v
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 4v–5v
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 5v–6v
Veni sancte spiritus reple tuorum corda Anonymous 28v–29

Set: D-Z MS Mus. 33,34

Type: Partbooks

No images available

D-Z 69.2.12 [Altus]

No images available

D-Z 69.2.12 [Bassus]

No images available

D-Z 69.2.12 [Discantus 1]

No images available

D-Z 69.2.12 [Discantus 2]

No images available

D-Z 69.2.12 [Tenor]

denotes primary source study

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 45-6. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII,vi,viii-xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 39-40,230. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

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