Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
2–3 | Nolite esse prudentes - 1a pars (of 3): Nolite esse prudentes | Jaqes Wert | |
Appears on:
2–3
Genres:
Motet
Source Attribution:
Jaqes Wert
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nolite sße prudentes
|
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3–4 | Nolite esse prudentes - 2a pars (of 3): Non vos petipsos | - | |
Appears on:
3–4
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Non vos petipsos [part 2]
|
|||
4–6 | Nolite esse prudentes - 3a pars (of 3): Sed si esurierit inimicus | - | |
Appears on:
4–6
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sed si esurierit inimicus [part 3]
|
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6–7 | Saulus cum iter faceret - 1a pars (of 2): Saulus cum iter faceret | Christianus Hollander | |
Appears on:
6–7
Genres:
Motet
Source Attribution:
Christianus Hollander
Voice:
[no designation]
Languages:
Latin
Voice Text:
Saulus cum iter faceret
|
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7–8 | Saulus cum iter faceret - 2a pars (of 2): Respondit Saulus | - | |
Appears on:
7–8
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respondit Saulus [part 2]
|
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9 | Ingressus erat Jesus - 1a pars (of 2): Ingressus erat Jesus | Paul. Sched. Melissus | |
Appears on:
9
Genres:
Motet
Source Attribution:
Paul. Sched. Melissus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ingressus erat Jesus
General NoteBk 29:1 |
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10 | Ingressus erat Jesus - 2a pars (of 2): Domine serva nos | - | |
Appears on:
10
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine serva nos [part 2]
General NoteBk 29:1 |
|||
11–12 | Musica Musarum - 1a pars (of 2): Musica Musarum germana | Jacobus Gallus | |
Appears on:
11–12
Genres:
Motet
Source Attribution:
Jacobus Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Musica Musarum germana
|
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12–13 | Musica Musarum - 2a pars (of 2): Vivat Io exhilarens | - | |
Appears on:
12–13
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vivat Io exhilarens [part 2]
|
|||
13–14 | Ad te levavi animam meam (6vv, LV729) | Orland. | |
Appears on:
13–14
Genres:
Motet
Source Attribution:
Orland.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te levavi animam meam
General NoteBk 28:30 - 51:79 |
|||
14–15 | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | Jaches Werth | |
Appears on:
14–15
Genres:
Motet
Source Attribution:
Jaches Werth
Voice:
[no designation]
Languages:
Latin
Voice Text:
Transeunte Domino
General NoteBk 21:138 - 42:29 - 44:61 - 50:115 |
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16–17 | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | - | |
Appears on:
16–17
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ait illi Jesus [part 2]
General NoteBk 21:138 - 42:29 - 44:61 - 50:115 |
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17–18 | Repleatur os meum - 1a pars (of 2): Repleatur os meum | Iacob. Gallus | |
Appears on:
17–18
Genres:
Motet
Source Attribution:
Iacob. Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Repleatur os meum
General NoteBk 2:14 - 28:9 - 57:16 - 63:13 |
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18–20 | Repleatur os meum - 2a pars (of 2): Exsurge gloria mea | - | |
Appears on:
18–20
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Exurge gloria mea [part 2]
General NoteBk 2:14 - 28:9 - 57:16 - 63:13 |
|||
20–21 | Nunc dimittis servum tuum | - | Anonymous |
Nunc dimittis servum tuumAnonymous
Appears on:
20–21
Genres:
Canticle
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum
|
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21–22 | Saule Saule quid me persequeris Quis es Domine? | Jaches Wert | |
Appears on:
21–22
Genres:
Motet
Source Attribution:
Jaches Wert
|
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23–24 | Egressus Jesus secessit in partes Tyri et Sidoni | - | |
Appears on:
23–24
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Egressus Jesus secessit
General NoteBk 21:158 - 26:1 - 50:109 - 51:45 |
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24–26 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus a Burck | |
Appears on:
24–26
Genres:
