D-Dl MSS Löbau 8 and Löbau 70 [8]

Sächsische Landesbibliothek, Dresden, Germany

partbook: Begun 1592; copying continued until c.1685

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MSS Löbau 8 and Löbau 70 [8]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 320 x 200 mm
Other Identifiers
  • CCM: DresSL Löbau 8/70
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Löbau, Bavaria, Germany
Contents 96 pieces from 35 composers
General Description

An Octava Vox partbook from a set of eight volumes. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered c. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

D - 330pp, A - 318pp, T - 334pp, B - 306pp, Q - 294pp, S - 210pp, 7a - 116pp, 8a - 162pp.

DIAMM, 2023
Physical Description

Water has washed away the ink on some folios.

DIAMM, 2017
Binding

Original covers of white leather and parchment.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Dedication

The Tenor book contains a dedicatory preface by Nostwitz, dated 1593.

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination, excludes blank pages.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-143

DIAMM, 2017
Index

Original index in Bassus volume by the Löbau cantor Georg Kirchhoff (1636), supplemented by others.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Books 1-6 are catalogued as Löbau 8, books 7 and 8 are Löbau 70.

Of the 16 pieces copied before 1600, none has 7-8vv so none are in this book. Although the first 4 pieces with 7 (or more) voices have the 7a voice copied in the 7th book, the next 14 such pieces are copied in the 8a book; the first of these is dated 1601. Copying in the 7a book begins again with the 'Sagittarius' piece dated c.1624/5.

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Kyrie-Gloria pairs, 2 Magnificats, 3 Te Deuràs, 1 Canticle, 16 psalms, 3 hymns, 72 motets, 2 Latin/German sacred pieces, 60 German sacred pieces, 2 German secular pieces, 1 textless piece = 170

Agazzari-1, Bassano-2, Bianciardi-1, Bischoff-1, Bucheuserus-1, Burck-1, Clavius-1, (Clemens non Papa)-1, Croce-1, Dulichius-2, Erbach-1, A. Gabrieli-2, G. Gabrieli-1, Gesius-1, Grimm-5, Groskurdt-1, Gumpelzhaimer-1, Guyot [Castileti]-1, Hammerschmidt [A.H.]-3, Händl-1, Hassler-1, Herbschieben-1, Judex-1, A. Kadner-11, Knöfel-1, Lange-1, Lassus-3, Leder-1, Leoni-1, Lohr-2, Mel-1, Merulo-1, Nathusius-1, Pallavicino-1, Pevernage-1, H. Praetorius-6, Preschner-3, Raselius-3, Reiner-1, Richafort/(Caen/Lupus)-1, A. Riemer-2, Rosthius-1, Ruffo-6, S. Rühling-1, F. Sale-1, (Schede)-1, (Schein)-5, Schütz-10, Selich-3, Senfl-1, J. Sigfrid-1, Stadlmayr-5, Strauss-1, D. Sulcius -2, T.F.-1, Turing-1, Vulpius-29, Walliser-4, Wert-1, anon-23

8 paper partbooks, average ca. 320 x 200. Water has washed away the ink on some folios. No foliation; original numbering of pieces, 1-143. Original covers of white leather and parchment. Original index in B. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. The tenor book contains a dedicatory preface by Nostwitz, dated 1593.

Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered ca. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

Vol 4

Composers: Change "J. Sigfrid-1" to "J. Sigfrid/(Harnisch)-1"; change "Vulpius-29" to "Vulpius-30"; change "anon-23" to "anon-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 index - -

index

Appears on: 1
General Note

partial/outline index

2 Das alte Jahr vergangen ist (8vv) Bartholomaei Gesii
Appears on: 2
Genres: Motet
Source Attribution: Bartholomaei Gesii
3–6 Jubilate Deo (8vv) Eliae Grotkurthii
Appears on: 3–6
Genres: Motet
Source Attribution: Eliae Grotkurthii
Layout

For the next 14 pieces which are in 7-8vv, the 7a part is copied (together with 8a part) in the 8a book. 2 voice parts, A2 (versos) and B2 (rectos)

