D-Rp A. R. 940-941 (T)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 940-941 (T)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None / Unknown
Measurements	153 x 202 mm
Other Identifiers	CCM: RegB 940-1
Notations	black void mensural
Copyists	Küffer, Wolfgang Music
Relationships	Küffer, Wolfgang (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001172974)
Provenance	Wittenberg and Regensburg, Bavaria, Germany
Contents	Contains 364 compositions, 305 from 115 composers, 59 are anonymous.

General Description

A Tenor partbook from a set of five volumes. Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias 'Saliterer'; biographical details in BrenneH).

DIAMM, 2017

Binding

Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date '1557,' initials 'W.K.R.' [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil pagination

DIAMM, 2025

Foliation

Other numberings: Original ink numbering of pieces, 1-311 (last three pieces not numbered).

DIAMM, 2017

Decoration

Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Quintus book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page coloured illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

DIAMM, 2017

Index

Original index at end of Tenor book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ('Gallica'). Within each subgroup, pieces listed in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Mass Ordinary section, 1 Mass Proper section, 1 Te Deum, 1 hymn, 117 motets, 3 Latin/German sacred pieces, 11 German sacred pieces, 61 French secular pieces (some with text incipits only, some without text, some with title "Gallicum"), 54 German secular pieces, 42 Italian secular pieces, 13 Latin secular pieces, 6 Latin/German secular pieces = 312+2 duplicates = 314

Alder-1, Appenzeller-1, Arcadelt-13, Arcadelt/(Verdelot)-1, T. Bachofen-1, (Barra/Elimon)-1, Baston-1, Berchem/(Arcadelt)-1, Borbonius(?)-1, (L. Bourgeois)-1, (Brück)-1, Brumel-1, Buechmaier [Johannes Bucherus]-5, (Buus)-2, Caballus/(H. Faber)-1, (Cadéac)-1, (Campis)-1, Canis-1, S. Cellarius-1, (Certon)-2, (Certon/Cléreau)-1, (Certon/Panurge)-1, Clemens non Papa-10, (Clemens non Papa/Janequin)-1, (Clemens non Papa/Manchicourt)-1 (Cléreau)-1, Coclico [Adrian Petit]-1, (Conseil)-1, (G. Coste)-3, Crecquillon-5, Crecquillon/(C. Hollander)-1, (Crecquillon/Sandrin/Sermisy)-1, Ducis/(Masson)-1, (Dulot/Sermisy)-1, Eckel-1, (H. Faber)-1, C. Festa-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-Bruck-1, (Finck)-1, Hermann Finck-2, G. Fogliano/ (C. Festa)-14, (Förster)-1, Gardane/(Sermisy)-1, (Gascongne/ Lafage/Lupus)-1, (Godard)-1, (Gombert/Sermisy)-1, Grefinger/ (Bauldeweyn)-1, Greitter-S, Grundler-1, Hähnel [Galliculus]-2, Hähnel/(Förster)-1, (Hailland)-1, Hellinck-1, Hellinck/(Gombert)-1, Hemmel-1, (Hemmerlen)-1, (J. Hermann)-1, (Hofhaimer)-3, S. Hollander/(C. Hollander)-1, Isaac-2, Janin-1, Jaquet of Mantua [Jachet]-2, Jaquet of Mantua/(Morales/Rore)-1, Jonckers-1, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton)-1, (Josquin/Mouton/Silva)-1, Keutzenhoff-4, Lafage-1, Lassus [Orlandus]/(Wert)-1, Lhéritier-1, Lheritier/(Conseil/Willaert)-1, Lupi/(Mouton)-1, (F. de Lys)-2, (F. de Lys/Quentin)-1, M.-1, Maillard-3, Manchicourt-1, Manchicourt/(Sandrin)-1, (Morales)-1, Morel-1, (Moulu/Mouton)-1, Mouton/(Lafage)-1, (Mouton/Sermisy)-1, Mouton/(Willaert)-1, Müller-1, Othmayr-24 + 1?, (L. Padovano)-1, Paminger-2, Pathie? [Rogirus]/(Baston/Clemens non Papa/Janequin)-1, Pionnier-1, Pötzinger-1, Prenner-1, Rein -2, Richafort-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Ruffo-4, (Sandrin)-3, (Sandrin/Sermisy)-1, (Sandrin/Villiers)-1, P. Schalreuter-1, Senfl-5, Senfl/(Aider)-1, (Sermisy)-10 +1?, Spengler-1, Stahel-2, (Susato)-2, A. Sylvanus/(J. Wenck)-1, Verdelot-3, Verdelot/(Lasson)-1, Verdelot/(Lupi)-1, Verdelot/ (Richafort)-1, Vicinus-1, (Villiers)-4, Walter-3, Walter/(Verdelot)-1, Willaert-2, Willaert/(Obrecht)-2, (Wolff)-1, Wüst-1, (Zirler)-1, anon-71

5 paper partbooks (D-226 folios, A-224, T-236, B-214, Q-iii + 128), 153 x 202. No foliation or pagination in DATB; Q, has original(?) foliation, 1-90 (number "8" omitted) + new pencil foliation, 91-99 (last 30 folios not numbered). Original ink numbering of pieces, 1-311 (last three pieces not numbered). Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date "1557," initials "W.K.R." [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus. Original index at end of T book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ("Gallica"). Within each subgroup, pieces listed in order of appearance.

Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Q book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page colored illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

Watermarks: (1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

1557-9, with a few additions after 1566 (BrenneH). Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias "Saliterer"; biographical details in BrenneH).