Canticle
Source Attribution:
Joachimus a Burck
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum
General NoteBk 21:135 - 42:7 - 51:3 |
|||
26–27 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
26–27
Genres:
Canticle
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lumen ad revelationem [part 2]
General NoteBk 21:135 - 42:7 - 51:3 |
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28–29 | O Deus aetherae rector | Christianus Holl: | |
Appears on:
28–29
Genres:
Motet
Source Attribution:
Christianus Holl:
Voice:
[no designation]
Languages:
Latin
Voice Text:
O Deus aetherae rector
|
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29–31 | Herr nun lasstu deinen Diener in Frieden | W Figulus | |
Appears on:
29–31
Genres:
Motet
Source Attribution:
W Figulus
Voice:
[no designation]
Languages:
German
Voice Text:
Herr nun lest du deinen diener
General NoteBk 21:163 - 28:37 |
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31 | Hodie beata virgo Maria puerum Jesu | Claudii meroli | |
Appears on:
31
Genres:
Motet
Source Attribution:
Claudii meroli
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie beata virgo
|
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32–33 | Adorna thalamum tuum | Pandolphi Zalamellae | |
Appears on:
32–33
Genres:
Motet
Source Attribution:
Pandolphi Zalamellae
Voice:
[no designation]
Languages:
Latin
Voice Text:
Adorno thalamum tuum
|
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33–34 | Da pacem Domine (5vv) | - | |
Appears on:
33–34
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Da pacem Domine
General NoteBk 44:81 |
|||
35 | Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis | ORLANDUS | |
Appears on:
35
Genres:
Motet
Source Attribution:
ORLANDUS
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vexilla regis prodeunt
General NoteBk 42:30 |
|||
36 | Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David | - | |
Appears on:
36
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Impleta sunt quae concinit [part 2]
General NoteBk 42:30 |
|||
37 | Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit | - | |
Appears on:
37
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beata cuius brachiis [part 3]
General NoteBk 42:30 |
|||
37–28 | Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis | - | |
Appears on:
37–28
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux ave spes unica [part 4]
General NoteBk 42:30 |
|||
38–40 | O Herr wir ruffn Dein Nahmen an | Georgius Sulcius | |
Appears on:
38–40
Genres:
Hymn
Source Attribution:
Georgius Sulcius
Voice:
[no designation]
Languages:
German
Voice Text:
O Herr wir ruffn dein Nahmen an
General NoteTenor (though in Discantus book) |
|||
40–41 | O gütiger Gott in Ewigkeit | - | Anonymous |
O gütiger Gott in EwigkeitAnonymous
Appears on:
40–41
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
O gütiger Got in Ewigkeit
|
|||
41 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
41
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Erhalt uns Herr bey deinem wort
General NoteBk 51:11 - 57:21 |
|||
41–42 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
41–42
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Gott heiliger Geist du Tröster werdt [part 2]
General NoteBk 51:11 - 57:21 |
|||
42–43 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
42–43
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Verley uns friden gnediglich [part 3]
General NoteBk 51:11 - 57:21 |
|||
43–44 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
43–44
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Gib unsern fürsten [part 4]
General NoteBk 51:11 - 57:21 Marked 'tertia pars' (though the 4th in the partbook!) |
|||
44 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
44
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Amen [part 5]
General NoteBk 51:11 - 57:21 marked 'quarta pars' |
|||
44–46 | Christe salus mundi | - | |
Appears on:
44–46
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christe salus mundi
General NoteBk 30:13 |
|||
47–48 | Infelix ego omnium - 1a pars (of 3): Infelix ego omnium | Orlando | |
Appears on:
47–48
Genres:
Motet
Source Attribution:
Orlando
Voice:
[no designation]
Languages:
Latin
Voice Text:
Infelix ego omnium
|
|||
48 | Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium | - | |
Appears on:
