Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pevernage | |
|
Appears on:
1
Genres:
Motet
Source Attribution:
Andreas Pevernage
General NoteOnly the recto has music, an incomplete part for the Sextus. The verso has only blank staves. Several more pages are missing, resulting in the loss of the Sextus of the next 5 pieces (cf. books 1-5). |
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| 2 | Surge illuminare Jerusalem | Vincentii Ruffi | |
|
Appears on:
2
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 3 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
|
Appears on:
3
Genres:
Motet
Source Attribution:
Andreae Raselii
Number of voices:
6
|
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| 4 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
|
Appears on:
4
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
Number of voices:
8
|
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| 5 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
|
Appears on:
5
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
Number of voices:
6
|
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| 5–6 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
|
Appears on:
5–6
Genres:
Motet
Number of voices:
6
|
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| 7–8 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
|
Appears on:
7–8
Genres:
Motet
Source Attribution:
Andreae Raselii
Number of voices:
6
|
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| 9–10 | Mane nobiscum Domine | Hieronimi Praetorii | |
|
Appears on:
9–10
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
Number of voices:
6
|
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| 11–12 | Dic nobis Maria | Johannis Bassani | |
|
Appears on:
11–12
Genres:
Motet
Source Attribution:
Johannis Bassani
Number of voices:
6
|
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| 13–14 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
|
Appears on:
13–14
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
Number of voices:
8
|
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| 15–16 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
|
Appears on:
15–16
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
Number of voices:
8
|
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| 17–18 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
|
Appears on:
17–18
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
Number of voices:
6
|
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| 19–20 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
|
Appears on:
19–20
Genres:
Motet
Number of voices:
6
|
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| 21 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
|
Appears on:
21
Genres:
Motet
Source Attribution:
Philippi Dulichii
Number of voices:
7
|
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| 22 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
|
Appears on:
22
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
Number of voices:
6
|
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| 23 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
|
Appears on:
23
Genres:
Motet
Source Attribution:
Rinald. del Mel
Number of voices:
6
|
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| 24 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
|
Appears on:
24
Genres:
Motet
Number of voices:
6
|
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| 25 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
|
Appears on:
25
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 26 | Eructavit cor meum | Andreae Gabrielis | |
|
Appears on:
26
Genres:
Motet
Source Attribution:
Andreae Gabrielis
Number of voices:
6
|
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| 27 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
|
Appears on:
27
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
Number of voices:
6
|
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| 28 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
|
Appears on:
28
Genres:
Motet
Number of voices:
6
|
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| 29 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
|
Appears on:
29
Genres:
Motet
Source Attribution:
Joannes Castileti
Number of voices:
6
|
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| 30 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
|
Appears on:
30
Genres:
Motet
Number of voices:
6
|
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| 31 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
|
Appears on:
31
Genres:
Motet
Source Attribution:
Joan: Croce
Number of voices:
6
|
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| 32 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
|
Appears on:
32
Genres:
Motet
Number of voices:
6
|
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| 33 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
|
Appears on:
33
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
7
|
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| 34 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
|
Appears on:
34
Genres:
Motet
Number of voices:
7
|
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| 35 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
|
Appears on:
35
Genres:
Motet
Number of voices:
7
|
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| 36–37 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
|
Appears on:
36–37
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 38–39 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
|
Appears on:
38–39
Genres:
Motet
Source Attribution:
Jacobus Wertt
Number of voices:
7
|
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| 40–41 | Pater noster qui es in caelis | Johannis Knöffelii | |
|
Appears on:
40–41
Genres:
Motet
Source Attribution:
Johannis Knöffelii
Number of voices:
6
|
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| 42–44 | Fata movent hominis mea pectora | Francis: Sale | |
|
Appears on:
42–44
Genres:
Motet
Source Attribution:
Francis: Sale
Number of voices:
3 of 8
|
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| 45–46 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
|
Appears on:
45–46
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 47–48 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
|
Appears on:
47–48
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 48–49 | Sancta trinitas unus Deus | Vincentii Ruffi | |
|
Appears on:
48–49
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 49 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
|
Appears on:
49
Genres:
Motet
Source Attribution:
Vincentii Ruffi
Number of voices:
6
|
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| 50 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
|
Appears on:
50
Genres:
Motet
Number of voices:
6
|
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| 51 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
|
Appears on:
51
