D-Dl MS Grimma 49 [Altus II]

Sächsische Landesbibliothek, Dresden, Germany

partbook: 1593-6

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 49 [Altus II]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 210 x 160 mm
Other Identifiers
  • CCM: DresSL Grimma 49
Copyists
Relationships
External Links
Provenance
Contents 108 pieces from 39 composers
General Description

An Altus II partbook from an incomplete set of 7 volumes. The main scribe was Urban Birck, a student at the Fürstenschule St. Afra in Meissen. Copied at the Fürstenschule St. Afra in Meissen. In 1613, Urban Birck gave the manuscript as a gift to his brother Friedrich, cantor at the Fürstenschule St. Augustin in Grimma. After Friedrich's death in 1621, his widow sold the manuscript to the Grimma Fürstenschule; it remained there until 1890, when it was deposited at the library in Dresden.

DIAMM, 2017
Extent

c. 125 ff.

DIAMM, 2024
Binding

Rebound in modern brown cardboard covers.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Various dates scattered through books:

in the Discantus 1 book "die 6 Junii Anno MDXCV" (1595) on p.282 & 283 ('Surge propera' by Georgius Moller - same date on same piece in Altus 1, p.290 & Tenor 1, p.269); "die 31 XII 95" on p.306 (Klingenstein's 'Echo quae gelidas'); "die 19 Febr. XCVI" on p.310 (Gensref's 'O Pater aetherea').

in Discantus 2 book, date "die 25 Junii 94" on p.122 (anon "Nun danket" - same date on p.197 of Bassus 1 book, dated "26 Junii 94" on p.203 of Tenor 1 book); "nov anno xciv" on p.163 (Ammon's 'Mundus insanus')

in Tenor 1 book, date "die 15 Julii XCV" on p. 274 (Gregorius's 'Levavi oculos'); "20 Octobr: (X)VIC" - apparently for XCVI=1596 - on p.297 (Knofel's 'Commenda Domino'); "14 Novembr: XCVI" on p.298 (Calvisius's 'Exultate justi')

in Bassus 1 book, date "die 18 Xbr XCV" on p.272 (the anon 'Angeli laetantur')

DIAMM, 2019
Foliation

No foliation; modern pencil page (not folio) numbering. Original numbering of pieces

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Canticles, 41 psalms, 1 hymn, 103 motets, 18 German sacred pieces = 165

Amon-5, Arcadelt-1, Bischoff [Melchior Episcop.]-3, Buissons-1, Buling-2, Burck-1, Calvisius-1, Clavius-1, Clemens non Papa-2, S. Cornet-1, Crecquillon-1, N. Dorati-1, Eckel-1, Figulus-5, A. Gabrieli-2, Gastritz-1, Genssreff-1, Giovanelli-1, G. Guami-1, Guyot [Joannes Castileti]-2, Händl-17, Hassler-10, C. Hollander-4, Klingenstein-1, Knöfel-4, Lassus-41, Lechner-1, Loss-1, Mahu-1, Mel-4, Merulo-3, R. Michael-1, G. Molitor [Moller]-1, Orologio-1, Parma-1, Peu d'argent-1, Phinot-3, Pinello di Ghirardi-2, Prettinensis-2, Quinos [Bruno]-1, Raselius-1, Regnart-1, Rivulo-1, (T. Sartorius)-1, Scandello-2, Schede-2, Speiser-1, D. Sulcius-1, G. Sulcius-5, Utendal-2, Wanningus-1, Wert-4, Zallamella-1, anon-8

7 paper partbooks (Dl-ca. 150 folios, D2-i + 152 + i, A1-ca. 150, A2-ca. 125, T-ca. 100, B1-74, B2-i + 69 + i), 210 x 160. No foliation; original numbering of pieces. Rebound in modern brown cardboard covers. Original index in B1. The main scribe was Urban Birck, a student at the Fürstenschule St. Afra in Meissen.

