D-Z 69.1.38 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1531 (date in T book)

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	69.1.38 [Bassus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	100 x 102 mm
Other Identifiers	CCM: ZwiR 78/2 Other catalogues/source: VollBM [see bibliography] 1 olim (Former shelfmark): MS 78,2 olim (Former shelfmark): MS LXXVIII,2
Notations	black void mensural
Relationships	Roth, Stephan (1492–1546) (owner) Zwickau Ratsschulbibliothek (owner)
Provenance	Zwickau? Saxony, Germany
Contents	67 pieces from 7 composers

General Description

A Bassus partbook from a set of four volumes. Copied by two scribes, one for the Latin setttings the other for the German (VollBM), or perhaps a single scribe at different times (Call). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017

Extent

i + 47 leaves

DIAMM, 2017

Binding

Original parchment covers cut from older manuscript, inscribed with voice designations

DIAMM, 2017

Ruling

Red staves from f. 19' to end of music in each book.

DIAMM, 2017

Foliation

Modern stamped foliation in each book.

DIAMM, 2017

Decoration

ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins.

DIAMM, 2017

Index

none

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 27 Latin secular pieces (Horatian odes, etc.), 23 German secular pieces, 2 French secular pieces, 13 textless pieces = 66

(Eckel)-1, (Grefinger/Senfl)-1, Josquin-1, (Senfl)-6, (Stoltzer)-3, (Tritonius)-16, anon-38

4 paper partbooks (D-i + 48 folios, A-i + 49, T-i + 49, B-i + 47), 100 x 102. Modern stamped foliation in each book. Blank folios, or blank staves only— D: 22-22', 46-48'; A: 45'-49'; T: 43'-49'; B: 22-22', 46'-47'. Original parchment covers cut from older manuscript, inscribed with voice designations. No index. Copied by two scribes (VollBM), or perhaps a single scribe at different times (Call). Ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins. Red staves from f. 19' to end of music in each book.

