D-Dl MS Grimma 49 [Bassus II]

Sächsische Landesbibliothek, Dresden, Germany

partbook: 1593-6

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 49 [Bassus II]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 210 x 160 mm
Other Identifiers
  • CCM: DresSL Grimma 49
Copyists
Relationships
External Links
Provenance
Contents 105 pieces from 37 composers
General Description

A Bassus II partbook from an incomplete set of 7 volumes. The main scribe was Urban Birck, a student at the Fürstenschule St. Afra in Meissen. Copied at the Fürstenschule St. Afra in Meissen. In 1613, Urban Birck gave the manuscript as a gift to his brother Friedrich, cantor at the Fürstenschule St. Augustin in Grimma. After Friedrich's death in 1621, his widow sold the manuscript to the Grimma Fürstenschule; it remained there until 1890, when it was deposited at the library in Dresden.

DIAMM, 2017
Extent

i + 69 + i ff.

DIAMM, 2024
Binding

Rebound in modern brown cardboard covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Various dates scattered through books:

in the Discantus 1 book "die 6 Junii Anno MDXCV" (1595) on p.282 & 283 ('Surge propera' by Georgius Moller - same date on same piece in Altus 1, p.290 & Tenor 1, p.269); "die 31 XII 95" on p.306 (Klingenstein's 'Echo quae gelidas'); "die 19 Febr. XCVI" on p.310 (Gensref's 'O Pater aetherea').

in Discantus 2 book, date "die 25 Junii 94" on p.122 (anon "Nun danket" - same date on p.197 of Bassus 1 book, dated "26 Junii 94" on p.203 of Tenor 1 book); "nov anno xciv" on p.163 (Ammon's 'Mundus insanus')

in Tenor 1 book, date "die 15 Julii XCV" on p. 274 (Gregorius's 'Levavi oculos'); "20 Octobr: (X)VIC" - apparently for XCVI=1596 - on p.297 (Knofel's 'Commenda Domino'); "14 Novembr: XCVI" on p.298 (Calvisius's 'Exultate justi')

in Bassus 1 book, date "die 18 Xbr XCV" on p.272 (the anon 'Angeli laetantur')

DIAMM, 2019
Foliation

No foliation; modern pencil page (not folio) numbering. Original numbering of pieces

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Canticles, 41 psalms, 1 hymn, 103 motets, 18 German sacred pieces = 165

Amon-5, Arcadelt-1, Bischoff [Melchior Episcop.]-3, Buissons-1, Buling-2, Burck-1, Calvisius-1, Clavius-1, Clemens non Papa-2, S. Cornet-1, Crecquillon-1, N. Dorati-1, Eckel-1, Figulus-5, A. Gabrieli-2, Gastritz-1, Genssreff-1, Giovanelli-1, G. Guami-1, Guyot [Joannes Castileti]-2, Händl-17, Hassler-10, C. Hollander-4, Klingenstein-1, Knöfel-4, Lassus-41, Lechner-1, Loss-1, Mahu-1, Mel-4, Merulo-3, R. Michael-1, G. Molitor [Moller]-1, Orologio-1, Parma-1, Peu d'argent-1, Phinot-3, Pinello di Ghirardi-2, Prettinensis-2, Quinos [Bruno]-1, Raselius-1, Regnart-1, Rivulo-1, (T. Sartorius)-1, Scandello-2, Schede-2, Speiser-1, D. Sulcius-1, G. Sulcius-5, Utendal-2, Wanningus-1, Wert-4, Zallamella-1, anon-8

7 paper partbooks (Dl-ca. 150 folios, D2-i + 152 + i, A1-ca. 150, A2-ca. 125, T-ca. 100, B1-74, B2-i + 69 + i), 210 x 160. No foliation; original numbering of pieces. Rebound in modern brown cardboard covers. Original index in B1. The main scribe was Urban Birck, a student at the Fürstenschule St. Afra in Meissen.