48
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Solus igitur Deus refugium [part 2]
General Notesecunda pars tacet |
|||
48–49 | Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime | - | |
Appears on:
48–49
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te igitur piissime [part 3]
|
|||
49–50 | O crux splendidior - 1a pars (of 2): O crux splendidior | Orlando | |
Appears on:
49–50
Genres:
Motet
Source Attribution:
Orlando
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux splendidior
|
|||
50–51 | O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos | - | |
Appears on:
50–51
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dulce lignum, dulces clavos
|
|||
51–52 | In monte Oliveti oravi ad patrem | - | |
Appears on:
51–52
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
In monte oliveti oravi
|
|||
52–53 | Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere | Orl[ando] | |
Appears on:
52–53
Genres:
Motet
Source Attribution:
Orl[ando]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huc me sidereo descendere
|
|||
53–54 | Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum | - | |
Appears on:
53–54
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pungentem capiti Dominum [part 2]
|
|||
54–55 | Huc me sidereo - 3a pars (of 3): De me solus amor potuit | - | |
Appears on:
54–55
Genres:
Motet
Voice:
[no designation]
Languages:
French
Voice Text:
De me solus amor potuit [part 3]
|
|||
55–57 | O crux splendidior - 1a pars (of 2): O crux splendidior | - | |
Appears on:
55–57
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux splendidior
|
|||
57–59 | O crux splendidior - 2a pars (of 2): Crux est arbor dignissima | - | |
Appears on:
57–59
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Crux est arbor dignissima [part 2]
|
|||
59–61 | Caecus quidam sedebat | - | |
Appears on:
59–61
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Caecus quidam sedebat
|
|||
61–63 | Ewiger barmherziger Gott der du deiner Kirche hilfst | Christianus Holland: | |
Appears on:
61–63
Genres:
Motet
Source Attribution:
Christianus Holland:
Voice:
[no designation]
Languages:
German
Voice Text:
Ewiger barmherziger got
|
|||
63–64 | Christe der du bist tag und leicht | Michael Buling | |
Appears on:
63–64
Genres:
Motet
Source Attribution:
Michael Buling
Voice:
[no designation]
Languages:
German
Voice Text:
Christe der du bist tag und leicht
|
|||
64–66 | Da pacem Domine in diebus nostris | Stephanus Mahu | |
Appears on:
64–66
Genres:
Motet
Source Attribution:
Stephanus Mahu
Voice:
[no designation]
Languages:
Latin
Voice Text:
Da pacem Domine
|
|||
66–68 | Deus misereatur nostri et benedicat nobis | Melchior Episcop: | |
Appears on:
66–68
Genres:
Motet
Source Attribution:
Melchior Episcop:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus misereatur nostri et benedicat nobis
General NoteBk 21:12 - 28:40 |
|||
69–71 | De profundis clamavi ad te Domine | Johannes [Mahu deleted] Pinellus | |
Appears on:
69–71
Genres:
Motet
Source Attribution:
Johannes [Mahu deleted] Pinellus
Voice:
[no designation]
Languages:
Latin
Voice Text:
De profundis clamavi
|
|||
71–72 | Pater noster qui es in caelis (8vv) | Arcadelt | |
Appears on:
71–72
Genres:
Motet, Pater noster
Source Attribution:
Arcadelt
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es
|
|||
73–74 | Respice propitius Domine super plebem tuam | Christ: Holland: | |
Appears on:
73–74
Genres:
Motet
Source Attribution:
Christ: Holland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respice propitius domine
|
|||
75–76 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra | Johannes Wanning | |
Appears on:
75–76
Genres:
Motet
Source Attribution:
Johannes Wanning
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iubilate Deo omnis terra
|
|||
76–78 | Jubilate Deo - 2a pars (of 2): Introite portas eius | - | |
Appears on:
76–78
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Introite portas eius [part 2]
|
|||
78–80 | Jubilate Deo | Josephus Guamus | |
Appears on:
78–80
Genres:
Jubilate, Motet
Source Attribution:
Josephus Guamus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jubilate deo omnis terra
|
|||
80–82 | Ego sum resurrectio et vita qui credit (8vv) | Michael de Buissons | |
Appears on:
80–82
Genres:
Motet
Source Attribution:
Michael de Buissons