1531 (date in T book). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Arma virumque cano Troiae qui primus	-	Anonymous
Arma virumque cano Troiae qui primus Anonymous Appears on: 2 Genres: Motet
2	Altera jam bellis teritur civilibus aetas	-	Tritonius, Petrus
Altera jam bellis teritur civilibus aetas Tritonius, Petrus Appears on: 2 Genres: Motet
2v	Beatus ille qui procul negociis	-	Anonymous
Beatus ille qui procul negociis Anonymous Appears on: 2v Genres: Motet
3–3v	Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum)	-	Tritonius, Petrus
Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) Tritonius, Petrus Appears on: 3–3v Genres: Motet
3v–4	Diffugere nives redeunt jam gramina campis	-	Tritonius, Petrus
Diffugere nives redeunt jam gramina campis Tritonius, Petrus Appears on: 3v–4 Genres: Motet
4	Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres)	-	Tritonius, Petrus
Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) Tritonius, Petrus Appears on: 4 Genres: Motet
4v	Festo quid pocius die Neptuni faciem?	-	Anonymous
Festo quid pocius die Neptuni faciem? Anonymous Appears on: 4v Genres: Motet
4v	G.... - 1a pars (of 4)	-	Anonymous
G.... - 1a pars (of 4) Anonymous Appears on: 4v Genres: textless
5	G.... - 2a pars (of 4)	-	Anonymous
G.... - 2a pars (of 4) Anonymous Appears on: 5 Genres: textless
5	G.... - 3a pars (of 4)	-	Anonymous
G.... - 3a pars (of 4) Anonymous Appears on: 5 Genres: textless
5	G.... - 4a pars (of 4)	-	Anonymous
G.... - 4a pars (of 4) Anonymous Appears on: 5 Genres: textless
5v	Horrida tempestas caelum contraxit et imbres	-	Tritonius, Petrus
Horrida tempestas caelum contraxit et imbres Tritonius, Petrus Appears on: 5v Genres: Motet
6–6v	Jam satis terris nivis atque dirae	-	Anonymous
Jam satis terris nivis atque dirae Anonymous Appears on: 6–6v Genres: Motet
6v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 6v Genres: Kyrie eleison, Mass Ordinary
7	Lydia dic per omnes te deos oro Sybarim	-	Tritonius, Petrus
Lydia dic per omnes te deos oro Sybarim Tritonius, Petrus Appears on: 7 Genres: Motet
7v–8	Maecenas atavis editae regibus O et presidium	-	Tritonius, Petrus
Maecenas atavis editae regibus O et presidium Tritonius, Petrus Appears on: 7v–8 Genres: Motet
8–8v	Miserarum est neque amori dare ludum	-	Anonymous
Miserarum est neque amori dare ludum Anonymous Appears on: 8–8v Genres: Motet
9	Non ebur neque aureum mea renidet in domo	-	Tritonius, Petrus
Non ebur neque aureum mea renidet in domo Tritonius, Petrus Appears on: 9 Genres: Motet
9v	O crudelis adhuc et Veneris	-	Tritonius, Petrus
O crudelis adhuc et Veneris Tritonius, Petrus Appears on: 9v Genres: Motet
9v–10	Pecti nihil me sicut antea juvat	-	Tritonius, Petrus
Pecti nihil me sicut antea juvat Tritonius, Petrus Appears on: 9v–10 Genres: Motet
10v–11	Quis multa gracilis te puer in rosa	-	Tritonius, Petrus
Quis multa gracilis te puer in rosa Tritonius, Petrus Appears on: 10v–11 Genres: Motet
11–11v	Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae)	-	Tritonius, Petrus
Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) Tritonius, Petrus Appears on: 11–11v Genres: Motet
12	Solvitur acris hyems grata vice veris	-	Anonymous
Solvitur acris hyems grata vice veris Anonymous Appears on: 12 Genres: Motet General Note Discantus copied in Bassus book, and vice versa: with annotation "Bassus ex discanto"/"Discantum ex Basso"