1593-6 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen. In 1613, Urban Birck, the main scribe, gave the manuscript as a gift to his brother Friedrich, cantor at the Fürstenschule St. Augustin in Grimma. After Friedrich's death in 1621, his widow sold the manuscript to the Grimma Fürstenschule; it remained there until 1890, when it was deposited at the library in Dresden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Saule Saule quid me persequeris Quis es Domine? -
Appears on: 2
Genres: Motet
3–5 Egressus Jesus secessit in partes Tyri et Sidoni Jaches Wert
Appears on: 3–5
Genres: Motet
Source Attribution: Jaches Wert
Voice: [no designation]
Languages: Latin
Voice Text: Egressus Jesus secessit
General Note

Bk 21:158 - 26:1 - 50:109 - 51:45

5–6 Herr nun lasstu deinen Diener in Frieden -
Appears on: 5–6
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Herr nun lest du deinen diener
General Note

Bk 21:163 - 28:37

7 Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis Orlandus
Appears on: 7
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Vexilla regis prodeunt
General Note

Bk 42:30

8 Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David -
Appears on: 8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Impleta sunt quae concinit [part 2]
General Note

Bk 42:30

8 Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit -
Appears on: 8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beata cuius brachiis [part 3]
General Note

Bk 42:30 Tertia pars tacet

9 Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis -
Appears on: 9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O crux ave spes unica [part 4]
General Note

Bk 42:30

10 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium -
Appears on: 10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Infelix ego omnium
10–11 Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium -
Appears on: 10–11
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Solus igitur Deus refugium [part 2]
11–12 Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime -
Appears on: 11–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te igitur piissime [part 3]
12 In monte Oliveti oravi ad patrem Orland:
Appears on: 12
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: In monte oliveti oravi
13 Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere -
Appears on: 13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huc me sidereo descendere
13 Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum -
Appears on: 13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pungentem capiti Dominum [part 2]
General Note

Secunda pars tacet

13–14 Huc me sidereo - 3a pars (of 3): De me solus amor potuit -
Appears on: 13–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: De me solus amor potuit [part 3]
15–16 O crux splendidior - 1a pars (of 2): O crux splendidior Joannes Castileti
Appears on: 15–16
Genres: Motet
Source Attribution: Joannes Castileti
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior
17–18 O crux splendidior - 2a pars (of 2): Crux est arbor dignissima -
Appears on: 17–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crux est arbor dignissima [part 2]
19–20 Ewiger barmherziger Gott der du deiner Kirche hilfst Christianus Holland:
Appears on: 19–20
Genres: Motet
Source Attribution: Christianus Holland:
Voice: [no designation]
Languages: German
Voice Text: Ewiger barmherziger got
21 Christe der du bist tag und leicht Michael Buling
Appears on: 21
Genres: Motet
Source Attribution: Michael Buling
Voice: [no designation]
Languages: German
Voice Text: Christe der du bist tag und leicht
21–23 Da pacem Domine in diebus nostris Stephanus Mahu
Appears on: 21–23
Genres: Motet
Source Attribution: Stephanus Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem Domine
23–25 Deus misereatur nostri et benedicat nobis -
Appears on: 23–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
General Note

Bk 21:12 - 28:40

25–27 De profundis clamavi ad te Domine Johannes Pinellus
Appears on: 25–27
Genres: Motet
Source Attribution: Johannes Pinellus
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi
27–29 Pater noster qui es in caelis (8vv) Archadelt
Appears on: 27–29
Genres: Motet, Pater noster
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es
29–31 Respice propitius Domine super plebem tuam Christianus Holland:
Appears on: 29–31
Genres: Motet
Source Attribution: Christianus Holland:
Voice: [no designation]
Languages: Latin
Voice Text: Respice propitius domine
32–33 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Ioannes Wanningus
Appears on: 32–33
Genres: Motet
Source Attribution: Ioannes Wanningus
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate Deo omnis terra
34–35 Jubilate Deo - 2a pars (of 2): Introite portas eius -
Appears on: 34–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Introite portas eius [part 2]
35–38 Jubilate Deo Iosephus Guamus
Appears on: 35–38
Genres: Jubilate, Motet
Source Attribution: Iosephus Guamus
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra
38–39 Ego sum resurrectio et vita qui credit (8vv) -
Appears on: 38–39
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum Resurrectio
General Note

Bk 50:30

39–40 Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus Joan: Castileti
Appears on: 39–40
Genres: Motet
Source Attribution: Joan: Castileti
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit
41–42 Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 41–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
42–43 Christ lag in todes banden Michael Buling
Appears on: 42–43
Genres: Hymn
Source Attribution: Michael Buling
Voice: [no designation]
Languages: German
Voice Text: Christ lag in todes banden
43–45 O sacrum convivium in quo Christus sumitur (8vv) Dominicus Finoth
Appears on: 43–45
Genres: Motet
Source Attribution: Dominicus Finoth
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