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego sum Resurrectio
General NoteBk 50:30 |
|||
82–84 | Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus | Ioan[nes] Castileti | |
Appears on:
82–84
Genres:
Motet
Source Attribution:
Ioan[nes] Castileti
Voice:
[no designation]
Languages:
Latin
Voice Text:
Haec est dies quam fecit
|
|||
84–85 | Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius | - | |
Appears on:
84–85
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cito euntes dicite discipulis eius [part 2]
|
|||
85–87 | Christ lag in todes banden | Michael Buling | |
Appears on:
85–87
Genres:
Hymn
Source Attribution:
Michael Buling
Voice:
[no designation]
Languages:
German
Voice Text:
Christ lag in todes banden
|
|||
87–88 | O sacrum convivium in quo Christus sumitur (8vv) | Dominiq Finoth | |
Appears on:
87–88
Genres:
Motet
Source Attribution:
Dominiq Finoth
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sacrum convivium in quo Christus sumitur
General NoteBk 21:8 - 43:18 |
|||
88–90 | Ego flos campi et lilium convalium | Clemens non Papa | |
Appears on:
88–90
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego flos campi
General NoteBk 44:73 |
|||
90–92 | Also hatt Gott die Welt geliebt | Melchior Episcopus | |
Appears on:
90–92
Genres:
Sacred Song
Source Attribution:
Melchior Episcopus
Voice:
[no designation]
Languages:
German
Voice Text:
Also hatt Gott die welt geliebet
General NoteBk 28:57 |
|||
92 | Mente tota - 1a pars (of 2): Mente tota supplicamus | Pater Ch: Clavius | |
Appears on:
92
Genres:
Motet
Source Attribution:
Pater Ch: Clavius
Voice:
[no designation]
Languages:
Latin
Voice Text:
Mente tota supplicamus
|
|||
93 | Mente tota - 2a pars (of 2): Preces nostras omnipotens | - | |
Appears on:
93
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Preces nostras omnipotens [part 2]
|
|||
94–96 | Laudate Dominum omnes gentes, laudate eum | Matthias Eckel | |
Appears on:
94–96
Genres:
Motet
Source Attribution:
Matthias Eckel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laudate dominum omnes gentes
General NoteSedecim vocum (16vv!): Disc 1, Disc 2 |
|||
95–98 | Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti | Thomas Crequilon | |
Appears on:
95–98
Genres:
Motet
Source Attribution:
Thomas Crequilon
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Deus omnipotens
General NoteBk 5:33 - 43:3 - 55:22 - 100:2 |
|||
98–100 | Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse | - | |
Appears on:
98–100
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Confiteor tibi me peccasse [part 2]
General NoteBk 5:33 - 43:3 - 55:22 - 100:2 |
|||
100–101 | Usquequo Domine - 1a pars (of 2): Usquequo Domine irasceris | Iacobus Gallus | |
Appears on:
100–101
Genres:
Motet
Source Attribution:
Iacobus Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Usquequo Domine irasceris
|
|||
102–103 | Usquequo Domine - 2a pars (of 2): Nunquit in aeternum irascens | - | |
Appears on:
102–103
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunquit in aeternum irascens
|
|||
104–106 | Mein Gott warumb verstößestu mich | - | Anonymous |
Mein Gott warumb verstößestu michAnonymous
Appears on:
104–106
Genres:
Hymn
Voice:
[no designation]
Languages:
German
Voice Text:
Mein got warumb verstößestu mich
General Notetext for 9 verses in alternating ink colours |
|||
107–108 | Christe der du bist tag und leicht | - | |
Appears on:
107–108
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Christe der du bist tag und leicht
|
|||
108–109 | Erschienen ist der herliche tag | - | Anonymous |
Erschienen ist der herliche tagAnonymous
Appears on:
108–109
Genres:
Hymn
Voice:
[no designation]
Languages:
German
Voice Text:
Erschienen ist der herliche tag
|
|||
109–111 | Ego dormivi et soporatus sum et resurrexi | Bruno | |
Appears on:
109–111
Genres:
Motet
Source Attribution:
Bruno
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego dormivi et soporatus sum
General NoteBk 27:7 |
|||
111–112 | O altitudo divitiarum | Claudii Meruli | |
Appears on:
111–112
Genres:
Motet
Source Attribution:
Claudii Meruli
Voice:
[no designation]
Languages:
Latin
Voice Text:
O altitudo divitiarum
|
|||
112–113 | Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria | Severini Cornetti | |
Appears on:
112–113
Genres:
Motet
Source Attribution:
Severini Cornetti
