D-Z 69.1.38 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1531 (date in T book)

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.1.38 [Altus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 100 x 102 mm
Other Identifiers
  • CCM: ZwiR 78/2
  • Other catalogues/source: VollBM [see bibliography] 1
  • olim (Former shelfmark): MS 78,2
  • olim (Former shelfmark): MS LXXVIII,2
Notations
  • black void mensural
Relationships
Provenance
  • Zwickau? Saxony, Germany
Contents 66 pieces from 7 composers
General Description

An Altus partbook from a set of four volumes. Copied by two scribes, one for the Latin setttings the other for the German (VollBM), or perhaps a single scribe at different times (Call). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017
Extent

i + 49 leaves

DIAMM, 2017
Binding

Original parchment covers cut from older manuscript, inscribed with voice designations

DIAMM, 2017
Ruling

Red staves from f. 19' to end of music in each book.

DIAMM, 2017
Foliation

Modern stamped foliation in each book.

DIAMM, 2017
Decoration

ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins.

DIAMM, 2017
Index

none

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 27 Latin secular pieces (Horatian odes, etc.), 23 German secular pieces, 2 French secular pieces, 13 textless pieces = 66

(Eckel)-1, (Grefinger/Senfl)-1, Josquin-1, (Senfl)-6, (Stoltzer)-3, (Tritonius)-16, anon-38

4 paper partbooks (D-i + 48 folios, A-i + 49, T-i + 49, B-i + 47), 100 x 102. Modern stamped foliation in each book. Blank folios, or blank staves only— D: 22-22', 46-48'; A: 45'-49'; T: 43'-49'; B: 22-22', 46'-47'. Original parchment covers cut from older manuscript, inscribed with voice designations. No index. Copied by two scribes (VollBM), or perhaps a single scribe at different times (Call). Ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins. Red staves from f. 19' to end of music in each book.

1531 (date in T book). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Arma virumque cano Troiae qui primus - Anonymous
Appears on: 2
Genres: Motet
Non-music contents description

text from Virgil's Aeneid

2 Altera jam bellis teritur civilibus aetas -
Appears on: 2
Genres: Motet
Non-music contents description

text from Horace's Odes

2v Beatus ille qui procul negociis - Anonymous
Appears on: 2v
Genres: Motet
Non-music contents description

text from Horace's Odes

3–3v Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) -
Appears on: 3–3v
Genres: Motet
Non-music contents description

text from Horace's Odes

3v–4 Diffugere nives redeunt jam gramina campis -
Appears on: 3v–4
Genres: Motet
Non-music contents description

text from Horace's Odes

4 Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) -
Appears on: 4
Genres: Motet
Non-music contents description

text from Horace's Odes

4v Festo quid pocius die Neptuni faciem? - Anonymous
Appears on: 4v
Genres: Motet
Non-music contents description

text from Horace's Odes

4v G.... - 1a pars (of 4) - Anonymous
Appears on: 4v
Genres: textless
5 G.... - 2a pars (of 4) - Anonymous
Appears on: 5
Genres: textless
5 G.... - 3a pars (of 4) - Anonymous
Appears on: 5
Genres: textless
5 G.... - 4a pars (of 4) - Anonymous
Appears on: 5
Genres: textless
5v Horrida tempestas caelum contraxit et imbres -
Appears on: 5v
Genres: Motet
Non-music contents description

text from Horace's Odes

6–6v Jam satis terris nivis atque dirae - Anonymous
Appears on: 6–6v
Genres: Motet
Non-music contents description

text from Horace's Odes

6v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 6v
Genres: Kyrie eleison, Mass Ordinary
Non-music contents description

text from Horace's Odes

7 Lydia dic per omnes te deos oro Sybarim -
Appears on: 7
Genres: Motet
Non-music contents description

text from Horace's Odes

7v–8 Maecenas atavis editae regibus O et presidium -
Appears on: 7v–8
Genres: Motet
Non-music contents description

text from Horace's Odes

8–8v Miserarum est neque amori dare ludum - Anonymous
Appears on: 8–8v
Genres: Motet
Non-music contents description

text from Horace's Odes

9 Non ebur neque aureum mea renidet in domo -
Appears on: 9
Genres: Motet
Non-music contents description

text from Horace's Odes

9v O crudelis adhuc et Veneris -
Appears on: 9v
Genres: Motet
Non-music contents description

text from Horace's Odes

9v–10 Pecti nihil me sicut antea juvat -
Appears on: 9v–10
Genres: Motet
Non-music contents description

text from Horace's Odes

10v–11 Quis multa gracilis te puer in rosa -
Appears on: 10v–11
Genres: Motet
Non-music contents description

text from Horace's Odes

11–11v Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) -
Appears on: 11–11v
Genres: Motet
Non-music contents description

text from Horace's Odes

12 Solvitur acris hyems grata vice veris - Anonymous
Appears on: 12
Genres: Motet
Non-music contents description

text from Horace's Odes

12v Tu ne quesieris scire nephas quem mihi - Anonymous
Appears on: 12v
Genres: Motet
Non-music contents description