7–10 Also hatt Gott die Welt geliebt Andreae Raselii
Appears on: 7–10
Genres: Sacred Song
Source Attribution: Andreae Raselii
Layout

2 voice parts, T2 (versos) and B2 (rectos)

11–12 Quaerite primum regnum Dei et iustitiam eius Philippi Dulichii
Appears on: 11–12
Genres: Motet
Source Attribution: Philippi Dulichii
12–13 Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit Melchioris Vulpii
Appears on: 12–13
Genres: Motet
Source Attribution: Melchioris Vulpii
13–14 Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me -
Appears on: 13–14
Genres: Motet
14–15 Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos -
Appears on: 14–15
Genres: Motet
15–16 Egressus Jesus secessit in partes Tyri et Sidoni Jacobus Wertt
Appears on: 15–16
Genres: Motet
Source Attribution: Jacobus Wertt
17 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo Melchioris Vulpii
Appears on: 17
Genres: Motet
Source Attribution: Melchioris Vulpii
18 Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo -
Appears on: 18
Genres: Motet
19–20 Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte Melchior Vulpius
Appears on: 19–20
Genres: Motet
Source Attribution: Melchior Vulpius
Layout

2 voice parts in this book, A2 (versos) & B1 (rectos)

21–22 Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice -
Appears on: 21–22
Genres: Motet
General Note

2 voice parts in this book, A2 (versos) & B1 (rectos)

23–24 Ecce magi ab oriente veniunt Melchior: Vulp:
Appears on: 23–24
Genres: Motet
Source Attribution: Melchior: Vulp:
25–26 Deus misereatur nostri Melchioris Vulpii
Appears on: 25–26
Genres: Motet
Source Attribution: Melchioris Vulpii
26–27 Exsultent - 1a pars (of 2): Exsultent et laetentur Melchioris Vulpii
Appears on: 26–27
Genres: Motet
Source Attribution: Melchioris Vulpii
27–28 Exsultent - 2a pars (of 2): Ego vere egenus -
Appears on: 27–28
Genres: Motet
28–30 Caecus quidam sedebat juxta viam mendicans Melchioris Vulpii
Appears on: 28–30
Genres: Motet
Source Attribution: Melchioris Vulpii
30–31 Corde natus - 1a pars (of 2): Corde natus ex parentis Melchioris Vulpii
Appears on: 30–31
Genres: Motet
Source Attribution: Melchioris Vulpii
31–32 Corde natus - 2a pars (of 2): Ecce quem vates vetustis -
Appears on: 31–32
Genres: Motet
33 Surrexit pastor bonus (9vv) Melch: Vulpii
Appears on: 33
Genres: Motet
Source Attribution: Melch: Vulpii
34 Obsecro te domina sancta Maria (8vv) Aug: Agazzarii
Appears on: 34
Genres: Motet
Source Attribution: Aug: Agazzarii
35–40 Incolae terrarum ab ortu solis -
Appears on: 35–40
Genres: Motet
Concordances

also in Lobau 42 & Lobau 69

Layout

two voice parts in this book, A2 (versos) & D2 (rectos)

41–43 Machet die Thore weit (8vv) Heinrici Sagittarii (=Ruling or Schutz?)
Appears on: 41–43
Genres: Motet
Source Attribution: Heinrici Sagittarii (=Ruling or Schutz?)
General Note

In 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer, see SteudeS

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

43–44 O Domine Jesu Christe memento (8vv) -
Appears on: 43–44
Genres: Motet
45 O Domine Jesu Christe adoro te (8vv) Johan: Gabriel
Appears on: 45
Genres: Motet
Source Attribution: Johan: Gabriel
46 Aurora lucis rutilat T.F.
Appears on: 46
Genres: Hymn
Source Attribution: T.F.
47–48 Vespere autem sabbati Adam[us] Gumpelzhaimerus
Appears on: 47–48
Genres: Motet
Source Attribution: Adam[us] Gumpelzhaimerus
[48a] Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war -
Appears on: [48a]
Genres: Motet
General Note

2 blank pages left for copying the piece, but this never happened.