Vol 4

Composers: Change "Bastón-1" to "Baston/(Cleve)-1"; change "Ducis/(Mas-son)-1" to "Ducis/(Maffoni)-1"; add "(Gombert/Lupus)-1," "(Josquin/Senfl) -1," and "(La Rue/Sermisy)-1"; change "(Sermisy)-10 + 1?" to "(Sermisy)-9 + 1?"; change "anon-71" to "anon-69."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
7–8	Missa C'est à grand tort: Kyrie	-	Eberhardus Vicinus	Vicinus, Eberhardus
Missa C'est à grand tort: Kyrie Vicinus, Eberhardus Appears on: 7–8 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Eberhardus Vicinus Voice: Tenor Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: Missa cest à grand tort : Kyrie eleyson
8–9	Missa C'est à grand tort: Gloria	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Gloria Vicinus, Eberhardus Appears on: 8–9 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus
9–12	Missa C'est à grand tort: Credo	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Credo Vicinus, Eberhardus Appears on: 9–12 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Patrem omnipotentem factorem coeli & terrae
12–13	Missa C'est à grand tort: Sanctus	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Sanctus Vicinus, Eberhardus Appears on: 12–13 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sanctus Dominus Deus Sabaoth
14	Missa C'est à grand tort: Agnus Dei	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Agnus Dei Vicinus, Eberhardus Appears on: 14 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agnus Dei
14–15	Usquequo Domine oblivisceris me in finem	-	Anon.	Anonymous
Usquequo Domine oblivisceris me in finem Anonymous Appears on: 14–15 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Usquequo domine oblivisceris mei in finem
15–16	In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	-	Anon.	Anonymous
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum Anonymous Appears on: 15–16 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium III: In manus tuas domine commendo spiritum
16	fragment in baritone clef	-	-	-
fragment in baritone clef Appears on: 16 Voice: [no designation] Languages: none Clef: f3 Voice Text: untexted General Note One and a half lines of music, incomplete
17–18	Puis qui'il convient et sans nul contredict	-	[Hailland]	Hailland, Petrus
Puis qui'il convient et sans nul contredict Hailland, Petrus Appears on: 17–18 Genres: Chanson Source Attribution: [Hailland] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Puis qui'il convient] untexted
18–20	Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus)	-	Anon.	Anonymous
Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) Anonymous Appears on: 18–20 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Summe parens & imago patris flatusque II: ... Sertis redimitus
20–21	Adjuva me Domine - 1a pars (of 2): Adjuva me Domine	-	[Conseil]	Conseil, Jean (ca. 1498–1534)
Adjuva me Domine - 1a pars (of 2): Adjuva me Domine Conseil, Jean (ca. 1498–1534) Appears on: 20–21 Genres: Motet Source Attribution: [Conseil] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Adiuva me domine & salvus ero & meditabor
21–22	Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum	-	-	Conseil, Jean (ca. 1498–1534)
Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum Conseil, Jean (ca. 1498–1534) Appears on: 21–22 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: 2da pars : Servus tuus ego sum da mihi intellectum
22–23	Gott dank ich ietz unnd allezeit	-	Anon.	Conseil, Jean (ca. 1498–1534)
Gott dank ich ietz unnd allezeit Conseil, Jean (ca. 1498–1534) Appears on: 22–23 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Gott danck ich ietz unnd allezeit
23	Ach Gott wem soll ichs klagen das heimliche leiden	-	[Buechmaier]	Buchmaier, Johann
Ach Gott wem soll ichs klagen das heimliche leiden Buchmaier, Johann Appears on: 23 Genres: Song Source Attribution: [Buechmaier] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Got wem soll ich klagen mein leÿd
23	Ach Gott, wem soll ichs klagen das heimliche Leiden	-	Joannes Keutzenhoff	Keutzenhoff, Johannes
Ach Gott, wem soll ichs klagen das heimliche Leiden Keutzenhoff, Johannes Appears on: 23 Genres: Song Source Attribution: Joannes Keutzenhoff Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Got wem soll ich klagenn mein leÿd
24–25	Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus)	-	Joannes Pötzinger	Potzinger, Johannes
Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) Potzinger, Johannes Appears on: 24–25 Genres: Motet Source Attribution: Joannes Pötzinger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tempus adest abitus niveis amora quadrigis II: Et quia distrahimur diversis tractibus
26	C'est a grant tort que moi povrette endure	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
C'est a grant tort que moi povrette endure Sermisy, Claudin de (ca. 1490–1562) Appears on: 26 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [c'est à grand tort] untexted
26–27	Si tu te plains d'amours tant seulement	-	[Susato]	Susato, Tylman
Si tu te plains d'amours tant seulement Susato, Tylman Appears on: 26–27 Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Si tu te plains] untexted
27	Hinc abiens quoniam cogor / So schwing ich mich	-	[Othmayr]	Othmayr, Caspar
Hinc abiens quoniam cogor / So schwing ich mich Othmayr, Caspar Appears on: 27 Genres: Contrafactum, Motet, Song Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hinc abiens quoniam cogor
28–29	Graecia quae quondam virtute / Trink wein	-	Casparus Othmair	Othmayr, Caspar
Graecia quae quondam virtute / Trink wein Othmayr, Caspar Appears on: 28–29 Genres: Contrafactum, Motet, Song Source Attribution: Casparus Othmair Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Graecia quae quondam virtute
29–30	Chara Joanna veni sanctum solare Joannem	-	Joannes Keutzenhoff	Keutzenhoff, Johannes
Chara Joanna veni sanctum solare Joannem Keutzenhoff, Johannes Appears on: 29–30 Genres: Motet Source Attribution: Joannes Keutzenhoff Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Chara Joanna veni sanctum solare Joannem
30	Ob ich schon arm und elend bin	-	Anon.	Anonymous
Ob ich schon arm und elend bin Anonymous Appears on: 30 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ob ich schon arm und elend bin
31	Beatus vir qui non abiit ... Selig ist der Mann	-	Anon.	Anonymous
Beatus vir qui non abiit ... Selig ist der Mann Anonymous Appears on: 31 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: Beatus vir qui non abiit ... Selig ist der man
31–32	Vivre ne puis content sans sa présence	-	Antonio Gardane/[Sermisy]	Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?)
Vivre ne puis content sans sa présence Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?) Appears on: 31–32 Genres: Chanson Source Attribution: Antonio Gardane/[Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Vivre ne puis [text incipit only]
32	Sophia span das füllin an den wagen	-	[Buechmaier]	Buchner, Hans (?) Buchmaier, Johann (?)
Sophia span das füllin an den wagen Buchner, Hans (?) Buchmaier, Johann (?) Appears on: 32 Genres: Song Source Attribution: [Buechmaier] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Sophia span das füllin an den wagen
33	Was unfahls quall in nöthen thut	-	Matthias Eckel	Eckel, Matthias
Was unfahls quall in nöthen thut Eckel, Matthias Appears on: 33 Genres: Song Source Attribution: Matthias Eckel Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Was unfahls quall in nöthen thut
33–34	Longtemps y a que je vis en espoir	-	[Dulot/Sermisy]	Dulot, Francois (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Longtemps y a que je vis en espoir Dulot, Francois (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 33–34 Genres: Chanson Source Attribution: [Dulot/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Long temps [text incipit only]
34–35	Non argus largus non Magdalena Mathusalem	-	Othmarus	Othmayr, Caspar
Non argus largus non Magdalena Mathusalem Othmayr, Caspar Appears on: 34–35 Genres: Motet Source Attribution: Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Non argus largus non Magdalena Mathusalem
35–37	Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium	-	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 35–37 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Caecilia virgo gloriosa semper evangelium
37–38	Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 37–38 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Pars secunda : Biduanis ac triduanis ieiuniis orans
39	Weinikhen / Auserlesner franzosen	-	Anon.	Anonymous
Weinikhen / Auserlesner franzosen Anonymous Appears on: 39 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Clef: c4 Voice Text: Weiniken [title/text incipit only]
39–40	Dulcis memoria et suavis recordatio (= Doulce memoire)	-	Manchicourt/[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?)
Dulcis memoria et suavis recordatio (= Doulce memoire) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?) Appears on: 39–40 Genres: Motet Source Attribution: Manchicourt/[Sandrin] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Dulce memorii [text incipit only]
40–41	Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum)	-	Anon.	Anonymous
Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) Anonymous Appears on: 40–41 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si quod amo liceat [partially texted only] II: Tunc ego Mercurii vitricus esse velum
41–42	Cur mittis violas nempe ut violentius	-	Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB))	Gombert, Nicolas (ca. 1495–ca. 1560)
Cur mittis violas nempe ut violentius Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 41–42 Genres: Motet Source Attribution: Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB)) Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cur mittis violas nempe ut violentius
42–43	Quid ultra debui facere ego quidem	-	Anon.	Anonymous
Quid ultra debui facere ego quidem Anonymous Appears on: 42–43 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quid ultra debui facere ego quidem
44	Rex autem David cooperto capite incedens	-	[Willaert]	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 44 Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex autem David cooperto capite incedens
45–46	Vulnerasti cor meum (2p. Veni in ortum meum)	-	Conradus Rein	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)
Vulnerasti cor meum (2p. Veni in ortum meum) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 45–46 Genres: Motet Source Attribution: Conradus Rein Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Vulnerasti cor meum soror mea sponsa II: Veni in hortum meum soror mea General Note Christoph Baumgartner (DIAMM communication) explains that the ascription of 'Vulnerasti cor meum (2p. Veni in ortum meum)' to Conrad Rein in D-Rp A. R. 940-941 (D) and (A) is probably incorrect, since Rein as a German Protestant composer would hardly have been included in the Motetti della corona (1514), where this piece is included and which features only French/Flemish composers, nor in sources such as E-PAbm 6832 or I-CMac L.
47	Schön bin ich nicht mein höchster hort	-	[Finck]	Finck, Heinrich
Schön bin ich nicht mein höchster hort Finck, Heinrich Appears on: 47 Genres: Song Source Attribution: [Finck] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Schön bin ich nicht mein höchster hort
47–48	Mit fried und freud ich fahr dahin	-	Anon.	Anonymous
Mit fried und freud ich fahr dahin Anonymous Appears on: 47–48 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mit fried und freud ich fhar(!) dahin
48–49	Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	-	Ph: Verdelot/[Lupi]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 48–49 Genres: Motet Source Attribution: Ph: Verdelot/[Lupi] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulchra es & quam decora charissima
50–51	Quam pulchra est - 2a pars (of 2): Veni dilecte mi	-	-	Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Quam pulchra est - 2a pars (of 2): Veni dilecte mi Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 50–51 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: 2da pars : Veni dilecte mi egrediamur in hortum
51	Propter bonos geschwenckos	-	Anon.	Anonymous
Propter bonos geschwenckos Anonymous Appears on: 51 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Clef: c4 Voice Text: Propter bonos geschwenkos [text incipit only]
51–53	Het sold ein meisken gaen om win	-	M.	M.
Het sold ein meisken gaen om win M. Appears on: 51–53 Genres: Song Source Attribution: M. Voice: [no designation] Languages: Flemish Mensuration: cut-c Clef: c3 Voice Text: Dar guick ein madsken [text incipit only]
53–54	Ich hab gehört von Gottes wort	-	Paulus Schalreutter	Schalreutter, Paulus
Ich hab gehört von Gottes wort Schalreutter, Paulus Appears on: 53–54 Genres: Sacred Song Source Attribution: Paulus Schalreutter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich hab gehört von Gottes wort
54–56	Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 54–56 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Carole magnus eras cum solus regna tenebas
56–57	Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 56–57 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Nunc omnes nato tu regis à puero
57–58	Nur leichtsinnig (= D'amour me plains)	-	[Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
Nur leichtsinnig (= D'amour me plains) Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 57–58 Genres: Song Source Attribution: [Pathie] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Nuhr leichtsinnig [text incipit only]
59	Ade zur guten Nacht, ade gesund sehn wir	-	Anon.	Anonymous
Ade zur guten Nacht, ade gesund sehn wir Anonymous Appears on: 59 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ade zur guten nacht ade gesundt sehn wir
59–60	Durch Adams Fall ist ganz verderbt	-	Anon.	Anonymous
Durch Adams Fall ist ganz verderbt Anonymous Appears on: 59–60 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Durch Adams ffal ist gantz verderbt
60–61	Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum)	-	Anon.	Anonymous
Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) Anonymous Appears on: 60–61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulchra es amica mea columba mea II: Labia tua distillantia guttur tuum
62	In te Domine speravi non confundar 28.18	-	Joskin Dascanio	Despres, Josquin (ca. 1450–1521)
In te Domine speravi non confundar 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 62 Genres: Contrafactum, Motet Source Attribution: Joskin Dascanio Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te domine speravi non confundar
62–63	Veni electa mea et ponam in te thronum	-	Anon.	Anonymous
Veni electa mea et ponam in te thronum Anonymous Appears on: 62–63 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Veni electa mea & ponam in te thronum
63	Sicut lilium inter spinas sic anima mea	-	Antonius Brummel	Brumel, Antoine (ca. 1460–ca. 1513)
Sicut lilium inter spinas sic anima mea Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 63 Genres: Motet Source Attribution: Antonius Brummel Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sicut lilium inter spinas sic amica
63–64	Kommt her zu mir, spricht Gottes Sohn	-	Johann: Keutzenhoff:	Keutzenhoff, Johannes
Kommt her zu mir, spricht Gottes Sohn Keutzenhoff, Johannes Appears on: 63–64 Genres: Chorale, Sacred Song Source Attribution: Johann: Keutzenhoff: Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Kumbt her zu mir spricht gottes sohn
64	Pour un plaisir qui si peu dure	-	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pour un plaisir qui si peu dure Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 64 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Pour un plaisir] untexted
65–66	Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati	-	Galliculus [= Hähnel]/[Förster]	Galliculus, Johannes (?) Forster, Johannes (?)
Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati Galliculus, Johannes (?) Forster, Johannes (?) Appears on: 65–66 Genres: Motet Source Attribution: Galliculus [= Hähnel]/[Förster] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quare fremuerunt gentes & populi meditati
66–67	Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus	-	-	Forster, Johannes (?) Galliculus, Johannes (?)
Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus Forster, Johannes (?) Galliculus, Johannes (?) Appears on: 66–67 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Disrumpamus vincula eorum & proiiciamus
67–69	Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu	-	-	Galliculus, Johannes (?) Forster, Johannes (?)
Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu Galliculus, Johannes (?) Forster, Johannes (?) Appears on: 67–69 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tertia pars : Dominus dixit ad me filius meus
70–71	In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	-	[Moulu/Mouton]	Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 70–71 Genres: Motet Source Attribution: [Moulu/Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Accesserunt ad Jesum pharisaei
71–72	In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	-	-	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?)
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Appears on: 71–72 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Secunda pars : Propter hoc dimittet homo patrem
72–75	Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus)	-	Burckhardus Caballus/[H. Faber]	Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?)
Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?) Appears on: 72–75 Genres: Motet Source Attribution: Burckhardus Caballus/[H. Faber] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Non bonum est hominem esse solum faciamus II: Dixitque Adam hoc nunc os ex ossibus
75–76	Si de present peine j'endure dire puis	-	[Susato]	Susato, Tylman
Si de present peine j'endure dire puis Susato, Tylman Appears on: 75–76 Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Si de present peine] untexted
76–77	O reynischer wein du schmeckst mir wol	-	Anon.	Anonymous
O reynischer wein du schmeckst mir wol Anonymous Appears on: 76–77 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: O reynischer wein du schmeckst mir wol
77	Rebus in adversis patiens terit omnia	-	[Othmayr]	Othmayr, Caspar
Rebus in adversis patiens terit omnia Othmayr, Caspar Appears on: 77 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Patiens terit omnia
77–78	Je prens en gre le dure mort (4vv)	-	Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin]	Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?)
Je prens en gre le dure mort (4vv) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Appears on: 77–78 Genres: Motet Source Attribution: Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Je prens en gré] untexted
78–79	Ich bin durch Frauleins willen	-	[Othmayr]	Othmayr, Caspar
Ich bin durch Frauleins willen Othmayr, Caspar Appears on: 78–79 Genres: Song Source Attribution: [Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich bin durch freulains willen geneith
79–80	Rex autem David cooperto capite incedens	-	[Gascongne/Lafage/Lupus]	Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fage, Jean de la (?)
Rex autem David cooperto capite incedens Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fage, Jean de la (?) Appears on: 79–80 Genres: Motet Source Attribution: [Gascongne/Lafage/Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex autem David cooperto capite incedens
81	Nun lass uns frisch und fröhlich sein	-	Anon.	Anonymous
Nun lass uns frisch und fröhlich sein Anonymous Appears on: 81 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nuhn lass uns frisch unnd frölich sein
81–83	Bewahr mich Herr und sei nicht fern	-	[Zirler]	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 81–83 Genres: Sacred Song Source Attribution: [Zirler] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Bewar mich Her und sey nicht fern
83	Meum est propositum in taberna mori	-	Anon.	Anonymous
Meum est propositum in taberna mori Anonymous Appears on: 83 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Meum est propositum in taberna mori
83–86	Philippe qui videt me alleluia	-	[Othmayr]	Othmayr, Caspar
Philippe qui videt me alleluia Othmayr, Caspar Appears on: 83–86 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Philippe qui videt me alleluia
86–87	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	[Clemens non Papa/Manchicourt]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 86–87 Genres: Motet Source Attribution: [Clemens non Papa/Manchicourt] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater peccavi in coelum & coram te
87–88	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 87–88 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Quanti mercenarii in domo patris
88–89	Ein gutes närrisch Tänz	-	Gasp. Othmeir	Othmayr, Caspar
Ein gutes närrisch Tänz Othmayr, Caspar Appears on: 88–89 Genres: Song Source Attribution: Gasp. Othmeir Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Ein gutes nerrisch tentz [untexted]
90	Contingat illis turturum concordia cor meum	-	Anon.	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 90 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Contingat illis turturum concordia