1593-6 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen. In 1613, Urban Birck, the main scribe, gave the manuscript as a gift to his brother Friedrich, cantor at the Fürstenschule St. Augustin in Grimma. After Friedrich's death in 1621, his widow sold the manuscript to the Grimma Fürstenschule; it remained there until 1890, when it was deposited at the library in Dresden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Saule Saule quid me persequeris Quis es Domine? -
Appears on: 2
Genres: Motet
3–4 Egressus Jesus secessit in partes Tyri et Sidoni Iaches Wert
Appears on: 3–4
Genres: Motet
Source Attribution: Iaches Wert
Voice: [no designation]
Languages: Latin
Voice Text: Egressus Jesus secessit
General Note

Bk 21:158 - 26:1 - 50:109 - 51:45

5–7 Herr nun lasstu deinen Diener in Frieden Figulus
Appears on: 5–7
Genres: Motet
Source Attribution: Figulus
Voice: [no designation]
Languages: German
Voice Text: Herr nun lest du deinen diener
General Note

Bk 21:163 - 28:37

7–8 Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis Orlandus
Appears on: 7–8
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Vexilla regis prodeunt
General Note

Bk 42:30

9–10 Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David -
Appears on: 9–10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Impleta sunt quae concinit [part 2]
General Note

Bk 42:30

10 Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit -
Appears on: 10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beata cuius brachiis [part 3]
General Note

Bk 42:30 Tertia pars tacet

10–11 Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis -
Appears on: 10–11
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O crux ave spes unica [part 4]
General Note

Bk 42:30

11–12 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Orland:
Appears on: 11–12
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: Infelix ego omnium
12 Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium -
Appears on: 12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Solus igitur Deus refugium [part 2]
General Note

Secunda pars tacet

12–13 Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime -
Appears on: 12–13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te igitur piissime [part 3]
13–14 O crux splendidior - 1a pars (of 2): O crux splendidior -
Appears on: 13–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior
14–15 O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos -
Appears on: 14–15
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dulce lignum, dulces clavos
15–17 O crux splendidior - 1a pars (of 2): O crux splendidior Ioannes Castiletus
Appears on: 15–17
Genres: Motet
Source Attribution: Ioannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior
17–19 O crux splendidior - 2a pars (of 2): Crux est arbor dignissima -
Appears on: 17–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crux est arbor dignissima [part 2]
19–21 Caecus quidam sedebat Melchior Episcop:
Appears on: 19–21
Genres: Motet
Source Attribution: Melchior Episcop:
Voice: [no designation]
Languages: Latin
Voice Text: Caecus quidam sedebat
21–23 Ewiger barmherziger Gott der du deiner Kirche hilfst Christianus Hollander
Appears on: 21–23
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: German
Voice Text: Ewiger barmherziger got
24 Christe der du bist tag und leicht Michael Buling
Appears on: 24
Genres: Motet
Source Attribution: Michael Buling
Voice: [no designation]
Languages: German
Voice Text: Christe der du bist tag und leicht
25 Da pacem Domine in diebus nostris Stephanus Mahu
Appears on: 25
Genres: Motet
Source Attribution: Stephanus Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem Domine
26–27 Deus misereatur nostri et benedicat nobis Melchior Episcopus
Appears on: 26–27
Genres: Motet
Source Attribution: Melchior Episcopus
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
General Note

Bk 21:12 - 28:40

28–30 De profundis clamavi ad te Domine Joannes Pinellus
Appears on: 28–30
Genres: Motet
Source Attribution: Joannes Pinellus
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi
30–32 Pater noster qui es in caelis (8vv) Archadelt
Appears on: 30–32
Genres: Motet, Pater noster
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es
32–34 Respice propitius Domine super plebem tuam Christianus Hollander
Appears on: 32–34
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: Respice propitius domine
34–36 Ego sum resurrectio et vita qui credit (8vv) Michael des Buissons
Appears on: 34–36
Genres: Motet
Source Attribution: Michael des Buissons
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum Resurrectio
General Note

Bk 50:30

36–37 Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus Joan: Castil:
Appears on: 36–37
Genres: Motet
Source Attribution: Joan: Castil:
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit
37–38 Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 37–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
39–40 Christ lag in todes banden -
Appears on: 39–40
Genres: Hymn
Voice: [no designation]
Languages: German
Voice Text: Christ lag in todes banden
40–41 O sacrum convivium in quo Christus sumitur (8vv) Domi Finoth
Appears on: 40–41
Genres: Motet
Source Attribution: Domi Finoth
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
General Note

Bk 21:8 - 43:18

41–42 Also hatt Gott die Welt geliebt -
Appears on: 41–42
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Also hatt Gott die welt geliebet
General Note

Bk 28:57

43–47 Laudate Dominum omnes gentes, laudate eum Matthias Eckel
Appears on: 43–47
Genres: Motet
Source Attribution: Matthias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes
General Note

Altus 3 & 4 (of 16vv)

47–48 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti -
Appears on: 47–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus omnipotens
General Note