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
7
|
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| 52 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
|
Appears on:
52
Genres:
Motet
Number of voices:
7
|
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| 53 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
|
Appears on:
53
Genres:
Motet
Source Attribution:
Melchior Vulpius
Number of voices:
8
|
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| 54 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
|
Appears on:
54
Genres:
Motet
Number of voices:
8
|
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| 55 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
|
Appears on:
55
Genres:
Motet
Source Attribution:
Melch: Vulpi:
Number of voices:
6
|
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| 56–57 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
|
Appears on:
56–57
Genres:
Motet
Number of voices:
6
|
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| 57–58 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
|
Appears on:
57–58
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 58–59 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
|
Appears on:
58–59
Genres:
Motet
Number of voices:
6
|
|||
| 59–60 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
|
Appears on:
59–60
Genres:
Motet
Number of voices:
6
|
|||
| 60–61 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
|
Appears on:
60–61
Genres:
Motet
Number of voices:
6
|
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| 61–62 | Angelus ad mulieres dixit | - | |
|
Appears on:
61–62
Genres:
Motet
Number of voices:
6
|
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| 63 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
|
Appears on:
63
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 64 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
|
Appears on:
64
Genres:
Motet
Number of voices:
3
|
|||
| 65 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
|
Appears on:
65
Genres:
Motet
Number of voices:
6
|
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| 65–66 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
|
Appears on:
65–66
Genres:
Motet
Source Attribution:
Melch: Vulp:
Number of voices:
6
|
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| 67 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
|
Appears on:
67
Genres:
Motet
Source Attribution:
Melch: Vulp:
Number of voices:
6
|
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| 68–69 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
|
Appears on:
68–69
Genres:
Motet
Number of voices:
6
|
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| 69–70 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
|
Appears on:
69–70
Genres:
Motet
Source Attribution:
Melch: Vulp:
Number of voices:
6
|
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| 70–71 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
|
Appears on:
70–71
Genres:
Motet
Number of voices:
6
|
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| 71–72 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
|
Appears on:
71–72
Genres:
Motet
Source Attribution:
Melch: Vulp:
Number of voices:
6
|
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| 72–73 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
|
Appears on:
72–73
Genres:
Motet
Number of voices:
6
|
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| 74–75 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
|
Appears on:
74–75
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 75–76 | Si quis diigit me | Melchioris Vulpii | |
|
Appears on:
75–76
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 76–77 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
|
Appears on:
76–77
Genres:
Motet
Source Attribution:
Melchior: Vulp:
Number of voices:
7
|
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| 78–79 | Deus misereatur nostri | Melchioris Vulpii | |
|
Appears on:
78–79
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
7
|
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| 79–80 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
|
Appears on:
79–80
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
8
|
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| 80–81 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
|
Appears on:
80–81
Genres:
Motet
Number of voices:
8
|
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| 81–82 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
|
Appears on:
81–82
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
8
|
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| 83–84 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
|
Appears on:
83–84
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
8
Layout2 voice parts copied - A2 & T2 |
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| 85–86 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
|
Appears on:
85–86
Genres:
Motet
Number of voices:
8
Layout2 voice parts copied - A2 & T2 |
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| 87–88 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
|
Appears on:
87–88
Genres:
Motet
Source Attribution:
Melch: Vulpii
Number of voices:
9
General Note2 voice parts copied - A2 & Sup3 |
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| 89 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
|
Appears on:
89
Genres:
Motet
Source Attribution:
Melchioris Vulpii
Number of voices:
6
|
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| 90 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
|
Appears on:
90
Genres:
Motet
Number of voices:
6
|
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| 91–92 | Ad te levavi animam meam (6vv, LV729) | - | |
|
Appears on:
91–92
Genres:
Motet
Number of voices:
6
|
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| 92–93 | Lobet den Herren alle Heiden | - | |
|
Appears on:
92–93
Genres:
Motet
Number of voices:
6
|
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| 93–94 | Veni sancte spiritus | Nicolai Rostii | |
|
Appears on:
93–94
Genres:
Hymn
Source Attribution:
Nicolai Rostii
Number of voices:
6
|
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| 95–96 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
95–96
Genres:
Motet
Number of voices:
6
|
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| 97–98 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
|
Appears on:
97–98
Genres:
Motet
Source Attribution:
Aug: Agazzarii
Number of voices:
8
General Note2 voice parts copied - Cantus 2 & Sexta |
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| 99–100 | Incolae terrarum ab ortu solis | - | |
|
Appears on:
99–100
Genres:
Motet
Number of voices:
8
Concordancesalso in Lobau 42 & Lobau 69 |
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| 100–102 | Machet die Thore weit (8vv) | Heinrici Sagittarii (=Ruling or Schutz?) |
Ruhling, Samuel
(?)
|
|
Appears on:
100–102
Genres:
Motet
Source Attribution:
Heinrici Sagittarii (=Ruling or Schutz?)