91	Non habites ubi sumptus lucra exuperant	-	Anon.	Anonymous
Non habites ubi sumptus lucra exuperant Anonymous Appears on: 91 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Non habites ubi sumptus lucra exuperant
92–93	Adjuva nos Deus salutaris noster	-	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Adjuva nos Deus salutaris noster Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 92–93 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Adiuva nos Deus salutaris noster
93	Vincat amor recti pulcherrima quaeque	-	[Othmayr]	Othmayr, Caspar
Vincat amor recti pulcherrima quaeque Othmayr, Caspar Appears on: 93 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sperne pulcra quaere recta
93–94	Scaevola tu coenas apud omnes nullus	-	[Othmayr]	Othmayr, Caspar
Scaevola tu coenas apud omnes nullus Othmayr, Caspar Appears on: 93–94 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Scevola tu coenas apud omnes nullus
94–95	Vineae florentes odorem / Wir haben einen guten Wirt	-	[Othmayr?]	Othmayr, Caspar (?)
Vineae florentes odorem / Wir haben einen guten Wirt Othmayr, Caspar (?) Appears on: 94–95 Genres: Motet Source Attribution: [Othmayr?] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vineae florentes odorem dederunt
95–96	Ambulans Jesus juxta mare Galileae	-	Anon.	Anonymous
Ambulans Jesus juxta mare Galileae Anonymous Appears on: 95–96 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ambulans Jhesus iuxta mare Galileae
96–97	Sauff aus und machts nicht lange	-	Hermannus Finck	Finck, Heinrich (?)
Sauff aus und machts nicht lange Finck, Heinrich (?) Appears on: 96–97 Genres: Song Source Attribution: Hermannus Finck Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Sauff aus und machts nicht lange
97	Eia, der Vogel ass ein Ei, da gab er	-	Gasp. Othmeir [= Othmayr]	Othmayr, Caspar
Eia, der Vogel ass ein Ei, da gab er Othmayr, Caspar Appears on: 97 Genres: Song Source Attribution: Gasp. Othmeir [= Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Eia der vogel ass ein eÿe da gab er
97–98	Frisch und frölich wölln wir leben	-	Johannes Keutzenhoff	Keutzenhoff, Johannes
Frisch und frölich wölln wir leben Keutzenhoff, Johannes Appears on: 97–98 Genres: Song Source Attribution: Johannes Keutzenhoff Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Frisch und frölich wölln wir leben
98–100	Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	-	Jachet [of Mantua]/[Morales/Rore]	Rore, Cipriano de (ca. 1515–1565) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Mantua, Jacquet de (1483–1559) (?)
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) Rore, Cipriano de (ca. 1515–1565) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 98–100 Genres: Motet Source Attribution: Jachet [of Mantua]/[Morales/Rore] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Orabat Jhesum mulier Cananaea ad dominum [= Clamabat autem mulier Chananaea]
100	Uncur	-	Hermannus Finck	Finck, Heinrich (?)
Uncur Finck, Heinrich (?) Appears on: 100 Genres: Secular Source Attribution: Hermannus Finck Voice: [no designation] Languages: insufficient Clef: c3 Voice Text: Uncur [untexted]
100–102	Tota pulchra es amica mea et macula	-	Anon.	Anonymous
Tota pulchra es amica mea et macula Anonymous Appears on: 100–102 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Amica mea ... sola pulcra es
102–105	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	-	Pionier	Pionnier, Joannes (–1573)
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) Pionnier, Joannes (–1573) Appears on: 102–105 Genres: Motet Source Attribution: Pionier Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lapidabant Stephanum invocantem & dicentem II: Positus autem genibus clamavit voce
105	Der töricht spricht es ist kein Got	-	Sigismund Hemel	Hemmel, Sigmund
Der töricht spricht es ist kein Got Hemmel, Sigmund Appears on: 105 Genres: Sacred Song Source Attribution: Sigismund Hemel Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Der töricht spricht es ist kein got
105–106	Optima virtutum Sophia mea viscera	-	Anon.	Anonymous
Optima virtutum Sophia mea viscera Anonymous Appears on: 105–106 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Optima virtutum Sophia mea viscera
106–107	Vostre beaulte plaisant et lyé me donne recreation	-	[Gombert/Lupi]	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Vostre beaulte plaisant et lyé me donne recreation Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 106–107 Genres: Chanson Source Attribution: [Gombert/Lupi] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Vostre beaulte plaisant] untexted
107–108	Quand' io pens' al martire amor che tu	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Quand' io pens' al martire amor che tu Arcadelt, Jacques (ca. 1507–1568) Appears on: 107–108 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: quand' io pens' al martire [text incipit only]
108–109	Ver' inferno e'l mio petto ver' infernale	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Ver' inferno e'l mio petto ver' infernale Arcadelt, Jacques (ca. 1507–1568) Appears on: 108–109 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Ver'infern' e' l mio petto] untexted
110–111	Voi ve n' andat' al cielo occhi beati	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Voi ve n' andat' al cielo occhi beati Arcadelt, Jacques (ca. 1507–1568) Appears on: 110–111 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Voi ve n' andat' al cielo] untexted
111–112	Ahime dov'è'l bel viso in cui solea	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Ahime dov'è'l bel viso in cui solea Arcadelt, Jacques (ca. 1507–1568) Appears on: 111–112 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Ahime [text incipit only]
112–113	Fammi pur guerr' amor quando tu vuoi	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?)
Fammi pur guerr' amor quando tu vuoi Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?) Appears on: 112–113 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: [Fammi pur guerr' amor] untexted
113	Jamais en ce monde n'aurais regrets	-	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Jamais en ce monde n'aurais regrets Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 113 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Jamais en ce monde] [= #239, p.311] untexted
114	Donna leggiadra e bella che con le vostre	-	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Donna leggiadra e bella che con le vostre Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 114 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Donna leggiadra] untexted
114–115	Divini occhi sereni occhi sempre di gratia	-	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Divini occhi sereni occhi sempre di gratia Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 114–115 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Divini occhi] untexted
115	Guerissez moi du mal que mon coeur porte	-	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Guerissez moi du mal que mon coeur porte Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 115 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Guerissez moy] untexted
115–116	Pungente dardo che 'l mio cor consumi	-	Jachet Berchem/[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?)
Pungente dardo che 'l mio cor consumi Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 115–116 Genres: Madrigal (Italian) Source Attribution: Jachet Berchem/[Arcadelt] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pungente dardo chel mio cor [text incipit only]
117	Quanta belta quanta gratia e splendore	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Quanta belta quanta gratia e splendore Arcadelt, Jacques (ca. 1507–1568) Appears on: 117 Genres: Italian secular Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Quanta belta quanta gratia [text incipit only]
117–118	Poss'io morir di mala morte s'io non v'amo	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Poss'io morir di mala morte s'io non v'amo Arcadelt, Jacques (ca. 1507–1568) Appears on: 117–118 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Poss'io morir di mala [text incipit only]
118–119	Ahi se la donna mia qual'hor lasso mi vede	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Ahi se la donna mia qual'hor lasso mi vede Arcadelt, Jacques (ca. 1507–1568) Appears on: 118–119 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Ahi se la donna mia qualhor [text incipit only]
119–120	Il bianco e dolce cigno cantando more	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Il bianco e dolce cigno cantando more Arcadelt, Jacques (ca. 1507–1568) Appears on: 119–120 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Il bianco e dolce cigno cantando [= #119, p. 141] [text incipit only]
120–121	Non ch'io non voglio mai altro pensiero	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Non ch'io non voglio mai altro pensiero Arcadelt, Jacques (ca. 1507–1568) Appears on: 120–121 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Non chio non voglio mai [text incipit only]
121–122	Deh dimm' amor se l'alma di costei	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Deh dimm' amor se l'alma di costei Arcadelt, Jacques (ca. 1507–1568) Appears on: 121–122 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Deh dimmi' amor se'l alma [text incipit only]
122–123	Io dico che fra voi potenti Dei convien	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Io dico che fra voi potenti Dei convien Arcadelt, Jacques (ca. 1507–1568) Appears on: 122–123 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Io dico che fravoi potenti [text incipit only]
123–124	Quanti travagli e pene, quant' ogn' hor dogli e morti	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Quanti travagli e pene, quant' ogn' hor dogli e morti Arcadelt, Jacques (ca. 1507–1568) Appears on: 123–124 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Quanti travagli [text incipit only]
124–125	Se per colpa del vostro fiero sdegno	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Se per colpa del vostro fiero sdegno Arcadelt, Jacques (ca. 1507–1568) Appears on: 124–125 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Se per colpa [text incipit only]
125–126	Io non trovo me stesso stella del ciel	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Io non trovo me stesso stella del ciel Ruffo, Vincenzo (ca. 1508–1587) Appears on: 125–126 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Io non trovo me stesso stella del ciel [text incipit only]
126–127	A che cerchar gli specchi et fonti	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
A che cerchar gli specchi et fonti Ruffo, Vincenzo (ca. 1508–1587) Appears on: 126–127 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: A che cerchar gli specchi & fonti [text incipit only]
128–129	Amor poiche non vuole la bella donna	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Amor poiche non vuole la bella donna Ruffo, Vincenzo (ca. 1508–1587) Appears on: 128–129 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Amor poiche non vole la bella donna [text incipit only]
129–130	Sent'un pensier in me d'amor che dice	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Sent'un pensier in me d'amor che dice Ruffo, Vincenzo (ca. 1508–1587) Appears on: 129–130 Genres: Chanson Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Sent'un pensier in me d'amor che dice [text incipit only]
130–131	Languir me fais sans t'avoir offensé	-	[Mouton/Sermisy]	Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Languir me fais sans t'avoir offensé Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 130–131 Genres: Chanson Source Attribution: [Mouton/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Languir me fais [text incipit only]
131	Ces facheux sots qui mesdisent d'aymer	-	Anon.	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 131 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ces veus chant [= Ces fascheux sotz] [text incipit only]
131–132	Jouissance vous donnerai, mon ami	-	[La Rue/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Jouissance vous donnerai, mon ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 131–132 Genres: Chanson Source Attribution: [La Rue/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Josiante [= Joyssance vous donneray] [text incipit only]
132	Amy souffrez que je vous ayme	-	Anon.	Anonymous
Amy souffrez que je vous ayme Anonymous Appears on: 132 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Amisso frou [= Amy souffrez] [text incipit only]
132–133	Venite / Ihr schlemmer frei zu diesem guten wein	-	Anon.	Anonymous
Venite / Ihr schlemmer frei zu diesem guten wein Anonymous Appears on: 132–133 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Venite ir schlemmer freÿ zu diesem gueten wein
133–134	Veu le grief mal ou sans fin je labeure	-	Anon.	Anonymous
Veu le grief mal ou sans fin je labeure Anonymous Appears on: 133–134 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Voile grifmall [= Veu le grief mal] [text incipit only]
134	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 134 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Dant quae viverai [= Tant que vivray] [text incipit only]
134–135	Vater unser im Himmelreich (= Le content est riche)	-	[Gombert/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Vater unser im Himmelreich (= Le content est riche) Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 134–135 Genres: Contrafactum, Motet, Pater noster Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Le content - then German text underlaid: "[V]atter unser im himelreich der du uns"
135	D'ou [dont] vient cela belle je vous supply	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 135 Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Dant viencella [= Dont vient cela] [text incipit only]
136	Vivray je tousjours en soucy pour vous	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Vivray je tousjours en soucy pour vous Sermisy, Claudin de (ca. 1490–1562) Appears on: 136 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Viverai ie tous [= Vivray-je tousjours] [text incipit only]
136–137	Vous perdez temps de me dire mal d'elle	-	[Crecquillon/Sandrin/Sermisy]	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Vous perdez temps de me dire mal d'elle Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 136–137 Genres: Chanson Source Attribution: [Crecquillon/Sandrin/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Fous perden temps [= Vous perdez temps]
137	Accedite omnes / Ihr Schlemmer frei Herr Wirt	-	Anon.	Anonymous
Accedite omnes / Ihr Schlemmer frei Herr Wirt Anonymous Appears on: 137 Genres: Contrafactum, Motet Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Accedite omnes ir schlemmer freÿ Her wirt
138	Je ne scay pas comment a mon entendement	-	Anon.	Anonymous
Je ne scay pas comment a mon entendement Anonymous Appears on: 138 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Jenescai [= Je ne scai] [text incipit only]
138–139	Le coeur est bon et le vouloir aussi	-	[Sermisy?]	Sermisy, Claudin de (ca. 1490–1562) (?)
Le coeur est bon et le vouloir aussi Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 138–139 Genres: Chanson Source Attribution: [Sermisy?] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Lemer est bonn [= Le cueur est bon] [text incipit only]
139–140	Jamque miraissoe	-	Anon.	Anonymous
Jamque miraissoe Anonymous Appears on: 139–140 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jamque miraissoe en bon irk [text incipit only]
140	Fortune laissez moi la vie Puisque tu veulx	-	Anon.	Anonymous
Fortune laissez moi la vie Puisque tu veulx Anonymous Appears on: 140 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Fortuna [= Fortune laissez moy] [text incipit only]
140–141	Il est jour dit l'alouette allons jouer	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il est jour dit l'alouette allons jouer Sermisy, Claudin de (ca. 1490–1562) Appears on: 140–141 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Il est iour [text incipit only]
141–142	Il bianco e dolce cigno cantando more	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Il bianco e dolce cigno cantando more Arcadelt, Jacques (ca. 1507–1568) Appears on: 141–142 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Ilbianco [text incipit only] [= #92, p. 119]
142–143	Vita della mia vita quando gran tort	-	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Vita della mia vita quando gran tort Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 142–143 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Vita della mia [text incipit only]
143	Gehe wie es will, demnach ich soll mich	-	[Wolff]	Heintz, Wolff
Gehe wie es will, demnach ich soll mich Heintz, Wolff Appears on: 143 Genres: Song Source Attribution: [Wolff] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Gehe wie es wöll [text incipit only]
144	Douleur me bat et tristesse m'affolle	-	Anon.	Anonymous
Douleur me bat et tristesse m'affolle Anonymous Appears on: 144 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Doleur me bat [text incipit only]
145	Hola he par la vertu goy dieu vous gart	-	Anon.	Anonymous
Hola he par la vertu goy dieu vous gart Anonymous Appears on: 145 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Clef: c4 Voice Text: Holo hoy [= Hola he par la vertu] [text incipit only]
145–146	Helas amour je pensoye bien avoir	-	[Godard]	Godard, Robert
Helas amour je pensoye bien avoir Godard, Robert Appears on: 145–146 Genres: Chanson Source Attribution: [Godard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Helas amour [text incipit only]
146	Il n'est celui qui naît quelque adventure	-	[Cadéac]	Cadeac, P(ierre?)
Il n'est celui qui naît quelque adventure Cadeac, P(ierre?) Appears on: 146 Genres: Chanson Source Attribution: [Cadéac] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Il nest celluy [text incipit only]
147	Venus par toutt cherche son filz perdu	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Venus par toutt cherche son filz perdu Sermisy, Claudin de (ca. 1490–1562) Appears on: 147 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Venus par tout [text incipit only]
147–148	En grant douleur faict son triste demeure	-	[Villiers]	Villiers, P[ierre?] de
En grant douleur faict son triste demeure Villiers, P[ierre?] de Appears on: 147–148 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: En grant douleur [text incipit only]
148–149	O triste adieu qui tant me mescontente	-	[Certon]	Certon, Pierre (–ca. 1572)
O triste adieu qui tant me mescontente Certon, Pierre (–ca. 1572) Appears on: 148–149 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: O triste adieu [text incipit only]
149	Ce qui souloit en deux se despartir	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
Ce qui souloit en deux se despartir Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 149 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Ce qui souloit [text incipit only]
150	Fortune hellas [alors] que n'avois cognoissance	-	[Certon/Cléreau]	Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?)
Fortune hellas [alors] que n'avois cognoissance Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?) Appears on: 150 Genres: Chanson Source Attribution: [Certon/Cléreau] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Fortune allors [text incipit only]
150–151	Vous perdes temps de me dire mal d'elle	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Vous perdes temps de me dire mal d'elle Arcadelt, Jacques (ca. 1507–1568) Appears on: 150–151 Genres: Chanson Source Attribution: [Arcadelt] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Vous perdes temps [text incipit only]
151–152	Pourtant si je suis brunette ami	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Pourtant si je suis brunette ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 151–152 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Pourtant si je suis [text incipit only]
152	Vous usurpez dames injustement le commander	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
Vous usurpez dames injustement le commander Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 152 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Vous usurpez [text incipit only]
153	Quando ritrovo la mia pastorella	-	[C. Festa]	Festa, Costanzo (ca. 1485–1545)
Quando ritrovo la mia pastorella Festa, Costanzo (ca. 1485–1545) Appears on: 153 Genres: Italian secular Source Attribution: [C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Pastorella [= Quando ritrovo la mia pastorella] [text incipit only]
153–154	Mit hohem fleiss freundlicher weis	-	Anon.	Anonymous
Mit hohem fleiss freundlicher weis Anonymous Appears on: 153–154 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mit hohem fleiss [text incipit only]
155	Hilf glück mit freuden (= Gaude laetare Jerusalem)	-	Anon.	Anonymous
Hilf glück mit freuden (= Gaude laetare Jerusalem) Anonymous Appears on: 155 Genres: Contrafactum, Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Hilf glückh mit freud [= Gaude laetare Jerusalem] [text incipit only]
156	Maudite soit la mondaine richesse	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Maudite soit la mondaine richesse Sermisy, Claudin de (ca. 1490–1562) Appears on: 156 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Multito fait [= Mauldicte soit] [text incipit only]