Bk 21:8 - 43:18

45–46 Ego flos campi et lilium convalium Cleme[n]s non papa
Appears on: 45–46
Genres: Motet
Source Attribution: Cleme[n]s non papa
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi
General Note

Bk 44:73

47–48 Also hatt Gott die Welt geliebt Melchior Episcopus
Appears on: 47–48
Genres: Sacred Song
Source Attribution: Melchior Episcopus
Voice: [no designation]
Languages: German
Voice Text: Also hatt Gott die welt geliebet
General Note

Bk 28:57

48–49 Mente tota - 1a pars (of 2): Mente tota supplicamus Pater Ch: Clavius
Appears on: 48–49
Genres: Motet
Source Attribution: Pater Ch: Clavius
Voice: [no designation]
Languages: French
Voice Text: Mente tota supplicamus
49–50 Mente tota - 2a pars (of 2): Preces nostras omnipotens -
Appears on: 49–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Preces nostras omnipotens [part 2]
51–52 Laudate Dominum omnes gentes, laudate eum Matthias Eckel
Appears on: 51–52
Genres: Motet
Source Attribution: Matthias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes
General Note

Bassus III & IV of 16vv

53–54 Jam non dicam vos servos sed amicos (8vv) Dominici Phynot
Appears on: 53–54
Genres: Motet
Source Attribution: Dominici Phynot
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos
General Note

Bk 21:111 - 43:14 - 53:9

54–55 Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 54–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
General Note

Bk 21:149 - 43:21

55 Descendit angelus Domini ad Zachariam dicens Franciscus de Rivulo
Appears on: 55
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini
56 Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est Iacob: Gallus
Appears on: 56
Genres: Motet
Source Attribution: Iacob: Gallus
Voice: [no designation]
Languages: Latin
Voice Text: Elizabethae ver implenum est
57 Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius -
Appears on: 57
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Innuebant autem patri eius [part 2]
58–59 Junior fui etenim Georg: Sulcius
Appears on: 58–59
Genres: Motet
Source Attribution: Georg: Sulcius
Voice: [no designation]
Languages: Latin
Voice Text: Iunior fui etenim
59–60 Hespere qui caelo lucet David Sulcis Rad:
Appears on: 59–60
Genres: Motet
Source Attribution: David Sulcis Rad:
Voice: [no designation]
Languages: Latin
Voice Text: Hespere qui caelo lucet
60–62 Dixit Dominus Domino meo Sede a dextris meis (8vv) -
Appears on: 60–62
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino
General Note

Bk 21:145 - 28:56

62–63 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino -
Appears on: 62–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate Deo omnis terra
General Note

Bk 28:28

63–64 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius -
Appears on: 63–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Populus eius et oves [part 2]
General Note

Bk 28:28

64 Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac -
Appears on: 64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Locutus sum in lingua mea
General Note

Bk 28:25

64–65 Locutus sum - 2a pars (of 2): Fac mecum signum in bonum -
Appears on: 64–65
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fac mecum signum [part 2]
General Note

Bk 28:25

65–66 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Orlandus
Appears on: 65–66
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Cum natus esset Jesus
General Note

3.p. Bk 97:3

66 Cum natus esset - 2a pars (of 3): Et illi dixerunt ei -
Appears on: 66
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et illi dixerunt ei [part 2]
General Note

3.p. Bk 97:3 Secunda pars tacet

66–67 Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant -
Appears on: 66–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ecce stella quam viderant [part 3]
General Note

3.p. Bk 97:3

67–68 Audi tellus - 1a pars (of 2): Audi tellus audi magni -
Appears on: 67–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audi tellus audi magni
General Note

Bk 50:3 - 94:16

68–69 Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius -
Appears on: 68–69
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ubi Plato ubi Porphyrius
General Note

Bk 50:3 - 94:16

69–71 Usquequo Domine oblivisceris Iacob: Gall:
Appears on: 69–71
Genres: Motet
Source Attribution: Iacob: Gall:
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo Domine oblivisceris
71–72 Converte Domine luctum nostrum Jacob: Gall:
Appears on: 71–72
Genres: Motet
Source Attribution: Jacob: Gall:
Voice: [no designation]
Languages: Latin
Voice Text: Converte Domine luctum nostrum
72–73 Pater noster qui es -
Appears on: 72–73
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es
73–74 Salva nos Domine vigilantes custodi nos -
Appears on: 73–74
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos Domine
General Note

