D-Dl MS Löbau 12 (4)

Sächsische Landesbibliothek, Dresden, Germany

partbook: Date 1565 in manuscript

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 12 (4)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 150 x 195 mm
Other Identifiers
  • CCM: DresSL Löbau 12
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 68 pieces from 19 composers
General Description

A Bassus partbook from a set of six volumes. Each book except for the Sextus contains the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557), with manuscript additions before & mostly after the prints (Sextus has manuscript only).

Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

3 folios before the prints; 47 ff after them

DIAMM, 2023
Binding

Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination.

DIAMM, 2017
Foliation

Other numberings: Pieces are numbered.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 37 motets = 40

Canis-1, Clemens non Papa-19, Crecquillon-6, Lassus-2, L. Loys-1, Maessens-1, Morales-1, Phinot-1, Rivulo-2, Scheiffler-1, Vaet-2, Walter-1, Willaert-1, Willaert/(Rore)-l

6 paper partbooks, each (except book 6) consisting of the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557), with manuscript additions before the prints (D-l folio, A-0, T-0, B-3, Q-3) and after the prints (D-54 + i folios, A-?, T-54 + i, B-?, Q-?), 150 x 195. Book 6 (S-20 folios), 150 x 195, is manuscript only, not an addition to a print. No foliation, but the pieces are numbered. Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers. Copied by a single scribe.

Date 1565 in manuscript. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Vol 4

Physical: Walter print = RISM W176.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
front: 1–front: 2 Musica Dei donum optimi -
Appears on: front: 1–front: 2
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Musica Dei donum optimi
front: 2–front: 3 Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum Franciscus de Rivulo
Appears on: front: 2–front: 3
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Sic Deus dilexit mundum
General Note

Bk 97:38

front: 3–front: 4 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: front: 3–front: 4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [part 2]
General Note

Bk 97:38

front: 5 Misit Herodes rex manus ut affligeret Ludovicus Loys
Appears on: front: 5
Genres: Motet
Source Attribution: Ludovicus Loys
Voice: [no designation]
Languages: Latin
Voice Text: Misit Herodes rex manus
front: 6 [blank staves] - -

[blank staves]

Appears on: front: 6
1 Vias tuas Domine demonstra mihi et semitas Franciscus de Rivulo
Appears on: 1
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas Domine demonstra mihi et semitas
General Note

Bk 97:20 (4 v.)

1–3 Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait Franciscus Scheifler
Appears on: 1–3
Genres: Motet
Source Attribution: Franciscus Scheifler
Voice: [no designation]
Languages: Latin
Voice Text: Adduxit Deus Evam ad Adam qui ait II: Propter hoc dimittet homo patrem
3–5 Adduxit Deus - 2a pars (of 2): Propter hoc dimittet -
Appears on: 3–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Propter hoc dimittet [part 2]
5–6 Ante me non est formatus Deus Jacobus Vaet
Appears on: 5–6
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Ante me non est formatus deus
6–8 Ecce mensurabiles posuisti dies meos Cornelius Canis
Appears on: 6–8
Genres: Motet
Source Attribution: Cornelius Canis
Voice: [no designation]
Languages: Latin
Voice Text: Ecce mensurabiles posuisti
8–9 Ne projicias - 1a pars (of 2): Ne projicias me in tempore Thomas Crequillon
Appears on: 8–9
Genres: Motet
Source Attribution: Thomas Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Ne projicias me in tempore
General Note

Bk 5:35

9–10 Ne projicias - 2a pars (of 2): Annos aeternos in mente -
Appears on: 9–10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Annos aeternos in mente [part 2]
General Note

Bk 5:35

11–12 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Thomas Crequillon
Appears on: 11–12
Genres: Motet
Source Attribution: Thomas Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium
12–13 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 12–13
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Tibi subiecta [part 2]
13–15 Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor Clemens non Papa
Appears on: 13–15
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me Domine et sanabor
15–16 Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt -
Appears on: 15–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Omnia iudicia tua [part 2]
16–17 Susanna se videns rapi stuprandam fraude (5vv) (anon)
Appears on: 16–17
Genres: Contrafactum, Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Susanna se videns rapi
General Note