156–157	Voulant amour sub parler gracieulx	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Voulant amour sub parler gracieulx Arcadelt, Jacques (ca. 1507–1568) Appears on: 156–157 Genres: Chanson Source Attribution: [Arcadelt] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Voulant amour [text incipit only]
157–158	Si mon travail vous peult donner plaisir	-	[Sandrin/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Si mon travail vous peult donner plaisir Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 157–158 Genres: Chanson Source Attribution: [Sandrin/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Si mon traval [text incipit only]
158–159	Mon coeur voulut dedans soy recepvoir	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Mon coeur voulut dedans soy recepvoir Sermisy, Claudin de (ca. 1490–1562) Appears on: 158–159 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Mon cueur [text incipit only]
159	L'heur et malheur de vostre cognoissance	-	[Villiers]	Villiers, P[ierre?] de
L'heur et malheur de vostre cognoissance Villiers, P[ierre?] de Appears on: 159 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Malheur l'heur [= l'heur et malheur] [text incipit only]
160	Bandez vostre arc du traict de jouissance	-	[Buus]	Buus, Jacques
Bandez vostre arc du traict de jouissance Buus, Jacques Appears on: 160 Genres: Chanson Source Attribution: [Buus] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Bandez vostre [text incipit only]
160–161	Amours brusle par son ardente flamme	-	[Maillard]	Maillard, Jean (fl. c1538–1570)
Amours brusle par son ardente flamme Maillard, Jean (fl. c1538–1570) Appears on: 160–161 Genres: Chanson Source Attribution: [Maillard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Amour Brusle [text incipit only]
161–162	Le deuil issu de la joye incertaine	-	[Sandrin/Villiers]	Villiers, P[ierre?] de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Le deuil issu de la joye incertaine Villiers, P[ierre?] de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 161–162 Genres: Chanson Source Attribution: [Sandrin/Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Le dueil issu de [text incipit only]
162–163	Puisque prier n'est de vous entendu	-	[Certon/Panurge]	Panurge (?) Certon, Pierre (–ca. 1572) (?)
Puisque prier n'est de vous entendu Panurge (?) Certon, Pierre (–ca. 1572) (?) Appears on: 162–163 Genres: Chanson Source Attribution: [Certon/Panurge] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Puis que prier [text incipit only]
163	Si à t'aymer ton maintien gratieulx	-	[Campis]	Campis, Henrico de
Si à t'aymer ton maintien gratieulx Campis, Henrico de Appears on: 163 Genres: Chanson Source Attribution: [Campis] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Sia taymer [= Si à t'aymer ] [text incipit only]
164	Si par faveur d'amour mostez le pris	-	[L. Bourgeois]	Bourgois
Si par faveur d'amour mostez le pris Bourgois Appears on: 164 Genres: Chanson Source Attribution: [L. Bourgeois] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Si par faveur [text incipit only]
164–165	Mon coeur entier j'ai donne vraiement	-	[F. de Lys]	Lys, F de
Mon coeur entier j'ai donne vraiement Lys, F de Appears on: 164–165 Genres: Chanson Source Attribution: [F. de Lys] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Mon cueur entier [text incipit only]
165–166	Ung pouvre aÿmant de l'amour mesdisoit	-	[G. Coste]	Coste, Gabriel
Ung pouvre aÿmant de l'amour mesdisoit Coste, Gabriel Appears on: 165–166 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Ung puovre aÿmant [text incipit only]
166	M'amye a eu de Dieu le don que de beauté	-	[Cléreau]	Clereau, Pierre
M'amye a eu de Dieu le don que de beauté Clereau, Pierre Appears on: 166 Genres: Chanson Source Attribution: [Cléreau] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Mamye a eu de [text incipit only]
166–167	Rigueur me tient et doulx acueil	-	[G. Coste]	Coste, Gabriel
Rigueur me tient et doulx acueil Coste, Gabriel Appears on: 166–167 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Riguez me tient [= Rigueur me tient] [text incipit only]
167	L'amour première en jeunesse innocente	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
L'amour première en jeunesse innocente Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 167 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Lame hure praims me [= L'amour premiere] [text incipit only]
168	Si comme espoir je n'ai de guarison	-	[Maillard]	Maillard, Jean (fl. c1538–1570)
Si comme espoir je n'ai de guarison Maillard, Jean (fl. c1538–1570) Appears on: 168 Genres: Chanson Source Attribution: [Maillard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Si comme espoir [text incipit only]
168–169	Si les oyseaulx n'avoyent espoir sortir	-	[G. Coste]	Coste, Gabriel
Si les oyseaulx n'avoyent espoir sortir Coste, Gabriel Appears on: 168–169 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Sils oÿse aulx [= Si les oyseaulx] [text incipit only]
169	Ung moins aymant aura peult estre mieulx	-	[Certon]	Certon, Pierre (–ca. 1572)
Ung moins aymant aura peult estre mieulx Certon, Pierre (–ca. 1572) Appears on: 169 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Ung moins aymant [text incipit only]
170	Ne penses pas mesdisans envieulx	-	[F. de Lys]	Lys, F de
Ne penses pas mesdisans envieulx Lys, F de Appears on: 170 Genres: Chanson Source Attribution: [F. de Lys] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Ne penses pas [text incipit only]
170–171	Je n'oserois le penser véritable	-	[Villiers]	Villiers, P[ierre?] de
Je n'oserois le penser véritable Villiers, P[ierre?] de Appears on: 170–171 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Je noserois le penser [text incipit only]
171–172	En lieu du bien que doux souloient	-	[F. de Lys/Quentin]	Lys, F de
En lieu du bien que doux souloient Lys, F de Appears on: 171–172 Genres: Chanson Source Attribution: [F. de Lys/Quentin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: En lieu du bien [text incipit only]
172–173	Las si mon coeur eut mis en aultre part	-	[Buus]	Buus, Jacques
Las si mon coeur eut mis en aultre part Buus, Jacques Appears on: 172–173 Genres: Chanson Source Attribution: [Buus] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Lassi mon cueur [= Las si mon cueur] [text incipit only]
173–174	Preste moÿ lung de tes yeulx bien	-	[Villiers]	Villiers, P[ierre?] de
Preste moÿ lung de tes yeulx bien Villiers, P[ierre?] de Appears on: 173–174 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Pres te moÿ lung [text incipit only]
174–176	Timor et tremor venit in Ninivem civitatem	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Timor et tremor venit in Ninivem civitatem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 174–176 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Timor et tremor venit in Niniven civitatem
177–178	Tota pulchra es amica mea et macula	-	Cle: Morel	Morel, Clement
Tota pulchra es amica mea et macula Morel, Clement Appears on: 177–178 Genres: Motet Source Attribution: Cle: Morel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Tota pulcra] ... Et macula non est in te
178–179	Tota pulchra es amica mea et macula	-	Cornelius Canis	Canis, Cornelius
Tota pulchra es amica mea et macula Canis, Cornelius Appears on: 178–179 Genres: Motet Source Attribution: Cornelius Canis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tota pulchra es amica mea & macula
179–180	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	Adrianus Vuillart	Willaert, Adrian (ca. 1490–1562)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Willaert, Adrian (ca. 1490–1562) Appears on: 179–180 Genres: Motet Source Attribution: Adrianus Vuillart Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pater peccavi in coelum & coram te
180–181	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Willaert, Adrian (ca. 1490–1562)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Willaert, Adrian (ca. 1490–1562) Appears on: 180–181 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secubda pars : Quanti mercenarii in domo patris
181–182	Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	-	Pe: Manchicourt	Manchicourt, Pierre de
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te Manchicourt, Pierre de Appears on: 181–182 Genres: Motet Source Attribution: Pe: Manchicourt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater peccavi in coelum & coram te
183–184	Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Manchicourt, Pierre de
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris Manchicourt, Pierre de Appears on: 183–184 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Quanti mercenarii in domo patris
184–186	In me transierunt irae tuae et terrores	-	Maillart	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 184–186 Genres: Motet Source Attribution: Maillart Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In me transierunt irae tuae & [t]errores
186–187	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	-	Jacobus Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 186–187 Genres: Motet Source Attribution: Jacobus Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Adesto dolori meo nimium fatigor
187–188	Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 187–188 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Interiora mea efferbuerunt me
188–190	In te Domine speravi non confundar	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In te Domine speravi non confundar Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 188–190 Genres: Motet, Te Deum Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In te domine speravi non confundar
190–194	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	-	Benedictus Appenzeller	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 190–194 Genres: Motet Source Attribution: Benedictus Appenzeller Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati omnes qui timent dominum qui ambulant II: ... Qui timet dominum
194–195	Gaudete psallentes mire laudantes virginis	-	Anon.	Anonymous
Gaudete psallentes mire laudantes virginis Anonymous Appears on: 194–195 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaudete psallentes mire laudantes virginis
195–196	Defali convivium	-	Anon.	Anonymous
Defali convivium Anonymous Appears on: 195–196 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: D.e.de.f.a.fa ... defali convivium
196–198	Nun meisterlich wir heben singen an	-	Anon.	Anonymous
Nun meisterlich wir heben singen an Anonymous Appears on: 196–198 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nuhn meisterlich wir heben singen an
198–199	Mein einigs A. ich Dein beleib und mich	-	[Hofhaimer]	Hofhaimer, Paul
Mein einigs A. ich Dein beleib und mich Hofhaimer, Paul Appears on: 198–199 Genres: Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mein einiges A. ich dein beleib und mich
199–200	Une fillette bien gorriere embrassa	-	[Clemens non Papa/Janequin]	Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Une fillette bien gorriere embrassa Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 199–200 Genres: Chanson Source Attribution: [Clemens non Papa/Janequin] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Une fillette bien gorriere] untexted
200–201	Vergangen ist mir glück und heil	-	[Förster]	Forster, Georg (ca. 1510–1568)
Vergangen ist mir glück und heil Forster, Georg (ca. 1510–1568) Appears on: 200–201 Genres: Song Source Attribution: [Förster] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Vergangen ist mir glückh und heyl
201	Da pacem Domine in diebus nostris	-	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Da pacem Domine in diebus nostris Bruck, Arnold von (ca. 1500–1554) Appears on: 201 Genres: Motet Source Attribution: [Bruck] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1g2 Voice Text: Da pacem domine in diebus nostris
202–203	Welscher tantz	-	Anon.	Anonymous
Welscher tantz Anonymous Appears on: 202–203 Genres: Dance, Secular Source Attribution: Anon. Voice: [no designation] Languages: none Clef: c4 Voice Text: Welscher tantz
203–204	In natali Domini clamant mortales / Wo ist uns das Kind geborn	-	[Hähnel]	Galliculus, Johannes
In natali Domini clamant mortales / Wo ist uns das Kind geborn Galliculus, Johannes Appears on: 203–204 Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: In natali domini ... Wo ist uns das kindelein
204	Christum wir sollen loben schon	-	Anon.	Anonymous
Christum wir sollen loben schon Anonymous Appears on: 204 Genres: Hymn, Motet, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christum wir sollen loben schon
205	Parvulus nobis nascitur de virgine	-	[J. Hermann]	Herman, Johann
Parvulus nobis nascitur de virgine Herman, Johann Appears on: 205 Genres: Hymn Source Attribution: [J. Hermann] Voice: [no designation] Languages: Latin Mensuration: 3 Clef: c3 Voice Text: Parvulus nobis nascitur de virgine
205	Gelobet seist Du, Jesu Christ, dass Du Mensch	-	[Walter]	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 205 Genres: Chorale, Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Gelobet seistu Jhesu Christ das du mensch
206	Wie geht es zu, dass heut und nu	-	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wie geht es zu, dass heut und nu Bruck, Arnold von (ca. 1500–1554) Appears on: 206 Genres: Song Source Attribution: [Bruck] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wie geht es zu das heut und nu
206–207	Puer natus est nobis et filius datus est 26.9	-	[Josquin/Mouton]	Despres, Josquin (ca. 1450–1521)
Puer natus est nobis et filius datus est 26.9 Despres, Josquin (ca. 1450–1521) Appears on: 206–207 Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Puer natus est nobis & filius datus est
207–208	Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis)	-	Anon.	Anonymous
Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) Anonymous Appears on: 207–208 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates nunc omnes reddamus domino Deo II: Nos liberavit de diabolica potestate III: Huic oportet ut canamus cum angelis
208–210	Sum tuus in vita (4vv) [M109]	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Sum tuus in vita (4vv) [M109] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 208–210 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sum tuus in vita tua sunt mea funera
211	Was ist die Welt, gelt hat allein den Preis	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Was ist die Welt, gelt hat allein den Preis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 211 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Was ist die weltt gelt hat allein den preiss Layout copied on a circular stave
212	Möcht ich Gunst haben bei dir das kann ich	-	Anon.	Anonymous
Möcht ich Gunst haben bei dir das kann ich Anonymous Appears on: 212 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Möcht ich gunst han bey dir das khan ich Layout copied on a circular stave
213	Apparuit benignitas et humanitas salvatoris	-	Galliculus [= Hähnel]	Galliculus, Johannes
Apparuit benignitas et humanitas salvatoris Galliculus, Johannes Appears on: 213 Genres: Motet Source Attribution: Galliculus [= Hähnel] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Non ex operibus
214–215	Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus)	-	Anon.	Anonymous
Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) Anonymous Appears on: 214–215 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce quam bonum & quam iucundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit dominus
215–216	Missa Quant j'ai au coeur: Benedictus	-	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 215–216 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: [Isaac] Voice: Bassus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Benedictus [from Missa Quant j'ay au cueur] [text incipit only]
216–217	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	-	Benedictus Ducis/[Maffoni]	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 216–217 Genres: Motet Source Attribution: Benedictus Ducis/[Maffoni] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Dilexi quoniam exaudiet dominus vocem
217–218	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	-	-	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 217–218 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Secunda pars : O domine libera animam meam
218–219	Freundlicher grüss mit buss ward mir heimlich	-	Anon.	Anonymous
Freundlicher grüss mit buss ward mir heimlich Anonymous Appears on: 218–219 Genres: Lied Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Freundlicher gruss mit buss wardt mir
219–222	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 219–222 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Maria Magdalena & altera Maria ibant
222–223	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 222–223 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Cito euntes dicite discipulis suis
224	Ach lieb mit leid wie hast Dein B'scheid	-	[Hofhaimer]	Hofhaimer, Paul
Ach lieb mit leid wie hast Dein B'scheid Hofhaimer, Paul Appears on: 224 Genres: Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach lieb mit leid wie hast dein bescheid
225–226	Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	-	Thomas Crequilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 225–226 Genres: Motet Source Attribution: Thomas Crequilon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Erravi sicut ovis quae periit require
226–227	Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	-	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 226–227 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Delicta iuventutis meae & ignorantias
228	Zucht Ehr und Lob ihr wohnet bei	-	[Hofhaimer]	Hofhaimer, Paul
Zucht Ehr und Lob ihr wohnet bei Hofhaimer, Paul Appears on: 228 Genres: Secular Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Zucht ehr und lob ihr wohnet bei
229–231	Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	-	Crequilon/[C. Hollander]	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 229–231 Genres: Motet Source Attribution: Crequilon/[C. Hollander] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Congratulamini mihi omnes qui diligitis
231–233	Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	-	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 231–233 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Tulerunt dominum meum & nescio ubi
233–234	Disce bone clerice virgines amare	-	[Coclico]	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Disce bone clerice virgines amare Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 233–234 Genres: Motet Source Attribution: [Coclico] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Disce bone clerice virgines amare] untexted
234–235	Studenten Art und Freulen zart	-	Anon.	Anonymous
Studenten Art und Freulen zart Anonymous Appears on: 234–235 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Clef: c4 Voice Text: Ein medlin wolgethan
235–240	Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam)	-	Andreas Grundler	Grundlerus, Andreas
Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) Grundlerus, Andreas Appears on: 235–240 Genres: Motet Source Attribution: Andreas Grundler Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quemadmodum desiderat cervus ad fontes II: Quare tristis es anima mea III: In die mandavit dominus misericordiam
240–241	Unam petii Domino hanc inveni haec erit	-	Johannes Stahel	Stahel, Johann
Unam petii Domino hanc inveni haec erit Stahel, Johann Appears on: 240–241 Genres: Italian secular Source Attribution: Johannes Stahel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Unam petij a domino hanc inveni haec erit
241–243	Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae)	-	Verdeloth	Verdelot, Philippe (ca. 1480–ca. 1532)
Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 241–243 Genres: Motet Source Attribution: Verdeloth Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine Deus qui conteris bella ab initio II: Allide virtutem eorum in virtute tuae
243–244	Madonna al volto mio	-	Jacomus Foglianus [= G. Fogliano]/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Madonna al volto mio Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 243–244 Genres: Italian secular Source Attribution: Jacomus Foglianus [= G. Fogliano]/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Madonna al volto mio pallid' & smorto [text incipit only]
244–246	Che si puo piu vedere madonna	-	Idem eiusdm (=Foglianus)/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)
Che si puo piu vedere madonna Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Appears on: 244–246 Genres: Madrigal (Italian) Source Attribution: Idem eiusdm (=Foglianus)/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Che si puo piu vedere Madonna che nostri occhi [text incipit only]
246–247	Madonna io vo am' e taccio ve'l puo giurar	-	Eiusdem autoris (=Foglianus)/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Madonna io vo am' e taccio ve'l puo giurar Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 246–247 Genres: Madrigal (Italian) Source Attribution: Eiusdem autoris (=Foglianus)/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Madonna io vam' è taccio ve'l puo giurar' amore [text incipit only]