49 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandi
Appears on: 49
Genres: Motet
Source Attribution: Orlandi
49–50 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 49–50
Genres: Motet
50–52 Gott ist unser Zuversicht (8vv) Georg. Herbschleb. Cant. Primislau
Appears on: 50–52
Genres: Motet
Source Attribution: Georg. Herbschleb. Cant. Primislau
53–54 Dilectus meus mihi (8vv) Hieron. Prator. (sic)
Appears on: 53–54
Genres: Motet
Source Attribution: Hieron. Prator. (sic)
55–56 Wie ein Jungling eine Jungfrau liebet - Anonymous
Appears on: 55–56
Genres: Motet
56–57 Ach Herr straf mich nicht in deinem Zorn Heinrich Schützens
Appears on: 56–57
Genres: Motet
Source Attribution: Heinrich Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

58–59 Aus der tiefe ruf' ich Herr zu dir H. Schützens
Appears on: 58–59
Genres: Motet
Source Attribution: H. Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

60–62 Herr unser Herrscher wie herrlich ist dein Nam Sagittarii
Appears on: 60–62
Genres: Motet
Source Attribution: Sagittarii
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

62–64 An den Wassern zu Babel sassen wir Heinrich Schützens
Appears on: 62–64
Genres: Motet
Source Attribution: Heinrich Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

65–66 Ist nicht Ephraim mein teurer Sohn eiusd.autoris (i.e. Schutz)
Appears on: 65–66
Genres: Motet
Source Attribution: eiusd.autoris (i.e. Schutz)
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

67–68 Der Herr sprach zur meinem Herren Henrici Schützens
Appears on: 67–68
Genres: Motet
Source Attribution: Henrici Schützens
General Note

Each of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

69–72 Laudate pueri Dominum (10vv) Daniel Seelich
Appears on: 69–72
Genres: Motet
Source Attribution: Daniel Seelich
General Note

2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass

Layout

2 voice parts in this book, Cantus 2 (versos) & T2 (rectos)

73–76 Der Herr erhöre dich Daniel: Selchii
Appears on: 73–76
Genres: Motet
Source Attribution: Daniel: Selchii
General Note

Choirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis

Layout

2 voice parts in this book, Cantus 2 (versos) & T2 (rectos)

77–78 Jubilate Deo Danielis Seelichii
Appears on: 77–78
Genres: Motet
Source Attribution: Danielis Seelichii
General Note

For "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted

79–81 Magnificat: Anima mea Christoph Thomae Walliseri
Appears on: 79–81
Genres: BVM, Canticle, Magnificat
Source Attribution: Christoph Thomae Walliseri
81–82 Canite tuba in Sion Benedicti Palavicini
Appears on: 81–82
Genres: Motet
Source Attribution: Benedicti Palavicini
82–84 Furwahr er trug unser' Krankheit Michaelis Lohr
Appears on: 82–84
Genres: Motet
Source Attribution: Michaelis Lohr
85 Bleib bei uns Herr mit deinem Wort Joh: Turing
Appears on: 85
Genres: Motet
Source Attribution: Joh: Turing
86–87 Venite exultemus Domino Hieronymi Praetorii
Appears on: 86–87
Genres: Motet
Source Attribution: Hieronymi Praetorii
87–88 Oremus praeceptis Christoph Walliseri
Appears on: 87–88
Genres: Motet
Source Attribution: Christoph Walliseri
88 Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas Leonis Leonii
Appears on: 88
Genres: Motet
Source Attribution: Leonis Leonii
89 Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam -
Appears on: 89
Genres: Motet
90–91 Wohl dem der sich des Dürftigen annimmt Abrahami Riemeri
Appears on: 90–91
Genres: Motet
Source Attribution: Abrahami Riemeri
92–93 Ich hab' den Herrn allzeit für Augen -
Appears on: 92–93
Genres: Motet
94–96 Missa super Cum natus esset Jesus & Cantate Domino: Kyrie Andreae Kadneri
Appears on: 94–96
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Andreae Kadneri
Concordances

also in Lob65 (a compendium of his masses & motets, possibly autograph). Setting based on Walliser's Cum natus & H Praetorius's Cantate Domino (see pp. 139-142)

