D-Dl MS Grimma 59 [Tenor]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 59 [Tenor]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements c. 160 x 205 mm
Other Identifiers
  • CCM: DresSL Grimma 59
  • olim (Former shelfmark): LIX, Q308 and Q306
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 83 pieces from 18 composers
General Description

A Tenor partbook. Copied by Wolfgang Figulus and others. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

In very poor condition; only fragments of some folios remain

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Date of composition or copying (15)49 or 50 added by Figulus to several of his pieces.

DIAMM, 2024
Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017
Foliation

Modern pencil pagination, continuous across the 2 books. (Altus pp. 1-184, Tenor pp. 185-326.)

DIAMM, 2017
Surface

Paper

DIAMM, 2017
DIAMM Note

Inventory constructed from microfilm copy, which appears to show more, un-filmed, pages at the end of the Tenor - hence the inventory may be incomplete.

DIAMM, 2024
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 3 Kyries, 1 Gloria, 1 Sanctus, 13 Mass Proper sections, 3 Magnificats, I Canticle, 1 psalm, 6 office hymns, 2 processional hymns, 1 Passion, 2 German/Latin sacred pieces, 20 motets, 3 German sacred pieces, 2 textless pieces = 64

(Clemens non Papa)-1, (Dietrich)-1, Figulus-10, (Hähnel)-5, (Isaac)-1, (Jonckers)-1, (Mouton)-2, (Obrecht/Longaval/Venture)-1, (Rener)-2, (Resinarius)-3, Senfl [L.S.]-3, (Stoltzer)-3, (Verdelot)-1, (Walter)-3, anon-27

2 paper partbooks (T-86 folios, A-97), ca. 160 x 205. The manuscript is in very poor condition; only fragments of some folios remain. Modern pencil foliation and numbering of pieces. Copied by Wolfgang Figulus and others.

Ca. 1550 (SteudeMS); dates ranging from 1548 to 1550 in manuscript. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

Vol 4

Contents: Delete "1 psalm"; change "13 Mass Proper sections" to "12 Mass Proper sections"; change "20 motets" to "22 motets."

Composers: Add "(M. Agrícola)-1"; change "(Dietrich)-1" to "(Dietrich/Isaac) -1"; add "(Figulus/Walter)-1"; add "(Isaac/Obrecht)-1"; change "(Resi-narius)-3" to "(Resinarius)-2"; change "(Walter)-3" to "(Walter)-2" ; change "anon-27" to "anon-26."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
184 Ecce concipies et paries filium et vocabis - Anonymous
Appears on: 184
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries
General Note

incomplete - lacks beginning

185 Veni redemptor - 2a pars (of 4): Non ex virili semine sed mistico -
Appears on: 185
Genres: Motet
186 Deo dicamus gratias - Anonymous
Appears on: 186
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deo dicamus gratias
187 Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum -
Appears on: 187
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium
General Note

Bk 41:12

188 Veni redemptor - 3a pars (of 4): Procedens de thalamo suo -
Appears on: 188
Genres: Motet
189–190 Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria -
Appears on: 189–190
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est
General Note

Hoffm.-Erbr. I, Wv 40

190–191 Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate -
Appears on: 190–191
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plenum gratia
General Note

Hoffm.-Erbr. I, Wv 40

191–192 Verbum caro factum - 3a pars (of 6): In principio erat verbum -
Appears on: 191–192
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum
General Note

Hoffm.-Erbr. I, Wv 40

192 Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate -
Appears on: 192
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plenum gratia
General Note

Hoffm.-Erbr. I, Wv 40

193–194 Ecce Maria genuit nobis salvatorem - Anonymous
Appears on: 193–194
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit
194–195 Joseph, lieber Joseph mein - Eia virgo Deum genuit -
Appears on: 194–195
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Joseph lieber Joseph mein
General Note

