D-Dl MS Löbau 12 (5)

Sächsische Landesbibliothek, Dresden, Germany

partbook: Date 1565 in manuscript

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 12 (5)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 150 x 195 mm
Other Identifiers
  • CCM: DresSL Löbau 12
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 62 pieces from 17 composers
General Description

A Quintus partbook from a set of six volumes. Each book except for the Sextus contains the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557), with manuscript additions before & mostly after the prints (Sextus has manuscript only).

Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

3 folios before the prints; 49 after them

DIAMM, 2023
Binding

Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Pieces are numbered.

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 37 motets = 40

Canis-1, Clemens non Papa-19, Crecquillon-6, Lassus-2, L. Loys-1, Maessens-1, Morales-1, Phinot-1, Rivulo-2, Scheiffler-1, Vaet-2, Walter-1, Willaert-1, Willaert/(Rore)-l

6 paper partbooks, each (except book 6) consisting of the prints RISM L779, M2173, and Walter: Magnificat octo tonorum (Jena, 1557), with manuscript additions before the prints (D-l folio, A-0, T-0, B-3, Q-3) and after the prints (D-54 + i folios, A-?, T-54 + i, B-?, Q-?), 150 x 195. Book 6 (S-20 folios), 150 x 195, is manuscript only, not an addition to a print. No foliation, but the pieces are numbered. Books 1-5 have been restored and rebound in modern brown cardboard covers; book 6 is unbound and has no covers. Copied by a single scribe.

Date 1565 in manuscript. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Vol 4

Physical: Walter print = RISM W176.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Musica Dei donum optimi Jacobus Vaet
Appears on: 1–2
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Musica Dei donum optimi
3–4 Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum Franciscus de Rivulo
Appears on: 3–4
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Sic Deus dilexit mundum
General Note

Bk 97:38

4–5 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: 4–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [part 2]
General Note

Bk 97:38

5–6 Misit Herodes rex manus ut affligeret Ludovicus Loys
Appears on: 5–6
Genres: Motet
Source Attribution: Ludovicus Loys
Voice: [no designation]
Languages: Latin
Voice Text: Misit Herodes rex manus
7 Vias tuas Domine demonstra mihi et semitas Franciscus de Rivulo
Appears on: 7
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas Domine demonstra mihi et semitas
General Note

Bk 97:20 (4 v.)

8–9 Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait Franciscus Scheifler
Appears on: 8–9
Genres: Motet
Source Attribution: Franciscus Scheifler
Voice: [no designation]
Languages: Latin
Voice Text: Adduxit Deus Evam ad Adam qui ait II: Propter hoc dimittet homo patrem
9–11 Adduxit Deus - 2a pars (of 2): Propter hoc dimittet -
Appears on: 9–11
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Propter hoc dimittet [part 2]
11–13 Ante me non est formatus Deus Jacobus Vaet
Appears on: 11–13
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Ante me non est formatus deus
13–15 Ecce mensurabiles posuisti dies meos Cornelius Canis
Appears on: 13–15
Genres: Motet
Source Attribution: Cornelius Canis
Voice: [no designation]
Languages: Latin
Voice Text: Ecce mensurabiles posuisti
15–16 Ne projicias - 1a pars (of 2): Ne projicias me in tempore Crequillon
Appears on: 15–16
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Ne projicias me in tempore
General Note

Bk 5:35

16–17 Ne projicias - 2a pars (of 2): Annos aeternos in mente -
Appears on: 16–17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Annos aeternos in mente [part 2]
General Note

Bk 5:35

17–19 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Thomas Crequillon
Appears on: 17–19
Genres: Motet
Source Attribution: Thomas Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium
19–20 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 19–20
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Tibi subiecta [part 2]
20–22 Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor Clemens non Papa
Appears on: 20–22
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me Domine et sanabor
22–23 Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt -
Appears on: 22–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Omnia iudicia tua [part 2]
24–25 Susanna se videns rapi stuprandam fraude (5vv) Orland. di Lassus
Appears on: 24–25
Genres: Contrafactum, Motet
Source Attribution: Orland. di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Susanna se videns rapi
General Note

Bk 40:56 - 53:7

25–26 Domine probasti me - 1a pars (of 2): Domine probasti me Clemens non Papa
Appears on: 25–26
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me
27–28 Domine probasti me - 2a pars (of 2): Proba me Domini -
Appears on: 27–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Proba me Domini
28–29 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens
Appears on: 28–29
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem surge et sta in excelso et vide II: Leva in circuitu oculos tuos et vide
General Note

Bk 99:21

30–31 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 30–31
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Leva in circuitu [part 2]
General Note