Bk 5:33 - 43:3 - 55:22 - 100:2 Note: Tenor 2

49–50 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 49–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
General Note

Bk 5:33 - 43:3 - 55:22 - 100:2

50–52 Ego dormivi et soporatus sum et resurrexi Bruno
Appears on: 50–52
Genres: Motet
Source Attribution: Bruno
Voice: [no designation]
Languages: Latin
Voice Text: Ego dormivi et soporatus sum
General Note

Bk 27:7

53–54 O altitudo divitiarum Claudii Meruli
Appears on: 53–54
Genres: Motet
Source Attribution: Claudii Meruli
Voice: [no designation]
Languages: Latin
Voice Text: O altitudo divitiarum
54–55 Jam non dicam vos servos sed amicos (8vv) Dominici Phynot
Appears on: 54–55
Genres: Motet
Source Attribution: Dominici Phynot
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos
General Note

Bk 21:111 - 43:14 - 53:9

55–56 Sancta Trinitas unus Deus miserere nobis (8vv) Domin: Phynot
Appears on: 55–56
Genres: Motet
Source Attribution: Domin: Phynot
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
General Note

Bk 21:149 - 43:21

56–57 Descendit angelus Domini ad Zachariam dicens -
Appears on: 56–57
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini
57–58 Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est Jacobi Galli
Appears on: 57–58
Genres: Motet
Source Attribution: Jacobi Galli
Voice: [no designation]
Languages: Latin
Voice Text: Elizabethae ver implenum est
58–59 Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius -
Appears on: 58–59
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Innuebant autem patri eius [part 2]
59–60 Hespere qui caelo lucet David Sulcis Radeberg:
Appears on: 59–60
Genres: Motet
Source Attribution: David Sulcis Radeberg:
Voice: [no designation]
Languages: Latin
Voice Text: Hespere qui caelo lucet
60–61 Dixit Dominus Domino meo Sede a dextris meis (8vv) -
Appears on: 60–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino
General Note

Bk 21:145 - 28:56

62 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem Orland:
Appears on: 62
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui intelligit
62–63 Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris -
Appears on: 62–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus opem ferat [part 2]
64–65 Ad te Domine levavi (5vv, LV53) - 1a pars (of 2): Ad te Domine levavi Orland:
Appears on: 64–65
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: Ad te Domine levavi
65–66 Ad te Domine levavi (5vv, LV53) - 2a pars (of 2): Vias tuas Domine -
Appears on: 65–66
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas Domine [part 2]
66–67 Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit -
Appears on: 66–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Concupiscendo concupiscit
67 Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus -
Appears on: 67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exaltabo te Deus meus [part 2]
67–68 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino -
Appears on: 67–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate Deo omnis terra
General Note

Bk 28:28

68 Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius -
Appears on: 68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Populus eius et oves [part 2]
General Note

Bk 28:28

69 Libera me Domine de morte aeterna -
Appears on: 69
Genres: Motet, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Libera me domine de morte aeterna
69–70 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Orland:
Appears on: 69–70
Genres: Motet
Source Attribution: Orland:
70 Cum natus esset - 2a pars (of 3): Et illi dixerunt ei -
Appears on: 70
Genres: Motet
General Note

Secunda pars tacet

70–72 Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant -
Appears on: 70–72
Genres: Motet
72–73 Audi tellus - 1a pars (of 2): Audi tellus audi magni -
Appears on: 72–73
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audi tellus audi magni
General Note

Bk 50:3 - 94:16

73–74 Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius -
Appears on: 73–74
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ubi Plato ubi Porphyrius
General Note

Bk 50:3 - 94:16

74–76 Usquequo Domine oblivisceris Iacob: Gall:
Appears on: 74–76
Genres: Motet
Source Attribution: Iacob: Gall:
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo Domine oblivisceris
76–77 Converte Domine luctum nostrum Iacob: Hand:
Appears on: 76–77
Genres: Motet
Source Attribution: Iacob: Hand:
Voice: [no designation]
Languages: Latin
Voice Text: Converte Domine luctum nostrum
77–78 Pater noster qui es -
Appears on: 77–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es
78–79 Salva nos Domine vigilantes custodi nos -
Appears on: 78–79
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos Domine
General Note

Bk 50:17

79–80 O quam metuendus - 1a pars (of 2): O quam metuendus -
Appears on: 79–80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O quam metuendus
General Note

Bk 28:1 - 81:56

80–81 O quam metuendus - 2a pars (of 2): Orantibus in loco isto -
Appears on: 80–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orantibus in loco isto [part 2]
General Note