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tibi laus tibi gloria
General NoteBk 15:71 - 57:3 |
|||
113–114 | Tibi laus, tibi gloria - 2a pars (of 2): Et benedictum nomen gloriae | - | |
Appears on:
113–114
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et benedictum nomen gloriae [2a pars]
General NoteBk 15:71 - 57:3 |
|||
114–115 | Jam non dicam vos servos sed amicos (8vv) | Dominici Phynot | |
Appears on:
114–115
Genres:
Motet
Source Attribution:
Dominici Phynot
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iam non dicam vos servos
General NoteBk 21:111 - 43:14 - 53:9 |
|||
116–117 | Sancta Trinitas unus Deus miserere nobis (8vv) | Dominici Phynot | |
Appears on:
116–117
Genres:
Motet
Source Attribution:
Dominici Phynot
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
General NoteBk 21:149 - 43:21 |
|||
117 | Descendit angelus Domini ad Zachariam dicens | Francisco de Rivulo | |
Appears on:
117
Genres:
Motet
Source Attribution:
Francisco de Rivulo
Voice:
[no designation]
Languages:
Latin
Voice Text:
Descendit angelus domini
|
|||
118 | Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est | Iacob. Gallus | |
Appears on:
118
Genres:
Motet
Source Attribution:
Iacob. Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Elizabethae ver implenum est
|
|||
119–120 | Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius | - | |
Appears on:
119–120
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innuebant autem patri eius [part 2]
|
|||
120–121 | In te salutis spem | Georg. Sulcius | |
Appears on:
120–121
Genres:
Motet
Source Attribution:
Georg. Sulcius
Voice:
[no designation]
Languages:
Latin
Voice Text:
In te salutis spem
|
|||
121 | Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo | Orlandi | |
Appears on:
121
Genres:
Motet
Source Attribution:
Orlandi
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus mihi adiutor
|
|||
122 | Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino | - | |
Appears on:
122
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonum est confiteri ... Et psallere
|
|||
123–124 | Domine Dominus noster quam admirabile est (6vv) | - | |
Appears on:
123–124
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Dominus noster
General NoteBk 7:100 - 53:17 - 57:19 |
|||
124–125 | Junior fui etenim | Georg: Sulc: | |
Appears on:
124–125
Genres:
Motet
Source Attribution:
Georg: Sulc:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iunior fui etenim
|
|||
125–127 | Hespere qui caelo lucet | David Sulcis Radeb: | |
Appears on:
125–127
Genres:
Motet
Source Attribution:
David Sulcis Radeb:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hespere qui caelo lucet
|
|||
127–128 | Dixit Dominus Domino meo Sede a dextris meis (8vv) | Orlandi | |
Appears on:
127–128
Genres:
Motet
Source Attribution:
Orlandi
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dixit dominus domino
General NoteBk 21:145 - 28:56 |
|||
129–130 | Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem | Orlandi | |
Appears on:
129–130
Genres:
Motet
Source Attribution:
Orlandi
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beatus vir qui intelligit
|
|||
130–131 | Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris | - | |
Appears on:
130–131
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus opem ferat [part 2]
|
|||
131–132 | Ad te Domine levavi (5vv, LV53) - 1a pars (of 2): Ad te Domine levavi | - | |
Appears on:
131–132
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te Domine levavi
|
|||
133–134 | Ad te Domine levavi (5vv, LV53) - 2a pars (of 2): Vias tuas Domine | - | |
Appears on:
133–134
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vias tuas Domine [part 2]
|
|||
134–136 | Bonitatem fecisti cum servo tuo Domine | Orland: | |
Appears on:
134–136
Genres:
Motet
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonitatem fecisti cum servo tuo
|
|||
136–137 | Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit | Orland: | |
Appears on:
136–137
Genres:
Motet
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Concupiscendo concupiscit
|
|||
137–138 | Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus | - | |
Appears on:
137–138
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Exaltabo te Deus meus [part 2]
|
|||
138–140 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino | Orland: | |
