Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1 | index | - | - |
index
Appears on:
1
General Notepartial/outline index |
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2 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
2
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
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3–6 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
3–6
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
LayoutFor the next 14 pieces which are in 7-8vv, the 7a part is copied (together with 8a part) in the 8a book. 2 voice parts, A2 (versos) and B2 (rectos) |
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7–10 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
7–10
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
Layout2 voice parts, T2 (versos) and B2 (rectos) |
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11–12 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
11–12
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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12–13 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
12–13
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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13–14 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
13–14
Genres:
Motet
|
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14–15 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
14–15
Genres:
Motet
|
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15–16 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
15–16
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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17 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
17
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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18 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
18
Genres:
Motet
|
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19–20 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
19–20
Genres:
Motet
Source Attribution:
Melchior Vulpius
Layout2 voice parts in this book, A2 (versos) & B1 (rectos) |
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21–22 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
21–22
Genres:
Motet
General Note2 voice parts in this book, A2 (versos) & B1 (rectos) |
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23–24 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
Appears on:
23–24
Genres:
Motet
Source Attribution:
Melchior: Vulp:
|
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25–26 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
25–26
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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26–27 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
26–27
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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27–28 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
27–28
Genres:
Motet
|
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28–30 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
28–30
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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30–31 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
30–31
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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31–32 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
31–32
Genres:
Motet
|
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33 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
33
Genres:
Motet
Source Attribution:
Melch: Vulpii
|
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34 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
34
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
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35–40 | Incolae terrarum ab ortu solis | - | |
Appears on:
35–40
Genres:
Motet
Concordancesalso in Lobau 42 & Lobau 69 Layouttwo voice parts in this book, A2 (versos) & D2 (rectos) |
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41–43 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
Appears on:
41–43
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General NoteIn 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer, see SteudeS Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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43–44 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
43–44
Genres:
Motet
|
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45 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
45
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
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46 | Aurora lucis rutilat | T.F. | |
Appears on:
46
Genres:
Hymn
Source Attribution:
T.F.
|
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47–48 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
47–48
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
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[48a] | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | - | |
Appears on:
[48a]
Genres:
Motet
General Note2 blank pages left for copying the piece, but this never happened. |
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49 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
49
Genres:
Motet
Source Attribution:
Orlandi
|
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49–50 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
49–50
Genres:
Motet
|
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50–52 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
50–52
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
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53–54 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
53–54
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
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55–56 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
55–56
Genres:
Motet
|
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56–57 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
Appears on:
56–57
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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58–59 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
Appears on:
58–59
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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60–62 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
Appears on:
60–62
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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62–64 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
Appears on:
62–64
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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65–66 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
Appears on:
65–66
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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67–68 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
Appears on:
67–68
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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69–72 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
69–72
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass Layout2 voice parts in this book, Cantus 2 (versos) & T2 (rectos) |
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73–76 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
73–76
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis Layout2 voice parts in this book, Cantus 2 (versos) & T2 (rectos) |
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77–78 | Jubilate Deo | Danielis Seelichii | |
Appears on:
77–78
Genres:
Motet
Source Attribution:
Danielis Seelichii
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted |
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79–81 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
Appears on:
79–81
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
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81–82 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
81–82
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
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82–84 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
82–84
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
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85 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
85
Genres:
Motet
Source Attribution:
Joh: Turing
|
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86–87 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
86–87
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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87–88 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
87–88
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
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88 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
88
Genres:
Motet
Source Attribution:
Leonis Leonii
|
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89 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
89
Genres:
Motet
|
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90–91 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
90–91
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
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92–93 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
Appears on:
92–93
Genres:
Motet
|
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94–96 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
94–96
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
Concordancesalso in Lob65 (a compendium of his masses & motets, possibly autograph). Setting based on Walliser's Cum natus & H Praetorius's Cantate Domino (see pp. 139-142) LayoutTitle (in red ink) at foot of p.93, music begins at top of p.94 |
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96–100 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
96–100
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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100–102 | Christ lag in Todesbanden (5vv) | - | Anonymous |
Christ lag in Todesbanden (5vv)Anonymous
Appears on:
100–102
Genres:
Motet
|
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102–104 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
102–104
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
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104 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
104
Genres:
Motet
Source Attribution:
Andr: Kadneri
|
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105 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
105
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
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105 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
105
Genres:
Motet
|
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105 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
105
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
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105–106 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
105–106
Genres:
Motet
|
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106–107 | Da der Sabbat vergangen war | - | |
Appears on:
106–107
Genres:
Motet
|
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107–108 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
107–108
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
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108–110 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
108–110
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
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110–112 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
110–112
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
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112–113 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
112–113
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
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113–115 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
113–115
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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116 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
116
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
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116–117 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
116–117
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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117–118 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
Appears on:
117–118
Genres:
Motet
Source Attribution:
Grimmii
|
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119–120 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
119–120
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
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120–124 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
Appears on:
120–124
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
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124–127 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
124–127
Genres:
Motet
Source Attribution:
A. Cadeneri
|
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127–128 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
127–128
Genres:
Motet
|
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129–132 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
129–132
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
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132–138 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | - | |
Appears on:
132–138
Genres:
Passion
|
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139–140 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
139–140
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
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141–142 | Cantate Domino canticum novum | - | |
Appears on:
141–142
Genres:
Motet
|
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142 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
142
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
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143 | Missa Jubilate Deo: Gloria | - | |
Appears on:
143
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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144 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
144
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
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144–145 | Missa Donna la pura luce: Gloria | - | |
Appears on:
144–145
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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146 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
146
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
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146 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
146
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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147–148 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
147–148
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
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148–151 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
148–151
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
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150–152 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
150–152
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. |
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153–154 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
153–154
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
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155–158 | Magnificat quinti toni: Et exultavit | George Ledern | |
Appears on:
155–158
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
General NoteAdditional Latin, German, Latin/German Christmas motets are inserted between the verses. This book contains the basso continuo |
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155 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
155
Genres:
Contrafactum, Motet
General NoteThis book contains the basso continuo |
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156 | Zu Bethlehem im Krippelein | - | |
Appears on:
156
Genres:
Hymn
General NoteThis book contains the basso continuo |
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157 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
157
Genres:
Hymn
General NoteThis book contains the basso continuo |
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157 | Freut euch ir menschen kinder all | - | |
Appears on:
157
Genres:
Sacred Song
General NoteThis book contains the basso continuo |
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158 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
Appears on:
158
Genres:
Motet
General NoteThis book contains the basso continuo |
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158 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
158
Genres:
Motet
General NoteThis book contains the basso continuo |