D-Dl MS Grimma 53 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-75

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 53 [Quintus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 200 mm
Other Identifiers
  • CCM: DresSL Grimma 53
Copyists
Relationships
External Links
Provenance
Contents 36 pieces from 10 composers
General Description

A Quintus partbook from a set of five volumes. Copied by Erasmus Radewald, Wolfgang Figulus, and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

Some folios have been damaged by ink corrosion

DIAMM, 2017
Binding

Rebound in modern brown cardboard covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 2 Kyrie-Gloria pairs, 1 Kyrie, 1 Sanctus, 4 Mass Proper sections, 1 Te Deum, 1 Canticle, 2 hymns, 14 motets, 3 German sacred pieces = 30

(Clemens non Papa)-1, Figulus-6 + 6?, (Gastritz)-1, (Isaac)-1, Josquin-1, (Senfl)-1, (Stoltzer)-1, (Walter)-1, anon-11

5 paper partbooks (D-87 + i folios, A-i + 102 + i, T-i + 83 + i, B-93 + i, Q-ii + 56 + i), 155 x 200. Some folios have been damaged by ink corrosion. Modern pencil foliation. Rebound in modern brown cardboard covers. No index. Copied by Erasmus Radewald, Wolfgang Figulus, and others.

Ca. 1560-75 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v Amen -
Appears on: 1v
Genres: Motet
1v–2v Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich Volfgangi Figuli Numb:
Appears on: 1v–2v
Genres: Response
Source Attribution: Volfgangi Figuli Numb:
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est. Und seine güte weret ewiglich
General Note

Bk 44:1 (Amen) - 46:15 (Präfation)

3–3v Sanctus Anon. Anonymous

Sanctus

Anonymous
Appears on: 3–3v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
4 Amen Anon. Anonymous

Amen

Anonymous
Appears on: 4
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Hebrew
Voice Text: Amen
4 Gloria tibi Domine - Anonymous

Gloria tibi Domine

Anonymous
Appears on: 4
Genres: Response
6 Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum [Figulus]
Appears on: 6
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium ostende partum II: Non ex virili semine sed mistico III: Procedens de thalamo suo pudoris IV: Deo patri sit gloria eiusque soli
General Note

Bk 47:4, 5, 2

6v–7v Veni redemptor - 2a pars (of 4): Non ex virili semine sed mistico -
Appears on: 6v–7v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non ex virili semine [part 2]
General Note

Bk 47:4, 5, 2

7v–8 Veni redemptor - 3a pars (of 4): Procedens de thalamo suo -
Appears on: 7v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Procedens de thalamo suo [part 3]
General Note

Bk 47:4, 5, 2

8v–9 Veni redemptor - 4a pars (of 4): Deo patri sit gloria -
Appears on: 8v–9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deo partri sit gloria [part 4]
General Note

Bk 47:4, 5, 2

9–10v Veni redemptor gentium - 1a pars (of 2): Veni redemptor gentium ostende partum Anon. Anonymous
Appears on: 9–10v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium ostende partum II: Egressus eius a patre regressus
General Note

Bk 96:33

11–12v Veni redemptor gentium - 2a pars (of 2): Egressus eius a patre - Anonymous
Appears on: 11–12v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Egressus eius a patre [part 2]
General Note

Bk 96:33

12v–13 Missus est angelus Gabriel ad Mariam [Senfl]
Appears on: 12v–13
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Missus est angelus Gabriel ad Mariam
General Note

Bk 48:4

13v–15 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 13v–15
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet nolite timere 14.5
General Note

RISM 1559^1:30 - Bk 48:3

16–17 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo [Gastritz]
Appears on: 16–17
Genres: Motet
Source Attribution: [Gastritz]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
General Note

Bk 21:43

17–17v Grates nunc omnes - 2a pars (of 2): Huic oportet -
Appears on: 17–17v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
General Note

Bk 21:43

18–19 De caelo veniet dominator Dominus Anon. Anonymous
Appears on: 18–19
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: De coelo veniet dominator dominus
19v–21 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus [Clemens non Papa]
Appears on: 19v–21
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pastores loquebantur ad invicem transeamus II: Et venerunt festinantes et invenerunt
General Note

RISM 1559^1:67 - Bk 96:31

21v–23 Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt -
Appears on: 21v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et venerunt festinantes [part 2]
General Note

RISM 1559^1:67 - Bk 96:31

23v–25 O admirabile commercium creator generis [Stoltzer]
Appears on: 23v–25
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
General Note

Hoffm.-Erbr. I, Wv 48 - Bk 12:!5 - 21:44 - 45:12 - 47:22 - 100:12

25v–27v Ecce Maria genuit nobis salvatorem quem Johannes [Mahu]
Appears on: 25v–27v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
28–29 Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anon. Anonymous
Appears on: 28–29
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
General Note

Bk 21:41 - 96:24

29v–31 Missa O admirabile commercium: Kyrie [Figulus]
Appears on: 29v–31
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa O admirabile commercium]
General Note

