GB-Lbl Cotton Titus D. xxiv

British Library, London, England

non-music MS with interpolated music: Late 14th century

Archive British Library, London, England (GB-Lbl)
Shelfmark Cotton Titus D. xxiv
Surface Parchment
Numbering System Foliation
Format octavo
Measurements 162 x 102 mm
Other Identifiers
  • RISM: GB-Lbm XXIV
  • RISM: TitD
Notations
  • English Ars nova
Relationships
External Links
Provenance
  • England
Contents 3 pieces from 1 composers
General Description

A miscellany of epitaphs, hagiographical poems, moralising pieces, extracts from long works such as Henry of Huntingdon's Historia Anglorum, hymns, etc. Black or brown minuscule script; two folios are written in a very minute hand. The music on f. 1-4 v is from an octavo MS, in three-part score. The pages are set in sideways: much of the original can therefore be transcribed. From St. Mary's at Rufford in Nottinghamshire, a Cistercian Abbey.

DIAMM, 2017
Binding

brown leather with gilt tooling, with the Cotton arms on the front and back cover; 18th century

DIAMM, 2017
Notation

English ars nova type (with characteristic ascending oblique ligature)

DIAMM, 2017
Ruling

red five-line staves

DIAMM, 2017
Foliation

1-4v

DIAMM, 2017
Foliation

ink foliation at t.r.r.; contemporary with the binding.

DIAMM, 2017
Decoration

red initials (corpus); .some green letters and blue initials at the end

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM B/IV 2: A mainly 13th century vellum manuscript meas. 162 x 102 mm. and containing 158 folios + 4 blank unnumbered paper flyleaves at each end. The codex comes from St. Mary's at Rufford in Nottinghamshire, a Cistercian Abbey. It is bound in 18th century brown leather with gilt tooling and the Cotton arms on the front and back cover. The ink foliation at t.r.r. is contemporary with the binding. The contents of the miscellany consist of epitaphs, hagiographical poems, moralising pieces, extracts from long works such as Henry of Huntingdon's Historia Anglorum, hymns, etc. The black or brown minuscule script of the corpus employs red initials. At the end are some green letters and blue initials, and two folios are written in a very minute hand. The music on f. 1-4 v is from an octavo ms and is in English notation of Ars Nova type on red five-line staves in three-part score. Since the pages are set in sideways, much of the original can be transcribed. The ascending oblique ligature may be noted as a characteristic English trait.

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Répertoire International des Sources Musicales

1v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4, 1v, 4v & 1 Et in terra pax [Gloria] - Anonymous
Appears on: 4, 1v, 4v & 1
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Glorificamus te. Gratias. . . Amen
General Note

opening of this "Et in terra" lost

Layout

score

3v, 2 & 3 Et in terra pax [Gloria] - Anonymous
Appears on: 3v, 2 & 3
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: . . . filius patris. Amen
General Note

opening of this "Et in terra" lost

Layout

score

3–2v Et in terra pax [Gloria] - Anonymous
Appears on: 3–2v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Et in terra pax hominibus bone
Layout

score

Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Et in terra pax [Gloria] Anonymous 4, 1v, 4v & 1
Et in terra pax [Gloria] Anonymous 3v, 2 & 3
Et in terra pax [Gloria] Anonymous 3–2v

Images © The British Library

denotes primary source study

Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 26 (facsimile of f. 2v-3); I, 61, 78f.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 296.

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Julia Craig-McFeely

Saturday, 5 January, 2019

Additional bibliography item from Margaret Bent.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description