12v	Tu ne quesieris scire nephas quem mihi	-	Anonymous
Tu ne quesieris scire nephas quem mihi Anonymous Appears on: 12v Genres: Motet
13	Vivamus mea Lesbia atque amemus	-	Tritonius, Petrus
Vivamus mea Lesbia atque amemus Tritonius, Petrus Appears on: 13 Genres: Motet
13v	Iam efficaci do manus scientiae	-	Tritonius, Petrus
Iam efficaci do manus scientiae Tritonius, Petrus Appears on: 13v Genres: Motet
13v–14	Miserarum est neque amori dare ludum	-	Tritonius, Petrus
Miserarum est neque amori dare ludum Tritonius, Petrus Appears on: 13v–14 Genres: Motet
14v	Solvitur acris hyems grata vice veris	-	Tritonius, Petrus
Solvitur acris hyems grata vice veris Tritonius, Petrus Appears on: 14v Genres: Motet
15	[Greek setting?] untexted - 1a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 1a pars (of 7) Anonymous Appears on: 15 Genres: textless
15	[Greek setting?] untexted - 2a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 2a pars (of 7) Anonymous Appears on: 15 Genres: textless
15v	[Greek setting?] untexted - 3a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 3a pars (of 7) Anonymous Appears on: 15v Genres: textless
15v	[Greek setting?] untexted - 4a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 4a pars (of 7) Anonymous Appears on: 15v Genres: textless
15v–16	[Greek setting?] untexted - 5a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 5a pars (of 7) Anonymous Appears on: 15v–16 Genres: textless
16	[Greek setting?] untexted - 6a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 6a pars (of 7) Anonymous Appears on: 16 Genres: textless
16v	[Greek setting?] untexted - 7a pars (of 7)	-	Anonymous
[Greek setting?] untexted - 7a pars (of 7) Anonymous Appears on: 16v Genres: textless
16v–17	En tibi carmen modulosque dulces nostra	-	Anonymous
En tibi carmen modulosque dulces nostra Anonymous Appears on: 16v–17 Genres: Motet
17v	Vox bona Calliope musarum maxima	-	Anonymous
Vox bona Calliope musarum maxima Anonymous Appears on: 17v Genres: Motet
18	Unica nobilium medicorum gloria	-	Anonymous
Unica nobilium medicorum gloria Anonymous Appears on: 18 Genres: Motet
18v–19	Pecti nihil me sicut antea juvat	-	Anonymous
Pecti nihil me sicut antea juvat Anonymous Appears on: 18v–19 Genres: Motet
19v–20	O ho lieber Hans versorg Dein gans	-	Eckel, Matthias
O ho lieber Hans versorg Dein gans Eckel, Matthias Appears on: 19v–20 Genres: Song
20v–21v	Unfall wann ist Deins Wesen genug es deucht [S297]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Unfall wann ist Deins Wesen genug es deucht [S297] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 20v–21v Genres: Song
21v–23	Grossmechtig und freundlich vor aller welt	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Grossmechtig und freundlich vor aller welt Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 21v–23 Genres: Song General Note Discantus & Bassus have blank staves, the music not copied
23–24	Entlaubet ist uns der Wald gen diesen Winter	-	Stoltzer, Thomas (ca. 1480–1526)
Entlaubet ist uns der Wald gen diesen Winter Stoltzer, Thomas (ca. 1480–1526) Appears on: 23–24 Genres: Song
24–25	O liebe gantz	-	Anonymous
O liebe gantz Anonymous Appears on: 24–25 Genres: Song
25v–26v	Es hatt' ein Bauer ein Töchterlein	-	Anonymous