Bk 50:17

74–75 O quam metuendus - 1a pars (of 2): O quam metuendus -
Appears on: 74–75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O quam metuendus
General Note

Bk 28:1 - 81:56

75–76 O quam metuendus - 2a pars (of 2): Orantibus in loco isto -
Appears on: 75–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orantibus in loco isto [part 2]
General Note

Bk 28:1 - 81:56

76–77 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Jac: Hand[l]
Appears on: 76–77
Genres: Motet
Source Attribution: Jac: Hand[l]
Voice: [no designation]
Languages: Latin
Voice Text: Quam dilecta sunt tabernacula tua
General Note

Bk 28:36 - 50:2 - 81:3 - 104:18

78–79 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 78–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus virtutum exaudi [part 2]
General Note

Bk 28:36 - 50:2 - 81:3 - 104:18

79–81 Domine Deus meus exaltasti -
Appears on: 79–81
Genres: Motet
81–82 Initium sapientiae timor Georg: Sulc:
Appears on: 81–82
Genres: Motet
Source Attribution: Georg: Sulc:
Voice: [no designation]
Languages: Latin
Voice Text: Initium sapientiae timor
82–83 Dominus mihi adjutor G[eorg] S[ulcius]
Appears on: 82–83
Genres: Motet
Source Attribution: G[eorg] S[ulcius]
Voice: [no designation]
Languages: Latin
Voice Text: Dominus mihi adiutor
83 Laudes supero psallite -
Appears on: 83
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudes supero psallite
84 Haec dicit Dominus -
Appears on: 84
Genres: Motet
84–85 Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine Clemens non Papa
Appears on: 84–85
Genres: Motet
Source Attribution: Clemens non Papa
85–87 Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen -
Appears on: 85–87
Genres: Motet
87–88 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 87–88
Genres: Motet
88–89 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 88–89
Genres: Motet
89–90 Quo mihi crude dolor -
Appears on: 89–90
Genres: Motet
90–91 Quid ploras mulier -
Appears on: 90–91
Genres: Motet
91–92 Das alte Jahr vergangen ist, wir danken dir (8vv) W Figulus
Appears on: 91–92
Genres: Chorale, Motet, Sacred Song
Source Attribution: W Figulus
93 Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orland:
Appears on: 93
Genres: Motet
Source Attribution: Orland:
94–95 Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae -
Appears on: 94–95
Genres: Motet
95 Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi -
Appears on: 95
Genres: Motet
96–97 In omnibus requiem quaesivi et in hereditate Orland:
Appears on: 96–97
Genres: Motet
Source Attribution: Orland:
97–98 Levavi oculos meos in montes unde veniet Orland:
Appears on: 97–98
Genres: Motet
Source Attribution: Orland:
99–100 Laudate Dominum omnes gentes (12vv) Orland:
Appears on: 99–100
Genres: Motet
Source Attribution: Orland:
100–101 O Jesu Christ - 1a pars (of 2): O Jesu Christ du siehst alls Antonius Scandellus
Appears on: 100–101
Genres: Motet
Source Attribution: Antonius Scandellus
101–102 O Jesu Christ - 2a pars (of 2): Mein sünd sind schwer und gross -
Appears on: 101–102
Genres: Motet
102–104 Laudate Dominum in sanctis eius (8vv) Jacobus Gallus (incorrectly)
Appears on: 102–104
Genres: Psalm
Source Attribution: Jacobus Gallus (incorrectly)
104–106 Cantate Domino canticum novum (8vv) Blasius Amon
Appears on: 104–106
Genres: Motet
Source Attribution: Blasius Amon
106–107 Confitebor tibi Domine in toto corde (8vv, LV189) Orlandus
Appears on: 106–107
Genres: Motet
Source Attribution: Orlandus
107–109 Vinum bonum et suave nunquam bibi Orland:
Appears on: 107–109
Genres: Motet
Source Attribution: Orland:
109–110 Deus in adjutorium meum intende Wolfg: Figulus
Appears on: 109–110
Genres: Motet
Source Attribution: Wolfg: Figulus
111 Confitemini Domino et invocate Blasius Ammon
Appears on: 111
Genres: Motet
Source Attribution: Blasius Ammon
112 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Joh: Leo Hasl:
Appears on: 112
Genres: Motet
Source Attribution: Joh: Leo Hasl:
113–114 Jubilate Deo - 2a pars (of 2): Nos autem populus -
Appears on: 113–114
Genres: Motet
114–115 Ne intres Domine in iudicium -
Appears on: 114–115
Genres: Motet
115–117 Laudate pueri Dominum Laudate nomen Domini (8vv) Joh: Leo Hasl:
