Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
Appears on:
1
Genres:
Motet
Source Attribution:
Andreas Pevernage
General NoteOnly the recto has music, an incomplete part for the Sextus. The verso has only blank staves. Several more pages are missing, resulting in the loss of the Sextus of the next 5 pieces (cf. books 1-5). |
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2 | Surge illuminare Jerusalem | Vincentii Ruffi | |
Appears on:
2
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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3 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
Appears on:
3
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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4 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
4
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
|
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5 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
Appears on:
5
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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5–6 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
Appears on:
5–6
Genres:
Motet
|
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7–8 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
Appears on:
7–8
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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9–10 | Mane nobiscum Domine | Hieronimi Praetorii | |
Appears on:
9–10
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
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11–12 | Dic nobis Maria | Johannis Bassani | |
Appears on:
11–12
Genres:
Motet
Source Attribution:
Johannis Bassani
|
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13–14 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
13–14
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
|
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15–16 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
15–16
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
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17–18 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
Appears on:
17–18
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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19–20 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
Appears on:
19–20
Genres:
Motet
|
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21 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
21
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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22 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
Appears on:
22
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
|
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23 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
Appears on:
23
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
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24 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
Appears on:
24
Genres:
Motet
|
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25 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
Appears on:
25
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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26 | Eructavit cor meum | Andreae Gabrielis | |
Appears on:
26
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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27 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
Appears on:
27
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
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28 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
Appears on:
28
Genres:
Motet
|
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29 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
Appears on:
29
Genres:
Motet
Source Attribution:
Joannes Castileti
|
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30 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
Appears on:
30
Genres:
Motet
|
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31 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
Appears on:
31
Genres:
Motet
Source Attribution:
Joan: Croce
|
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32 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
Appears on:
32
Genres:
Motet
|
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33 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
33
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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34 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
34
Genres:
Motet
|
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35 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
35
Genres:
Motet
|
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36–37 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
Appears on:
36–37
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
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38–39 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
38–39
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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40–41 | Pater noster qui es in caelis | Johannis Knöffelii | |
Appears on:
40–41
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
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42–44 | Fata movent hominis mea pectora | Francis: Sale | |
Appears on:
42–44
Genres:
Motet
Source Attribution:
Francis: Sale
|
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45–46 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
Appears on:
45–46
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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47–48 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
Appears on:
47–48
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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48–49 | Sancta trinitas unus Deus | Vincentii Ruffi | |
Appears on:
48–49
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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49 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
Appears on:
49
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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50 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
Appears on:
50
Genres:
Motet
|
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51 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
51
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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52 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
52
Genres:
Motet
|
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53 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
53
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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54 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
54
Genres:
Motet
|
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55 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
Appears on:
55
Genres:
Motet
Source Attribution:
Melch: Vulpi:
|
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56–57 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
Appears on:
56–57
Genres:
Motet
|
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57–58 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
Appears on:
57–58
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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58–59 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
Appears on:
58–59
Genres:
Motet
|
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59–60 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
Appears on:
59–60
Genres:
Motet
|
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60–61 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
Appears on:
60–61
Genres:
Motet
|
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61–62 | Angelus ad mulieres dixit | - | |
Appears on:
61–62
Genres:
Motet
|
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63 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
Appears on:
63
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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64 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
Appears on:
64
Genres:
Motet
|
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65 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
Appears on:
65
Genres:
Motet
|
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65–66 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
Appears on:
65–66
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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67 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
Appears on:
67
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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68–69 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
Appears on:
68–69
Genres:
Motet
|
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69–70 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
Appears on:
69–70
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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70–71 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
Appears on:
70–71
Genres:
Motet
|
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71–72 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
Appears on:
71–72
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
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72–73 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
Appears on:
72–73
Genres:
Motet
|
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74–75 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
Appears on:
74–75
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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75–76 | Si quis diigit me | Melchioris Vulpii | |
Appears on:
75–76
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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76–77 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
Appears on:
76–77
Genres:
Motet
Source Attribution:
Melchior: Vulp:
|
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78–79 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
78–79
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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79–80 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
79–80
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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80–81 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
80–81
Genres:
Motet
|
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81–82 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
81–82
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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83–84 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
83–84
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Layout2 voice parts copied - A2 & T2 |
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85–86 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
85–86
Genres:
Motet
Layout2 voice parts copied - A2 & T2 |
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87–88 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
87–88
Genres:
Motet
Source Attribution:
Melch: Vulpii
General Note2 voice parts copied - A2 & Sup3 |
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89 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
Appears on:
89
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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90 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
Appears on:
90
Genres:
Motet
|
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91–92 | Ad te levavi animam meam (6vv, LV729) | - | |
Appears on:
91–92
Genres:
Motet
|
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92–93 | Lobet den Herren alle Heiden | - | |
Appears on:
92–93
Genres:
Motet
|
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93–94 | Veni sancte spiritus | Nicolai Rostii | |
Appears on:
93–94
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
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95–96 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
95–96
Genres:
Motet
|
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97–98 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
97–98
Genres:
Motet
Source Attribution:
Aug: Agazzarii
General Note2 voice parts copied - Cantus 2 & Sexta |
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99–100 | Incolae terrarum ab ortu solis | - | |
Appears on:
99–100
Genres:
Motet
Concordancesalso in Lobau 42 & Lobau 69 |
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100–102 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
Appears on:
100–102
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
General NoteIn 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer see SteudeS. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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103–104 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
103–104
Genres:
Motet
|
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104 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
104
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
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105–106 | Aurora lucis rutilat | T.F. | |
Appears on:
105–106
Genres:
Hymn
Source Attribution:
T.F.