Bk 99:21

31–33 Domine non est - 1a pars (of 2): Domine non est exaltatum Clemens
Appears on: 31–33
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est exaltatum
33–35 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 33–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut ablactatus est [part 2]
35–36 Fac mecum signum - 1a pars (of 2): Fac mecum signum Clemens
Appears on: 35–36
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Fac mecum signum
36–38 Fac mecum signum - 2a pars (of 2): Illumina oculos meos -
Appears on: 36–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Illumina oculos meos [part 2]
38–40 Aperi Domine - 1a pars (of 2): Aperi Domine oculos tuos Clemens non Papa
Appears on: 38–40
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Aperi Domine oculos tuos
40–42 Aperi Domine - 2a pars (of 2): Afflige opprimentes -
Appears on: 40–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Afflige opprimentes [part 2]
42–44 Sint lumbi vestri - 1a pars (of 2): Sint lumbi vestri praecincti Crecquillon
Appears on: 42–44
Genres: Motet
Source Attribution: Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Sint lumbi vestri praecincti
44–46 Sint lumbi vestri - 2a pars (of 2): Vigilate ergo quia nescitis -
Appears on: 44–46
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate ergo quia nescitis [part 2]
46–47 Dirige gressus meos - 1a pars (of 2): Dirige gressus meos Clemens no Papa [sic]
Appears on: 46–47
Genres: Motet
Source Attribution: Clemens no Papa [sic]
Voice: [no designation]
Languages: Latin
Voice Text: Dirige gressus meos
48–49 Dirige gressus meos - 2a pars (of 2): Averte oculos meos -
Appears on: 48–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Averge oculos meos [part 2]
49–50 Adjuva nos Deus salutaris noster Crecquillon
Appears on: 49–50
Genres: Motet
Source Attribution: Crecquillon
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
51–52 Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Clemens
Appears on: 51–52
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Ego dormio et cor meum
53–54 Ego dormio - 2a pars (of 2): Surrexi ut aperirem -
Appears on: 53–54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surrexi ut aperirem [part 2]
55–56 Verbum iniquum (II) - 1a pars (of 2): Verbum iniquum et dolosum longe fac a me A Wilhardt
Appears on: 55–56
Genres: Motet
Source Attribution: A Wilhardt
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum
56–57 Verbum iniquum (II) - 2a pars (of 2): Duo rogavi te ne deneges michi -
Appears on: 56–57
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te [part 2]
58–59 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti (anon)
Appears on: 58–59
Genres: Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus omnipotens
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

59–61 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 59–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 37:44 - 43:3 - 100:2

61–63 Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna Clemens
Appears on: 61–63
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Clemens et benigne iugi
63–64 Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia -
Appears on: 63–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nos a miseria [part 2]
64–66 Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit Dominicus Phinot
Appears on: 64–66
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non venit
General Note

Bk 44:4

66–68 Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus -
Appears on: 66–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus impie egimus part 2
General Note

Bk 44:4

68–70 Infelix ego - 1a pars (of 2): Infelix ego omnium Adrianus Willart
Appears on: 68–70
Genres: Motet
Source Attribution: Adrianus Willart
Voice: [no designation]
Languages: Latin
Voice Text: Infoelix ego omnium
70–71 Infelix ego - 2a pars (of 2): Ad te igitur piissime -
Appears on: 70–71
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te igitur piissime [part 2]
72–73 Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Jacobum et Johannem Clemens
Appears on: 72–73
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Assumpsit Jesus Petrum
73–75 Assumpsit Jesus - 2a pars (of 2): Et ecce vox de nube -
Appears on: 73–75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ecce vox de nube [part 2]
75–77 Exaltabo te - 1a pars (of 2): Exaltabo te Domine Clemens
Appears on: 75–77
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Exaltabo te Domine
77–79 Exaltabo te - 2a pars (of 2): Ad te Domine clamabo -
Appears on: 77–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te Domine clamabo [part 2]
79–81 Pater venit - 1a pars (of 2): Pater venit hora Clemens
Appears on: 79–81
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Pater venit hora
81–82 Pater venit - 2a pars (of 2): Haec est autem vita aeterna -
Appears on: 81–82
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec est autem vita aeterna [part 2]
83–84 Vox exultationis et salutis Joan. Walter
Appears on: 83–84
Genres: Motet
Source Attribution: Joan. Walter
Voice: [no designation]
Languages: Latin
Voice Text: Vox exultationis et salutis
85 Tu es Petrus - 1a pars (of 2): Tu es Petrus Moralis
Appears on: 85
Genres: Motet
Source Attribution: Moralis
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus
General Note

Canon: "Itque reditque frequens"

85 Tu es Petrus - 2a pars (of 2): Quodcunque legaveris -
Appears on: 85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quod cunque legaveris [part 2]
General Note

Canon: "Eodem canone" (i.e. 'Itque reditque frequens')

85–87 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna Clemens
Appears on: 85–87
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo
General Note

Bk 21:55 - 100:9

87–88 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine -
Appears on: 87–88
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Respondit miles part 2
General Note

Bk 21:55 - 100:9

89–91 Ave verum corpus natum de Maria virgine -
Appears on: 89–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus natum de Maria virgine
91–93 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes Clemens
Appears on: 91–93
Genres: Motet
Source Attribution: Clemens
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum
General Note