Number of voices:
8
General NoteIn 5 sections, Machet - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr. For composer see SteudeS. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
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| 103–104 | O Domine Jesu Christe memento (8vv) | - | |
|
Appears on:
103–104
Genres:
Motet
Number of voices:
8
|
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| 104 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
|
Appears on:
104
Genres:
Motet
Source Attribution:
Johan: Gabriel
Number of voices:
8
|
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| 105–106 | Aurora lucis rutilat | T.F. | |
|
Appears on:
105–106
Genres:
Hymn
Source Attribution:
T.F.
Number of voices:
8
|
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| 106–107 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
|
Appears on:
106–107
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
Number of voices:
8
|
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| 107 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A. Kad: | |
|
Appears on:
107
Genres:
Motet
Source Attribution:
A. Kad:
Number of voices:
5 of 8
General Notedifferent from the setting at p. 259 |
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| 108 | Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein | - | |
|
Appears on:
108
Genres:
Motet
Number of voices:
5 of 8
General Notetacet in this part |
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| 108 | Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war | - | |
|
Appears on:
108
Genres:
Motet
Number of voices:
5 of 8
General Notetacet in this part |
|||
| 108 | Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
|
Appears on:
108
Genres:
Motet
Number of voices:
5 of 8
|
|||
| [108a] | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
|
Appears on:
[108a]
Genres:
Motet
Number of voices:
5 of 8
General Notethe verso of p.108, where this pars should be copied, is left blank instead... |
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| 109 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
|
Appears on:
109
Genres:
Motet
Source Attribution:
Orlandi
Number of voices:
8
|
|||
| 109–110 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
|
Appears on:
109–110
Genres:
Motet
Number of voices:
8
|
|||
| 110–111 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
|
Appears on:
110–111
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
Number of voices:
7 of 8
|
|||
| 112–114 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
|
Appears on:
112–114
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
Number of voices:
8
|
|||
| 114–115 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
114–115
Genres:
Motet
Number of voices:
8
|
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| 115–117 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens | |
|
Appears on:
115–117
Genres:
Motet
Source Attribution:
Heinrich Schützens
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
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| 117–119 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens | |
|
Appears on:
117–119
Genres:
Motet
Source Attribution:
H. Schützens
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
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| 119–120, 221 | Herr unser Herrscher wie herrlich ist dein Nam | Sagittarii | |
|
Appears on:
119–120, 221
Genres:
Motet
Source Attribution:
Sagittarii
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. General NoteAfter p.120, the numbeing skips 100 pages and continues as p.221 Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
|||
| 221–223 | An den Wassern zu Babel sassen wir | Heinrich Schützens | |
|
Appears on:
221–223
Genres:
Motet
Source Attribution:
Heinrich Schützens
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
|||
| 224–225 | Ist nicht Ephraim mein teurer Sohn | eiusd.autoris (i.e. Schutz) | |
|
Appears on:
224–225
Genres:
Motet
Source Attribution:
eiusd.autoris (i.e. Schutz)
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
|||
| 226–227 | Der Herr sprach zur meinem Herren | Henrici Schützens | |
|
Appears on:
226–227
Genres:
Motet
Source Attribution:
Henrici Schützens
Number of voices:
8
General NoteEach of these 6 pieces is attributed to Schütz, but a note after them also attributes the group to Sagittarius. See SteudeS for a discussion of the identiy of Sagittarius. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 10: 50-61. |
|||
| 228–232 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
|
Appears on:
228–232
Genres:
Motet
Source Attribution:
Daniel Seelich
Number of voices:
10
General Note2x5vv choirs, 2nd choir parts doubled by strings: Cantus 1 vln, Cantus 2 vln, A vla, T vla da gamba, B bass, 2 parts are copied in this book, for Cantus 1 and A |
|||
| 233–234 | Der Herr erhöre dich | Daniel: Selchii | |
|