text from Horace's Odes

13 Vivamus mea Lesbia atque amemus -
Appears on: 13
Genres: Motet
Non-music contents description

text from Catullus

13v Iam efficaci do manus scientiae -
Appears on: 13v
Genres: Motet
Non-music contents description

text from Horace's Odes

13v–14 Miserarum est neque amori dare ludum -
Appears on: 13v–14
Genres: Motet
Non-music contents description

text from Horace's Odes

14v Solvitur acris hyems grata vice veris -
Appears on: 14v
Genres: Motet
Non-music contents description

text from Horace's Odes

15 [Greek setting?] untexted - 1a pars (of 7) - Anonymous
Appears on: 15
Genres: textless
General Note

untexted, but with a Greek letter at the beginning

15 [Greek setting?] untexted - 2a pars (of 7) - Anonymous
Appears on: 15
Genres: textless
15v [Greek setting?] untexted - 3a pars (of 7) - Anonymous
Appears on: 15v
Genres: textless
15v [Greek setting?] untexted - 4a pars (of 7) - Anonymous
Appears on: 15v
Genres: textless
15v–16 [Greek setting?] untexted - 5a pars (of 7) - Anonymous
Appears on: 15v–16
Genres: textless
16 [Greek setting?] untexted - 6a pars (of 7) - Anonymous
Appears on: 16
Genres: textless
16v [Greek setting?] untexted - 7a pars (of 7) - Anonymous
Appears on: 16v
Genres: textless
16v–17 En tibi carmen modulosque dulces nostra - Anonymous
Appears on: 16v–17
Genres: Motet
Non-music contents description

text source unidentified

17v Vox bona Calliope musarum maxima - Anonymous
Appears on: 17v
Genres: Motet
Non-music contents description

text by Helius Eobanus Hessus (1488-1540), Lutheran humanist

18 Unica nobilium medicorum gloria - Anonymous
Appears on: 18
Genres: Motet
Non-music contents description

text by Erasmus

18v–19 Pecti nihil me sicut antea juvat - Anonymous
Appears on: 18v–19
Genres: Motet
Non-music contents description

text from Horace's Odes

19v–20 O ho lieber Hans versorg Dein gans -
Appears on: 19v–20
Genres: Song
20v–21v Unfall wann ist Deins Wesen genug es deucht [S297] -
Appears on: 20v–21v
Genres: Song
22–23 Grossmechtig und freundlich vor aller welt -
Appears on: 22–23
Genres: Song
23v–24 Entlaubet ist uns der Wald gen diesen Winter -
Appears on: 23v–24
Genres: Song
24–25 O liebe gantz - Anonymous

O liebe gantz

Anonymous
Appears on: 24–25
Genres: Song
25v–26 Es hatt' ein Bauer ein Töchterlein - Anonymous
Appears on: 25v–26
Genres: Song
26–27 Die Brünnlein, die da fliessen (4vv, S54) -
Appears on: 26–27
Genres: Song
27–28 Wohl kommt der Mai [S349] -
Appears on: 27–28
Genres: Lied
28–28v Mag ich herzlieb erwerben dich so sprich -
Appears on: 28–28v
Genres: Song
28v–29 Fur andern all Lob ich mit Schall - Anonymous
Appears on: 28v–29
Genres: Song
29v–30 Nun merck ich wol dass ich nit soll -
Appears on: 29v–30
Genres: Song
30v–31v Ihrs gleichen lebt auf Erden nicht -
Appears on: 30v–31v
Genres: Song
31v–32 Gluck Ehr' und Gut -
Appears on: 31v–32
Genres: Song
32v–33 Heimlich bin ich in treuen Dein -
Appears on: 32v–33
Genres: Song
33v–34 Zart weiblichs Bild - Anonymous
Appears on: 33v–34
Genres: Song
34v–35 Ich scheid do hin noch bleibt mein sinn? - Anonymous
Appears on: 34v–35
Genres: Song
35–36 O Frau mein Tröst -
Appears on: 35–36
Genres: Song
36–37 Von Herzen ich thu freuen mich - Anonymous
Appears on: 36–37
Genres: Song
37–37v Warum hab' ich so herziglich - Anonymous
Appears on: 37–37v
Genres: Song
38–39 Sauffen nach gunst - Anonymous

Sauffen nach gunst

Anonymous
Appears on: 38–39
Genres: Song
39–40 Du hessigs gluck - Anonymous

Du hessigs gluck

Anonymous
Appears on: 39–40
Genres: Song
40–40v Ehrenwert auf erd von tugend schön - Anonymous
Appears on: 40–40v
Genres: Song
41–41v Ehr gib ich ihr die artlich Kunst - Anonymous
Appears on: 41–41v
Genres: Song
41v–42v untexted - Anonymous

untexted

Anonymous
Appears on: 41v–42v
Genres: textless
42v–43 untexted 28.39 Josquin
Appears on: 42v–43
Genres: textless
Source Attribution: Josquin
43v–44 Si la nature en la diversite se resiouist - Anonymous
Appears on: 43v–44
Genres: Chanson
44–45 Gentil galans - Anonymous