Bk 28:1 - 81:56

81–82 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Iacob: Gall:
Appears on: 81–82
Genres: Motet
Source Attribution: Iacob: Gall:
Voice: [no designation]
Languages: Latin
Voice Text: Quam dilecta sunt tabernacula tua
General Note

Bk 28:36 - 50:2 - 81:3 - 104:18

83–84 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 83–84
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine Deus virtutum exaudi [part 2]
General Note

Bk 28:36 - 50:2 - 81:3 - 104:18

84–85 Domine Deus meus exaltasti -
Appears on: 84–85
Genres: Motet
85–86 Initium sapientiae timor -
Appears on: 85–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Initium sapientiae timor
86–87 Dominus mihi adjutor -
Appears on: 86–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus mihi adiutor
87 Laudes supero psallite Andr: Gabr:
Appears on: 87
Genres: Motet
Source Attribution: Andr: Gabr:
Voice: [no designation]
Languages: Latin
Voice Text: Laudes supero psallite
88 Haec dicit Dominus Utendal
Appears on: 88
Genres: Motet
Source Attribution: Utendal
88–89 In Deo speravit cor meum et adjutus Claudii Meruli
Appears on: 88–89
Genres: Motet
Source Attribution: Claudii Meruli
89–90 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 89–90
Genres: Motet
90–91 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 90–91
Genres: Motet
91–92 Averte oculos meos -
Appears on: 91–92
Genres: Motet
92–93 Zu dir Herr Christe setz ich all mein Vertrauen -
Appears on: 92–93
Genres: Motet
93–94 Quo mihi crude dolor -
Appears on: 93–94
Genres: Motet
94–95 Quid ploras mulier Gallus
Appears on: 94–95
Genres: Motet
Source Attribution: Gallus
95–97 Das alte Jahr vergangen ist, wir danken dir (8vv) Wolffg: Figulus
Appears on: 95–97
Genres: Chorale, Motet, Sacred Song
Source Attribution: Wolffg: Figulus
97–98 Laudate pueri Dominum laudate nomen Orland:
Appears on: 97–98
Genres: Motet
Source Attribution: Orland:
98–99 In omnibus requiem quaesivi et in hereditate Orland:
Appears on: 98–99
Genres: Motet
Source Attribution: Orland:
99–101 Levavi oculos meos in montes unde veniet -
Appears on: 99–101
Genres: Motet
101–102 Laudate Dominum omnes gentes (12vv) -
Appears on: 101–102
Genres: Motet
102–103 Nun danket alle Gott - 1a pars (of 2): Nun danket alle Gott der grosse Dinge tut - Anonymous
Appears on: 102–103
Genres: Hymn
103–104 Nun danket alle Gott - 2a pars (of 2): Er gebe uns ein fröhlich Herz - Anonymous
Appears on: 103–104
Genres: Hymn
104–106 Laudate Dominum in sanctis eius (8vv) -
Appears on: 104–106
Genres: Psalm
106–109 Cantate Domino canticum novum (8vv) Blasius Amon
Appears on: 106–109
Genres: Motet
Source Attribution: Blasius Amon
109–110 Confitebor tibi Domine in toto corde (8vv, LV189) Orlandus
Appears on: 109–110
Genres: Motet
Source Attribution: Orlandus
110–112 Vinum bonum et suave nunquam bibi -
Appears on: 110–112
Genres: Motet
112–113 Deus in adjutorium meum intende -
Appears on: 112–113
Genres: Motet
113–114 Confitemini Domino et invocate Blasius Ammon
Appears on: 113–114
Genres: Motet
Source Attribution: Blasius Ammon
114–116 Laudate pueri Dominum Blasius Amon
Appears on: 114–116
Genres: Motet
Source Attribution: Blasius Amon
116–117 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra -
Appears on: 116–117
Genres: Motet
117–119 Jubilate Deo - 2a pars (of 2): Nos autem populus -
Appears on: 117–119
Genres: Motet
119–121 Laudate pueri Dominum Laudate nomen Domini (8vv) Joh: Leo Hasl:
Appears on: 119–121
Genres: Motet
Source Attribution: Joh: Leo Hasl:
121–122 Verbum caro factum est de virgine Maria Joh: Leo Hasl:
Appears on: 121–122
Genres: Motet
Source Attribution: Joh: Leo Hasl:
123–125 Laudate Dominum Martinus Peudarget
Appears on: 123–125
Genres: Psalm
Source Attribution: Martinus Peudarget
125–126 Benedictus Dominus Andr: Gabr:
Appears on: 125–126
Genres: Motet
Source Attribution: Andr: Gabr:
126–128 Cantate Domino canticum novum Alexand: Horologius
Appears on: 126–128
Genres: Motet
Source Attribution: Alexand: Horologius
128–130 Jehova fortitudo mea scutum meum -
Appears on: 128–130
Genres: Motet
130–131 Tulerunt Dominum meum et nescio ubi Nicolaus Parma