Appears on:
233–234
Genres:
Motet
Source Attribution:
Daniel: Selchii
Number of voices:
9
General NoteChoirs of 4+5vv, labelled chorus vocalis & chorus instrumentalis |
|||
| 235 | Jubilate Deo | Danielis Seelichii | |
|
Appears on:
235
Genres:
Motet
Source Attribution:
Danielis Seelichii
Number of voices:
9
General NoteFor "4,8,9 voc in concerto" as above - but note that instrumental parts are also texted. This book has a part for vla & fl. |
|||
| 236 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
|
Appears on:
236
Genres:
Motet
Number of voices:
6
|
|||
| 237 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
|
Appears on:
237
Genres:
Motet
Number of voices:
6
|
|||
| 238–240 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
|
Appears on:
238–240
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
Number of voices:
8
|
|||
| 240–241 | Canite tuba in Sion | Benedicti Palavicini | |
|
Appears on:
240–241
Genres:
Motet
Source Attribution:
Benedicti Palavicini
Number of voices:
8
|
|||
| 241–243 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
|
Appears on:
241–243
Genres:
Motet
Source Attribution:
Michaelis Lohr
Number of voices:
8
|
|||
| 243–244 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
|
Appears on:
243–244
Genres:
Motet
Source Attribution:
Joh: Turing
Number of voices:
8
|
|||
| 245–246 | Venite exultemus Domino | Hieronymi Praetorii | |
|
Appears on:
245–246
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
Number of voices:
8
|
|||
| 247 | Oremus praeceptis | Christoph Walliseri | |
|
Appears on:
247
Genres:
Motet
Source Attribution:
Christoph Walliseri
Number of voices:
8
|
|||
| 248 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
|
Appears on:
248
Genres:
Motet
Source Attribution:
Leonis Leonii
Number of voices:
8
|
|||
| 248–249 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
|
Appears on:
248–249
Genres:
Motet
Number of voices:
8
|
|||
| 249–250 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
|
Appears on:
249–250
Genres:
Motet
Source Attribution:
Abrahami Riemeri
Number of voices:
8
|
|||
| 250–251 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
|
Appears on:
250–251
Genres:
Motet
Number of voices:
8
|
|||
| 252–253 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
|
Appears on:
252–253
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
Number of voices:
8
General Notealso in Lob65 (a compendium of Kadner's masses & motets, possibly autograph). On Walliser's Cum natus & H Praetorius's Cantate Domino |
|||
| 254–256 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
|
Appears on:
254–256
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 257–258 | Surrexit Christus hodie | Christiani Erbachi | |
|
Appears on:
257–258
Genres:
Motet
Source Attribution:
Christiani Erbachi
Number of voices:
5
|
|||
| 258–259 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
|
Appears on:
258–259
Genres:
Motet
Source Attribution:
Michaelis Lohr
Number of voices:
8
|
|||
| 259–260 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
|
Appears on:
259–260
Genres:
Motet
Source Attribution:
Andr: Kadneri
Number of voices:
8
General Notea different setting from that at p. 107 |
|||
| 260 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
|
Appears on:
260
Genres:
Motet
Number of voices:
3
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
|||
| 260 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
|
Appears on:
260
Genres:
Motet
Number of voices:
8
|
|||
| 260 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
|
Appears on:
260
Genres:
Motet
Number of voices:
3
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books. Tacet in this part |
|||
| 260–261 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
|
Appears on:
260–261
Genres:
Motet
Number of voices:
8
|
|||
| 261–262 | Da der Sabbat vergangen war | - | |
|
Appears on:
261–262
Genres:
Motet
Number of voices:
8
|
|||
| 262–263 | Erstanden ist der heilige Christ | Samuel: Rüling | |
|
Appears on:
262–263
Genres:
Motet
Source Attribution:
Samuel: Rüling
Number of voices:
8
|
|||
| 263–264 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
|
Appears on:
263–264
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
Number of voices:
8
|
|||
| 264–266 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
|
Appears on:
264–266
Genres:
Motet
Source Attribution:
Abram: Riemerus
Number of voices:
8
|
|||
| 266–267 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
|
Appears on:
266–267
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
Number of voices:
8
|
|||
| 267–268 | Missa Ingredimini omnes (8vv): Gloria | - | |
|
Appears on:
267–268
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 268–269 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
|
Appears on:
268–269
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
Number of voices:
8
|
|||