Walter, GA I, S. 81 - Bk 53:26

196–198 [A solis ortus cardine] Beatus auctor saeculi -
Appears on: 196–198
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor seculi
General Note

Bk 12:47

199 Judaea et Jerusalem - 1a pars (of 3): Judaea et Jerusalem nolite timere -
Appears on: 199
Genres: Motet
200–201 Judaea et Jerusalem - 2a pars (of 3): Cras egrediemini et Dominus erit -
Appears on: 200–201
Genres: Motet
201–202 Judaea et Jerusalem - 3a pars (of 3): Constantes estote auxilium Domini -
Appears on: 201–202
Genres: Motet
203–205 Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) -
Appears on: 203–205
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iudaea et Hierusalem - Cras egrediemini - Constantes estote
General Note

Rhaw 1544

206–207 Rex noster adveniet Christus II: Quem Johannes praedicabat agnum esse III: Ecce agnus Dei qui tollit peccata -
Appears on: 206–207
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Rex noster adveniet] - [Quem Joannes praedicabat] - [Ecce agnus dei]
General Note

Rhaw 1544

208–209 Dies est laetitiae in ortu regali (I) -
Appears on: 208–209
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae
General Note

Bk 39:32

210 Gelobet seist Du, Jesu Christ, dass Du Mensch -
Appears on: 210
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Gelobet seist du Jesu Christ das du mensch
General Note

Walter, GA I, S. 19 - Bk 39:31 - 41:2

211 Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem -
Appears on: 211
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus in Bethlehem
General Note

RISM 1591^25:10 (Cant. lat.)

212 En natus est Emanuel quem praedixit - Anonymous
Appears on: 212
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: En natus est Emanuel
213 In dulci jubilo nun singet und seid froh -
Appears on: 213
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo
General Note

Walter, GA III, S. 27 - Bk 12:48 - 70:14 - 79:27

214 Ibant magi quam viderunt - Anonymous
Appears on: 214
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ibant magy quam viderunt
216–217 Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est -
Appears on: 216–217
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

Bk 39:2

217–219 Puer natus est - 2a pars (of 2): Angelus ad pastores ait -
Appears on: 217–219
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Angelus ad pastores ait
General Note

= 2.p. von 47:18 - Bk 39:2

220 Os justi (P64) - 1a pars (of 2): Os justi meditabitur sapientiam et lingua -
Appears on: 220
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
General Note

Bk 44:10

221 Os justi (P64) - 2a pars (of 2): Noli aemulari in malignantibus -
Appears on: 221
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Noli aemulari [part 2]
General Note

Bk 44:10

222–225 Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] - Anonymous
Appears on: 222–225
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: German
Voice Text: Et exultavit - mit: In dulci iubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein
General Note

Kirsch S. 240

225–226 O admirabile commercium creator generis -
Appears on: 225–226
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium
General Note

Hoffm.-Erbr. I, Wv 48 - Bk 12:15 - 21:44 - 41:19 - 45:12 - 100:12

227–228 Tria sunt munera- 1a pars (of 2): Tria sunt munera -
Appears on: 227–228
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tria sunt munera
General Note

RISM 1538^7:16

228–230 Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae -
Appears on: 228–230
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Reges Tharsis et Insulae [part 2]
General Note

p. 230 very fragmentary, affecting end of this item

Concordances

RISM 1538^7:16

230–236 Magnificat: Et exultavit [K.287] [with]: Joseph, lieber Joseph mein - Anonymous
Appears on: 230–236
Genres: Magnificat
Voice: [no designation]
Languages: German
Voice Text: Et exultavit - mit: Joseph, lieber Joseph mein
General Note

Kirsch S. 234

237–238 Uns ist geboren ein kindelein - Anonymous
Appears on: 237–238
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Uns ist geboren ein kindelein
General Note

RISM 1591^25:9 (Dt. W. l.)