|
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106–107 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
106–107
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
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107 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A. Kad: | |
Appears on:
107
Genres:
Motet
Source Attribution:
A. Kad:
General Notedifferent from the setting at p. 259 |
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108 | Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
108
Genres:
Motet
General Notetacet in this part |
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108 | Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war | - | |
Appears on:
108
Genres:
Motet
General Notetacet in this part |
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108 | Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
108
Genres:
Motet
|
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[108a] | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
[108a]
Genres:
Motet
General Notethe verso of p.108, where this pars should be copied, is left blank instead... |
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109 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
109
Genres:
Motet
Source Attribution:
Orlandi
|
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109–110 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
109–110
Genres:
Motet
|
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110–111 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
110–111
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
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112–114 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
112–114
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
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114–115 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
114–115
Genres:
Motet
|
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115–117 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
Appears on:
115–117
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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117–119 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
Appears on:
117–119
Genres:
Motet
Source Attribution:
H. Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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119–120, 221 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
Appears on:
119–120, 221
Genres:
Motet
Source Attribution:
Sagittarii
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. General NoteAfter p.120, the numbeing skips 100 pages and continues as p.221 Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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221–223 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
Appears on:
221–223
Genres:
Motet
Source Attribution:
Heinrich Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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224–225 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
Appears on:
224–225
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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226–227 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
Appears on:
226–227
Genres:
Motet
Source Attribution:
Henrici Schützens
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
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228–232 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
228–232
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: Cantus 1 vln, Cantus 2 vln, A vla, T vla da gamba, B bass, 2 parts are copied in this book, for Cantus 1 and A |
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233–234 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
233–234
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
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235 | Jubilate Deo | Danielis Seelichii | |
Appears on:
235
Genres:
Motet
Source Attribution:
Danielis Seelichii
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted. This book has a part for vla & fl. |
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236 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
Appears on:
236
Genres:
Motet
|
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237 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
Appears on:
237
Genres:
Motet
|
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238–240 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
Appears on:
238–240
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
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240–241 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
240–241
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
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241–243 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
241–243
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
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243–244 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
243–244
Genres:
Motet
Source Attribution:
Joh: Turing
|
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245–246 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
245–246
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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247 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
247
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
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248 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
248
Genres:
Motet
Source Attribution:
Leonis Leonii
|
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248–249 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
248–249
Genres:
Motet
|
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249–250 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
249–250
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
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250–251 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
Appears on:
250–251
Genres:
Motet
|
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252–253 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
252–253
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
General Notealso in Lob65 (a compendium of Kadner's masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
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254–256 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
254–256
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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257–258 | Surrexit Christus hodie | Christiani Erbachi | |
Appears on:
257–258
Genres:
Motet
Source Attribution:
Christiani Erbachi
|
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258–259 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
258–259
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
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259–260 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
259–260
Genres:
Motet
Source Attribution:
Andr: Kadneri
General Notea different setting from that at p. 107 |
|||
260 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
260
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
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260 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
260
Genres:
Motet
|
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260 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
260
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
|||
260–261 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
260–261
Genres:
Motet
|
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261–262 | Da der Sabbat vergangen war | - | |
Appears on:
261–262
Genres:
Motet
|
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262–263 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
262–263
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
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263–264 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
263–264
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
|||
264–266 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
264–266
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
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266–267 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
266–267
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
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267–268 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
267–268
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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268–269 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
268–269
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
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269–270 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
269–270
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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270–271 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
Appears on:
270–271
Genres:
Motet
Source Attribution:
Grimmii
|
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272–273 | Te Deum (6vv) | And: Cadneri | |
Appears on:
272–273
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
274–275 | Ein feste Burg ist unser Gott | Wallis: | |
Appears on:
274–275
Genres:
Motet
Source Attribution:
Wallis:
|
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275–276 | Ein' feste Burg ist unser Gott | Cadneri | |
Appears on:
275–276
Genres:
Motet
Source Attribution:
Cadneri
|
|||
277–278 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
Appears on:
277–278
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
278–279 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
278–279
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
280–271a | Bonum est confiteri Domino (8vv) | - | |
Appears on:
280–271a
Genres:
Motet
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c After p. 280, the numbering repeats pp.271-280 (here labelled 271a-280a) |
|||
271a–273a | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
271a–273a
Genres:
Motet
Source Attribution:
A. Cadeneri
|
|||
274a–275a | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
274a–275a
Genres:
Motet
|
|||
275a–278a | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
275a–278a
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
278a–287 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
Appears on:
278a–287
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
|
|||
288–289 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
288–289
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
290–291 | Cantate Domino canticum novum | - | |
Appears on:
290–291
Genres:
Motet
|
|||
291 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
291
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
291–292 | Missa Jubilate Deo: Gloria | - | |
Appears on:
291–292
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
292–293 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
292–293
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
|||
293–294 | Missa Donna la pura luce: Gloria | - | |
Appears on:
293–294
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
294–295 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
294–295
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
|
|||
295 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
295
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
296 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
296
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
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297 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
Appears on:
297
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
|||
298–299 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
298–299
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
|||
300–301 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
300–301
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
302 | Missa A Domino factum est: Kyrie | - | |
Appears on:
302
Genres:
Kyrie eleison, Mass Ordinary
|
|||
302–303 | Missa A Domino factum est: Gloria | - | |
Appears on:
302–303
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
304–307 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
304–307
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
308 | Magnificat quinti toni: Et exultavit | - | |
Appears on:
308
Genres:
BVM, Canticle, Magnificat
General Noteincomplete, only the first page survives. Additional Latin, German, Latin/German Christmas motets are inserted between the verses; only the first of these remains in this book. |
|||
308 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
308
Genres:
Contrafactum, Motet
|