247–248	Che parlo o dove sono chi m'inganna	-	Autor est Foglianus/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)
Che parlo o dove sono chi m'inganna Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Appears on: 247–248 Genres: Italian secular Source Attribution: Autor est Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Che parlo o dove sono chi m'inganna [text incipit only]
248–251	Nuptiae factae sunt in Chana Gallileae	-	[Barra/Elimon]	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)
Nuptiae factae sunt in Chana Gallileae Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?) Appears on: 248–251 Genres: Motet Source Attribution: [Barra/Elimon] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nuptiae factae sunt in Cana Galileae
251–252	Se non fosse il sperar che mi conforta	-	Foglianus/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Se non fosse il sperar che mi conforta Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 251–252 Genres: Italian secular Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Se non fosse il sperar che mi conforta
252–253	Venut'era madonna al mio languire	-	Foglianus/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)
Venut'era madonna al mio languire Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Appears on: 252–253 Genres: Italian secular Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Venut'era madonna al mio languire [text incipit only]
254	Se non fosse il sperar che mi conforta	-	idem autor (=Foglianus)/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Se non fosse il sperar che mi conforta Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 254 Genres: Italian secular Source Attribution: idem autor (=Foglianus)/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Se non fosse il sperar che mi conforta [text incipit only]
255–256	Ingiustissimo amor perche si raro	-	Foglianus/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)
Ingiustissimo amor perche si raro Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Appears on: 255–256 Genres: Italian secular Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Ingiustissimo amor perche si raro [text incipit only]
256–257	Tria sunt munera- 1a pars (of 2): Tria sunt munera	-	Goessen Junckers	Jonckers, Maistre Gosse
Tria sunt munera- 1a pars (of 2): Tria sunt munera Jonckers, Maistre Gosse Appears on: 256–257 Genres: Motet Source Attribution: Goessen Junckers Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tria sunt munera preciosa quae obtulerunt
258–259	Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae	-	-	Jonckers, Maistre Gosse
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae Jonckers, Maistre Gosse Appears on: 258–259 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: (2p.) Reges Tharsis & insulae munera
259–261	In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum	-	Josquin de Prees	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum Despres, Josquin (ca. 1450–1521) Appears on: 259–261 Genres: Motet Source Attribution: Josquin de Prees Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In principio erat verbum & verbum
261–263	In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo	-	-	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo Despres, Josquin (ca. 1450–1521) Appears on: 261–263 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Fuit homo missus a deo cui nomen
263	In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est	-	-	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est Despres, Josquin (ca. 1450–1521) Appears on: 263 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tertia pars : Et verbum caro factum est & habitavit
264–266	Gaudent in caelis animae sanctorum	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Gaudent in caelis animae sanctorum Arcadelt, Jacques (ca. 1507–1568) Appears on: 264–266 Genres: Motet Source Attribution: Archadelt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaudent in coelis animae sanctorum
266–267	Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	-	Lupi/[Mouton]	Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 266–267 Genres: Motet Source Attribution: Lupi/[Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quam pulcra es amica mea & quam decora
267–269	Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	-	-	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522) Appears on: 267–269 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Veni dilecte mi egrediamur in agrum
269–270	Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem	-	Lheritier	Lheritier, Jean (ca. 1480–ca. 1551)
Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 269–270 Genres: Motet Source Attribution: Lheritier Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Senex puerum portabat puer autem senem
270–271	Senex puerum - 2a pars (of 2): Hodie beata virgo	-	-	Lheritier, Jean (ca. 1480–ca. 1551)
Senex puerum - 2a pars (of 2): Hodie beata virgo Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 270–271 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Hodie beata virgo Maria puerum Jesum
272	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	-	Richafort/[Caen/Lupus]	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 272 Genres: Motet Source Attribution: Richafort/[Caen/Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hierusalem luge & exue te vestibus
273–274	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	-	-	Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 273–274 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Deduc quasi torrentem lachrimas
275–277	Deus qui sedes super thronum (4vv)	-	Johannes Walterus/[Verdelot]	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Deus qui sedes super thronum (4vv) Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 275–277 Genres: Motet Source Attribution: Johannes Walterus/[Verdelot] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Deus qui sedes super thronum & iudicas
277–278	Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice	-	[Walter]	Walter, Johann (1496–1570)
Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice Walter, Johann (1496–1570) Appears on: 277–278 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Vere beatus et Deo factus meritus auspice
278–280	Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus	-	-	Walter, Johann (1496–1570)
Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus Walter, Johann (1496–1570) Appears on: 278–280 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda Pars : Hanc ardet hanc amplexibus dulcissimus
280–281	Festum nunc celebre magnaque gaudia (5vv)	-	[Walter]	Walter, Johann (1496–1570)
Festum nunc celebre magnaque gaudia (5vv) Walter, Johann (1496–1570) Appears on: 280–281 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Festum nunc celebre magnaque gaudia
281–282	Dum complerentur dies Pentecostes erant omnes	-	Archadelt/[Verdelot]	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Dum complerentur dies Pentecostes erant omnes Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 281–282 Genres: Motet Source Attribution: Archadelt/[Verdelot] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum complerentur dies pentecostes erant
283–284	Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	-	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum Mantua, Jacquet de (1483–1559) Appears on: 283–284 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Cantate domino canticum novum laus eius
284–286	Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei	-	-	Mantua, Jacquet de (1483–1559)
Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei Mantua, Jacquet de (1483–1559) Appears on: 284–286 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Cantate ei & psallite narrate
287	Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria	-	Lheritier/[Conseil/Willaert]	Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?)
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Appears on: 287 Genres: Motet Source Attribution: Lheritier/[Conseil/Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Beata Dei genitrix virgo Maria
287–288	Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam	-	-	Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)
Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Appears on: 287–288 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars Et beata quae credidit quoniam
288–289	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	-	Richafort/[Lupus]	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 288–289 Genres: Motet Source Attribution: Richafort/[Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jam non dicam vos servos sed amicos
290–291	Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	-	-	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 290–291 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sequens pars : Cum venerit ille spiritus veritatis
291–292	Ogni belta madonna ch'io veggi'altrui	-	Foglianus/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Ogni belta madonna ch'io veggi'altrui Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 291–292 Genres: Madrigal (Italian) Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Ogni belta Madonna chio veggialtrui [text incipit only]
292	Sopra una verde è dilettosa riva	-	Foglianus/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Sopra una verde è dilettosa riva Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 292 Genres: Italian secular Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Sopra una verde è dilettosa riva [text incipit only]
293	Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne)	-	Foglianus/[Compère/C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Compère, Loyset (ca. 1445–1518)
Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Compère, Loyset (ca. 1445–1518) Appears on: 293 Genres: Contrafactum, Italian secular Source Attribution: Foglianus/[Compère/C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Venit' amant' insieme a pianger forte [= Ne doibt on prendre] [text incipit only]
294	Afflitti spiriti miei siate contenti	-	Foglianus/[C. Festa]	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)
Afflitti spiriti miei siate contenti Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 294 Genres: Motet Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Afflitti spiriti miei siate contenti [text incipit only]
295–296	Madonna io prend'ardire narrar con lingua	-	Foglianus/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)
Madonna io prend'ardire narrar con lingua Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Appears on: 295–296 Genres: Italian secular Source Attribution: Foglianus/[C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Madonna io prend' ardire narrar con lingua
296–297	Una donna l'altrier fissa mirai piu lucente	-	Foglianus/[C. Festa/Pisano]	Fogliano, Giacomo (1468–1548) (?) Pisano, Bernardo (?) Festa, Costanzo (ca. 1485–1545) (?)
Una donna l'altrier fissa mirai piu lucente Fogliano, Giacomo (1468–1548) (?) Pisano, Bernardo (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 296–297 Genres: Italian secular Source Attribution: Foglianus/[C. Festa/Pisano] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Una donna l'altrier fissa mirai piu lucente [text incipit only]
297–298	Ne recorderis peccata mea Domine cum veneris	-	[Hemmerlen]	Hemmerlen, Georgius
Ne recorderis peccata mea Domine cum veneris Hemmerlen, Georgius Appears on: 297–298 Genres: Motet Source Attribution: [Hemmerlen] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ne recorderis peccata mea domine cum veneris
299–300	Viri Galilaei quid aspicitis in caelum	-	Anon.	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Viri Galilaei quid aspicitis in caelum Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 299–300 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Viri Galilaei quid aspicitis in coelum
300–301	Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	-	[Josquin/Lebrun/Richafort]	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 300–301 Genres: Motet Source Attribution: [Josquin/Lebrun/Richafort] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Congratulamini mihi omnes qui diligitis
301–302	Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	-	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 301–302 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Tulerunt dominum meum ... Dicunt ei angeli
303–304	Sancta Trinitas unus Deus miserere nobis (6vv)	-	[A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (6vv) Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 303–304 Genres: Motet Source Attribution: [A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sancta trinitas unus Deus miserere Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
304–305	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	-	[Rein]	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli Rein, Conrad (ca. 1475–1522) Appears on: 304–305 Genres: Motet Source Attribution: [Rein] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O trinitas O inaestimabilis unitas omnes angeli
305–306	O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	-	-	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis Rein, Conrad (ca. 1475–1522) Appears on: 305–306 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars altera : Miserere qui passus est nobis
306–308	In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus)	-	Anon.	Anonymous
In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) Anonymous Appears on: 306–308 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: In illo tempore dixit Jhesus discipulis suis II: His autem fieri incipientibus suspiate
309	Magnum Oseae quem decus virginale parturit	-	Anon.	Anonymous
Magnum Oseae quem decus virginale parturit Anonymous Appears on: 309 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Magnum Oseae quem decus virginale parturit
310–311	Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete)	-	[H. Faber]	Faber, Heinrich (ca. 1500–1552)
Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) Faber, Heinrich (ca. 1500–1552) Appears on: 310–311 Genres: Motet Source Attribution: [H. Faber] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Creavit deus hominem ad imaginem suam II: Crescite & multiplicamini & replete
311–312	Jamais en ce monde n'aurais regrets	-	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Jamais en ce monde n'aurais regrets Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 311–312 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Mensuration: c Clef: c3 Voice Text: Jamais enche monde naraÿ [= Jamais en ce monde n'arays] [= #84, p. 113] [text incipit only]
312–313	Da trunken sie die liebe lange Nacht	-	Anon.	Anonymous
Da trunken sie die liebe lange Nacht Anonymous Appears on: 312–313 Genres: Quodlibet Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Da truncken sie die liebe lange nacht
313–314	Guckguckh hat sich zu todt gefallen	-	Johan Müller	Muller, Johann
Guckguckh hat sich zu todt gefallen Muller, Johann Appears on: 313–314 Genres: Song Source Attribution: Johan Müller Voice: [no designation] Languages: German Mensuration: o-3 Clef: c4 Voice Text: Guckguckh hat sich zu todt gefallen
314–315	Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur	-	[Josquin/Mouton/Silva]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 314–315 Genres: Te Deum Source Attribution: [Josquin/Mouton/Silva] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Te deum laudamus te dominum confitemur
315–316	Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis	-	-	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 315–316 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Venerandum tuum verum & unicum filium
316–317	Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus	-	-	Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?)
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 316–317 Genres: Te Deum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tertia pars : Te ergo quaesumus famulis tuis
317–318	Von Herzen mein bin ich ir geneigt	-	Othmarus [= Othmayr]	Othmayr, Caspar
Von Herzen mein bin ich ir geneigt Othmayr, Caspar Appears on: 317–318 Genres: Song Source Attribution: Othmarus [= Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Von hertzen mein bin ich ir geneigt
318	Lieblich hat sich gesellet mein herz	-	Othmarus	Othmayr, Caspar
Lieblich hat sich gesellet mein herz Othmayr, Caspar Appears on: 318 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Lieblich hat sich gesellet mein hertz
318–319	Nun wolt ich lieber elend sein	-	Othmarus	Othmayr, Caspar
Nun wolt ich lieber elend sein Othmayr, Caspar Appears on: 318–319 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Nun wolt ich lieber elennd seyn
319–320	Wach auff mein hort und hör mein stim	-	Othmarus	Othmayr, Caspar
Wach auff mein hort und hör mein stim Othmayr, Caspar Appears on: 319–320 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wach auff mein hort und hör mein stim
320	Es wolt ein Jäger jagen wolt jagen	-	Othmarus	Othmayr, Caspar
Es wolt ein Jäger jagen wolt jagen Othmayr, Caspar Appears on: 320 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Es wolt ein Jäger jagen wolt jagen
320–321	Ich ritt einmal spazieren durch den gruenen	-	Othmarus	Othmayr, Caspar
Ich ritt einmal spazieren durch den gruenen Othmayr, Caspar Appears on: 320–321 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich ritt einmal spacieren durch den gruenen
321	Ich armer boss bin ganz verwirrt	-	Othmarus	Othmayr, Caspar
Ich armer boss bin ganz verwirrt Othmayr, Caspar Appears on: 321 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich armer boss bin gantz verwirt
322	Von Deinetwegen bin ich hie herzlieb	-	G. Othmarus	Othmayr, Caspar
Von Deinetwegen bin ich hie herzlieb Othmayr, Caspar Appears on: 322 Genres: Song Source Attribution: G. Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Von deinetwegen bin ich hie hertzlieb
322–323	Ich weiss mir ein medlin hubsch und fein	-	Othmarus	Othmayr, Caspar
Ich weiss mir ein medlin hubsch und fein Othmayr, Caspar Appears on: 322–323 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c 3 Clef: c4 Voice Text: Ich weiss mir ein medlin hubsch und fein
323	Mir ist ein feins brauns maidelein gefallen	-	Matthaeus Greiter	Greiter, Matthias
Mir ist ein feins brauns maidelein gefallen Greiter, Matthias Appears on: 323 Genres: Song Source Attribution: Matthaeus Greiter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mir ist ein pheins brauns medelein gefallen
323–324	Ach Gott wem soll ichs klagen das heimliche leiden	-	Greiter	Greiter, Matthias
Ach Gott wem soll ichs klagen das heimliche leiden Greiter, Matthias Appears on: 323–324 Genres: Song Source Attribution: Greiter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Got wem sol ich klagen das heimlich leÿden
324–325	Freundlich von art ein freulein zart	-	Paulus Wüst	Wüst, Paul
Freundlich von art ein freulein zart Wüst, Paul Appears on: 324–325 Genres: Song Source Attribution: Paulus Wüst Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Freundlich von art ein freulein zart
325–326	Ich armes maidlein klag mich sehr wie soll mir	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich armes maidlein klag mich sehr wie soll mir Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 325–326 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich armes medlin klag mich sehr wie sol mir
326	Ach höchster hort, du edles Blut gedenk	-	Anon.	Anonymous
Ach höchster hort, du edles Blut gedenk Anonymous Appears on: 326 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach höchster hort du edles blut gedenckh
326–327	Ach Gott wem soll ichs klagen das heimliche leiden	-	Wolfgangus Grefinger/[Bauldeweyn]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Ach Gott wem soll ichs klagen das heimliche leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 326–327 Genres: Song Source Attribution: Wolfgangus Grefinger/[Bauldeweyn] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach got wem soll ich klagen das heimlich leÿden
327–328	Mein G'müt und Blüt ist gar entzünden	-	Andreas Sylvanus/[J. Wenck]	Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Mein G'müt und Blüt ist gar entzünden Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 327–328 Genres: Song Source Attribution: Andreas Sylvanus/[J. Wenck] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mein gmuet unnd bluet ist gar entzünden
328–329	Ich weiss ein stoltze müllerin	-	Cosmas Alderinus	Alder, Cosmas (1500–1550)
Ich weiss ein stoltze müllerin Alder, Cosmas (1500–1550) Appears on: 328–329 Genres: Song Source Attribution: Cosmas Alderinus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich weiss ein stoltze Müllerin
329	Zart schöne Frau gedenk und schau	-	Anon.	Anonymous
Zart schöne Frau gedenk und schau Anonymous Appears on: 329 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Zart schöne frau gedenkh und schau
329–330	Von üppiglichen dingen so wil ichs sehen	-	Greiterus	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 329–330 Genres: Song Source Attribution: Greiterus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Von üppiglichen dingen so wil ichs sehen