238–239 En lire psallentes sunt mire laudantes -
Appears on: 238–239
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: En lire psallentes
General Note

Bk 39:12

240–245 Magnificat Quinti Toni: Et exultavit [K.1005] -
Appears on: 240–245
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
General Note

Kirsch S. 134, 386

246–248 Missa Jerusalem luge: Kyrie -
Appears on: 246–248
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa super Hierusalem luge]
248–253 Missa Jerusalem luge: Gloria -
Appears on: 248–253
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Hierusalem luge]
254 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ - Anonymous
Appears on: 254
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ
254–255 Grates nunc omnes - 2a pars (of 2): Huic oportet - mit: Puer natus est nobis - Anonymous
Appears on: 254–255
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet - mit: Puer natus est nobis
256–258 Ecce evangelizo vobis gaudium magnum - Anonymous
Appears on: 256–258
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce evengelizo vobis
259–260 Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) -
Appears on: 259–260
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus (Christe summi patris) II: Text: Kyrie cuius natus
General Note

not the same Kyrie as in Grimma 53, Glasshutte 5 etc

261–262 Puer natus est nobis Et filius - Cantate Domino ... Quia mirabilia -
Appears on: 261–262
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius - [Cantate Domino ... ] Quia mirabilia
General Note

RISM 1545^5:44

263 Missa in Summis: Kyrie magne Deus - Christe genite -
Appears on: 263
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus (Christe genite)
265–266 Et in terra pax [Gloria] -
Appears on: 265–266
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria ... ] Gratias agimus
266–268 Alleluia. Dies sanctificatus illuxit nobis -
Appears on: 266–268
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
General Note

RISM 1545^5:12

268 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo -
Appears on: 268
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes
General Note

RISM 1545^5:26, 27

269 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 269
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
General Note

RISM 1545^5:26, 27

270 Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est - Anonymous
Appears on: 270
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est
270–272 Sanctus -
Appears on: 270–272
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

RISM 1545^5

272–274 Nesciens mater virgo virum peperit -
Appears on: 272–274
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo
274–275 [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 274–275
Genres: textless
276 Ecce advenit dominator Dominus -
Appears on: 276
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator
General Note

1 line of music only

General Note

Hoffm.-Erbr. I, Wv 7

277–281 Nunc dimittis servum tuum - Anonymous
Appears on: 277–281
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum
281–283 In civitate Dei nostri - Deus misericordiam tuam - Anonymous
Appears on: 281–283
Genres: Verse
Voice: [no designation]
Languages: Latin
Voice Text: In civitate dei nostri - Deus misericordiam tuam
284–285 Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe -
Appears on: 284–285
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria laus.] Et honor tibi
General Note

Bk 21:64

285–286 Gloria laus et honor - 2a pars (of 3): Israel es tu Rex -
Appears on: 285–286
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Israel es tu Rex [part 2]
General Note

Bk 21:64

287 Gloria laus et honor - 3a pars (of 3): Coetus in excelsis -
Appears on: 287
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coetus in excelsis [part 3]
General Note

Bk 21:64

288–289 [Vita sanctorum] Tu tuo laetos famulos - Anonymous
Appears on: 288–289
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Tu tuo laetus [!] famulos
182–183, 290 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum -
Appears on: 182–183, 290
Genres: Liturgical work, Motet, Passion
Voice: [no designation]
Languages: Latin
Voice Text: Passio Domini nostri Jhesu Christi secundum Matheum
General Note

2 pages are misplaced in the microfilm, between the Altus and Tenor books. This may be an error in the film rather than misplacement of the actual pages.

Concordances

RISM 1538^1:2

183, 291–292 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 183, 291–292
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
General Note

2 pages are misplaced in the microfilm, between the Altus and Tenor books. This may be an error in the film rather than misplacement of the actual pages.

