A miscellany of epitaphs, hagiographical poems, moralising pieces, extracts from long works such as Henry of Huntingdon's Historia Anglorum, hymns, etc. Black or brown minuscule script; two folios are written in a very minute hand. The music on f. 1-4 v is from an octavo MS, in three-part score. The pages are set in sideways: much of the original can therefore be transcribed. From St. Mary's at Rufford in Nottinghamshire, a Cistercian Abbey.
GB-Lbl Cotton Titus D. xxiv
British Library, London, England
non-music MS with interpolated music: Late 14th century
| Archive | British Library, London, England (GB-Lbl) |
|---|---|
| Shelfmark | Cotton Titus D. xxiv |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | octavo |
| Measurements | 162 x 102 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 3 compositions, 3 are anonymous. |
General Description
Binding
brown leather with gilt tooling, with the Cotton arms on the front and back cover; 18th century
Notation
English ars nova type (with characteristic ascending oblique ligature)
Ruling
red five-line staves
Foliation
1-4v
Foliation
ink foliation at t.r.r.; contemporary with the binding.
Decoration
red initials (corpus); .some green letters and blue initials at the end
Surface
Parchment
RISM Description
RISM B/IV 2: A mainly 13th century vellum manuscript meas. 162 x 102 mm. and containing 158 folios + 4 blank unnumbered paper flyleaves at each end. The codex comes from St. Mary's at Rufford in Nottinghamshire, a Cistercian Abbey. It is bound in 18th century brown leather with gilt tooling and the Cotton arms on the front and back cover. The ink foliation at t.r.r. is contemporary with the binding. The contents of the miscellany consist of epitaphs, hagiographical poems, moralising pieces, extracts from long works such as Henry of Huntingdon's Historia Anglorum, hymns, etc. The black or brown minuscule script of the corpus employs red initials. At the end are some green letters and blue initials, and two folios are written in a very minute hand. The music on f. 1-4 v is from an octavo ms and is in English notation of Ars Nova type on red five-line staves in three-part score. Since the pages are set in sideways, much of the original can be transcribed. The ascending oblique ligature may be noted as a characteristic English trait.
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3v
The inventory could not be loaded.
‡ denotes primary source study
Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler.
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 26 (facsimile of f. 2v-3); I, 61, 78f.
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 296.
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Julia Craig-McFeely
Saturday, 5 January, 2019
Additional bibliography item from Margaret Bent.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description