| 269–270 | Missa Fuggi pur se sai: Gloria | - | |
|
Appears on:
269–270
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 270–271 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
|
Appears on:
270–271
Genres:
Motet
Source Attribution:
Grimmii
Number of voices:
8
|
|||
| 272–273 | Te Deum (6vv) | And: Cadneri | |
|
Appears on:
272–273
Genres:
Te Deum
Source Attribution:
And: Cadneri
Number of voices:
6
|
|||
| 274–275 | Ein feste Burg ist unser Gott | Wallis: | |
|
Appears on:
274–275
Genres:
Motet
Source Attribution:
Wallis:
Number of voices:
5
|
|||
| 275–276 | Ein' feste Burg ist unser Gott | Cadneri | |
|
Appears on:
275–276
Genres:
Motet
Source Attribution:
Cadneri
Number of voices:
5
|
|||
| 277–278 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
|
Appears on:
277–278
Genres:
Motet
Source Attribution:
A. Cadneri
Number of voices:
6
|
|||
| 278–279 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
|
Appears on:
278–279
Genres:
Motet
Source Attribution:
Heinrich Schüzens
Number of voices:
8
|
|||
| 280–271a | Bonum est confiteri Domino (8vv) | - | |
|
Appears on:
280–271a
Genres:
Motet
Number of voices:
8
General NoteChoir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c After p. 280, the numbering repeats pp.271-280 (here labelled 271a-280a) |
|||
| 271a–273a | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
|
Appears on:
271a–273a
Genres:
Motet
Source Attribution:
A. Cadeneri
Number of voices:
8
|
|||
| 274a–275a | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
|
Appears on:
274a–275a
Genres:
Motet
Number of voices:
8
|
|||
| 275a–278a | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
|
Appears on:
275a–278a
Genres:
Motet
Source Attribution:
Heinrich Schütz
Number of voices:
8
|
|||
| 278a–287 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
|
Appears on:
278a–287
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
Number of voices:
9
|
|||
| 288–289 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
|
Appears on:
288–289
Genres:
Motet
Source Attribution:
Thom. Walliseri
Number of voices:
8
|
|||
| 290–291 | Cantate Domino canticum novum | - | |
|
Appears on:
290–291
Genres:
Motet
Number of voices:
8
|
|||
| 291 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
|
Appears on:
291
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
Number of voices:
8
|
|||
| 291–292 | Missa Jubilate Deo: Gloria | - | |
|
Appears on:
291–292
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 292–293 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
|
Appears on:
292–293
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
Number of voices:
8
|
|||
| 293–294 | Missa Donna la pura luce: Gloria | - | |
|
Appears on:
293–294
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 294–295 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
|
Appears on:
294–295
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
Number of voices:
8
|
|||
| 295 | Missa Dies est laetitiae: Gloria | - | |
|
Appears on:
295
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
8
|
|||
| 296 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
|
Appears on:
296
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
Number of voices:
6 (+ instrumental parts)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. Vocal parts have instruments ad lib (2 vl, 3 vla, fl, 4 trb) |
|||
| 297 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
|
Appears on:
297
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
Number of voices:
6 (+ instrumental parts)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
|||
| 298–299 | Alleluia. Freuet euch ihr Christen alle | - | |
|
Appears on:
298–299
Genres:
Motet
Number of voices:
8
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
|||
| 300–301 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
|
Appears on:
300–301
Genres:
Motet
Source Attribution:
Eliae Nathusii
Number of voices:
6
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). |
|||
| 302 | Missa A Domino factum est: Kyrie | - | |
|
Appears on:
302
Genres:
Kyrie eleison, Mass Ordinary
Number of voices:
6
|
|||
| 302–303 | Missa A Domino factum est: Gloria | - | |
|
Appears on:
302–303
Genres:
Gloria (et in terra pax), Mass Ordinary
Number of voices:
6
|
|||
| 304–307 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
304–307
Genres:
Motet
Number of voices:
4 (+ instruments)
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
|||
| 308 | Magnificat quinti toni: Et exultavit | - | |
|
Appears on:
308
Genres:
BVM, Canticle, Magnificat
Number of voices:
6 (+b.c.)
General Noteincomplete, only the first page survives. Additional Latin, German, Latin/German Christmas motets are inserted between the verses; only the first of these remains in this book. |
|||
| 308 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
|
Appears on:
308
Genres:
Contrafactum, Motet
Number of voices:
6 (+b.c.)
|
|||