Concordances

RISM 1538^1:2

292–295 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 292–295
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus [3a pars]
General Note

RISM 1538^1:2 - Bk 7:81 (6v.) - 9:9 - 42:10 - 95:2 - 96:1 - 111:108

296 Alleluia. Mane nobiscum Domini (M2 - 4vv) -
Appears on: 296
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia, mane nobiscum
297–300 Gaudeamus omnes in Domino diem festum -
Appears on: 297–300
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domine
General Note

RISM 1539^14

300–301 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me -
Appears on: 300–301
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
Concordances

RISM 1539^14

301–303 Resurrexi et adhuc (II) Vs: Domine probasti me et cognovisti me -
Appears on: 301–303
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum - Domine probasti me
Concordances

RISM 1539^14

303–305 Missa: Kyrie eleison -
Appears on: 303–305
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa]
305–307 Missa: Gloria - Gratias agimus tibi propter -
Appears on: 305–307
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus [Missa]
308 In exitu Israel - 1a pars (of 7): In exitu Israel de Egipto -
Appears on: 308
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israhel de Egipto
308–309 In exitu Israel - 2a pars (of 7): Mare vidit et fugi -
Appears on: 308–309
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit [part 2]
309 In exitu Israel - 3a pars (of 7): Quid est tibi -
Appears on: 309
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quid est tibi [part 3]
310 In exitu Israel - 4a pars (of 7): A facie Domini -
Appears on: 310
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A facie Domini [part 3]
310–311 In exitu Israel - 5a pars (of 7): Non nobis Domine -
Appears on: 310–311
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non nobis Domine [part 5]
311–312 In exitu Israel - 6a pars (of 7): Manus habent -
Appears on: 311–312
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Manus habent [part 6]
312–313 In exitu Israel - 7a pars (of 7): Non mortui laudabunt -
Appears on: 312–313
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non mortui laudabunt [part 7]
314–315 Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum -
Appears on: 314–315
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Stetit Hiesus in medio
General Note

Bk 9:24

316–317 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves -
Appears on: 316–317
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Agnus redemit oves
317–318 Victimae paschali - 2a pars (of 3): Dic nobis Maria -
Appears on: 317–318
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
318–319 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 318–319
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 3]
320–321 Missa: Sanctus -
Appears on: 320–321
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

RISM 1539^14

322–323 Missa: Agnus Dei -
Appears on: 322–323
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
General Note