Bk 21:42 - 96:21

31v–34v Missa O admirabile commercium: Et in terra pax [Gloria] -
Appears on: 31v–34v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super O admirabile commercium]
34v–40v Missa O admirabile commercium: Patrem omnipotentem [Credo] -
Appears on: 34v–40v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super O admirabile commercium]
40v–43 Missa O admirabile commercium: Sanctus -
Appears on: 40v–43
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [[Missa super O admirabile commercium]
43–45v Missa O admirabile commercium: Agnus Dei -
Appears on: 43–45v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super O admirabile commercium]
45v–47v Ein kindelein so löbelich ist uns geboren (5vv) W. Figulus
Appears on: 45v–47v
Genres: Motet
Source Attribution: W. Figulus
Voice: [no designation]
Languages: German
Voice Text: Ein kindelein so löbelich ist uns geboren
47v–48v Dank sagen wir alle - 1a pars (of 2): Dank sagen wir alle Gott unserm Hern Anon. Anonymous
Appears on: 47v–48v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Danck sagen wir alle Gott unserm Hern II: Dem sollen wir alle mit seinen engeln
General Note

annotated: "Grates nunc omnes: deudtsh"

48v–49v Dank sagen wir alle - 2a pars (of 2): Dem sollen wir alle mit seinen Engeln - Anonymous
Appears on: 48v–49v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Den sollen wir alle [part 2]
50 Quomodo fiet - 1a pars (of 2): Quomodo fiet istud angele Dei quia virum [Senfl]
Appears on: 50
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Quomodo fiet istud angele dei quia virum II: Audi Maria virgo spiritus sanctus
50v Quomodo fiet - 2a pars (of 2): Audi Maria virgo spiritus sanctus -
Appears on: 50v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audi Maria [part 2]
51–54 Ecce concipies et paries filium et vocabis Wolfgangus Figulus
Appears on: 51–54
Genres: Motet
Source Attribution: Wolfgangus Figulus
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis
54v–55 Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere Anon. Anonymous
Appears on: 54v–55
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Iudaea et Jerusalem nolite timere II: Cras egrediemini et dominus vocatus III: Constantes estote videbitis auxilium
55–56 Judea et Jerusalem - 2a pars (of 3): Cras egredemini et Dominus erit - Anonymous
Appears on: 55–56
Genres: Motet
56–56v Judea et Jerusalem - 3a pars (of 3): Constantes estote videbitis auxilium - Anonymous
Appears on: 56–56v
Genres: Motet
56v–58 Ecce Maria genuit nobis salvatorem [Figulus]
Appears on: 56v–58
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
General Note

Welack 1587:2 - Bk 39:64

Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Figulus, Wolfgang (ca. 1525–1589)
Gastritz, Mathias
Jonckers, Maistre Gosse
Mahu, Stephan
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Composition Composers (? Uncertain) Folios / Pages
Amen 1v
Amen Anonymous 4
Dank sagen wir alle - 1a pars (of 2): Dank sagen wir alle Gott unserm Hern Anonymous 47v–48v
Dank sagen wir alle - 2a pars (of 2): Dem sollen wir alle mit seinen Engeln Anonymous 48v–49v
De caelo veniet dominator Dominus Anonymous 18–19
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anonymous 28–29
Ecce concipies et paries filium et vocabis 51–54
Ecce Dominus veniet nolite timere 14.5 13v–15
Ecce Maria genuit nobis salvatorem 56v–58
Ecce Maria genuit nobis salvatorem quem Johannes 25v–27v
Ein kindelein so löbelich ist uns geboren (5vv) 45v–47v
Gloria tibi Domine Anonymous 4
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo 16–17
Grates nunc omnes - 2a pars (of 2): Huic oportet 17–17v
Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere Anonymous 54v–55
Judea et Jerusalem - 2a pars (of 3): Cras egredemini et Dominus erit Anonymous 55–56
Judea et Jerusalem - 3a pars (of 3): Constantes estote videbitis auxilium Anonymous 56–56v
Missa O admirabile commercium: Agnus Dei 43–45v
Missa O admirabile commercium: Et in terra pax [Gloria] 31v–34v
Missa O admirabile commercium: Kyrie 29v–31
Missa O admirabile commercium: Patrem omnipotentem [Credo] 34v–40v
Missa O admirabile commercium: Sanctus 40v–43
Missus est angelus Gabriel ad Mariam 12v–13
O admirabile commercium creator generis 23v–25
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 19v–21
Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt 21v–23
Quomodo fiet - 1a pars (of 2): Quomodo fiet istud angele Dei quia virum 50
Quomodo fiet - 2a pars (of 2): Audi Maria virgo spiritus sanctus 50v
Sanctus Anonymous 3–3v
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich 1v–2v
Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum 6
Veni redemptor - 2a pars (of 4): Non ex virili semine sed mistico 6v–7v
Veni redemptor - 3a pars (of 4): Procedens de thalamo suo 7v–8
Veni redemptor - 4a pars (of 4): Deo patri sit gloria 8v–9
Veni redemptor gentium - 1a pars (of 2): Veni redemptor gentium ostende partum Anonymous 9–10v
Veni redemptor gentium - 2a pars (of 2): Egressus eius a patre Anonymous 11–12v

Set: MS Grimma 53 (1-5)

Type: Partbooks

No images available

D-Dl MS Grimma 53 [Altus]

No images available

D-Dl MS Grimma 53 [Bassus]

No images available

D-Dl MS Grimma 53 [Discantus]

No images available

D-Dl MS Grimma 53 [Quintus]

No images available

D-Dl MS Grimma 53 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 90-l. Notes: physical description (partial); contents list; concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 133. Notes: concordances (partial); incipits (partial).

Eitner, Robert. 1877. Wolfgang Figulus. Monatshefte für Musikgeschichte, 126-31. Pages: 129. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description