Appears on: 130–131
Genres: Motet
Source Attribution: Nicolaus Parma
131–132 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos Gregorius Andreas
Appears on: 131–132
Genres: Motet
Source Attribution: Gregorius Andreas
132–133 Levavi oculos meos - 2a pars (of 2): Deus custodit te -
Appears on: 132–133
Genres: Motet
133–134 Benedicam Dominum in omni tempore semper -
Appears on: 133–134
Genres: Motet
135–136 Musica caelicolis res grata Johan: Knef:
Appears on: 135–136
Genres: Motet
Source Attribution: Johan: Knef:
136–137 Decantabat populus Israel alleluia (7vv) Orlandus
Appears on: 136–137
Genres: Motet
Source Attribution: Orlandus
137–138 Angeli laetantur de mirando - Anonymous
Appears on: 137–138
Genres: Motet
139 Echo quae gelidas colens Bernh: Klingenst:
Appears on: 139
Genres: Response
Source Attribution: Bernh: Klingenst:
139–140 O Pater aetherea imperitans -
Appears on: 139–140
Genres: Response
140–141 Laban und Bethuel sprachen das kompt von Herren -
Appears on: 140–141
Genres: Sacred Song
141–143 Exultate justi in Domino Sethus Calvisius
Appears on: 141–143
Genres: Motet
Source Attribution: Sethus Calvisius
143–144 Visita quaesumus Domine Rog: Mich:
Appears on: 143–144
Genres: Motet
Source Attribution: Rog: Mich:
Composer Compositions
Ammon, Blasius (fl. c1440)
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bischoff, Melchior
Bruno, Rinaldo
Buissons, Michael Charles des (fl. 1560–70)
Buling, Michael
Calvisius, Sethus
Clavius, Christophorus
Crecquillon, Thomas (ca. 1505–ca. 1557)
Eckel, Matthias
Figulus, Wolfgang (ca. 1525–1589)
Gabrieli, Andrea (ca. 1532–1585)
Gensref (of Radeburg), Abraham
Giovannelli, Ruggiero (ca. 1560–1625)
Gregorius, Andreas
Guyot (Castileti), Jean
Handl (Gallus), Jacobus (1550–1591)
Hassler, Hans Leo (1564–1612)
Hollander, Christian
Klingenstein, Bernhard
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Merulo, Claudio (1533–1604)
Michael, Rogier
Orologio, Alessandro
Palestrina, Giovanni Pierluigi da (1525–1594)
Parma, Nicola
Peudargent, Martin von Huy
Phinot, Dominique
Pinello di Ghirardi, Giovanni Battista
Poetiscus, Sebastian
Regnart, Jacob (ca. 1540–1599)
Rivulo, Franziscus de
Sulcius, David
Sulcius, Georgius
Utendal, Alexander (ca. 1530–1581)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Ad te Domine levavi (5vv, LV53) - 1a pars (of 2): Ad te Domine levavi 64–65
Ad te Domine levavi (5vv, LV53) - 2a pars (of 2): Vias tuas Domine 65–66
Also hatt Gott die Welt geliebt 41–42
Angeli laetantur de mirando Anonymous 137–138
Audi tellus - 1a pars (of 2): Audi tellus audi magni 72–73
Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius 73–74
Averte oculos meos 91–92
Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris 62–63
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem 62
Benedicam Dominum in omni tempore semper 133–134
Benedictus Dominus 125–126
Caecus quidam sedebat 19–21
Cantate Domino canticum novum 126–128
Cantate Domino canticum novum (8vv) 106–109
Christ lag in todes banden 39–40
Christe der du bist tag und leicht 24
Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit 66–67
Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus 67
Confitebor tibi Domine in toto corde (8vv, LV189) 109–110
Confitemini Domino et invocate 113–114
Converte Domine luctum nostrum 76–77
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 69–70
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei 70
Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant 70–72
Da pacem Domine in diebus nostris 25
Das alte Jahr vergangen ist, wir danken dir (8vv) 95–97
De profundis clamavi ad te Domine 28–30
Decantabat populus Israel alleluia (7vv) 136–137
Descendit angelus Domini ad Zachariam dicens 56–57
Deus in adjutorium meum intende 112–113
Deus misereatur nostri et benedicat nobis 26–27
Dixit Dominus Domino meo Sede a dextris meis (8vv) 60–61
Domine Deus meus exaltasti 84–85
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 47–48
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 49–50
Dominus mihi adjutor 86–87
Echo quae gelidas colens 139