RISM 1539^14

323 Salve festa dies - 1a pars (of 3): Salve festa dies - Anonymous
Appears on: 323
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies
324 Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: 324
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce renasce[n]tis [part 2]
324–325 Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: 324–325
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Namque triumpha[n]ti [part 3]
Composer Compositions
Anonymous
Dietrich, Sixt (ca. 1493–1548)
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Galliculus, Johannes
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Longueval, Antoine de (fl. 1498-1525)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Othmayr, Caspar
Rener, Adam (ca. 1485–ca. 1520)
Resinarius, Balthasar
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi 196–198
[untexted] Anonymous 274–275
[Vita sanctorum] Tu tuo laetos famulos Anonymous 288–289
Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum 314–315
Alleluia. Dies sanctificatus illuxit nobis 266–268
Alleluia. Mane nobiscum Domini (M2 - 4vv) 296
Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est Anonymous 270
Deo dicamus gratias Anonymous 186
Dies est laetitiae in ortu regali (I) 208–209
Ecce advenit dominator Dominus 276
Ecce concipies et paries filium et vocabis Anonymous 184
Ecce evangelizo vobis gaudium magnum Anonymous 256–258
Ecce Maria genuit nobis salvatorem Anonymous 193–194
En lire psallentes sunt mire laudantes 238–239
En natus est Emanuel quem praedixit Anonymous 212
Et in terra pax [Gloria] 265–266
Gaudeamus omnes in Domino diem festum 297–300
Gelobet seist Du, Jesu Christ, dass Du Mensch 210
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 284–285
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 285–286
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 287
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 268
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 269
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ Anonymous 254
Grates nunc omnes - 2a pars (of 2): Huic oportet - mit: Puer natus est nobis Anonymous 254–255
Ibant magi quam viderunt Anonymous 214
In civitate Dei nostri - Deus misericordiam tuam Anonymous 281–283
In dulci jubilo nun singet und seid froh 213
In exitu Israel - 1a pars (of 7): In exitu Israel de Egipto 308
In exitu Israel - 2a pars (of 7): Mare vidit et fugi 308–309
In exitu Israel - 3a pars (of 7): Quid est tibi 309
In exitu Israel - 4a pars (of 7): A facie Domini 310
In exitu Israel - 5a pars (of 7): Non nobis Domine 310–311
In exitu Israel - 6a pars (of 7): Manus habent 311–312
In exitu Israel - 7a pars (of 7): Non mortui laudabunt 312–313
Joseph, lieber Joseph mein - Eia virgo Deum genuit 194–195
Judaea et Jerusalem - 1a pars (of 3): Judaea et Jerusalem nolite timere 199
Judaea et Jerusalem - 2a pars (of 3): Cras egrediemini et Dominus erit 200–201
Judaea et Jerusalem - 3a pars (of 3): Constantes estote auxilium Domini 201–202
Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) 203–205
Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) 259–260
Magnificat Quinti Toni: Et exultavit [K.1005] 240–245
Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] Anonymous 222–225
Magnificat: Et exultavit [K.287] [with]: Joseph, lieber Joseph mein Anonymous 230–236
Missa in Summis: Kyrie magne Deus - Christe genite 263
Missa Jerusalem luge: Gloria 248–253
Missa Jerusalem luge: Kyrie 246–248
Missa: Agnus Dei 322–323
Missa: Gloria - Gratias agimus tibi propter 305–307
Missa: Kyrie eleison 303–305
Missa: Sanctus 320–321
Nesciens mater virgo virum peperit 272–274
Nunc dimittis servum tuum Anonymous 277–281
O admirabile commercium creator generis 225–226
Os justi (P64) - 1a pars (of 2): Os justi meditabitur sapientiam et lingua 220
Os justi (P64) - 2a pars (of 2): Noli aemulari in malignantibus 221
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 182–183, 290
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 183, 291–292
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 292–295
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est 216–217
Puer natus est - 2a pars (of 2): Angelus ad pastores ait 217–219
Puer natus est nobis Et filius - Cantate Domino ... Quia mirabilia 261–262
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem 211
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 300–301
Resurrexi et adhuc (II) Vs: Domine probasti me et cognovisti me 301–303
Rex noster adveniet Christus II: Quem Johannes praedicabat agnum esse III: Ecce agnus Dei qui tollit peccata 206–207
Salve festa dies - 1a pars (of 3): Salve festa dies Anonymous 323
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous 324
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous 324–325
Sanctus 270–272
Tria sunt munera- 1a pars (of 2): Tria sunt munera 227–228
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae 228–230
Uns ist geboren ein kindelein Anonymous 237–238
Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum 187
Veni redemptor - 2a pars (of 4): Non ex virili semine sed mistico 185
Veni redemptor - 3a pars (of 4): Procedens de thalamo suo 188
Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria 189–190
Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate 190–191
Verbum caro factum - 3a pars (of 6): In principio erat verbum 191–192
Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate 192
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves 316–317
Victimae paschali - 2a pars (of 3): Dic nobis Maria 317–318
Victimae paschali - 3a pars (of 3): Credendum est magis 318–319

Set: MS Grimma 59 (1-2)

Type: Partbooks

No images available

D-Dl MS Grimma 59 [Altus]

No images available

D-Dl MS Grimma 59 [Tenor]

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 345-7,599ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 13-4,38-49,84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 103-5. Notes: physical description (partial); contents list; concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 286. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 134. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 64-5. Notes: concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [x]. Notes: physical description.

Eitner, Robert. 1877. Wolfgang Figulus. Monatshefte für Musikgeschichte, 126-31. Pages: 129. Notes: physical description.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description