Gentil galans

Anonymous
Appears on: 44–45
Genres: Chanson
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Eckel, Matthias
Hellinck, Lupus (ca. 1494–1541)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tritonius, Petrus
Composition Composers (? Uncertain) Folios / Pages
[Greek setting?] untexted - 1a pars (of 7) Anonymous 15
[Greek setting?] untexted - 2a pars (of 7) Anonymous 15
[Greek setting?] untexted - 3a pars (of 7) Anonymous 15v
[Greek setting?] untexted - 4a pars (of 7) Anonymous 15v
[Greek setting?] untexted - 5a pars (of 7) Anonymous 15v–16
[Greek setting?] untexted - 6a pars (of 7) Anonymous 16
[Greek setting?] untexted - 7a pars (of 7) Anonymous 16v
Altera jam bellis teritur civilibus aetas 2
Arma virumque cano Troiae qui primus Anonymous 2
Beatus ille qui procul negociis Anonymous 2v
Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) 3–3v
Die Brünnlein, die da fliessen (4vv, S54) 26–27
Diffugere nives redeunt jam gramina campis 3v–4
Du hessigs gluck Anonymous 39–40
Ehr gib ich ihr die artlich Kunst Anonymous 41–41v
Ehrenwert auf erd von tugend schön Anonymous 40–40v
En tibi carmen modulosque dulces nostra Anonymous 16v–17
Entlaubet ist uns der Wald gen diesen Winter 23v–24
Es hatt' ein Bauer ein Töchterlein Anonymous 25v–26
Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) 4
Festo quid pocius die Neptuni faciem? Anonymous 4v
Fur andern all Lob ich mit Schall Anonymous 28v–29
G.... - 1a pars (of 4) Anonymous 4v
G.... - 2a pars (of 4) Anonymous 5
G.... - 3a pars (of 4) Anonymous 5
G.... - 4a pars (of 4) Anonymous 5
Gentil galans Anonymous 44–45
Gluck Ehr' und Gut 31v–32
Grossmechtig und freundlich vor aller welt 22–23
Heimlich bin ich in treuen Dein 32v–33
Horrida tempestas caelum contraxit et imbres 5v
Iam efficaci do manus scientiae 13v
Ich scheid do hin noch bleibt mein sinn? Anonymous 34v–35
Ihrs gleichen lebt auf Erden nicht 30v–31v
Jam satis terris nivis atque dirae Anonymous 6–6v
Kyrie eleison Anonymous 6v
Lydia dic per omnes te deos oro Sybarim 7
Maecenas atavis editae regibus O et presidium 7v–8
Mag ich herzlieb erwerben dich so sprich 28–28v
Miserarum est neque amori dare ludum Anonymous 8–8v
Miserarum est neque amori dare ludum 13v–14
Non ebur neque aureum mea renidet in domo 9
Nun merck ich wol dass ich nit soll 29v–30
O crudelis adhuc et Veneris 9v
O Frau mein Tröst 35–36
O ho lieber Hans versorg Dein gans 19v–20
O liebe gantz Anonymous 24–25
Pecti nihil me sicut antea juvat 9v–10
Pecti nihil me sicut antea juvat Anonymous 18v–19
Quis multa gracilis te puer in rosa 10v–11
Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) 11–11v
Sauffen nach gunst Anonymous 38–39
Si la nature en la diversite se resiouist Anonymous 43v–44
Solvitur acris hyems grata vice veris Anonymous 12
Solvitur acris hyems grata vice veris 14v
Tu ne quesieris scire nephas quem mihi Anonymous 12v
Unfall wann ist Deins Wesen genug es deucht [S297] 20v–21v
Unica nobilium medicorum gloria Anonymous 18
untexted Anonymous 41v–42v
untexted 28.39 42v–43
Vivamus mea Lesbia atque amemus 13
Von Herzen ich thu freuen mich Anonymous 36–37
Vox bona Calliope musarum maxima Anonymous 17v
Warum hab' ich so herziglich Anonymous 37–37v
Wohl kommt der Mai [S349] 27–28
Zart weiblichs Bild Anonymous 33v–34

Set: MS 78,2

Type: Partbooks

No images available

D-Z 69.1.38 [Altus]

No images available

D-Z 69.1.38 [Bassus]

No images available

D-Z 69.1.38 [Discantus]

No images available

D-Z 69.1.38 [Tenor]

denotes primary source study

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 346-51. Notes: contents list; incipits.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 44,50. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169, 184. Notes: physical description (partial); contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IX,1843-4. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI,43-4,95,100. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 125, 128 XV, 143,147-9,152. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: LXXII,102ff. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 1-3. Notes: physical description (partial); contents list; concordances (partial).

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Monday, 23 January, 2017

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