Very small fragment, torn all round as if scraped off another surface. No text on recto, fragmentary latin text in red (... mus Ihe...) and black (...sp...) on verso. Curtis and Wathey give the text as a Venite.
| Archive | Cathedral Archives, Canterbury, England (GB-CA) |
|---|---|
| Shelfmark | Add. Ms. 128/66 |
| Surface | Paper |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Notation
black with black text and red text (presumably for reduced scoring)
Ruling
red staves
Foliation
r+v
Surface
Paper
DIAMM Note
NB The CANT numbers (1-5) were allocated by Sandon in his 1976 ‘Fragments’ article. They do not correspond to a reference in the form ‘Add. Ms. 128/(CANT no.)’.
128/2 = not clear whether this was ever anything different
128/5 = CANT 2 (cannot currently be traced) – the current 128/5 is different from CANT contents
128/6 = CANT 3
128/7 = CANT 5 (reported as stolen in 1977) – current 128/7 has no music
128/8 - incorporates the former 128/71 = CANT 1
128/13 – now has no music (seems to have become 128/66)
128/62 = CANT 6
128/65 = CANT 4
128/66 – may be the one formerly 128/13
128/70 – no olim
128/71 – now incorporated into 128/8
CANT 1 = 128/8
CANT 2 = 128/5 (not the current 128/5 though)
CANT 3 = 128/6
CANT 4 = 128/65
CANT 5 = 128/7
CANT 6 = 128/62
verso
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‡ denotes primary source study
Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
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DIAMM
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Surface Note; DIAMM Note