Bk 40:56 - 53:7

18–19 Domine probasti me - 1a pars (of 2): Domine probasti me Clemens non Papa
Appears on: 18–19
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me
19–20 Domine probasti me - 2a pars (of 2): Proba me Domini -
Appears on: 19–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Proba me Domini
20–21 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens
Appears on: 20–21
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem surge et sta in excelso et vide II: Leva in circuitu oculos tuos et vide
General Note

Bk 99:21

21–23 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 21–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Leva in circuitu [part 2]
General Note

Bk 99:21

23–24 Domine non est - 1a pars (of 2): Domine non est exaltatum Clemens non Papa
Appears on: 23–24
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est exaltatum
24–26 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 24–26
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut ablactatus est [part 2]
26–27 Fac mecum signum - 1a pars (of 2): Fac mecum signum Clemens
Appears on: 26–27
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Fac mecum signum
27–29 Fac mecum signum - 2a pars (of 2): Illumina oculos meos -
Appears on: 27–29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Illumina oculos meos [part 2]
29–31 Aperi Domine - 1a pars (of 2): Aperi Domine oculos tuos Clemens non Papa
Appears on: 29–31
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Aperi Domine oculos tuos
31–32 Aperi Domine - 2a pars (of 2): Afflige opprimentes -
Appears on: 31–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Afflige opprimentes [part 2]
32–34 Sint lumbi vestri - 1a pars (of 2): Sint lumbi vestri praecincti Thomas [Crecquillon]
Appears on: 32–34
Genres: Motet
Source Attribution: Thomas [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Sint lumbi vestri praecincti
34–35 Sint lumbi vestri - 2a pars (of 2): Vigilate ergo quia nescitis -
Appears on: 34–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate ergo quia nescitis [part 2]
36–37 Dirige gressus meos - 1a pars (of 2): Dirige gressus meos Clemens
Appears on: 36–37
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Dirige gressus meos
37–38 Dirige gressus meos - 2a pars (of 2): Averte oculos meos -
Appears on: 37–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Averge oculos meos [part 2]
39–40 Adjuva nos Deus salutaris noster Crecquillon
Appears on: 39–40
Genres: Motet
Source Attribution: Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
40–42 Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Clemens
Appears on: 40–42
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Ego dormio et cor meum
42–43 Ego dormio - 2a pars (of 2): Surrexi ut aperirem -
Appears on: 42–43
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surrexi ut aperirem [part 2]
43–44 Verbum iniquum (II) - 1a pars (of 2): Verbum iniquum et dolosum longe fac a me Adrianus Wilhardt
Appears on: 43–44
Genres: Motet
Source Attribution: Adrianus Wilhardt
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum
45–46 Verbum iniquum (II) - 2a pars (of 2): Duo rogavi te ne deneges michi -
Appears on: 45–46
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te [part 2]
46–47 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Thomas Crecquillon
Appears on: 46–47
Genres: Motet
Source Attribution: Thomas Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus omnipotens
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

47–49 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 47–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

49–50 Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna Clemens
Appears on: 49–50
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Clemens et benigne iugi
50–52 Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia -
Appears on: 50–52
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nos a miseria [part 2]
52–53 Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit Dominicus Phinot
Appears on: 52–53
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non venit
General Note

Bk 44:4

53–54 Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus -
Appears on: 53–54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus impie egimus part 2
General Note