Layout

Title (in red ink) at foot of p.93, music begins at top of p.94

96–100 Missa super Cum natus esset Jesus & Cantate Domino: Gloria -
Appears on: 96–100
Genres: Gloria (et in terra pax), Mass Ordinary
100–102 Christ lag in Todesbanden (5vv) - Anonymous
Appears on: 100–102
Genres: Motet
102–104 Herrn wenn ich nur dich habe Michaelis Lohr
Appears on: 102–104
Genres: Motet
Source Attribution: Michaelis Lohr
104 Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war Andr: Kadneri
Appears on: 104
Genres: Motet
Source Attribution: Andr: Kadneri
105 Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein -
Appears on: 105
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part

105 Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war -
Appears on: 105
Genres: Motet
105 Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen -
Appears on: 105
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part

105–106 Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie -
Appears on: 105–106
Genres: Motet
106–107 Da der Sabbat vergangen war -
Appears on: 106–107
Genres: Motet
107–108 Erstanden ist der heilige Christ Samuel: Rüling
Appears on: 107–108
Genres: Motet
Source Attribution: Samuel: Rüling
108–110 Und Tobias sprach ich will heute H. G. H. (Heinrich Grimm Hofkapellmeister(?))
Appears on: 108–110
Genres: Motet
Source Attribution: H. G. H. (Heinrich Grimm Hofkapellmeister(?))
110–112 Ein freundlich' Weib erfreuet ihren Mann Abram: Riemerus
Appears on: 110–112
Genres: Motet
Source Attribution: Abram: Riemerus
112–113 Missa Ingredimini omnes (8vv): Kyrie Johann: Stadelmayr
Appears on: 112–113
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johann: Stadelmayr
113–115 Missa Ingredimini omnes (8vv): Gloria -
Appears on: 113–115
Genres: Gloria (et in terra pax), Mass Ordinary
116 Missa Fuggi pur se sai: Kyrie Stadlmaieri
Appears on: 116
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Stadlmaieri
116–117 Missa Fuggi pur se sai: Gloria -
Appears on: 116–117
Genres: Gloria (et in terra pax), Mass Ordinary
117–118 Da antwortet' Laban und Bethuel (8vv) Grimmii
Appears on: 117–118
Genres: Motet
Source Attribution: Grimmii
119–120 Lobe den Herren meine Seele und vergiss nicht Heinrich Schüzens
Appears on: 119–120
Genres: Motet
Source Attribution: Heinrich Schüzens
120–124 Bonum est confiteri Domino (8vv) Christoph: Straus
Appears on: 120–124
Genres: Motet
Source Attribution: Christoph: Straus
General Note

Choir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c

124–127 Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen A. Cadeneri
Appears on: 124–127
Genres: Motet
Source Attribution: A. Cadeneri
127–128 Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich -
Appears on: 127–128
Genres: Motet
129–132 Danket dem Herren, denn er ist freundlich Heinrich Schütz
Appears on: 129–132
Genres: Motet
Source Attribution: Heinrich Schütz
132–138 Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi -
Appears on: 132–138
Genres: Passion
139–140 Cum natus esset Jesus in Bethlehem Juda Thom. Walliseri
Appears on: 139–140
Genres: Motet
Source Attribution: Thom. Walliseri
141–142 Cantate Domino canticum novum -
Appears on: 141–142
Genres: Motet
142 Missa Jubilate Deo: Kyrie Johannis Stadelmaier
Appears on: 142
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaier
143 Missa Jubilate Deo: Gloria -
Appears on: 143
Genres: Gloria (et in terra pax), Mass Ordinary
144 Missa Donna la pura luce: Kyrie Johannis Stadelmai:
Appears on: 144
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmai:
144–145 Missa Donna la pura luce: Gloria -
Appears on: 144–145
Genres: Gloria (et in terra pax), Mass Ordinary
146 Missa Dies est laetitiae: Kyrie Johannis Stadelmaiers
Appears on: 146
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaiers
146 Missa Dies est laetitiae: Gloria -
Appears on: 146
Genres: Gloria (et in terra pax), Mass Ordinary
147–148 Jauchzet dem Herren alle Welt A. H. (=Hammerschmidt)
Appears on: 147–148
Genres: Motet
Source Attribution: A. H. (=Hammerschmidt)
General Note