Appears on:
138–140
Genres:
Motet
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jubilate Deo omnis terra
General NoteBk 28:28 |
|||
140–142 | Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius | - | |
Appears on:
140–142
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Populus eius et oves [part 2]
General NoteBk 28:28 |
|||
142–143 | Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac | Orland: | |
Appears on:
142–143
Genres:
Motet
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Locutus sum in lingua mea
General NoteBk 28:25 |
|||
143–144 | Locutus sum - 2a pars (of 2): Fac mecum signum in bonum | - | |
Appears on:
143–144
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fac mecum signum [part 2]
General NoteBk 28:25 |
|||
145–146 | Libera me Domine de morte aeterna | Orland: | |
Appears on:
145–146
Genres:
Motet, Requiem
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Libera me domine de morte aeterna
|
|||
146–147 | Deus noster refugium et virtus adjutor | Orland: | |
Appears on:
146–147
Genres:
Motet
Source Attribution:
Orland:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus noster refugium
General NoteBk 28:26 |
|||
148–149 | Mirabile mysterium | - | |
Appears on:
148–149
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Mirabile mysterium
General NoteBk 96:7 |
|||
149–151 | In principio erat verbum - 1a pars (of 3): In principio erat verbum | - | |
Appears on:
149–151
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
In principio erat verbum
General NoteBk 15:5 |
|||
151–152 | In principio erat verbum - 2a pars (of 3): Fuit homo missus | - | |
Appears on:
151–152
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fuit homo missus [part 2]
General NoteBk 15:5 |
|||
153–155 | In principio erat verbum - 3a pars (of 3): In propria venit | - | |
Appears on:
153–155
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
In propria venit [part 3]
General NoteBk 15:5 |
|||
155–156 | Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda | Orlandi | |
Appears on:
155–156
Genres:
Motet
Source Attribution:
Orlandi
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cum natus esset Jesus
General Note3.p. Bk 97:3 |
|||
157–158 | Cum natus esset - 2a pars (of 3): Et illi dixerunt ei | - | |
Appears on:
157–158
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et illi dixerunt ei [part 2]
General Note3.p. Bk 97:3 |
|||
158–160 | Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant | - | |
Appears on:
158–160
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ecce stella quam viderant [part 3]
General Note3.p. Bk 97:3 |
|||
161–162 | Audi tellus - 1a pars (of 2): Audi tellus audi magni | Iacobus Hand: | |
Appears on:
161–162
Genres:
Motet
Source Attribution:
Iacobus Hand:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Audi tellus audi magni
General NoteBk 50:3 - 94:16 |
|||
162–163 | Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius | - | |
Appears on:
162–163
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ubi Plato ubi Porphyrius
General NoteBk 50:3 - 94:16 |
|||
164–165 | Usquequo Domine oblivisceris | Handel | |
Appears on:
164–165
Genres:
Motet
Source Attribution:
Handel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Usquequo Domine oblivisceris
|
|||
166 | Converte Domine luctum nostrum | Iacob: Gallus | |
Appears on:
166
Genres:
Motet
Source Attribution:
Iacob: Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Converte Domine luctum nostrum
|
|||
167–168 | Pater noster qui es | Iacob: Gallus | |
Appears on:
167–168
Genres:
Motet
Source Attribution:
Iacob: Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es
|
|||
168–169 | Salva nos Domine vigilantes custodi nos | Gallus | |
Appears on:
168–169
Genres:
Motet
Source Attribution:
Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salva nos Domine
General NoteBk 50:17 |
|||
169–172 | Domine Deus meus exaltasti | Gallus | |
Appears on:
169–172
Genres:
Motet
Source Attribution:
Gallus
|
|||
172 | O quam metuendus - 1a pars (of 2): O quam metuendus | Gallus | |
Appears on:
172
Genres:
Motet
Source Attribution:
Gallus
Voice:
[no designation]
Languages:
Latin
Voice Text:
O quam metuendus
General NoteBk 28:1 - 81:56 |
|||
173 | O quam metuendus - 2a pars (of 2): Orantibus in loco isto | - | |
Appears on:
173