Es hatt' ein Bauer ein Töchterlein Anonymous Appears on: 25v–26v Genres: Song
26v–28	Die Brünnlein, die da fliessen (4vv, S54)	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Die Brünnlein, die da fliessen (4vv, S54) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26v–28 Genres: Song
28–29	Wohl kommt der Mai [S349]	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Wohl kommt der Mai [S349] Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 28–29 Genres: Lied
29–29v	Mag ich herzlieb erwerben dich so sprich	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Mag ich herzlieb erwerben dich so sprich Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 29–29v Genres: Song
29v–30	Fur andern all Lob ich mit Schall	-	Anonymous
Fur andern all Lob ich mit Schall Anonymous Appears on: 29v–30 Genres: Song
30v–31	Nun merck ich wol dass ich nit soll	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nun merck ich wol dass ich nit soll Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 30v–31 Genres: Song
31v–32v	Ihrs gleichen lebt auf Erden nicht	-	Stoltzer, Thomas (ca. 1480–1526)
Ihrs gleichen lebt auf Erden nicht Stoltzer, Thomas (ca. 1480–1526) Appears on: 31v–32v Genres: Song
32v–33	Gluck Ehr' und Gut	-	Hellinck, Lupus (ca. 1494–1541) (?)
Gluck Ehr' und Gut Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 32v–33 Genres: Song
33v–34	Heimlich bin ich in treuen Dein	-	Stoltzer, Thomas (ca. 1480–1526)
Heimlich bin ich in treuen Dein Stoltzer, Thomas (ca. 1480–1526) Appears on: 33v–34 Genres: Song
34v–35	Zart weiblichs Bild	-	Anonymous
Zart weiblichs Bild Anonymous Appears on: 34v–35 Genres: Song
35	Vacat nicht ist ich hätt' viel Tauben	-	Anonymous
Vacat nicht ist ich hätt' viel Tauben Anonymous Appears on: 35 Genres: fragment, Song General Note fragment only: a single line of music copied, in this book alone
35v–36	Ich scheid do hin noch bleibt mein sinn?	-	Anonymous
Ich scheid do hin noch bleibt mein sinn? Anonymous Appears on: 35v–36 Genres: Song
36–37v	O Frau mein Tröst	-	Senfl, Ludwig (ca. 1486–ca. 1543)
O Frau mein Tröst Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 36–37v Genres: Song
37v–38v	Von Herzen ich thu freuen mich	-	Anonymous
Von Herzen ich thu freuen mich Anonymous Appears on: 37v–38v Genres: Song
38v–39	Warum hab' ich so herziglich	-	Anonymous
Warum hab' ich so herziglich Anonymous Appears on: 38v–39 Genres: Song
39v–40	Sauffen nach gunst	-	Anonymous
Sauffen nach gunst Anonymous Appears on: 39v–40 Genres: Song
40v–41	Du hessigs gluck	-	Anonymous
Du hessigs gluck Anonymous Appears on: 40v–41 Genres: Song
41v–42	Ehrenwert auf erd von tugend schön	-	Anonymous
Ehrenwert auf erd von tugend schön Anonymous Appears on: 41v–42 Genres: Song
42–42v	Ehr gib ich ihr die artlich Kunst	-	Anonymous
Ehr gib ich ihr die artlich Kunst Anonymous Appears on: 42–42v Genres: Song
42v–43v	untexted	-	Anonymous
untexted Anonymous Appears on: 42v–43v Genres: textless
43v–44v	untexted 28.39	JOsquin	Despres, Josquin (ca. 1450–1521)
untexted 28.39 Despres, Josquin (ca. 1450–1521) Appears on: 43v–44v Genres: textless Source Attribution: JOsquin
44v–45v	Si la nature en la diversite se resiouist	-	Anonymous
Si la nature en la diversite se resiouist Anonymous Appears on: 44v–45v Genres: Chanson
45v–46	Gentil galans	-	Anonymous
Gentil galans Anonymous Appears on: 45v–46 Genres: Chanson

