GB-Cu Ff.vi.16

University Library, Cambridge, England

missal with added polyphony: 14th century music, copied early 15th century

Archive University Library, Cambridge, England (GB-Cu)
Shelfmark Ff.vi.16
Surface Parchment
Numbering System Foliation
Format landscape
Measurements 161 x 107 (RISM); 160 x 110 (CCM) mm
Other Identifiers
  • RISM: GB-Cu 16
  • RISM: CbA
  • CCM: CambriU Ff.6.16
Notations
  • black full mensural
  • black void mensural
Relationships
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

Masses and devotions of St. Augustine's, Canterbury; only ff. 1 and 246 have music. These two folios once served as flyleaves, and may have been part of the same page. Different scribes copied the two pieces; the hand of the textless piece seems later. Copied in England (Canterbury?).

DIAMM, 2017
Binding

New covers of brown leather over pasteboard with gilt on spine.

DIAMM, 2017
Notation

1st piece in black notation with no mimims, second piece in black notation with some minims, semi-minims and hollow notes (15c hand)

DIAMM, 2017
Date

Early 15th century (RISM); the book itself dates from the late 15th or early 16th century

DIAMM, 2017
Ruling

red staves

DIAMM, 2017
Foliation

New pencil foliation

DIAMM, 2017
Foliation

1 & 246 (r+v) (RISM gives f.245)

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM B/IV 2: A 15th or early 16th century paper manuscript meas. 161 x 107 mm. and containing 245 folios. The main contents are prayers with rubrics and initials in red. The two musical fragments are included in the main foliation, which is in modern pencil at t.r.r. It would appear that the two fragments are the upper and lower part of one and the same page, with a strip missing in the middle. The 14th century music written in three-part score on red five-line staves contains no minims, but a later scribe added a second piece, still in black notation but with a few minims, semiminims and hollow notes, in an early 15th century hand. The binding is of medium brown leather over pulp boards, with gilt on the spine.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet (incomplete), 1 textless piece = 2

Anonymous

246 paper folios, 160 x 110. New pencil foliation. New covers of brown leather over pasteboard with gilt on spine. Black mensural notation on red staves. Different scribes copied the two pieces; the hand of the textless piece seems later. Small red initials. The book contains Masses and devotions of St. Augustine's, Canterbury; only ff. 1 and 246 have music. These two folios once served as flyleaves, and may have been part of the same page.

Early 15th century (RISM); the book itself dates from the late 15th or early 16th century. Copied in England (Canterbury?).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

246

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v, 246 & 1 Virgini Marie laudes... natum qui redemit...prave cohorti. Marie filius res miserere. - Anonymous
Appears on: 1v, 246 & 1
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Virgini Marie laudes... natum qui redemit...prave cohorti. Marie filius res miserere.
General Note

fragmentary

Layout

score

Item Bibliography

Summers, William John. 1990. English Fourteenth-Century Polyphonic Music. An Inventory of the Extant Manuscript Sources. The Journal of Musicology, 173-226. Pages: plate 27.

1 & 246v untexted - -

untexted

Appears on: 1 & 246v
Voice: [no designation]
Languages: none
Clef: no clef

Voice: Tenor
Languages: none
Clef: c3
General Note

textless; two voices in 15th-century black notes; incipit uncertain

Layout

parts

Composition Composers (? Uncertain) Folios / Pages
Virgini Marie laudes... natum qui redemit...prave cohorti. Marie filius res miserere. Anonymous 1v, 246 & 1

Images © 2002 Cambridge University Library; reproduced by kind permission of the syndics of Cambridge University Library

denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Russell, Theodore C. 1967. Cantus Firmus Technique in the Music of Fifteenth Century Manuscripts of English Provenance. Student Musicologists at Minnesota, 52-77.

Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: I, 78.

Davey, Henry. 1921. History of English Music.  London.

Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description