330–331	Dieweil umsonst jetz alle Kunst am Tag	-	Lazarus Spengler	Spengler, Lazarus
Dieweil umsonst jetz alle Kunst am Tag Spengler, Lazarus Appears on: 330–331 Genres: Song Source Attribution: Lazarus Spengler Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Dieweil umbsonst ietz alle kunst an tag
331–333	Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde)	-	Anon.	Anonymous
Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) Anonymous Appears on: 331–333 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Miserere mei domine quoniam infirmus sum II: Et anima mea turbata est valde
334–336	In te Domine speravi non confundar	-	Adrian Petit [Coclico]	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
In te Domine speravi non confundar Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 334–336 Genres: Motet Source Attribution: Adrian Petit [Coclico] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In te domine speravi non confundar
336–338	Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	-	Anon.	Anonymous
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) Anonymous Appears on: 336–338 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Praeter rerum seriem parit deum et hominem II: Virtus sancti spiritus opus illud
338–339	Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	-	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum Morales, Cristóbal de (ca. 1500–1553) Appears on: 338–339 Genres: Motet Source Attribution: [Morales] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Verbum iniquum & dolosum longe fac
339–341	Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	-	-	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi Morales, Cristóbal de (ca. 1500–1553) Appears on: 339–341 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sequens pars : Duo rogavi te ne deneges mihi
341–342	Quisquis requiem quaeris feminam cave	-	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 341–342 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quisquis requiem quaeris foeminam cave
342–344	Omnia vertuntur certe vertuntur amore	-	Gasp: Othmarus	Othmayr, Caspar
Omnia vertuntur certe vertuntur amore Othmayr, Caspar Appears on: 342–344 Genres: Motet Source Attribution: Gasp: Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Omnia vertuntur certe vertuntur amore
344–345	Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos)	-	Johan: Bucherus [= Buechmaier]	Buchmaier, Johann
Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) Buchmaier, Johann Appears on: 344–345 Genres: Motet Source Attribution: Johan: Bucherus [= Buechmaier] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Venite ad me omnes qui laboratis et onerati II: Tollite iugum meum super vos
346–349	Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux)	-	Johan: Bucherus	Bucher, Johannes
Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) Bucher, Johannes Appears on: 346–349 Genres: Motet Source Attribution: Johan: Bucherus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sic Deus dilexit mundum ut filium suum II: Haec est autem condemnatio quod lux
349	Lex per Moÿsen data est gratia et veritas	-	Johan: Bucherus	Buchmaier, Johann
Lex per Moÿsen data est gratia et veritas Buchmaier, Johann Appears on: 349 Genres: Motet Source Attribution: Johan: Bucherus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lex per Moÿsen data est gratia et veritas
350	Quam pulcra es amica mea oculi tui	-	Johann: Stahell	Stahel, Johann
Quam pulcra es amica mea oculi tui Stahel, Johann Appears on: 350 Genres: Motet Source Attribution: Johann: Stahell Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulcra es amica mea oculi tui
350–352	Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni	-	Jacquet [of Mantua]	Mantua, Jacquet de (1483–1559)
Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni Mantua, Jacquet de (1483–1559) Appears on: 350–352 Genres: Alleluia, Motet Source Attribution: Jacquet [of Mantua] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Surrexit Dominus alleluia
352–353	Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram	-	-	Mantua, Jacquet de (1483–1559)
Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram Mantua, Jacquet de (1483–1559) Appears on: 352–353 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pars altera : Qui fecit coelum & terram surrexit
353–354	Cum esset desponsata mater Jesu Maria	-	Henricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Cum esset desponsata mater Jesu Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 353–354 Genres: Hymn Source Attribution: Henricus Isaac Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Cum esset desponsata mater Jhesu Maria
354–360	Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit)	-	Leonhardus Paminger	Paminger, Leonhard (1495–1567)
Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) Paminger, Leonhard (1495–1567) Appears on: 354–360 Genres: Motet Source Attribution: Leonhardus Paminger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dixit dominus domino meo sede a dextris II: Juravit Dominus & non poenitebit
360–361	Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	-	Clemens non Papa/[J. Louys]	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 360–361 Genres: Motet Source Attribution: Clemens non Papa/[J. Louys] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Haec est arbor dignissima in qua salutis
361–362	Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?) Appears on: 361–362 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pars secunda : O crux benedicta quae sola fuisti
362–364	Si bona suscepimus de manu Domini	-	Verdelot/[Richafort]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Si bona suscepimus de manu Domini Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 362–364 Genres: Motet Source Attribution: Verdelot/[Richafort] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si bona suscepimus de manu domini
364–365	Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 364–365 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lapidabant Stephanum invocantem & dicentem
365–367	Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 365–367 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Impetum fecerunt unanimiter in eum
367–368	In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	-	Ja. Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 367–368 Genres: Motet Source Attribution: Ja. Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In honore beatissimae Annae iubilemus
368–370	In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 368–370 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Coeleste beneficium introivit in Annam
370–371	Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum	-	Gasparus Othmarus	Othmayr, Caspar
Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum Othmayr, Caspar Appears on: 370–371 Genres: Motet Source Attribution: Gasparus Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Octo sunt passiones quibus admodum
371–372	Hominum laudes honores praelationes	-	Gaspar Othmeyr	Othmayr, Caspar
Hominum laudes honores praelationes Othmayr, Caspar Appears on: 371–372 Genres: Motet Source Attribution: Gaspar Othmeyr Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hominum laudes honores praelationes
372–373	Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio	-	Caspar Othmeyr	Othmayr, Caspar
Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio Othmayr, Caspar Appears on: 372–373 Genres: Motet Source Attribution: Caspar Othmeyr Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Proin omnis animi elatio lachrima
373–374	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	-	Josquin Baston/[Cleve]	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?) Appears on: 373–374 Genres: Motet Source Attribution: Josquin Baston/[Cleve] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum transisset sabbathum Maria Magdalena
374–376	Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	-	-	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?) Appears on: 374–376 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Et valde mane una sabbathorum
376–379	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	-	Thomas Bachofen	Bachofen, Thomas
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) Bachofen, Thomas Appears on: 376–379 Genres: Motet Source Attribution: Thomas Bachofen Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Beati omnes qui timent dominum qui ambulant II: Benedicat tibi dominus ex Sion
379–381	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 379–381 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Collegerunt pontifices & Pharisaei
381–382	Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	-	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 381–382 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Altera pars : Unus autem ex ipsis Cayphas nomine
383	Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate	-	Anon.	Anonymous
Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate Anonymous Appears on: 383 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Si diligitis me mandata mea servate
384–385	Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est	-	-	Anonymous
Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est Anonymous Appears on: 384–385 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Accipite spiritum sanctum in vobis
385–387	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	-	Adrianus Vuillart/[Obrecht]	Willaert, Adrian (ca. 1490–1562) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Willaert, Adrian (ca. 1490–1562) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 385–387 Genres: Motet Source Attribution: Adrianus Vuillart/[Obrecht] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater noster qui es in caelis
387–388	Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	-	Verdelot/[Lasson]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?) Appears on: 387–388 Genres: Motet Source Attribution: Verdelot/[Lasson] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Virtute magna reddebant apostoli
388–389	Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	-	-	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 388–389 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Repleti sunt quidem spiritu sancto
389–390	Dulces exuviae dum fata Deusque (3vv)	-	Joannes Mouton/[Willaert]	Willaert, Adrian (ca. 1490–1562)
Dulces exuviae dum fata Deusque (3vv) Willaert, Adrian (ca. 1490–1562) Appears on: 389–390 Genres: Motet Source Attribution: Joannes Mouton/[Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dulces exuviae dum fata deusque General Note This 4vv Dulces exuviae is the 3vv Dulces exuviae elsewhere attributed to Adrian Willaert, with a fourth si placet voice. The attribution to Mouton is surely spurious. (The 4vv Mouton version in London Royal 8 G. vii is a different piece.) (information provided by Benjamin Ory.)
390–391	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	-	Johan. Walterus	Walter, Johann (1496–1570)
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis Walter, Johann (1496–1570) Appears on: 390–391 Genres: Motet Source Attribution: Johan. Walterus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus misereatur nostri & benedicat nobis
391–392	Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam	-	-	Walter, Johann (1496–1570)
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam Walter, Johann (1496–1570) Appears on: 391–392 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Laetentur & exultent gentes quoniam
393–394	Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Adrianus Vuillart/[Obrecht]	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 393–394 Genres: Ave Maria, Motet Source Attribution: Adrianus Vuillart/[Obrecht] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ave Maria gratia plena dominus tecum
394–395	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	-	Johann: Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 394–395 Genres: Motet Source Attribution: Johann: Richafort Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quem dicunt homines esse filium hominis
396–397	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	-	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 396–397 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Petre diligis me qui respondens
397–399	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	-	Lupus [Hellinck]/[Gombert]	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 397–399 Genres: Motet Source Attribution: Lupus [Hellinck]/[Gombert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati omnes qui timent dominum qui ambulant
399–400	Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo	-	-	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 399–400 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars altera : Ecce sic benedicetur homo qui timet
400–401	Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	-	Anon.	Anonymous
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio Anonymous Appears on: 400–401 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Beatus vir] Qui non abiit in consilio
401–402	Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	-	-	Anonymous
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam Anonymous Appears on: 401–402 Genres: Monophonic conductus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pars secunda : Non sic impii non sic sed tanquam
402–404	Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv)	-	Ludovicus Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 402–404 Genres: Motet Source Attribution: Ludovicus Senfel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Homo quidam fecit cenam magnam & misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum
404–405	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 404–405 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ierusalem surge & sta in excelso & vide
405–407	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 405–407 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Leva in circuitu oculos tuos & vide
407	Veri adoratores adorabunt patrem in spiritu	-	Simon Cellarius	Cellarius, Simon (ca. 1500–1544)
Veri adoratores adorabunt patrem in spiritu Cellarius, Simon (ca. 1500–1544) Appears on: 407 Genres: Motet Source Attribution: Simon Cellarius Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veri adoratores adorabunt patrem in spiritu
407–410	Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	-	Josquin	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Despres, Josquin (ca. 1450–1521) Appears on: 407–410 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui habitat in adiutorio altissimi
410–412	Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	-	-	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum Despres, Josquin (ca. 1450–1521) Appears on: 410–412 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c4 Voice Text: Secunda pars : Non accedat ad te malum
412–415	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	-	Janin	Janin
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) Janin Appears on: 412–415 Genres: Motet Source Attribution: Janin Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Super salutem & omnem pulchritudinem II: Dixi sapientiae soror mea & prudentiam
415–416	Da Jacob das Kleid ansah mit großem Schmerzen	-	Ludovicus Senfl/[Alder]	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 415–416 Genres: Motet Source Attribution: Ludovicus Senfl/[Alder] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Da Jacob das Kleid ansah mit grossem schmertzen
416–417	Tu es Petrus et super hanc petram	-	[L. Padovano]	Padovano [Patavus], Laurus
Tu es Petrus et super hanc petram Padovano [Patavus], Laurus Appears on: 416–417 Genres: Motet Source Attribution: [L. Padovano] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tu es Petrus & super hanc petram
417–419	Non eadem facies anni non aeris idem	-	Anon.	Anonymous
Non eadem facies anni non aeris idem Anonymous Appears on: 417–419 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non eadem facies anni non aeris idem
419–421	Scandala ne mundi cures ecclesia Christi	-	Anon.	Anonymous
Scandala ne mundi cures ecclesia Christi Anonymous Appears on: 419–421 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Scandala ne mundi cures Ecclesia
421–423	Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	-	Sebastianus Hollandt/[C. Hollander/Lassus]	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 421–423 Genres: Motet Source Attribution: Sebastianus Hollandt/[C. Hollander/Lassus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Cum [sic] transisset sabbathum Maria Magdalena II: Et valde mane una sabatorum veniunt
423–424	Prima die sabbatorum Maria Magdalena	-	Lupus Hellinck	Hellinck, Lupus (ca. 1494–1541)
Prima die sabbatorum Maria Magdalena Hellinck, Lupus (ca. 1494–1541) Appears on: 423–424 Genres: Motet Source Attribution: Lupus Hellinck Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Primo die sabbatorum Maria Magdalena
424–425	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	-	La Fage	Fage, Jean de la
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus Fage, Jean de la Appears on: 424–425 Genres: Motet Source Attribution: La Fage Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Super flumina Babilonis illic sedimus
426–427	Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	-	-	Fage, Jean de la
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero Fage, Jean de la Appears on: 426–427 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Si oblitus fuero tui Jerusalem
428	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	-	Constantinus Festa	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 428 Genres: Motet Source Attribution: Constantinus Festa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Agite poenitentiam appropinquat regnum coelorum
428–429	O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris)	-	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 428–429 Genres: Contrafactum, Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O fili dei succurre miseris iuva pusillanimes [= Sancta Maria succurre miseris iuva]
429	Ecce Dominus veniet nolite timere 14.5	-	Incerti autoris [Jonckers/Josquin/Senfl]	Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 429 Genres: Motet Source Attribution: Incerti autoris [Jonckers/Josquin/Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce dominus veniet nolite timere
430–431	Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis	-	Leon. Paminger	Paminger, Leonhard (1495–1567)
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis Paminger, Leonhard (1495–1567) Appears on: 430–431 Genres: Motet Source Attribution: Leon. Paminger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Discumbentibus illis undecim apostolis
431–432	Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt	-	-	Paminger, Leonhard (1495–1567)
Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt Paminger, Leonhard (1495–1567) Appears on: 431–432 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Signa eos qui in me credunt
432	Erhalt uns Her bei Deinem wort und steur	-	Anon.	Anonymous
Erhalt uns Her bei Deinem wort und steur Anonymous Appears on: 432 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Erhalt uns Her bei deinem wort und steur
433–434	Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	-	Jo: Mouton/[Lafage]	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?) Appears on: 433–434 Genres: Motet Source Attribution: Jo: Mouton/[Lafage] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Elisabeth Zachariae magnum virum genuit
434–435	Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	-	-	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?) Appears on: 434–435 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: 2. pars : Inter natos mulierum non surrexit
435–436	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	-	Georgius Prenner	Prenner, Georg (–1590)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Prenner, Georg (–1590) Appears on: 435–436 Genres: Motet Source Attribution: Georgius Prenner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Factum est silentium in caelo dum committeret
436–437	Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	-	-	Prenner, Georg (–1590)
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei Prenner, Georg (–1590) Appears on: 436–437 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c3 Voice Text: 2. pars : Millia millium ministrabant ei
438–439	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	-	Orlandus [de Lassus]/[Wert]	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 438–439 Genres: Motet Source Attribution: Orlandus [de Lassus]/[Wert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Transeunte domino clamabat coecus ad eum
439–440	Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	-	-	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 439–440 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Et ait illi Jesus quid vis ut faciam
445–467	index	-	-	-
index Appears on: 445–467
inside rear cover	list of trios	-	-	-
list of trios Appears on: inside rear cover