Ego dormivi et soporatus sum et resurrexi 50–52
Ego sum resurrectio et vita qui credit (8vv) 34–36
Egressus Jesus secessit in partes Tyri et Sidoni 3–4
Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est 57–58
Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius 58–59
Ewiger barmherziger Gott der du deiner Kirche hilfst 21–23
Exultate justi in Domino 141–143
Haec dicit Dominus 88
Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus 36–37
Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius 37–38
Herr nun lasstu deinen Diener in Frieden 5–7
Hespere qui caelo lucet 59–60
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 89–90
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 90–91
In Deo speravit cor meum et adjutus 88–89
In omnibus requiem quaesivi et in hereditate 98–99
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 11–12
Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium 12
Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime 12–13
Initium sapientiae timor 85–86
Jam non dicam vos servos sed amicos (8vv) 54–55
Jehova fortitudo mea scutum meum 128–130
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 116–117
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 67–68
Jubilate Deo - 2a pars (of 2): Nos autem populus 117–119
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius 68
Laban und Bethuel sprachen das kompt von Herren 140–141
Laudate Dominum 123–125
Laudate Dominum in sanctis eius (8vv) 104–106
Laudate Dominum omnes gentes (12vv) 101–102
Laudate Dominum omnes gentes, laudate eum 43–47
Laudate pueri Dominum 114–116
Laudate pueri Dominum laudate nomen 97–98
Laudate pueri Dominum Laudate nomen Domini (8vv) 119–121
Laudes supero psallite 87
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos 131–132
Levavi oculos meos - 2a pars (of 2): Deus custodit te 132–133
Levavi oculos meos in montes unde veniet 99–101
Libera me Domine de morte aeterna 69
Musica caelicolis res grata 135–136
Nun danket alle Gott - 1a pars (of 2): Nun danket alle Gott der grosse Dinge tut Anonymous 102–103
Nun danket alle Gott - 2a pars (of 2): Er gebe uns ein fröhlich Herz Anonymous 103–104
O altitudo divitiarum 53–54
O crux splendidior - 1a pars (of 2): O crux splendidior 13–14
O crux splendidior - 1a pars (of 2): O crux splendidior 15–17
O crux splendidior - 2a pars (of 2): Crux est arbor dignissima 17–19
O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos 14–15
O Pater aetherea imperitans 139–140
O quam metuendus - 1a pars (of 2): O quam metuendus 79–80
O quam metuendus - 2a pars (of 2): Orantibus in loco isto 80–81
O sacrum convivium in quo Christus sumitur (8vv) 40–41
Pater noster qui es 77–78
Pater noster qui es in caelis (8vv) 30–32
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 81–82
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 83–84
Quid ploras mulier 94–95
Quo mihi crude dolor 93–94
Respice propitius Domine super plebem tuam 32–34
Salva nos Domine vigilantes custodi nos 78–79
Sancta Trinitas unus Deus miserere nobis (8vv) 55–56
Saule Saule quid me persequeris Quis es Domine? 2
Tulerunt Dominum meum et nescio ubi 130–131
Usquequo Domine oblivisceris 74–76
Verbum caro factum est de virgine Maria 121–122
Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis 7–8
Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David 9–10
Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit 10
Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis 10–11
Vinum bonum et suave nunquam bibi 110–112
Visita quaesumus Domine 143–144
Zu dir Herr Christe setz ich all mein Vertrauen 92–93

Set: MS Grimma 49 (1-7)

Type: Partbooks

No images available

D-Dl MS Grimma 49 [Altus I]

No images available

D-Dl MS Grimma 49 [Altus II]

No images available

D-Dl MS Grimma 49 [Bassus I]

No images available

D-Dl MS Grimma 49 [Bassus II]

No images available

D-Dl MS Grimma 49 [Discantus I]

No images available

D-Dl MS Grimma 49 [Discantus II]

No images available

D-Dl MS Grimma 49 [Tenor I]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 76-81. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description