Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1 | Benedictus es Domine Deus | Francesco Bianciardini | |
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Appears on:
1
Genres:
Motet
Source Attribution:
Francesco Bianciardini
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| 2 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
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Appears on:
2
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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| 3 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
|
Appears on:
3
Genres:
Motet
|
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| 4 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
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Appears on:
4
Genres:
Motet
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| 5 | Confitebor tibi Domine | Joannis Bassani | |
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Appears on:
5
Genres:
Motet
Source Attribution:
Joannis Bassani
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| 6 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
|
Appears on:
6
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
General NoteBetween this and the next piece in the 7a book, there are 14 pieces which are in 7-8vv; the 7a part for all these is copied in the 8a book |
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| 7–9 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
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Appears on:
7–9
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General NoteIn 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer see SteudeS: Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 10 | O Domine Jesu Christe memento (8vv) | - | |
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Appears on:
10
Genres:
Motet
|
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| 11 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
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Appears on:
11
Genres:
Motet
Source Attribution:
Johan: Gabriel
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| 12 | Aurora lucis rutilat | T.F. | |
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Appears on:
12
Genres:
Hymn
Source Attribution:
T.F.
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| 12–13 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
|
Appears on:
12–13
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
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| [13a] | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | - | |
|
Appears on:
[13a]
Genres:
Motet
General NoteIncomplete - 2 pages left blank for copying, but none completed |
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| 14 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
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Appears on:
14
Genres:
Motet
Source Attribution:
Orlandi
|
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| 14 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
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Appears on:
14
Genres:
Motet
General NoteIncomplete. One folio is missing between p.14 and p.15, with the loss of the end of the 2a pars; the next piece (by Herbschleber); and the beginning of Prateorius's "Dilectus meus" |
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| 15 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
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Appears on:
15
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
General NoteIncomplete. One folio is missing between p.14 and p.15, with the loss of the end of the 2a pars; the next piece (by Herbschleber); and the beginning of Prateorius's "Dilectus meus" |
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| 15–16 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
15–16
Genres:
Motet
|
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| 16–17 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
|
Appears on:
16–17
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 18–19 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
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Appears on:
18–19
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 19–21 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
|
Appears on:
19–21
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 21–23 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
|
Appears on:
21–23
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 24–25 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
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Appears on:
24–25
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 26–27 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
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Appears on:
26–27
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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| 27–29 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
|
Appears on:
27–29
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass |
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| 30–31 | Der Herr erhöre dich | Daniel: Selchii | |
|
Appears on:
30–31
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
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| 31–34 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
|
Appears on:
31–34
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
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| 34–35 | Canite tuba in Sion | Benedicti Palavicini | |
|
Appears on:
34–35
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
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| 35–36 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
|
Appears on:
35–36
Genres:
Motet
Source Attribution:
Michaelis Lohr
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| 36–37 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
|
Appears on:
36–37
Genres:
Motet
Source Attribution:
Joh: Turing
|
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| 38–39 | Venite exultemus Domino | Hieronymi Praetorii | |
|
Appears on:
38–39
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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| 39 | Oremus praeceptis | Christoph Walliseri | |
|
Appears on:
39
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
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| 40 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
|
Appears on:
40
Genres:
Motet
Source Attribution:
Leonis Leonii
|
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| 40 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
|
Appears on:
40
Genres:
Motet
|
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| 41–42 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
|
Appears on:
41–42
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
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| 42–44 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
|
Appears on:
42–44
Genres:
Motet
|
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| 46 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
|
Appears on:
46
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
General NoteAlso in Lob65 (a compendium of his masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
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| 47–49 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
|
Appears on:
47–49
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 49–50 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
|
Appears on:
49–50
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
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| 51 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
|
Appears on:
51
Genres:
Motet
Source Attribution:
Andr: Kadneri
|
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| 51 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
|
Appears on:
51
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
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| 51–52 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
|
Appears on:
51–52
Genres:
Motet
|
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| 52 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
|
Appears on:
52
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
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| 52–53 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
|
Appears on:
52–53
Genres:
Motet
|
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| 53–54 | Da der Sabbat vergangen war | - | |
|
Appears on:
53–54
Genres:
Motet
|
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| 54 | Erstanden ist der heilige Christ | Samuel: Rüling | |
|
Appears on:
54
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
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| 55–56 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
|
Appears on:
55–56
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
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| 56–57 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
|
Appears on:
56–57
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
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| 58 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
|
Appears on:
58
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
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| 59–60 | Missa Ingredimini omnes (8vv): Gloria | - | |
|
Appears on:
59–60
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 60–61 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
|
Appears on:
60–61
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
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| 61–62 | Missa Fuggi pur se sai: Gloria | - | |
|
Appears on:
61–62
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 62–63 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
|
Appears on:
62–63
Genres:
Motet
Source Attribution:
Grimmii
|
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| 64–65 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
|
Appears on:
64–65
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
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| 66–73 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
|
Appears on:
66–73
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
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| 78–91 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
|
Appears on:
78–91
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
|
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| 92–93 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
|
Appears on:
92–93
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
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| 94 | Cantate Domino canticum novum | - | |
|
Appears on:
94
Genres:
Motet
|
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| 95 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
|
Appears on:
95
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
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| 95–96 | Missa Jubilate Deo: Gloria | - | |
|
Appears on:
95–96
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 96 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
|
Appears on:
96
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
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| 96–97 | Missa Donna la pura luce: Gloria | - | |
|
Appears on:
96–97
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 97–98 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
|
Appears on:
97–98
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
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| 98 | Missa Dies est laetitiae: Gloria | - | |
|
Appears on:
98
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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| 99–100 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
|
Appears on:
99–100
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
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| 100–101 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
|
Appears on:
100–101
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
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| 102–103 | Alleluia. Freuet euch ihr Christen alle | - | |
|
Appears on:
102–103
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
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| 104–107 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
|
Appears on:
104–107
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
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| 108–109 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
108–109
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
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| 110–113 | Magnificat quinti toni: Et exultavit | George Ledern | |
|
Appears on:
110–113
Genres:
BVM, Canticle, Magnificat
Source Attribution:
George Ledern
General NoteAdditional Latin, German, Latin/German Christmas motets are inserted between the verses. |
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| 110 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
|
Appears on:
110
Genres:
Contrafactum, Motet
|
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| 110–111 | Zu Bethlehem im Krippelein | - | |
|
Appears on:
110–111
Genres:
Hymn
|
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| 111 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
111
Genres:
Hymn
|
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| 112 | Freut euch ir menschen kinder all | - | |
|
Appears on:
112
Genres:
Sacred Song
|
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| 112 | Jetzt sprosst herfür aus Davids Stämmelein (6vv) | - | |
|
Appears on:
112
Genres:
Motet
|
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| 113 | Ehr sei dir, lieber Herre Gott | - | Anonymous |
Ehr sei dir, lieber Herre GottAnonymous
Appears on:
113
Genres:
Motet
|
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