For 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb)

148–151 Alleluia. Freuet euch ihr Christen alle -
Appears on: 148–151
Genres: Motet
General Note

Grouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb).

150–152 Steh auf Nordwind / Meine Schwester liebe Braut Eliae Nathusii
Appears on: 150–152
Genres: Motet
Source Attribution: Eliae Nathusii
General Note

MaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro

Item Bibliography

Maul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98.

153–154 Herr Gott dich loben wir - Anonymous
Appears on: 153–154
Genres: Motet
General Note

For 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb)

155–158 Magnificat quinti toni: Et exultavit George Ledern
Appears on: 155–158
Genres: BVM, Canticle, Magnificat
Source Attribution: George Ledern
General Note

Additional Latin, German, Latin/German Christmas motets are inserted between the verses. This book contains the basso continuo

155 Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit -
Appears on: 155
Genres: Contrafactum, Motet
General Note

This book contains the basso continuo

156 Zu Bethlehem im Krippelein -
Appears on: 156
Genres: Hymn
General Note

This book contains the basso continuo

157 In dulci jubilo - Anonymous

In dulci jubilo

Anonymous
Appears on: 157
Genres: Hymn
General Note

This book contains the basso continuo

157 Freut euch ir menschen kinder all -
Appears on: 157
Genres: Sacred Song
General Note

This book contains the basso continuo

158 Jetzt sprosst herfür aus Davids Stämmelein (6vv) -
Appears on: 158
Genres: Motet
General Note

This book contains the basso continuo

158 Ehr sei dir, lieber Herre Gott - Anonymous
Appears on: 158
Genres: Motet
General Note

This book contains the basso continuo

Composer Compositions
Agazzari, Agostino (ca. 1579–ca. 1642)
Anonymous
Dulichius, Philipp
Figulus, Wolfgang (ca. 1525–1589)
Freundt, Cornelius (1535–1591)
Gabrieli, Giovanni (ca. 1554–1612)
Gesius, Bartholomäus (ca. 1555–1613)
Grimm, Heinrich
Groskurdt, Elias
Gumpelzhaimer, Adam (1559–1625)
Hammerschmidt, Andreas (ca. 1611–1675)
Herbschlebe[n], Georg
Kadner (Cadener), Andreas
Lassus, Orlande de (ca. 1532–1594)
Leder, Georg
Leisring, Volckmar
Leoni, Leone
Lohr, Michael
Nathusius, Elias
Pallavicino, Benedetto
Praetorius, Hieronymus (1560–1629)
Raselius, Andreas (ca. 1563–1602)
Riemer, Abraham
Ruhling, Samuel
Schütz, Heinrich (1585–1672)
Selich, Daniel
Stadlmayr, Johann
Strauss, Christoph
T. F.
Thuring, Johann
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Weissensee, Friedrich
Wert, Giaches [Jaches] de (1535–1596)
Zucchini, Gregorio (ca. 1540–ca. 1616)
Composition Composers (? Uncertain) Folios / Pages
Ach Herr straf mich nicht in deinem Zorn 56–57
Alleluia. Freuet euch ihr Christen alle 148–151
Also hatt Gott die Welt geliebt 7–10
An den Wassern zu Babel sassen wir 62–64
Aurora lucis rutilat 46
Aus der tiefe ruf' ich Herr zu dir 58–59
Bleib bei uns Herr mit deinem Wort 85
Bonum est confiteri Domino (8vv) 120–124
Caecus quidam sedebat juxta viam mendicans 28–30
Canite tuba in Sion 81–82
Cantate Domino canticum novum 141–142
Christ lag in Todesbanden (5vv) Anonymous 100–102
Corde natus - 1a pars (of 2): Corde natus ex parentis 30–31
Corde natus - 2a pars (of 2): Ecce quem vates vetustis 31–32
Cum natus esset Jesus in Bethlehem Juda 139–140
Da antwortet' Laban und Bethuel (8vv) 117–118
Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war [48a]
Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war 104
Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein 105
Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war 105
Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen 105
Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie 105–106
Da der Sabbat vergangen war 106–107
Danket dem Herren, denn er ist freundlich 129–132
Das alte Jahr vergangen ist (8vv) 2
Der Herr erhöre dich 73–76
Der Herr sprach zur meinem Herren 67–68
Deus misereatur nostri 25–26
Dilectus meus mihi (8vv) 53–54
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo 17
Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo 18
Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte 19–20
Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice 21–22
Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit 12–13
Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me 13–14
Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos 14–15
Ecce magi ab oriente veniunt 23–24
Egressus Jesus secessit in partes Tyri et Sidoni 15–16
Ehr sei dir, lieber Herre Gott Anonymous 158
Ein freundlich' Weib erfreuet ihren Mann 110–112
Erstanden ist der heilige Christ 107–108
Exsultent - 1a pars (of 2): Exsultent et laetentur 26–27
Exsultent - 2a pars (of 2): Ego vere egenus 27–28
Freut euch ir menschen kinder all 157
Furwahr er trug unser' Krankheit 82–84
Gott ist unser Zuversicht (8vv) 50–52
Herr Gott dich loben wir Anonymous 153–154
Herr unser Herrscher wie herrlich ist dein Nam 60–62
Herrn wenn ich nur dich habe 102–104
Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi 132–138
Ich hab' den Herrn allzeit für Augen 92–93
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 49
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 49–50
In dulci jubilo Anonymous 157
Incolae terrarum ab ortu solis 35–40
Ist nicht Ephraim mein teurer Sohn 65–66
Jauchzet dem Herren alle Welt 147–148
Jetzt sprosst herfür aus Davids Stämmelein (6vv) 158
Jubilate Deo 77–78
Jubilate Deo (8vv) 3–6
Laudate pueri Dominum (10vv) 69–72
Lobe den Herren meine Seele und vergiss nicht 119–120
Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen 124–127
Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich 127–128
Machet die Thore weit (8vv) 41–43
Magnificat quinti toni: Et exultavit 155–158
Magnificat: Anima mea 79–81
Missa Dies est laetitiae: Gloria 146
Missa Dies est laetitiae: Kyrie 146
Missa Donna la pura luce: Gloria 144–145
Missa Donna la pura luce: Kyrie 144
Missa Fuggi pur se sai: Gloria 116–117
Missa Fuggi pur se sai: Kyrie 116
Missa Ingredimini omnes (8vv): Gloria 113–115
Missa Ingredimini omnes (8vv): Kyrie 112–113
Missa Jubilate Deo: Gloria 143
Missa Jubilate Deo: Kyrie 142
Missa super Cum natus esset Jesus & Cantate Domino: Gloria 96–100
Missa super Cum natus esset Jesus & Cantate Domino: Kyrie 94–96
O Domine Jesu Christe adoro te (8vv) 45
O Domine Jesu Christe memento (8vv) 43–44
Obsecro te domina sancta Maria (8vv) 34
Oremus praeceptis 87–88
Quaerite primum regnum Dei et iustitiam eius 11–12
Steh auf Nordwind / Meine Schwester liebe Braut 150–152
Surrexit pastor bonus (9vv) 33
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas 88
Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam 89
Und Tobias sprach ich will heute 108–110
Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit 155
Venite exultemus Domino 86–87
Vespere autem sabbati 47–48
Wie ein Jungling eine Jungfrau liebet Anonymous 55–56
Wohl dem der sich des Dürftigen annimmt 90–91
Zu Bethlehem im Krippelein 156

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 111-7. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Dedication Note; Foliation Note; Foliation Note; Contents Note; Surface Note