Bk 44:4

55–56 Infelix ego - 1a pars (of 2): Infelix ego omnium -
Appears on: 55–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Infoelix ego omnium
56–58 Infelix ego - 2a pars (of 2): Ad te igitur piissime -
Appears on: 56–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te igitur piissime [part 2]
58–59 Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Jacobum et Johannem Clemens
Appears on: 58–59
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Assumpsit Jesus Petrum
59–61 Assumpsit Jesus - 2a pars (of 2): Et ecce vox de nube -
Appears on: 59–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ecce vox de nube [part 2]
61–62 Exaltabo te - 1a pars (of 2): Exaltabo te Domine Clemens non Papa
Appears on: 61–62
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Exaltabo te Domine
63–64 Exaltabo te - 2a pars (of 2): Ad te Domine clamabo -
Appears on: 63–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te Domine clamabo [part 2]
65–66 Pater venit - 1a pars (of 2): Pater venit hora -
Appears on: 65–66
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater venit hora
66–67 Pater venit - 2a pars (of 2): Haec est autem vita aeterna -
Appears on: 66–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec est autem vita aeterna [part 2]
68–69 Vox exultationis et salutis Joannes Walter
Appears on: 68–69
Genres: Motet
Source Attribution: Joannes Walter
Voice: [no designation]
Languages: Latin
Voice Text: Vox exultationis et salutis
70–71 Tu es Petrus - 1a pars (of 2): Tu es Petrus Moralis
Appears on: 70–71
Genres: Motet
Source Attribution: Moralis
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus
71–72 Tu es Petrus - 2a pars (of 2): Quodcunque legaveris -
Appears on: 71–72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quod cunque legaveris [part 2]
72–74 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna Clemens
Appears on: 72–74
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo
General Note

Bk 21:55 - 100:9

74–75 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine -
Appears on: 74–75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Respondit miles part 2
General Note

Bk 21:55 - 100:9

76–78 Ave verum corpus natum de Maria virgine -
Appears on: 76–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus natum de Maria virgine
78–79 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes Clemens
Appears on: 78–79
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum
General Note

Bk 101:20

80–82 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 80–82
Voice: [no designation]
Languages: Latin
Voice Text: Signa eos qui in me credunt ppart 2]
General Note

Bk 101:20

82–84 Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant (anon)
Appears on: 82–84
Genres: Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies Pentecostes
General Note

Bk 44:49

84–85 Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto -
Appears on: 84–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Repleti sunt omnes [part 2]
General Note

Bk 44:49

86–87 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens
Appears on: 86–87
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare
General Note

Bk 7:53 - 21:156

87–89 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 87–89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium [part 2]
General Note

Bk 7:53 - 21:156

89–91 Congratulamini mihi omnes qui diligitis Clemens
Appears on: 89–91
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes
General Note

Bk 7:71 - 101:24

91–93 Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi Thomas Crecquillon
Appears on: 91–93
Genres: Motet
Source Attribution: Thomas Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Cognoscimus Domine quia peccavimus
93–95 Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat -
Appears on: 93–95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vita nostra in dolore [part 2]
95–97 O bone Jesu salvator mundi Petrus Massenus
Appears on: 95–97
Genres: Motet
Source Attribution: Petrus Massenus
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jesu salvator mundi
97–99 Gloria tibi Domine gloria tibi sancte Clemens non Papa
Appears on: 97–99
Genres: Response
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine
General Note

Bk 30:5 - 97:25

99–100 Da pacem Domine (6vv, LV 63) Orlando
Appears on: 99–100
Genres: Motet
Source Attribution: Orlando
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem Domine
General Note