Composer	Compositions
Anonymous	Arma virumque cano Troiae qui primus – 2 Beatus ille qui procul negociis – 2v Du hessigs gluck – 40v–41 Ehr gib ich ihr die artlich Kunst – 42–42v Ehrenwert auf erd von tugend schön – 41v–42 En tibi carmen modulosque dulces nostra – 16v–17 Es hatt' ein Bauer ein Töchterlein – 25v–26v Festo quid pocius die Neptuni faciem? – 4v Fur andern all Lob ich mit Schall – 29v–30 G.... - 1a pars (of 4) – 4v G.... - 2a pars (of 4) – 5 G.... - 3a pars (of 4) – 5 G.... - 4a pars (of 4) – 5 Gentil galans – 45v–46 Ich scheid do hin noch bleibt mein sinn? – 35v–36 Jam satis terris nivis atque dirae – 6–6v Kyrie eleison – 6v Miserarum est neque amori dare ludum – 8–8v O liebe gantz – 24–25 Pecti nihil me sicut antea juvat – 18v–19 Sauffen nach gunst – 39v–40 Si la nature en la diversite se resiouist – 44v–45v Solvitur acris hyems grata vice veris – 12 Tu ne quesieris scire nephas quem mihi – 12v Unica nobilium medicorum gloria – 18 Vacat nicht ist ich hätt' viel Tauben – 35 Von Herzen ich thu freuen mich – 37v–38v Vox bona Calliope musarum maxima – 17v Warum hab' ich so herziglich – 38v–39 Zart weiblichs Bild – 34v–35 [Greek setting?] untexted - 1a pars (of 7) – 15 [Greek setting?] untexted - 2a pars (of 7) – 15 [Greek setting?] untexted - 3a pars (of 7) – 15v [Greek setting?] untexted - 4a pars (of 7) – 15v [Greek setting?] untexted - 5a pars (of 7) – 15v–16 [Greek setting?] untexted - 6a pars (of 7) – 16 [Greek setting?] untexted - 7a pars (of 7) – 16v untexted – 42v–43v
Despres, Josquin (ca. 1450–1521)	untexted 28.39 – 43v–44v
Eckel, Matthias	O ho lieber Hans versorg Dein gans – 19v–20
Hellinck, Lupus (ca. 1494–1541)	(?) Gluck Ehr' und Gut – 32v–33
Senfl, Ludwig (ca. 1486–ca. 1543)	Die Brünnlein, die da fliessen (4vv, S54) – 26v–28 Grossmechtig und freundlich vor aller welt – 21v–23 Mag ich herzlieb erwerben dich so sprich – 29–29v Nun merck ich wol dass ich nit soll – 30v–31 O Frau mein Tröst – 36–37v Unfall wann ist Deins Wesen genug es deucht [S297] – 20v–21v (?) Wohl kommt der Mai [S349] – 28–29
Stoltzer, Thomas (ca. 1480–1526)	Entlaubet ist uns der Wald gen diesen Winter – 23–24 Heimlich bin ich in treuen Dein – 33v–34 Ihrs gleichen lebt auf Erden nicht – 31v–32v
Tritonius, Petrus	Altera jam bellis teritur civilibus aetas – 2 Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) – 3–3v Diffugere nives redeunt jam gramina campis – 3v–4 Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) – 4 Horrida tempestas caelum contraxit et imbres – 5v Iam efficaci do manus scientiae – 13v Lydia dic per omnes te deos oro Sybarim – 7 Maecenas atavis editae regibus O et presidium – 7v–8 Miserarum est neque amori dare ludum – 13v–14 Non ebur neque aureum mea renidet in domo – 9 O crudelis adhuc et Veneris – 9v Pecti nihil me sicut antea juvat – 9v–10 Quis multa gracilis te puer in rosa – 10v–11 Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) – 11–11v Solvitur acris hyems grata vice veris – 14v Vivamus mea Lesbia atque amemus – 13