Appears on: 115–117
Genres: Motet
Source Attribution: Joh: Leo Hasl:
117–118 Tribus miraculis ornatum diem sanctum colimus Joh: Leo Hasl:
Appears on: 117–118
Genres: Motet
Source Attribution: Joh: Leo Hasl:
119–120 Benedictus Dominus Andr: Gabr:
Appears on: 119–120
Genres: Motet
Source Attribution: Andr: Gabr:
120–122 Cantate Domino canticum novum Alexandri Horolog:
Appears on: 120–122
Genres: Motet
Source Attribution: Alexandri Horolog:
122–123 Jehova fortitudo mea scutum meum Iohan: Knef:
Appears on: 122–123
Genres: Motet
Source Attribution: Iohan: Knef:
123–125 Tulerunt Dominum meum et nescio ubi -
Appears on: 123–125
Genres: Motet
125–126 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos Gregorius Andr:
Appears on: 125–126
Genres: Motet
Source Attribution: Gregorius Andr:
126–127 Levavi oculos meos - 2a pars (of 2): Deus custodit te -
Appears on: 126–127
Genres: Motet
127–128 Benedicam Dominum in omni tempore semper Ruggierus Giovanellus
Appears on: 127–128
Genres: Motet
Source Attribution: Ruggierus Giovanellus
129–130 Musica caelicolis res grata Johan: Knefelius
Appears on: 129–130
Genres: Motet
Source Attribution: Johan: Knefelius
130 Echo quae gelidas colens -
Appears on: 130
Genres: Response
130–131 O Pater aetherea imperitans -
Appears on: 130–131
Genres: Response
131–132 Laban und Bethuel sprachen das kompt von Herren -
Appears on: 131–132
Genres: Sacred Song
132–134 Exultate justi in Domino Sethi Calvisii
Appears on: 132–134
Genres: Motet
Source Attribution: Sethi Calvisii
135–136 Visita quaesumus Domine Rogerius Michael
Appears on: 135–136
Genres: Motet
Source Attribution: Rogerius Michael
Composer Compositions
Ammon, Blasius (fl. c1440)
Arcadelt, Jacques (ca. 1507–1568)
Bischoff, Melchior
Buissons, Michael Charles des (fl. 1560–70)
Buling, Michael
Calvisius, Sethus
Clavius, Christophorus
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Eckel, Matthias
Figulus, Wolfgang (ca. 1525–1589)
Gabrieli, Andrea (ca. 1532–1585)
Gensref (of Radeburg), Abraham
Giovannelli, Ruggiero (ca. 1560–1625)
Gregorius, Andreas
Guami, Gioseffo (1452–1611)
Guyot (Castileti), Jean
Handl (Gallus), Jacobus (1550–1591)
Hassler, Hans Leo (1564–1612)
Hollander, Christian
Klingenstein, Bernhard
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Michael, Rogier
Orologio, Alessandro
Palestrina, Giovanni Pierluigi da (1525–1594)
Parma, Nicola
Phinot, Dominique
Pinello di Ghirardi, Giovanni Battista
Poetiscus, Sebastian
Rivulo, Franziscus de
Scandello, Antonio
Sulcius, David
Sulcius, Georgius
Utendal, Alexander (ca. 1530–1581)
Wanning, Johannes (1537–1603)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Also hatt Gott die Welt geliebt 47–48
Audi tellus - 1a pars (of 2): Audi tellus audi magni 67–68
Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius 68–69
Benedicam Dominum in omni tempore semper 127–128
Benedictus Dominus 119–120
Cantate Domino canticum novum 120–122
Cantate Domino canticum novum (8vv) 104–106
Christ lag in todes banden 42–43
Christe der du bist tag und leicht 21
Confitebor tibi Domine in toto corde (8vv, LV189) 106–107
Confitemini Domino et invocate 111
Converte Domine luctum nostrum 71–72
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 65–66
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei 66
Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant 66–67
Da pacem Domine in diebus nostris 21–23
Das alte Jahr vergangen ist, wir danken dir (8vv) 91–92
De profundis clamavi ad te Domine 25–27
Descendit angelus Domini ad Zachariam dicens 55
Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine 84–85
Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen 85–87
Deus in adjutorium meum intende 109–110
Deus misereatur nostri et benedicat nobis 23–25
Dixit Dominus Domino meo Sede a dextris meis (8vv) 60–62
Domine Deus meus exaltasti 79–81
Dominus mihi adjutor 82–83
Echo quae gelidas colens 130
Ego flos campi et lilium convalium 45–46
Ego sum resurrectio et vita qui credit (8vv) 38–39
Egressus Jesus secessit in partes Tyri et Sidoni 3–5
Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est 56
Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius 57
Ewiger barmherziger Gott der du deiner Kirche hilfst 19–20