Bk 37:131

Composer Compositions
Anonymous
Betti, Stefano
Brunet, Johannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Loys, Ludovicus
Maessens, Pieter
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Phinot, Dominique
Rivulo, Franziscus de
Rore, Cipriano de (ca. 1515–1565)
Scheifler, Franciscus
Vaet, Jacobus (ca. 1529–ca. 1567)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait 1–3
Adduxit Deus - 2a pars (of 2): Propter hoc dimittet 3–5
Adjuva nos Deus salutaris noster 39–40
Ante me non est formatus Deus 5–6
Aperi Domine - 1a pars (of 2): Aperi Domine oculos tuos 29–31
Aperi Domine - 2a pars (of 2): Afflige opprimentes 31–32
Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Jacobum et Johannem 58–59
Assumpsit Jesus - 2a pars (of 2): Et ecce vox de nube 59–61
Ave verum corpus natum de Maria virgine 76–78
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 49–50
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 50–52
Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi 91–93
Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat 93–95
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 86–87
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 87–89
Congratulamini mihi omnes qui diligitis 89–91
Da pacem Domine (6vv, LV 63) 99–100
Dirige gressus meos - 1a pars (of 2): Dirige gressus meos 36–37
Dirige gressus meos - 2a pars (of 2): Averte oculos meos 37–38
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 11–12
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 12–13
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 46–47
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 47–49
Domine non est - 1a pars (of 2): Domine non est exaltatum 23–24
Domine non est - 2a pars (of 2): Sicut ablactatus est 24–26
Domine probasti me - 1a pars (of 2): Domine probasti me 18–19
Domine probasti me - 2a pars (of 2): Proba me Domini 19–20
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant 82–84
Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto 84–85
Ecce mensurabiles posuisti dies meos 6–8
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti 40–42
Ego dormio - 2a pars (of 2): Surrexi ut aperirem 42–43
Exaltabo te - 1a pars (of 2): Exaltabo te Domine 61–62
Exaltabo te - 2a pars (of 2): Ad te Domine clamabo 63–64
Fac mecum signum - 1a pars (of 2): Fac mecum signum 26–27
Fac mecum signum - 2a pars (of 2): Illumina oculos meos 27–29
Gloria tibi Domine gloria tibi sancte 97–99
Infelix ego - 1a pars (of 2): Infelix ego omnium 55–56
Infelix ego - 2a pars (of 2): Ad te igitur piissime 56–58
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 78–79
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 80–82
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 20–21
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 21–23
Misit Herodes rex manus ut affligeret front: 5
Musica Dei donum optimi front: 1–front: 2
Ne projicias - 1a pars (of 2): Ne projicias me in tempore 8–9
Ne projicias - 2a pars (of 2): Annos aeternos in mente 9–10
O bone Jesu salvator mundi 95–97
Pater venit - 1a pars (of 2): Pater venit hora 65–66
Pater venit - 2a pars (of 2): Haec est autem vita aeterna 66–67
Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor 13–15
Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt 15–16
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum front: 2–front: 3
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes front: 3–front: 4
Sint lumbi vestri - 1a pars (of 2): Sint lumbi vestri praecincti 32–34
Sint lumbi vestri - 2a pars (of 2): Vigilate ergo quia nescitis 34–35
Susanna se videns rapi stuprandam fraude (5vv) 16–17
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit 52–53
Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus 53–54
Tu es Petrus - 1a pars (of 2): Tu es Petrus 70–71
Tu es Petrus - 2a pars (of 2): Quodcunque legaveris 71–72
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna 72–74
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine 74–75
Verbum iniquum (II) - 1a pars (of 2): Verbum iniquum et dolosum longe fac a me 43–44
Verbum iniquum (II) - 2a pars (of 2): Duo rogavi te ne deneges michi 45–46
Vias tuas Domine demonstra mihi et semitas 1
Vox exultationis et salutis 68–69

Set: MS Löbau 12 (1-6)

Type: Partbooks

No images available

D-Dl MS Löbau 12 (1)

No images available

D-Dl MS Löbau 12 (2)

No images available

D-Dl MS Löbau 12 (3)

No images available

D-Dl MS Löbau 12 (4)

No images available

D-Dl MS Löbau 12 (5)

No images available

D-Dl MS Löbau 12 (6)

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 125-7. Notes: physical description (partial); contents list; concordances (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: II, v; IV, plate xxvii. Notes: concordances (partial); facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description