Composition	Composers (? Uncertain)	Folios / Pages
[Greek setting?] untexted - 1a pars (of 7)	Anonymous	15
[Greek setting?] untexted - 2a pars (of 7)	Anonymous	15
[Greek setting?] untexted - 3a pars (of 7)	Anonymous	15v
[Greek setting?] untexted - 4a pars (of 7)	Anonymous	15v
[Greek setting?] untexted - 5a pars (of 7)	Anonymous	15v–16
[Greek setting?] untexted - 6a pars (of 7)	Anonymous	16
[Greek setting?] untexted - 7a pars (of 7)	Anonymous	16v
Altera jam bellis teritur civilibus aetas	Tritonius, Petrus	2
Arma virumque cano Troiae qui primus	Anonymous	2
Beatus ille qui procul negociis	Anonymous	2v
Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum)	Tritonius, Petrus	3–3v
Die Brünnlein, die da fliessen (4vv, S54)	Senfl, Ludwig (ca. 1486–ca. 1543)	26v–28
Diffugere nives redeunt jam gramina campis	Tritonius, Petrus	3v–4
Du hessigs gluck	Anonymous	40v–41
Ehr gib ich ihr die artlich Kunst	Anonymous	42–42v
Ehrenwert auf erd von tugend schön	Anonymous	41v–42
En tibi carmen modulosque dulces nostra	Anonymous	16v–17
Entlaubet ist uns der Wald gen diesen Winter	Stoltzer, Thomas (ca. 1480–1526)	23–24
Es hatt' ein Bauer ein Töchterlein	Anonymous	25v–26v
Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres)	Tritonius, Petrus	4
Festo quid pocius die Neptuni faciem?	Anonymous	4v
Fur andern all Lob ich mit Schall	Anonymous	29v–30
G.... - 1a pars (of 4)	Anonymous	4v
G.... - 2a pars (of 4)	Anonymous	5
G.... - 3a pars (of 4)	Anonymous	5
G.... - 4a pars (of 4)	Anonymous	5
Gentil galans	Anonymous	45v–46
Gluck Ehr' und Gut	Hellinck, Lupus (ca. 1494–1541) (?)	32v–33
Grossmechtig und freundlich vor aller welt	Senfl, Ludwig (ca. 1486–ca. 1543)	21v–23
Heimlich bin ich in treuen Dein	Stoltzer, Thomas (ca. 1480–1526)	33v–34
Horrida tempestas caelum contraxit et imbres	Tritonius, Petrus	5v
Iam efficaci do manus scientiae	Tritonius, Petrus	13v
Ich scheid do hin noch bleibt mein sinn?	Anonymous	35v–36
Ihrs gleichen lebt auf Erden nicht	Stoltzer, Thomas (ca. 1480–1526)	31v–32v
Jam satis terris nivis atque dirae	Anonymous	6–6v
Kyrie eleison	Anonymous	6v
Lydia dic per omnes te deos oro Sybarim	Tritonius, Petrus	7
Maecenas atavis editae regibus O et presidium	Tritonius, Petrus	7v–8
Mag ich herzlieb erwerben dich so sprich	Senfl, Ludwig (ca. 1486–ca. 1543)	29–29v
Miserarum est neque amori dare ludum	Anonymous	8–8v
Miserarum est neque amori dare ludum	Tritonius, Petrus	13v–14
Non ebur neque aureum mea renidet in domo	Tritonius, Petrus	9
Nun merck ich wol dass ich nit soll	Senfl, Ludwig (ca. 1486–ca. 1543)	30v–31
O crudelis adhuc et Veneris	Tritonius, Petrus	9v
O Frau mein Tröst	Senfl, Ludwig (ca. 1486–ca. 1543)	36–37v
O ho lieber Hans versorg Dein gans	Eckel, Matthias	19v–20
O liebe gantz	Anonymous	24–25
Pecti nihil me sicut antea juvat	Tritonius, Petrus	9v–10
Pecti nihil me sicut antea juvat	Anonymous	18v–19
Quis multa gracilis te puer in rosa	Tritonius, Petrus	10v–11
Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae)	Tritonius, Petrus	11–11v
Sauffen nach gunst	Anonymous	39v–40
Si la nature en la diversite se resiouist	Anonymous	44v–45v
Solvitur acris hyems grata vice veris	Anonymous	12
Solvitur acris hyems grata vice veris	Tritonius, Petrus	14v
Tu ne quesieris scire nephas quem mihi	Anonymous	12v
Unfall wann ist Deins Wesen genug es deucht [S297]	Senfl, Ludwig (ca. 1486–ca. 1543)	20v–21v
Unica nobilium medicorum gloria	Anonymous	18
untexted	Anonymous	42v–43v
untexted 28.39	Despres, Josquin (ca. 1450–1521)	43v–44v
Vacat nicht ist ich hätt' viel Tauben	Anonymous	35
Vivamus mea Lesbia atque amemus	Tritonius, Petrus	13
Von Herzen ich thu freuen mich	Anonymous	37v–38v
Vox bona Calliope musarum maxima	Anonymous	17v
Warum hab' ich so herziglich	Anonymous	38v–39
Wohl kommt der Mai [S349]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	28–29
Zart weiblichs Bild	Anonymous	34v–35

Set: MS 78,2

Type: Partbooks

No images available

D-Z 69.1.38 [Altus]

No images available

D-Z 69.1.38 [Bassus]

No images available

D-Z 69.1.38 [Discantus]

No images available

D-Z 69.1.38 [Tenor]

‡ denotes primary source study

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 346-51. Notes: contents list; incipits.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 44,50. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 169, 184. Notes: physical description (partial); contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IX,1843-4. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI,43-4,95,100. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 125, 128 XV, 143,147-9,152. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: LXXII,102ff. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 1-3. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

D-Z 69.1.38 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1531 (date in T book)

General Description

Extent

Binding

Ruling

Foliation

Decoration

Index

Census Catalogue of Music Description

General Note

General Note

General Note