D-Dl MS Löbau 12 (6)

Sächsische Landesbibliothek, Dresden, Germany

partbook: Date 1565 in manuscript

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 12 (6)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 150 x 195 mm
Other Identifiers
  • CCM: DresSL Löbau 12
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 26 pieces from 13 composers
General Description

A Sextus partbook from a set of six volumes. This book does not contain the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557): it is manuscript only.

Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

20 folios

DIAMM, 2023
Binding

Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Pieces are numbered.

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 37 motets = 40

Canis-1, Clemens non Papa-19, Crecquillon-6, Lassus-2, L. Loys-1, Maessens-1, Morales-1, Phinot-1, Rivulo-2, Scheiffler-1, Vaet-2, Walter-1, Willaert-1, Willaert/(Rore)-l

6 paper partbooks, each (except book 6) consisting of the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557), with manuscript additions before the prints (D-l folio, A-0, T-0, B-3, Q-3) and after the prints (D-54 + i folios, A-?, T-54 + i, B-?, Q-?), 150 x 195. Book 6 (S-20 folios), 150 x 195, is manuscript only, not an addition to a print. No foliation, but the pieces are numbered. Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers. Copied by a single scribe.

Date 1565 in manuscript. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Vol 4

Physical: Walter print = RISM W176.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Musica Dei donum optimi -
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Musica Dei donum optimi
[-] Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum -
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sic Deus dilexit mundum
General Note

Bk 97:38

2 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: 2
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [part 2]
General Note

Bk 97:38. Incomplete - ending only, owing to loss of pages

2–3 Misit Herodes rex manus ut affligeret Ludovicus Loys
Appears on: 2–3
Genres: Motet
Source Attribution: Ludovicus Loys
Voice: [no designation]
Languages: Latin
Voice Text: Misit Herodes rex manus
3–4 Vias tuas Domine demonstra mihi et semitas (anon)
Appears on: 3–4
Genres: Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas Domine demonstra mihi et semitas
General Note

Bk 97:20 (4 v.)

4–6 Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait Franciscus Scheifler
Appears on: 4–6
Genres: Motet
Source Attribution: Franciscus Scheifler
Voice: [no designation]
Languages: Latin
Voice Text: Adduxit Deus Evam ad Adam qui ait II: Propter hoc dimittet homo patrem
6–8 Adduxit Deus - 2a pars (of 2): Propter hoc dimittet -
Appears on: 6–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Propter hoc dimittet [part 2]
8–9 Ante me non est formatus Deus Jacobus Vaet
Appears on: 8–9
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Ante me non est formatus deus
10–11 Ecce mensurabiles posuisti dies meos Cornelius Canis
Appears on: 10–11
Genres: Motet
Source Attribution: Cornelius Canis
Voice: [no designation]
Languages: Latin
Voice Text: Ecce mensurabiles posuisti
11–13 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 11–13
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium
13–14 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 13–14
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Tibi subiecta [part 2]
15–16 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Thomas Crecquillon
Appears on: 15–16
Genres: Motet
Source Attribution: Thomas Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus omnipotens
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

17–18 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 17–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

18–20 Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna Clemens non Papa
Appears on: 18–20
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Clemens et benigne iugi
20–21 Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia -
Appears on: 20–21
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nos a miseria [part 2]
22–23 Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit Dominicus Phinot
Appears on: 22–23
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non venit
General Note

Bk 44:4

23–25 Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus -
Appears on: 23–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus impie egimus part 2
General Note

Bk 44:4

25–26 Infelix ego - 1a pars (of 2): Infelix ego omnium Willart
Appears on: 25–26
Genres: Motet
Source Attribution: Willart
Voice: [no designation]
Languages: Latin
Voice Text: Infoelix ego omnium
26 Infelix ego - 2a pars (of 2): Ad te igitur piissime -
Appears on: 26
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te igitur piissime [part 2]
27–29 Vox exultationis et salutis (anon)
Appears on: 27–29
Genres: Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Vox exultationis et salutis
30–32 Congratulamini mihi omnes qui diligitis Clemens
Appears on: 30–32
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes
General Note

Bk 7:71 - 101:24

32–34 Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi Thom: Crecquillon
Appears on: 32–34
Genres: Motet
Source Attribution: Thom: Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Cognoscimus Domine quia peccavimus
34–37 Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat -
Appears on: 34–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vita nostra in dolore [part 2]
37–39 O bone Jesu salvator mundi Petrus Massenus
Appears on: 37–39
Genres: Motet
Source Attribution: Petrus Massenus
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jesu salvator mundi
39–41 Gloria tibi Domine gloria tibi sancte Clemens
Appears on: 39–41
Genres: Response
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine
General Note

Bk 30:5 - 97:25

41 Da pacem Domine (6vv, LV 63) Orlando
Appears on: 41
Genres: Motet
Source Attribution: Orlando
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem Domine
General Note

Bk 37:131. Incomplete, end missing owing to loss of page

Composer Compositions
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Lassus, Orlande de (ca. 1532–1594)
Loys, Ludovicus
Maessens, Pieter
Phinot, Dominique
Rivulo, Franziscus de
Rore, Cipriano de (ca. 1515–1565)
Scheifler, Franciscus
Vaet, Jacobus (ca. 1529–ca. 1567)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait 4–6
Adduxit Deus - 2a pars (of 2): Propter hoc dimittet 6–8
Ante me non est formatus Deus 8–9
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 18–20
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 20–21
Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi 32–34
Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat 34–37
Congratulamini mihi omnes qui diligitis 30–32
Da pacem Domine (6vv, LV 63) 41
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 11–13
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 13–14
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 15–16
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 17–18
Ecce mensurabiles posuisti dies meos 10–11
Gloria tibi Domine gloria tibi sancte 39–41
Infelix ego - 1a pars (of 2): Infelix ego omnium 25–26
Infelix ego - 2a pars (of 2): Ad te igitur piissime 26
Misit Herodes rex manus ut affligeret 2–3
Musica Dei donum optimi [-]
O bone Jesu salvator mundi 37–39
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum [-]
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes 2
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit 22–23
Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus 23–25
Vias tuas Domine demonstra mihi et semitas 3–4
Vox exultationis et salutis 27–29

Set: MS Löbau 12 (1-6)

Type: Partbooks

No images available

D-Dl MS Löbau 12 (1)

No images available

D-Dl MS Löbau 12 (2)

No images available

D-Dl MS Löbau 12 (3)

No images available

D-Dl MS Löbau 12 (4)

No images available

D-Dl MS Löbau 12 (5)

No images available

D-Dl MS Löbau 12 (6)

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 125-7. Notes: physical description (partial); contents list; concordances (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: II, v; IV, plate xxvii. Notes: concordances (partial); facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description