Exultate justi in Domino 132–134
Haec dicit Dominus 84
Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus 39–40
Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius 41–42
Herr nun lasstu deinen Diener in Frieden 5–6
Hespere qui caelo lucet 59–60
Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere 13
Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum 13
Huc me sidereo - 3a pars (of 3): De me solus amor potuit 13–14
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 87–88
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 88–89
In monte Oliveti oravi ad patrem 12
In omnibus requiem quaesivi et in hereditate 96–97
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 10
Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium 10–11
Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime 11–12
Initium sapientiae timor 81–82
Jam non dicam vos servos sed amicos (8vv) 53–54
Jehova fortitudo mea scutum meum 122–123
Jubilate Deo 35–38
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 32–33
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 112
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 62–63
Jubilate Deo - 2a pars (of 2): Introite portas eius 34–35
Jubilate Deo - 2a pars (of 2): Nos autem populus 113–114
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius 63–64
Junior fui etenim 58–59
Laban und Bethuel sprachen das kompt von Herren 131–132
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 93
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae 94–95
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi 95
Laudate Dominum in sanctis eius (8vv) 102–104
Laudate Dominum omnes gentes (12vv) 99–100
Laudate Dominum omnes gentes, laudate eum 51–52
Laudate pueri Dominum Laudate nomen Domini (8vv) 115–117
Laudes supero psallite 83
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos 125–126
Levavi oculos meos - 2a pars (of 2): Deus custodit te 126–127
Levavi oculos meos in montes unde veniet 97–98
Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac 64
Locutus sum - 2a pars (of 2): Fac mecum signum in bonum 64–65
Mente tota - 1a pars (of 2): Mente tota supplicamus 48–49
Mente tota - 2a pars (of 2): Preces nostras omnipotens 49–50
Musica caelicolis res grata 129–130
Ne intres Domine in iudicium 114–115
O crux splendidior - 1a pars (of 2): O crux splendidior 15–16
O crux splendidior - 2a pars (of 2): Crux est arbor dignissima 17–18
O Jesu Christ - 1a pars (of 2): O Jesu Christ du siehst alls 100–101
O Jesu Christ - 2a pars (of 2): Mein sünd sind schwer und gross 101–102
O Pater aetherea imperitans 130–131
O quam metuendus - 1a pars (of 2): O quam metuendus 74–75
O quam metuendus - 2a pars (of 2): Orantibus in loco isto 75–76
O sacrum convivium in quo Christus sumitur (8vv) 43–45
Pater noster qui es 72–73
Pater noster qui es in caelis (8vv) 27–29
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 76–77
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 78–79
Quid ploras mulier 90–91
Quo mihi crude dolor 89–90
Respice propitius Domine super plebem tuam 29–31
Salva nos Domine vigilantes custodi nos 73–74
Sancta Trinitas unus Deus miserere nobis (8vv) 54–55
Saule Saule quid me persequeris Quis es Domine? 2
Tribus miraculis ornatum diem sanctum colimus 117–118
Tulerunt Dominum meum et nescio ubi 123–125
Usquequo Domine oblivisceris 69–71
Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis 7
Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David 8
Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit 8
Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis 9
Vinum bonum et suave nunquam bibi 107–109
Visita quaesumus Domine 135–136

Set: MS Grimma 49 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 49 [Altus I]

No images available

D-Dl MS Grimma 49 [Altus II]

No images available

D-Dl MS Grimma 49 [Bassus I]

No images available

D-Dl MS Grimma 49 [Bassus II]

No images available

D-Dl MS Grimma 49 [Discantus I]

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D-Dl MS Grimma 49 [Discantus II]

No images available

D-Dl MS Grimma 49 [Tenor I]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 76-81. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description