Bk 101:20

93–95 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 93–95
Voice: [no designation]
Languages: Latin
Voice Text: Signa eos qui in me credunt ppart 2]
General Note

Bk 101:20

95–97 Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant Clemens non Papa
Appears on: 95–97
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies Pentecostes
General Note

Bk 44:49

98–99 Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto -
Appears on: 98–99
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Repleti sunt omnes [part 2]
General Note

Bk 44:49

100–101 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens non Papa
Appears on: 100–101
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare
General Note

Bk 7:53 - 21:156

101–103 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 101–103
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium [part 2]
General Note

Bk 7:53 - 21:156

103–104 Da pacem Domine (6vv, LV 63) Orlando
Appears on: 103–104
Genres: Motet
Source Attribution: Orlando
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem Domine
General Note

Bk 37:131

Composer Compositions
Betti, Stefano
Brunet, Johannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Loys, Ludovicus
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Phinot, Dominique
Rivulo, Franziscus de
Rore, Cipriano de (ca. 1515–1565)
Scheifler, Franciscus
Vaet, Jacobus (ca. 1529–ca. 1567)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Adduxit Deus - 1a pars (of 2): Adduxit Deus Evam ad Adam qui ait 8–9
Adduxit Deus - 2a pars (of 2): Propter hoc dimittet 9–11
Adjuva nos Deus salutaris noster 49–50
Ante me non est formatus Deus 11–13
Aperi Domine - 1a pars (of 2): Aperi Domine oculos tuos 38–40
Aperi Domine - 2a pars (of 2): Afflige opprimentes 40–42
Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Jacobum et Johannem 72–73
Assumpsit Jesus - 2a pars (of 2): Et ecce vox de nube 73–75
Ave verum corpus natum de Maria virgine 89–91
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 61–63
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 63–64
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 100–101
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 101–103
Da pacem Domine (6vv, LV 63) 103–104
Dirige gressus meos - 1a pars (of 2): Dirige gressus meos 46–47
Dirige gressus meos - 2a pars (of 2): Averte oculos meos 48–49
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 17–19
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 19–20
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 58–59
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 59–61
Domine non est - 1a pars (of 2): Domine non est exaltatum 31–33
Domine non est - 2a pars (of 2): Sicut ablactatus est 33–35
Domine probasti me - 1a pars (of 2): Domine probasti me 25–26
Domine probasti me - 2a pars (of 2): Proba me Domini 27–28
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant 95–97
Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto 98–99
Ecce mensurabiles posuisti dies meos 13–15
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti 51–52
Ego dormio - 2a pars (of 2): Surrexi ut aperirem 53–54
Exaltabo te - 1a pars (of 2): Exaltabo te Domine 75–77
Exaltabo te - 2a pars (of 2): Ad te Domine clamabo 77–79
Fac mecum signum - 1a pars (of 2): Fac mecum signum 35–36
Fac mecum signum - 2a pars (of 2): Illumina oculos meos 36–38
Infelix ego - 1a pars (of 2): Infelix ego omnium 68–70
Infelix ego - 2a pars (of 2): Ad te igitur piissime 70–71
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 91–93
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 93–95
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 28–29
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 30–31
Misit Herodes rex manus ut affligeret 5–6
Musica Dei donum optimi 1–2
Ne projicias - 1a pars (of 2): Ne projicias me in tempore 15–16
Ne projicias - 2a pars (of 2): Annos aeternos in mente 16–17
Pater venit - 1a pars (of 2): Pater venit hora 79–81
Pater venit - 2a pars (of 2): Haec est autem vita aeterna 81–82
Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor 20–22
Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt 22–23
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum 3–4
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes 4–5
Sint lumbi vestri - 1a pars (of 2): Sint lumbi vestri praecincti 42–44
Sint lumbi vestri - 2a pars (of 2): Vigilate ergo quia nescitis 44–46
Susanna se videns rapi stuprandam fraude (5vv) 24–25
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit 64–66
Sustinuimus pacem - 2a pars (of 2): Peccavimus impie egimus 66–68
Tu es Petrus - 1a pars (of 2): Tu es Petrus 85
Tu es Petrus - 2a pars (of 2): Quodcunque legaveris 85
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna 85–87
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine 87–88
Verbum iniquum (II) - 1a pars (of 2): Verbum iniquum et dolosum longe fac a me 55–56
Verbum iniquum (II) - 2a pars (of 2): Duo rogavi te ne deneges michi 56–57
Vias tuas Domine demonstra mihi et semitas 7
Vox exultationis et salutis 83–84

Set: MS Löbau 12 (1-6)

Type: Partbooks

No images available

D-Dl MS Löbau 12 (1)

No images available

D-Dl MS Löbau 12 (2)

No images available

D-Dl MS Löbau 12 (3)

No images available

D-Dl MS Löbau 12 (4)

No images available

D-Dl MS Löbau 12 (5)

No images available

D-Dl MS Löbau 12 (6)

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 125-7. Notes: physical description (partial); contents list; concordances (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: II, v; IV, plate xxvii. Notes: concordances (partial); facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description