D-Dl MS Grimma 52 [Sextus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: 1565-c. 1610

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 52 [Sextus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 210 x 165 mm
Other Identifiers
  • CCM: DresSL Grimma 52
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents Contains 51 compositions from 8 composers.
General Description

A Sextus partbook from an incomplete set (in the Tricinia, the Discantus is copied in this book). Copied by several scribes. Nos. 48-59 are dated “Clemens Haineck 1565”; nos 65-87 however are copied from Marenzio’s “Madrigali a Quattro Voci” of 1603, and nos. 1-47 from the Tricinia of Gastoldi & others (Nuremberg 1607).

The original owner was Clemens Haineck of Borna (near Leipzig), who presumably gave the manuscript to his son Martin Haineck (= Hayneccius), rector of the Fürstenschule St. Augustin at Grimma from 1588 to 1610. After Martin's death (1611), the manuscript was placed in the school's library; in 1890 it was deposited at the library in Dresden.

DIAMM, 2024
Extent

34pp

DIAMM, 2024
Binding

Rebound in modern brown cardboard covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

No foliation

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 47 German secular pieces, copied from RISM 1607/25. Part II: 9 motets, 2 German sacred pieces, 1 Italian secular piece = 12. Part III: 3 motets, 2 German sacred pieces, 22 Italian secular pieces (textless in this source), copied from the print RISM M584 = 27+1 duplicate = 28. Part IV: 20 textless pieces. Total for manuscript = 106 + 1 duplicate = 107

Part I: Gastoldi-15, Haussmann-5, Marenzio-3, Pecci ["Invaghito"]-11, Tantucci ["Affettuoso"]-10, Orazio Vecchi-3. Part II: Clemens non Papa-1, Hesdin-1, C. Hollander-1, Josquin-1, (Lassus)-3, (Maillard)-1, (Werrecore)-1, anon-3. Part III: Grimm-1, Marenzio-22, M. Praetorius-3, Scandello-l. Part IV: Marenzio-l + 19?

2 paper partbooks (T-68 folios, S-19), 210 x 165. No foliation. Rebound in modern brown cardboard covers. No index. Copied by several scribes.

1565-ca. 1610 (SteudeMS). The original owner was Clemens Haineck of Borna (near Leipzig), who presumably gave the manuscript to his son Martin Haineck (= Hayneccius), rector of the Fürstenschule St. Augustin at Grimma from 1588 to 1610. After Martin's death (1611), the manuscript was placed in the school's library; in 1890 it was deposited at the library in Dresden.

Vol 4

Composers: Change "Josquin-1" to "Josquin/(La Rue)-1."

DresSL Grimma 53

Contents: Change "2 hymns" to "1 hymn"; change "14 motets" to "15 motets."

Composers: Add "(Josquin/Senfl)-1"; change "(Senfl)-l" to "(Senfl)-2"; change "anon-11" to "anon-9."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Loading inventory…

The inventory could not be loaded.

Sets

Select a set to see its sources.

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6.  Wilhelmshaven. Pages: 88-9.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description