Composer	Compositions
Alder, Cosmas (1500-1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 415–416 Ich weiss ein stoltze müllerin – 328–329
Anonymous	Accedite omnes / Ihr Schlemmer frei Herr Wirt – 137 Ach höchster hort, du edles Blut gedenk – 326 Ade zur guten Nacht, ade gesund sehn wir – 59 Ambulans Jesus juxta mare Galileae – 95–96 Amy souffrez que je vous ayme – 132 Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio – 400–401 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam – 401–402 Beatus vir qui non abiit ... Selig ist der Mann – 31 Ces facheux sots qui mesdisent d'aymer – 131 Christum wir sollen loben schon – 204 Contingat illis turturum concordia cor meum – 90 Da trunken sie die liebe lange Nacht – 312–313 Defali convivium – 195–196 Douleur me bat et tristesse m'affolle – 144 Durch Adams Fall ist ganz verderbt – 59–60 Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) – 214–215 Erhalt uns Her bei Deinem wort und steur – 432 Fortune laissez moi la vie Puisque tu veulx – 140 Freundlicher grüss mit buss ward mir heimlich – 218–219 Gaudete psallentes mire laudantes virginis – 194–195 Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) – 207–208 Hilf glück mit freuden (= Gaude laetare Jerusalem) – 155 Hola he par la vertu goy dieu vous gart – 145 In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) – 306–308 In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum – 15–16 Jamque miraissoe – 139–140 Je ne scay pas comment a mon entendement – 138 Magnum Oseae quem decus virginale parturit – 309 Meum est propositum in taberna mori – 83 Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) – 331–333 Mit fried und freud ich fahr dahin – 47–48 Mit hohem fleiss freundlicher weis – 153–154 Möcht ich Gunst haben bei dir das kann ich – 212 Non eadem facies anni non aeris idem – 417–419 Non habites ubi sumptus lucra exuperant – 91 Nun lass uns frisch und fröhlich sein – 81 Nun meisterlich wir heben singen an – 196–198 O reynischer wein du schmeckst mir wol – 76–77 Ob ich schon arm und elend bin – 30 Optima virtutum Sophia mea viscera – 105–106 Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) – 336–338 Propter bonos geschwenckos – 51 Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) – 60–61 Quid ultra debui facere ego quidem – 42–43 Scandala ne mundi cures ecclesia Christi – 419–421 Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate – 383 Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est – 384–385 Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) – 40–41 Studenten Art und Freulen zart – 234–235 Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) – 18–20 Tota pulchra es amica mea et macula – 100–102 Usquequo Domine oblivisceris me in finem – 14–15 Veni electa mea et ponam in te thronum – 62–63 Venite / Ihr schlemmer frei zu diesem guten wein – 132–133 Veu le grief mal ou sans fin je labeure – 133–134 Weinikhen / Auserlesner franzosen – 39 Welscher tantz – 202–203 Zart schöne Frau gedenk und schau – 329 [No description] – inside rear cover [No description] – 16 [No description] – 445–467
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) – 190–194
Arcadelt, Jacques (ca. 1507-1568)	Ahi se la donna mia qual'hor lasso mi vede – 118–119 Ahime dov'è'l bel viso in cui solea – 111–112 Deh dimm' amor se l'alma di costei – 121–122 (?) Dum complerentur dies Pentecostes erant omnes – 281–282 (?) Fammi pur guerr' amor quando tu vuoi – 112–113 Gaudent in caelis animae sanctorum – 264–266 Il bianco e dolce cigno cantando more – 119–120 Il bianco e dolce cigno cantando more – 141–142 Io dico che fra voi potenti Dei convien – 122–123 Non ch'io non voglio mai altro pensiero – 120–121 Poss'io morir di mala morte s'io non v'amo – 117–118 Pungente dardo che 'l mio cor consumi – 115–116 Quand' io pens' al martire amor che tu – 107–108 Quanta belta quanta gratia e splendore – 117 Quanti travagli e pene, quant' ogn' hor dogli e morti – 123–124 Se per colpa del vostro fiero sdegno – 124–125 Ver' inferno e'l mio petto ver' infernale – 108–109 Voi ve n' andat' al cielo occhi beati – 110–111 Voulant amour sub parler gracieulx – 156–157 Vous perdes temps de me dire mal d'elle – 150–151
Bachofen, Thomas	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) – 376–379
Barra, Hotinet (1510-23)	(?) Nuptiae factae sunt in Chana Gallileae – 248–251
Baston, Josquin (1542–63)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 373–374 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 374–376 (?) Je prens en gre le dure mort (4vv) – 77–78
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 326–327
Berchem, Jacques (ca. 1505-1567)	(?) Pungente dardo che 'l mio cor consumi – 115–116
Bourgois	Si par faveur d'amour mostez le pris – 164
Bruck, Arnold von (ca. 1500-1554)	Da pacem Domine in diebus nostris – 201 Sancta Trinitas unus Deus miserere nobis (6vv) – 303–304 Wie geht es zu, dass heut und nu – 206
Brumel, Antoine (ca. 1460-ca. 1513)	Sicut lilium inter spinas sic anima mea – 63
Bucher, Johannes	Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) – 346–349
Buchmaier, Johann	Ach Gott wem soll ichs klagen das heimliche leiden – 23 Lex per Moÿsen data est gratia et veritas – 349 (?) Sophia span das füllin an den wagen – 32 Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) – 344–345
Buchner, Hans	(?) Sophia span das füllin an den wagen – 32
Buus, Jacques	Bandez vostre arc du traict de jouissance – 160 Las si mon coeur eut mis en aultre part – 172–173
Caballus, Burckhardus	(?) Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) – 72–75
Cadeac, P(ierre?)	Il n'est celui qui naît quelque adventure – 146
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 272 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 273–274
Campis, Henrico de	Si à t'aymer ton maintien gratieulx – 163
Canis, Cornelius	Tota pulchra es amica mea et macula – 178–179
Cellarius, Simon (ca. 1500-1544)	Veri adoratores adorabunt patrem in spiritu – 407
Certon, Pierre (-ca. 1572)	(?) Fortune hellas [alors] que n'avois cognoissance – 150 O triste adieu qui tant me mescontente – 148–149 (?) Puisque prier n'est de vous entendu – 162–163 Ung moins aymant aura peult estre mieulx – 169
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor – 186–187 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie – 187–188 Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium – 35–37 Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans – 37–38 Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas – 54–56 Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero – 56–57 (?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 360–361 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 361–362 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus – 367–368 In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio – 368–370 In te Domine speravi non confundar – 188–190 (?) Je prens en gre le dure mort (4vv) – 77–78 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 404–405 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 405–407 Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem – 364–365 Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum – 365–367 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 219–222 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 222–223 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 86–87 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 87–88 Timor et tremor venit in Ninivem civitatem – 174–176 (?) Une fillette bien gorriere embrassa – 199–200
Clereau, Pierre	(?) Fortune hellas [alors] que n'avois cognoissance – 150 M'amye a eu de Dieu le don que de beauté – 166
Cleve, Johannes de (ca. 1528-1582)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 373–374 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 374–376
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Disce bone clerice virgines amare – 233–234 In te Domine speravi non confundar – 334–336
Compère, Loyset (ca. 1445-1518)	Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) – 293
Conseil, Jean (ca. 1498-1534)	Adjuva me Domine - 1a pars (of 2): Adjuva me Domine – 20–21 Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum – 21–22 (?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 287 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 287–288 Gott dank ich ietz unnd allezeit – 22–23
Corteccia, (Pier) Francesco	(?) Fammi pur guerr' amor quando tu vuoi – 112–113
Coste, Gabriel	Rigueur me tient et doulx acueil – 166–167 Si les oyseaulx n'avoyent espoir sortir – 168–169 Ung pouvre aÿmant de l'amour mesdisoit – 165–166
Crecquillon, Thomas (ca. 1505-ca. 1557)	Adjuva nos Deus salutaris noster – 92–93 Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 229–231 Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 231–233 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require – 225–226 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias – 226–227 Guerissez moi du mal que mon coeur porte – 115 Jamais en ce monde n'aurais regrets – 113 Jamais en ce monde n'aurais regrets – 311–312 Pour un plaisir qui si peu dure – 64 (?) Viri Galilaei quid aspicitis in caelum – 299–300 (?) Vous perdez temps de me dire mal d'elle – 136–137
Despres, Josquin (ca. 1450-1521)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 300–301 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 301–302 (?) Ecce Dominus veniet nolite timere 14.5 – 429 In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum – 259–261 In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo – 261–263 In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est – 263 In te Domine speravi non confundar 28.18 – 62 Puer natus est nobis et filius datus est 26.9 – 206–207 Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi – 407–410 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum – 410–412 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 314–315 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 315–316 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 316–317
Ducis, Benedictus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 216–217 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 217–218
Dulot, Francois	(?) Longtemps y a que je vis en espoir – 33–34
Eckel, Matthias	Was unfahls quall in nöthen thut – 33
Elimon (Elimot)	(?) Nuptiae factae sunt in Chana Gallileae – 248–251
Faber, Heinrich (ca. 1500-1552)	Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) – 310–311 (?) Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) – 72–75
Fage, Jean de la	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 433–434 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 434–435 (?) Rex autem David cooperto capite incedens – 79–80 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus – 424–425 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero – 426–427
Festa, Costanzo (ca. 1485-1545)	(?) Afflitti spiriti miei siate contenti – 294 (?) Che parlo o dove sono chi m'inganna – 247–248 (?) Che si puo piu vedere madonna – 244–246 (?) Ingiustissimo amor perche si raro – 255–256 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 428 (?) Madonna al volto mio – 243–244 (?) Madonna io prend'ardire narrar con lingua – 295–296 (?) Madonna io vo am' e taccio ve'l puo giurar – 246–247 (?) Ogni belta madonna ch'io veggi'altrui – 291–292 Quando ritrovo la mia pastorella – 153 (?) Se non fosse il sperar che mi conforta – 251–252 (?) Se non fosse il sperar che mi conforta – 254 (?) Sopra una verde è dilettosa riva – 292 (?) Una donna l'altrier fissa mirai piu lucente – 296–297 (?) Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) – 293 (?) Venut'era madonna al mio languire – 252–253
Fevin, Antoine de (ca. 1470-ca. 1512)	Sancta Trinitas unus Deus miserere nobis (6vv) – 303–304 (?) Vulnerasti cor meum (2p. Veni in ortum meum) – 45–46
Finck, Heinrich	(?) Sauff aus und machts nicht lange – 96–97 Schön bin ich nicht mein höchster hort – 47 (?) Uncur – 100
Fogliano, Giacomo (1468-1548)	(?) Afflitti spiriti miei siate contenti – 294 (?) Che parlo o dove sono chi m'inganna – 247–248 (?) Che si puo piu vedere madonna – 244–246 (?) Ingiustissimo amor perche si raro – 255–256 (?) Madonna al volto mio – 243–244 (?) Madonna io prend'ardire narrar con lingua – 295–296 (?) Madonna io vo am' e taccio ve'l puo giurar – 246–247 (?) Ogni belta madonna ch'io veggi'altrui – 291–292 (?) Se non fosse il sperar che mi conforta – 251–252 (?) Se non fosse il sperar che mi conforta – 254 (?) Sopra una verde è dilettosa riva – 292 (?) Una donna l'altrier fissa mirai piu lucente – 296–297 (?) Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) – 293 (?) Venut'era madonna al mio languire – 252–253
Forster, Georg (ca. 1510-1568)	Vergangen ist mir glück und heil – 200–201
Forster, Johannes	(?) Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati – 65–66 (?) Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus – 66–67 (?) Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu – 67–69
Galliculus, Johannes	Apparuit benignitas et humanitas salvatoris – 213 In natali Domini clamant mortales / Wo ist uns das Kind geborn – 203–204 (?) Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati – 65–66 (?) Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus – 66–67 (?) Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu – 67–69
Gardano, Antonio	(?) Vivre ne puis content sans sa présence – 31–32
Gascongne, Mathieu (?Johannes) (1517-1518)	(?) Rex autem David cooperto capite incedens – 79–80
Godard, Robert	Helas amour je pensoye bien avoir – 145–146
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 397–399 (?) Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo – 399–400 Cur mittis violas nempe ut violentius – 41–42 (?) Vater unser im Himmelreich (= Le content est riche) – 134–135 (?) Vostre beaulte plaisant et lyé me donne recreation – 106–107
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 326–327
Greiter, Matthias	Ach Gott wem soll ichs klagen das heimliche leiden – 323–324 Mir ist ein feins brauns maidelein gefallen – 323 Von üppiglichen dingen so wil ichs sehen – 329–330
Grundlerus, Andreas	Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) – 235–240
Hailland, Petrus	Puis qui'il convient et sans nul contredict – 17–18
Heintz, Wolff	Gehe wie es will, demnach ich soll mich – 143
Hellinck, Lupus (ca. 1494-1541)	(?) Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 397–399 (?) Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo – 399–400 (?) Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 288–289 (?) Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 290–291 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 272 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 273–274 Prima die sabbatorum Maria Magdalena – 423–424 (?) Rex autem David cooperto capite incedens – 79–80 (?) Vostre beaulte plaisant et lyé me donne recreation – 106–107
Hemmel, Sigmund	Der töricht spricht es ist kein Got – 105
Hemmerlen, Georgius	Ne recorderis peccata mea Domine cum veneris – 297–298
Herman, Johann	Parvulus nobis nascitur de virgine – 205
Hofhaimer, Paul	Ach lieb mit leid wie hast Dein B'scheid – 224 Mein einigs A. ich Dein beleib und mich – 198–199 Zucht Ehr und Lob ihr wohnet bei – 228
Hollander, Christian	(?) Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 229–231 (?) Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 231–233 (?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 421–423
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 421–423
Isaac, Heinrich (ca. 1450-1517)	Cum esset desponsata mater Jesu Maria – 353–354 Missa Quant j'ai au coeur: Benedictus – 215–216
Janequin, Clement (ca. 1485-ca. 1558)	(?) Je prens en gre le dure mort (4vv) – 77–78 (?) Une fillette bien gorriere embrassa – 199–200
Janin	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) – 412–415
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 429 Tria sunt munera- 1a pars (of 2): Tria sunt munera – 256–257 Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae – 258–259
Keutzenhoff, Johannes	Ach Gott, wem soll ichs klagen das heimliche Leiden – 23 Chara Joanna veni sanctum solare Joannem – 29–30 Frisch und frölich wölln wir leben – 97–98 Kommt her zu mir, spricht Gottes Sohn – 63–64
Lasson, Mathieu	(?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 387–388 (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 388–389
Lassus, Orlande de (ca. 1532-1594)	(?) Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 438–439 (?) Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 439–440
Lheritier, Jean (ca. 1480-ca. 1551)	(?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 287 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 287–288 Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem – 269–270 Senex puerum - 2a pars (of 2): Hodie beata virgo – 270–271
Louys, Jean (ca. 1530-1563)	(?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 360–361 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 361–362
Lupi, Johannes (ca. 1506-1539)	(?) Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 266–267 (?) Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 267–269 (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 48–49 (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 50–51
Lys, F de	En lieu du bien que doux souloient – 171–172 Mon coeur entier j'ai donne vraiement – 164–165 Ne penses pas mesdisans envieulx – 170
M.	Het sold ein meisken gaen om win – 51–53
Maffoni, Hieronymus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 216–217 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 217–218
Maillard, Jean (c1538–1570)	Amours brusle par son ardente flamme – 160–161 In me transierunt irae tuae et terrores – 184–186 Si comme espoir je n'ai de guarison – 168
Manchicourt, Pierre de	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 39–40 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 86–87 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 87–88 Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te – 181–182 Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 183–184
Mantua, Jacquet de (1483-1559)	Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni – 350–352 Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram – 352–353 Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum – 283–284 Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei – 284–286 (?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 98–100
Morales, Cristóbal de (ca. 1500-1553)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 98–100 Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum – 338–339 Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi – 339–341
Morel, Clement	Tota pulchra es amica mea et macula – 177–178
Moulu, Pierre (ca. 1484-ca. 1550)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 70–71 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 71–72
Mouton, Jean (ca. 1459-1522)	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 433–434 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 434–435 (?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 70–71 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 71–72 (?) Languir me fais sans t'avoir offensé – 130–131 Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 266–267 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 267–269 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 314–315 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 315–316 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 316–317 (?) Vulnerasti cor meum (2p. Veni in ortum meum) – 45–46
Muller, Johann	Guckguckh hat sich zu todt gefallen – 313–314
Obrecht, Jacobus (ca. 1457-1505)	(?) Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 385–387 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 393–394
Othmayr, Caspar	Eia, der Vogel ass ein Ei, da gab er – 97 Ein gutes närrisch Tänz – 88–89 Es wolt ein Jäger jagen wolt jagen – 320 Graecia quae quondam virtute / Trink wein – 28–29 Hinc abiens quoniam cogor / So schwing ich mich – 27 Hominum laudes honores praelationes – 371–372 Ich armer boss bin ganz verwirrt – 321 Ich bin durch Frauleins willen – 78–79 Ich ritt einmal spazieren durch den gruenen – 320–321 Ich weiss mir ein medlin hubsch und fein – 322–323 Lieblich hat sich gesellet mein herz – 318 Non argus largus non Magdalena Mathusalem – 34–35 Nun wolt ich lieber elend sein – 318–319 Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio – 372–373 Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum – 370–371 Omnia vertuntur certe vertuntur amore – 342–344 Philippe qui videt me alleluia – 83–86 Quisquis requiem quaeris feminam cave – 341–342 Rebus in adversis patiens terit omnia – 77 Scaevola tu coenas apud omnes nullus – 93–94 Vincat amor recti pulcherrima quaeque – 93 (?) Vineae florentes odorem / Wir haben einen guten Wirt – 94–95 Von Deinetwegen bin ich hie herzlieb – 322 Von Herzen mein bin ich ir geneigt – 317–318 Wach auff mein hort und hör mein stim – 319–320
Padovano [Patavus], Laurus	Tu es Petrus et super hanc petram – 416–417
Paminger, Leonhard (1495-1567)	Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis – 430–431 Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt – 431–432 Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) – 354–360
Panurge	(?) Puisque prier n'est de vous entendu – 162–163
Pathie, Rogier (ca. 1510-ca. 1564)	(?) Je prens en gre le dure mort (4vv) – 77–78 Nur leichtsinnig (= D'amour me plains) – 57–58
Pionnier, Joannes (-1573)	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) – 102–105
Pisano, Bernardo	(?) Una donna l'altrier fissa mirai piu lucente – 296–297
Potzinger, Johannes	Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) – 24–25
Prenner, Georg (-1590)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 435–436 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei – 436–437
Rein, Conrad (ca. 1475-1522)	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli – 304–305 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis – 305–306
Richafort, Jean (ca. 1480-ca. 1550)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 300–301 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 301–302 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 288–289 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 290–291 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 272 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 273–274 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 394–395 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 396–397 (?) Si bona suscepimus de manu Domini – 362–364
Rore, Cipriano de (ca. 1515-1565)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 98–100
Ruffo, Vincenzo (ca. 1508-1587)	A che cerchar gli specchi et fonti – 126–127 Amor poiche non vuole la bella donna – 128–129 Io non trovo me stesso stella del ciel – 125–126 Sent'un pensier in me d'amor che dice – 129–130
Sandrin, Pierre (ca. 1490-ca. 1560)	Ce qui souloit en deux se despartir – 149 (?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 39–40 L'amour première en jeunesse innocente – 167 (?) Le deuil issu de la joye incertaine – 161–162 (?) Si mon travail vous peult donner plaisir – 157–158 (?) Vous perdez temps de me dire mal d'elle – 136–137 Vous usurpez dames injustement le commander – 152
Schalreutter, Paulus	Ich hab gehört von Gottes wort – 53–54
Senfl, Ludwig (ca. 1486-ca. 1543)	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium – 379–381 Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine – 381–382 (?) Da Jacob das Kleid ansah mit großem Schmerzen – 415–416 (?) Ecce Dominus veniet nolite timere 14.5 – 429 Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) – 402–404 Ich armes maidlein klag mich sehr wie soll mir – 325–326 Sum tuus in vita (4vv) [M109] – 208–210 Was ist die Welt, gelt hat allein den Preis – 211
Sermisy, Claudin de (ca. 1490-1562)	C'est a grant tort que moi povrette endure – 26 D'ou [dont] vient cela belle je vous supply – 135 Il est jour dit l'alouette allons jouer – 140–141 Jouissance vous donnerai, mon ami – 131–132 (?) Languir me fais sans t'avoir offensé – 130–131 (?) Le coeur est bon et le vouloir aussi – 138–139 (?) Longtemps y a que je vis en espoir – 33–34 Maudite soit la mondaine richesse – 156 Mon coeur voulut dedans soy recepvoir – 158–159 Pourtant si je suis brunette ami – 151–152 (?) Si mon travail vous peult donner plaisir – 157–158 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 134 (?) Vater unser im Himmelreich (= Le content est riche) – 134–135 Venus par toutt cherche son filz perdu – 147 Vivray je tousjours en soucy pour vous – 136 Vivre ne puis content sans sa présence – 31–32 (?) Vous perdez temps de me dire mal d'elle – 136–137
Silva, Andreas de (ca. 1475-ca. 1522)	(?) Mein G'müt und Blüt ist gar entzünden – 327–328 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 314–315 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 315–316 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 316–317
Spengler, Lazarus	Dieweil umsonst jetz alle Kunst am Tag – 330–331
Stahel, Johann	Quam pulcra es amica mea oculi tui – 350 Unam petii Domino hanc inveni haec erit – 240–241
Susato, Tylman	Si de present peine j'endure dire puis – 75–76 Si tu te plains d'amours tant seulement – 26–27
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Deus qui sedes super thronum (4vv) – 275–277 Divini occhi sereni occhi sempre di gratia – 114–115 Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) – 241–243 Donna leggiadra e bella che con le vostre – 114 (?) Dum complerentur dies Pentecostes erant omnes – 281–282 O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) – 428–429 (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 48–49 (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 50–51 (?) Si bona suscepimus de manu Domini – 362–364 (?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 387–388 (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 388–389 Vita della mia vita quando gran tort – 142–143
Vicinus, Eberhardus	Missa C'est à grand tort: Agnus Dei – 14 Missa C'est à grand tort: Credo – 9–12 Missa C'est à grand tort: Gloria – 8–9 Missa C'est à grand tort: Kyrie – 7–8 Missa C'est à grand tort: Sanctus – 12–13
Villiers, P[ierre?] de	En grant douleur faict son triste demeure – 147–148 Je n'oserois le penser véritable – 170–171 L'heur et malheur de vostre cognoissance – 159 (?) Le deuil issu de la joye incertaine – 161–162 Preste moÿ lung de tes yeulx bien – 173–174
Vinders, Jheronimus (c1525-1526)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 70–71 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 71–72
Walter, Johann (1496-1570)	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis – 390–391 Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam – 391–392 (?) Deus qui sedes super thronum (4vv) – 275–277 Festum nunc celebre magnaque gaudia (5vv) – 280–281 Gelobet seist Du, Jesu Christ, dass Du Mensch – 205 Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice – 277–278 Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus – 278–280
Wenck, J.	(?) Mein G'müt und Blüt ist gar entzünden – 327–328
Wert, Giaches [Jaches] de (1535-1596)	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 438–439 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 439–440
Willaert, Adrian (ca. 1490-1562)	(?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 287 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 287–288 Dulces exuviae dum fata Deusque (3vv) – 389–390 Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 385–387 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 393–394 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 179–180 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 180–181 (?) Rex autem David cooperto capite incedens – 44
Wüst, Paul	Freundlich von art ein freulein zart – 324–325
Zirler, Stephan (ca. 1518-1568)	Bewahr mich Herr und sei nicht fern – 81–83
le Brun, Jean (early 16th century)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 300–301 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 301–302

Composition	Composers (? Uncertain)	Folios / Pages
A che cerchar gli specchi et fonti	Ruffo, Vincenzo (ca. 1508–1587)	126–127
Accedite omnes / Ihr Schlemmer frei Herr Wirt	Anonymous	137
Ach Gott wem soll ichs klagen das heimliche leiden	Buchmaier, Johann	23
Ach Gott wem soll ichs klagen das heimliche leiden	Greiter, Matthias	323–324
Ach Gott wem soll ichs klagen das heimliche leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	326–327
Ach Gott, wem soll ichs klagen das heimliche Leiden	Keutzenhoff, Johannes	23
Ach höchster hort, du edles Blut gedenk	Anonymous	326
Ach lieb mit leid wie hast Dein B'scheid	Hofhaimer, Paul	224
Ade zur guten Nacht, ade gesund sehn wir	Anonymous	59
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	186–187
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	187–188
Adjuva me Domine - 1a pars (of 2): Adjuva me Domine	Conseil, Jean (ca. 1498–1534)	20–21
Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum	Conseil, Jean (ca. 1498–1534)	21–22
Adjuva nos Deus salutaris noster	Crecquillon, Thomas (ca. 1505–ca. 1557)	92–93
Afflitti spiriti miei siate contenti	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	294
Ahi se la donna mia qual'hor lasso mi vede	Arcadelt, Jacques (ca. 1507–1568)	118–119
Ahime dov'è'l bel viso in cui solea	Arcadelt, Jacques (ca. 1507–1568)	111–112
Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni	Mantua, Jacquet de (1483–1559)	350–352
Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram	Mantua, Jacquet de (1483–1559)	352–353
Ambulans Jesus juxta mare Galileae	Anonymous	95–96
Amor poiche non vuole la bella donna	Ruffo, Vincenzo (ca. 1508–1587)	128–129
Amours brusle par son ardente flamme	Maillard, Jean (fl. c1538–1570)	160–161
Amy souffrez que je vous ayme	Anonymous	132
Apparuit benignitas et humanitas salvatoris	Galliculus, Johannes	213
Bandez vostre arc du traict de jouissance	Buus, Jacques	160
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria	Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?)	287
Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam	Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)	287–288
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	397–399
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?)	399–400
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	Bachofen, Thomas	376–379
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	190–194
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	Anonymous	400–401
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	Anonymous	401–402
Beatus vir qui non abiit ... Selig ist der Mann	Anonymous	31
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	81–83
C'est a grant tort que moi povrette endure	Sermisy, Claudin de (ca. 1490–1562)	26
Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	35–37
Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	37–38
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	Mantua, Jacquet de (1483–1559)	283–284
Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei	Mantua, Jacquet de (1483–1559)	284–286
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	54–56
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	56–57
Ce qui souloit en deux se despartir	Sandrin, Pierre (ca. 1490–ca. 1560)	149
Ces facheux sots qui mesdisent d'aymer	Anonymous	131
Chara Joanna veni sanctum solare Joannem	Keutzenhoff, Johannes	29–30
Che parlo o dove sono chi m'inganna	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)	247–248
Che si puo piu vedere madonna	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)	244–246
Christum wir sollen loben schon	Anonymous	204
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	Senfl, Ludwig (ca. 1486–ca. 1543)	379–381
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	Senfl, Ludwig (ca. 1486–ca. 1543)	381–382
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	229–231
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	231–233
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)	300–301
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	301–302
Contingat illis turturum concordia cor meum	Anonymous	90
Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete)	Faber, Heinrich (ca. 1500–1552)	310–311
Cum esset desponsata mater Jesu Maria	Isaac, Heinrich (ca. 1450–1517)	353–354
Cur mittis violas nempe ut violentius	Gombert, Nicolas (ca. 1495–ca. 1560)	41–42
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	135
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	415–416
Da pacem Domine in diebus nostris	Bruck, Arnold von (ca. 1500–1554)	201
Da trunken sie die liebe lange Nacht	Anonymous	312–313
Defali convivium	Anonymous	195–196
Deh dimm' amor se l'alma di costei	Arcadelt, Jacques (ca. 1507–1568)	121–122
Der töricht spricht es ist kein Got	Hemmel, Sigmund	105
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	Walter, Johann (1496–1570)	390–391
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam	Walter, Johann (1496–1570)	391–392
Deus qui sedes super thronum (4vv)	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	275–277
Dieweil umsonst jetz alle Kunst am Tag	Spengler, Lazarus	330–331
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	216–217
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	217–218
Disce bone clerice virgines amare	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	233–234
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis	Paminger, Leonhard (1495–1567)	430–431
Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt	Paminger, Leonhard (1495–1567)	431–432
Divini occhi sereni occhi sempre di gratia	Verdelot, Philippe (ca. 1480–ca. 1532)	114–115
Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit)	Paminger, Leonhard (1495–1567)	354–360
Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae)	Verdelot, Philippe (ca. 1480–ca. 1532)	241–243
Donna leggiadra e bella che con le vostre	Verdelot, Philippe (ca. 1480–ca. 1532)	114
Douleur me bat et tristesse m'affolle	Anonymous	144
Dulces exuviae dum fata Deusque (3vv)	Willaert, Adrian (ca. 1490–1562)	389–390
Dulcis memoria et suavis recordatio (= Doulce memoire)	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?)	39–40
Dum complerentur dies Pentecostes erant omnes	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	281–282
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)	373–374
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)	374–376
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	Hollander, Sebastian (?) Hollander, Christian (?)	421–423
Durch Adams Fall ist ganz verderbt	Anonymous	59–60
Ecce Dominus veniet nolite timere 14.5	Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	429
Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus)	Anonymous	214–215
Eia, der Vogel ass ein Ei, da gab er	Othmayr, Caspar	97
Ein gutes närrisch Tänz	Othmayr, Caspar	88–89
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)	433–434
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)	434–435
En grant douleur faict son triste demeure	Villiers, P[ierre?] de	147–148
En lieu du bien que doux souloient	Lys, F de	171–172
Erhalt uns Her bei Deinem wort und steur	Anonymous	432
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	Crecquillon, Thomas (ca. 1505–ca. 1557)	225–226
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	Crecquillon, Thomas (ca. 1505–ca. 1557)	226–227
Es wolt ein Jäger jagen wolt jagen	Othmayr, Caspar	320
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Prenner, Georg (–1590)	435–436
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	Prenner, Georg (–1590)	436–437
Fammi pur guerr' amor quando tu vuoi	Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?)	112–113
Festum nunc celebre magnaque gaudia (5vv)	Walter, Johann (1496–1570)	280–281
Fortune hellas [alors] que n'avois cognoissance	Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?)	150
Fortune laissez moi la vie Puisque tu veulx	Anonymous	140
Freundlich von art ein freulein zart	Wüst, Paul	324–325
Freundlicher grüss mit buss ward mir heimlich	Anonymous	218–219
Frisch und frölich wölln wir leben	Keutzenhoff, Johannes	97–98
Gaudent in caelis animae sanctorum	Arcadelt, Jacques (ca. 1507–1568)	264–266
Gaudete psallentes mire laudantes virginis	Anonymous	194–195
Gehe wie es will, demnach ich soll mich	Heintz, Wolff	143
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	205
Gott dank ich ietz unnd allezeit	Conseil, Jean (ca. 1498–1534)	22–23
Graecia quae quondam virtute / Trink wein	Othmayr, Caspar	28–29
Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis)	Anonymous	207–208
Guckguckh hat sich zu todt gefallen	Muller, Johann	313–314
Guerissez moi du mal que mon coeur porte	Crecquillon, Thomas (ca. 1505–ca. 1557)	115
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	360–361
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)	361–362
Helas amour je pensoye bien avoir	Godard, Robert	145–146
Het sold ein meisken gaen om win	M.	51–53
Hilf glück mit freuden (= Gaude laetare Jerusalem)	Anonymous	155
Hinc abiens quoniam cogor / So schwing ich mich	Othmayr, Caspar	27
Hola he par la vertu goy dieu vous gart	Anonymous	145
Hominum laudes honores praelationes	Othmayr, Caspar	371–372
Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv)	Senfl, Ludwig (ca. 1486–ca. 1543)	402–404
Ich armer boss bin ganz verwirrt	Othmayr, Caspar	321
Ich armes maidlein klag mich sehr wie soll mir	Senfl, Ludwig (ca. 1486–ca. 1543)	325–326
Ich bin durch Frauleins willen	Othmayr, Caspar	78–79
Ich hab gehört von Gottes wort	Schalreutter, Paulus	53–54
Ich ritt einmal spazieren durch den gruenen	Othmayr, Caspar	320–321
Ich weiss ein stoltze müllerin	Alder, Cosmas (1500–1550)	328–329
Ich weiss mir ein medlin hubsch und fein	Othmayr, Caspar	322–323
Il bianco e dolce cigno cantando more	Arcadelt, Jacques (ca. 1507–1568)	119–120
Il bianco e dolce cigno cantando more	Arcadelt, Jacques (ca. 1507–1568)	141–142
Il est jour dit l'alouette allons jouer	Sermisy, Claudin de (ca. 1490–1562)	140–141
Il n'est celui qui naît quelque adventure	Cadeac, P(ierre?)	146
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	367–368
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	368–370
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	70–71
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?)	71–72
In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus)	Anonymous	306–308
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	184–186
In natali Domini clamant mortales / Wo ist uns das Kind geborn	Galliculus, Johannes	203–204
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum	Despres, Josquin (ca. 1450–1521)	259–261
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo	Despres, Josquin (ca. 1450–1521)	261–263
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est	Despres, Josquin (ca. 1450–1521)	263
In te Domine speravi non confundar	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	188–190
In te Domine speravi non confundar	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	334–336
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	Anonymous	15–16
In te Domine speravi non confundar 28.18	Despres, Josquin (ca. 1450–1521)	62
Ingiustissimo amor perche si raro	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)	255–256
Io dico che fra voi potenti Dei convien	Arcadelt, Jacques (ca. 1507–1568)	122–123
Io non trovo me stesso stella del ciel	Ruffo, Vincenzo (ca. 1508–1587)	125–126
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)	288–289
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)	290–291
Jamais en ce monde n'aurais regrets	Crecquillon, Thomas (ca. 1505–ca. 1557)	113
Jamais en ce monde n'aurais regrets	Crecquillon, Thomas (ca. 1505–ca. 1557)	311–312
Jamque miraissoe	Anonymous	139–140
Je n'oserois le penser véritable	Villiers, P[ierre?] de	170–171
Je ne scay pas comment a mon entendement	Anonymous	138
Je prens en gre le dure mort (4vv)	Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?)	77–78
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)	272
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	273–274
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	428
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	404–405
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	405–407
Jouissance vous donnerai, mon ami	Sermisy, Claudin de (ca. 1490–1562)	131–132
Kommt her zu mir, spricht Gottes Sohn	Keutzenhoff, Johannes	63–64
L'amour première en jeunesse innocente	Sandrin, Pierre (ca. 1490–ca. 1560)	167
L'heur et malheur de vostre cognoissance	Villiers, P[ierre?] de	159
Languir me fais sans t'avoir offensé	Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	130–131
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	364–365
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	365–367
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	Pionnier, Joannes (–1573)	102–105
Las si mon coeur eut mis en aultre part	Buus, Jacques	172–173
Le coeur est bon et le vouloir aussi	Sermisy, Claudin de (ca. 1490–1562) (?)	138–139
Le deuil issu de la joye incertaine	Villiers, P[ierre?] de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	161–162
Lex per Moÿsen data est gratia et veritas	Buchmaier, Johann	349
Lieblich hat sich gesellet mein herz	Othmayr, Caspar	318
Longtemps y a que je vis en espoir	Dulot, Francois (?) Sermisy, Claudin de (ca. 1490–1562) (?)	33–34
M'amye a eu de Dieu le don que de beauté	Clereau, Pierre	166
Madonna al volto mio	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	243–244
Madonna io prend'ardire narrar con lingua	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)	295–296
Madonna io vo am' e taccio ve'l puo giurar	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	246–247
Magnum Oseae quem decus virginale parturit	Anonymous	309
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	219–222
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	222–223
Maudite soit la mondaine richesse	Sermisy, Claudin de (ca. 1490–1562)	156
Mein einigs A. ich Dein beleib und mich	Hofhaimer, Paul	198–199
Mein G'müt und Blüt ist gar entzünden	Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	327–328
Meum est propositum in taberna mori	Anonymous	83
Mir ist ein feins brauns maidelein gefallen	Greiter, Matthias	323
Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde)	Anonymous	331–333
Missa C'est à grand tort: Agnus Dei	Vicinus, Eberhardus	14
Missa C'est à grand tort: Credo	Vicinus, Eberhardus	9–12
Missa C'est à grand tort: Gloria	Vicinus, Eberhardus	8–9
Missa C'est à grand tort: Kyrie	Vicinus, Eberhardus	7–8
Missa C'est à grand tort: Sanctus	Vicinus, Eberhardus	12–13
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	215–216
Mit fried und freud ich fahr dahin	Anonymous	47–48
Mit hohem fleiss freundlicher weis	Anonymous	153–154
Mon coeur entier j'ai donne vraiement	Lys, F de	164–165
Mon coeur voulut dedans soy recepvoir	Sermisy, Claudin de (ca. 1490–1562)	158–159
Möcht ich Gunst haben bei dir das kann ich	Anonymous	212
Ne penses pas mesdisans envieulx	Lys, F de	170
Ne recorderis peccata mea Domine cum veneris	Hemmerlen, Georgius	297–298
Non argus largus non Magdalena Mathusalem	Othmayr, Caspar	34–35
Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus)	Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?)	72–75
Non ch'io non voglio mai altro pensiero	Arcadelt, Jacques (ca. 1507–1568)	120–121
Non eadem facies anni non aeris idem	Anonymous	417–419
Non habites ubi sumptus lucra exuperant	Anonymous	91
Nun lass uns frisch und fröhlich sein	Anonymous	81
Nun meisterlich wir heben singen an	Anonymous	196–198
Nun wolt ich lieber elend sein	Othmayr, Caspar	318–319
Nuptiae factae sunt in Chana Gallileae	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)	248–251
Nur leichtsinnig (= D'amour me plains)	Pathie, Rogier (ca. 1510–ca. 1564)	57–58
O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris)	Verdelot, Philippe (ca. 1480–ca. 1532)	428–429
O reynischer wein du schmeckst mir wol	Anonymous	76–77
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	Rein, Conrad (ca. 1475–1522)	304–305
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	Rein, Conrad (ca. 1475–1522)	305–306
O triste adieu qui tant me mescontente	Certon, Pierre (–ca. 1572)	148–149
Ob ich schon arm und elend bin	Anonymous	30
Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio	Othmayr, Caspar	372–373
Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum	Othmayr, Caspar	370–371
Ogni belta madonna ch'io veggi'altrui	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	291–292
Omnia vertuntur certe vertuntur amore	Othmayr, Caspar	342–344
Optima virtutum Sophia mea viscera	Anonymous	105–106
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	Rore, Cipriano de (ca. 1515–1565) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Mantua, Jacquet de (1483–1559) (?)	98–100
Parvulus nobis nascitur de virgine	Herman, Johann	205
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	Willaert, Adrian (ca. 1490–1562) Obrecht, Jacobus (ca. 1457–1505) (?)	385–387
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	393–394
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	86–87
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Willaert, Adrian (ca. 1490–1562)	179–180
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	87–88
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Willaert, Adrian (ca. 1490–1562)	180–181
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	Manchicourt, Pierre de	181–182
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Manchicourt, Pierre de	183–184
Philippe qui videt me alleluia	Othmayr, Caspar	83–86
Poss'io morir di mala morte s'io non v'amo	Arcadelt, Jacques (ca. 1507–1568)	117–118
Pour un plaisir qui si peu dure	Crecquillon, Thomas (ca. 1505–ca. 1557)	64
Pourtant si je suis brunette ami	Sermisy, Claudin de (ca. 1490–1562)	151–152
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	Anonymous	336–338
Preste moÿ lung de tes yeulx bien	Villiers, P[ierre?] de	173–174
Prima die sabbatorum Maria Magdalena	Hellinck, Lupus (ca. 1494–1541)	423–424
Propter bonos geschwenckos	Anonymous	51
Puer natus est nobis et filius datus est 26.9	Despres, Josquin (ca. 1450–1521)	206–207
Puis qui'il convient et sans nul contredict	Hailland, Petrus	17–18
Puisque prier n'est de vous entendu	Panurge (?) Certon, Pierre (–ca. 1572) (?)	162–163
Pungente dardo che 'l mio cor consumi	Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?)	115–116
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?)	266–267
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)	267–269
Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum)	Anonymous	60–61
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)	48–49
Quam pulchra est - 2a pars (of 2): Veni dilecte mi	Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	50–51
Quam pulcra es amica mea oculi tui	Stahel, Johann	350
Quand' io pens' al martire amor che tu	Arcadelt, Jacques (ca. 1507–1568)	107–108
Quando ritrovo la mia pastorella	Festa, Costanzo (ca. 1485–1545)	153
Quanta belta quanta gratia e splendore	Arcadelt, Jacques (ca. 1507–1568)	117
Quanti travagli e pene, quant' ogn' hor dogli e morti	Arcadelt, Jacques (ca. 1507–1568)	123–124
Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati	Galliculus, Johannes (?) Forster, Johannes (?)	65–66
Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus	Forster, Johannes (?) Galliculus, Johannes (?)	66–67
Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu	Galliculus, Johannes (?) Forster, Johannes (?)	67–69
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	394–395
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	396–397
Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam)	Grundlerus, Andreas	235–240
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	Despres, Josquin (ca. 1450–1521)	407–410
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	Despres, Josquin (ca. 1450–1521)	410–412
Quid ultra debui facere ego quidem	Anonymous	42–43
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	341–342
Rebus in adversis patiens terit omnia	Othmayr, Caspar	77
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	44
Rex autem David cooperto capite incedens	Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fage, Jean de la (?)	79–80
Rigueur me tient et doulx acueil	Coste, Gabriel	166–167
Sancta Trinitas unus Deus miserere nobis (6vv)	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)	303–304
Sauff aus und machts nicht lange	Finck, Heinrich (?)	96–97
Scaevola tu coenas apud omnes nullus	Othmayr, Caspar	93–94
Scandala ne mundi cures ecclesia Christi	Anonymous	419–421
Schön bin ich nicht mein höchster hort	Finck, Heinrich	47
Se non fosse il sperar che mi conforta	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	251–252
Se non fosse il sperar che mi conforta	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	254
Se per colpa del vostro fiero sdegno	Arcadelt, Jacques (ca. 1507–1568)	124–125
Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem	Lheritier, Jean (ca. 1480–ca. 1551)	269–270
Senex puerum - 2a pars (of 2): Hodie beata virgo	Lheritier, Jean (ca. 1480–ca. 1551)	270–271
Sent'un pensier in me d'amor che dice	Ruffo, Vincenzo (ca. 1508–1587)	129–130
Si bona suscepimus de manu Domini	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	362–364
Si comme espoir je n'ai de guarison	Maillard, Jean (fl. c1538–1570)	168
Si de present peine j'endure dire puis	Susato, Tylman	75–76
Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate	Anonymous	383
Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est	Anonymous	384–385
Si les oyseaulx n'avoyent espoir sortir	Coste, Gabriel	168–169
Si mon travail vous peult donner plaisir	Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	157–158
Si par faveur d'amour mostez le pris	Bourgois	164
Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum)	Anonymous	40–41
Si tu te plains d'amours tant seulement	Susato, Tylman	26–27
Si à t'aymer ton maintien gratieulx	Campis, Henrico de	163
Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux)	Bucher, Johannes	346–349
Sicut lilium inter spinas sic anima mea	Brumel, Antoine (ca. 1460–ca. 1513)	63
Sophia span das füllin an den wagen	Buchner, Hans (?) Buchmaier, Johann (?)	32
Sopra una verde è dilettosa riva	Fogliano, Giacomo (1468–1548) (?) Festa, Costanzo (ca. 1485–1545) (?)	292
Studenten Art und Freulen zart	Anonymous	234–235
Sum tuus in vita (4vv) [M109]	Senfl, Ludwig (ca. 1486–ca. 1543)	208–210
Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus)	Anonymous	18–20
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	Fage, Jean de la	424–425
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	Fage, Jean de la	426–427
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	Janin	412–415
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	134
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	314–315
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	315–316
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus	Despres, Josquin (ca. 1450–1521) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?)	316–317
Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus)	Potzinger, Johannes	24–25
Timor et tremor venit in Ninivem civitatem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	174–176
Tota pulchra es amica mea et macula	Anonymous	100–102
Tota pulchra es amica mea et macula	Morel, Clement	177–178
Tota pulchra es amica mea et macula	Canis, Cornelius	178–179
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)	438–439
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)	439–440
Tria sunt munera- 1a pars (of 2): Tria sunt munera	Jonckers, Maistre Gosse	256–257
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae	Jonckers, Maistre Gosse	258–259
Tu es Petrus et super hanc petram	Padovano [Patavus], Laurus	416–417
Una donna l'altrier fissa mirai piu lucente	Fogliano, Giacomo (1468–1548) (?) Pisano, Bernardo (?) Festa, Costanzo (ca. 1485–1545) (?)	296–297
Unam petii Domino hanc inveni haec erit	Stahel, Johann	240–241
Uncur	Finck, Heinrich (?)	100
Une fillette bien gorriere embrassa	Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	199–200
Ung moins aymant aura peult estre mieulx	Certon, Pierre (–ca. 1572)	169
Ung pouvre aÿmant de l'amour mesdisoit	Coste, Gabriel	165–166
Usquequo Domine oblivisceris me in finem	Anonymous	14–15
Vater unser im Himmelreich (= Le content est riche)	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	134–135
Veni electa mea et ponam in te thronum	Anonymous	62–63
Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne)	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?) Compère, Loyset (ca. 1445–1518)	293
Venite / Ihr schlemmer frei zu diesem guten wein	Anonymous	132–133
Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos)	Buchmaier, Johann	344–345
Venus par toutt cherche son filz perdu	Sermisy, Claudin de (ca. 1490–1562)	147
Venut'era madonna al mio languire	Festa, Costanzo (ca. 1485–1545) (?) Fogliano, Giacomo (1468–1548) (?)	252–253
Ver' inferno e'l mio petto ver' infernale	Arcadelt, Jacques (ca. 1507–1568)	108–109
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	Morales, Cristóbal de (ca. 1500–1553)	338–339
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	Morales, Cristóbal de (ca. 1500–1553)	339–341
Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice	Walter, Johann (1496–1570)	277–278
Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus	Walter, Johann (1496–1570)	278–280
Vergangen ist mir glück und heil	Forster, Georg (ca. 1510–1568)	200–201
Veri adoratores adorabunt patrem in spiritu	Cellarius, Simon (ca. 1500–1544)	407
Veu le grief mal ou sans fin je labeure	Anonymous	133–134
Vincat amor recti pulcherrima quaeque	Othmayr, Caspar	93
Vineae florentes odorem / Wir haben einen guten Wirt	Othmayr, Caspar (?)	94–95
Viri Galilaei quid aspicitis in caelum	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	299–300
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)	387–388
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	388–389
Vita della mia vita quando gran tort	Verdelot, Philippe (ca. 1480–ca. 1532)	142–143
Vivray je tousjours en soucy pour vous	Sermisy, Claudin de (ca. 1490–1562)	136
Vivre ne puis content sans sa présence	Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?)	31–32
Voi ve n' andat' al cielo occhi beati	Arcadelt, Jacques (ca. 1507–1568)	110–111
Von Deinetwegen bin ich hie herzlieb	Othmayr, Caspar	322
Von Herzen mein bin ich ir geneigt	Othmayr, Caspar	317–318
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	329–330
Vostre beaulte plaisant et lyé me donne recreation	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	106–107
Voulant amour sub parler gracieulx	Arcadelt, Jacques (ca. 1507–1568)	156–157
Vous perdes temps de me dire mal d'elle	Arcadelt, Jacques (ca. 1507–1568)	150–151
Vous perdez temps de me dire mal d'elle	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	136–137
Vous usurpez dames injustement le commander	Sandrin, Pierre (ca. 1490–ca. 1560)	152
Vulnerasti cor meum (2p. Veni in ortum meum)	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)	45–46
Wach auff mein hort und hör mein stim	Othmayr, Caspar	319–320
Was ist die Welt, gelt hat allein den Preis	Senfl, Ludwig (ca. 1486–ca. 1543)	211
Was unfahls quall in nöthen thut	Eckel, Matthias	33
Weinikhen / Auserlesner franzosen	Anonymous	39
Welscher tantz	Anonymous	202–203
Wie geht es zu, dass heut und nu	Bruck, Arnold von (ca. 1500–1554)	206
Zart schöne Frau gedenk und schau	Anonymous	329
Zucht Ehr und Lob ihr wohnet bei	Hofhaimer, Paul	228

Set: A. R. 940-941

Type: Partbooks

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D-Rp A. R. 940-941 (A)

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D-Rp A. R. 940-941 (B)

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D-Rp A. R. 940-941 (D)

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D-Rp A. R. 940-941 (Q)

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D-Rp A. R. 940-941 (T)

‡ denotes primary source study

Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 222-58. Notes: contents list; incipits.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvi, 32-4, 73. Notes: physical description; contents list (partial); concordances (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 7, 159-60, 162-5, 180-93. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I, 58-60, 163ff, 320, 324. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 17-8, 20-1, 31, 33-4, 113-4, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 146. Notes: physical description (partial); mention of MS; discussion.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 200-l, 336. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliii, liv, lxii. Notes: physical description (partial); contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I, 147, 233ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Notes: physical description (partial); contents list; concordances; incipits (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX, iv, vi; XXI, xii, 95-103. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 54, 57, 87, 111, 113-8, 126ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94, 98-9. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, xiii, 142, 149; XVI, 99-100; XXVI, 134-40, 145-50, 153, 161-5; LXX, 193,208-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Rp A. R. 940-941 (T)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

General Description

Binding

Watermark

Notation

Foliation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

General Note