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Orantibus in loco isto [part 2]
General NoteBk 28:1 - 81:56 |
|||
174 | Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua | Iacob: Gall: | |
Appears on:
174
Genres:
Motet
Source Attribution:
Iacob: Gall:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quam dilecta sunt tabernacula tua
General NoteBk 28:36 - 50:2 - 81:3 - 104:18 |
|||
175–176 | Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi | - | |
Appears on:
175–176
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Deus virtutum exaudi [part 2]
General NoteBk 28:36 - 50:2 - 81:3 - 104:18 |
|||
176–177 | In Domino speravit - 1a pars (of 2): In Domino speravit cor meum | Iacob: Hand: | |
Appears on:
176–177
Genres:
Motet
Source Attribution:
Iacob: Hand:
Voice:
[no designation]
Languages:
Latin
Voice Text:
In Domino speravit cor meum
|
|||
177–[178] | In Domino speravit - 2a pars (of 2): Benedicam Dominum | - | |
Appears on:
177–[178]
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicam dominum
|
|||
[179] | Initium sapientiae timor | Georg: Sulcius | |
Appears on:
[179]
Genres:
Motet
Source Attribution:
Georg: Sulcius
Voice:
[no designation]
Languages:
Latin
Voice Text:
Initium sapientiae timor
|
|||
[179]–182 | Dominus mihi adjutor | G[eorg] S[ulcius] | |
Appears on:
[179]–182
Genres:
Motet
Source Attribution:
G[eorg] S[ulcius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus mihi adiutor
|
|||
182–183 | Laudes supero psallite | Andrea Gab: | |
Appears on:
182–183
Genres:
Motet
Source Attribution:
Andrea Gab:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laudes supero psallite
|
|||
183–184 | In Deo speravit cor meum et adjutus | Claudius Meruli | |
Appears on:
183–184
Genres:
Motet
Source Attribution:
Claudius Meruli
|
|||
184–185 | Haec dicit Dominus | - | |
Appears on:
184–185
Genres:
Motet
|
|||
185–186 | Laudate Dominum de caelis (5vv, 4 partes) | - | |
Appears on:
185–186
Genres:
Motet
|
|||
186–187 | Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine | Clemens non Papa | |
Appears on:
186–187
Genres:
Motet
Source Attribution:
Clemens non Papa
|
|||
187–189 | Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen | - | |
Appears on:
187–189
Genres:
Motet
|
|||
189–190 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orland: | |
Appears on:
189–190
Genres:
Motet
Source Attribution:
Orland:
|
|||
190–191 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
190–191
Genres:
Motet
|
|||
191–192 | Averte oculos meos | Alex: Utend: | |
Appears on:
191–192
Genres:
Motet
Source Attribution:
Alex: Utend:
|
|||
192–193 | Zu dir Herr Christe setz ich all mein Vertrauen | - | |
Appears on:
192–193
Genres:
Motet
|
|||
193–195 | Quo mihi crude dolor | - | |
Appears on:
193–195
Genres:
Motet
|
|||
196–198 | Quid ploras mulier | - | |
Appears on:
196–198
Genres:
Motet
|
|||
198–199 | Das alte Jahr vergangen ist, wir danken dir (8vv) | - | |
Appears on:
198–199
Genres:
Chorale, Motet, Sacred Song
|
|||
200 | Veni in ortum meum charissima mea | Caspar Speier | |
Appears on:
200
Genres:
Motet
Source Attribution:
Caspar Speier
|
|||
201 | Providebam Dominum - 1a pars (of 2): Providebam Dominum in conspectu | Iacob: Gall: | |
Appears on:
201
Genres:
Motet
Source Attribution:
Iacob: Gall:
|
|||
202 | Providebam Dominum - 2a pars (of 2): Quoniam non derelinques | - | |
Appears on:
202
Genres:
Motet
|
|||
203–204 | Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum | Orland: | |
Appears on:
203–204
Genres:
Motet
Source Attribution:
Orland:
|
|||
204–205 | Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae | - | |
Appears on:
204–205
Genres:
Motet
|
|||
205–206 | Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi | - | |
Appears on:
205–206
Genres:
Motet
|
|||
206–207 | Laudate pueri Dominum laudate nomen | Orland: | |
Appears on:
206–207
Genres:
Motet
Source Attribution:
Orland:
|
|||
207–209 | In omnibus requiem quaesivi et in hereditate | Orland: | |
Appears on:
207–209
Genres:
Motet
Source Attribution:
Orland:
|
|||
209–211 | Levavi oculos meos in montes unde veniet | Orland: | |
Appears on:
209–211
Genres:
Motet
Source Attribution:
Orland:
|
|||
211–212 | Laudate Dominum omnes gentes (12vv) | - | |
Appears on:
211–212
Genres:
Motet
|
|||
212–213 | Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus | Orland: | |
Appears on:
212–213
Genres:
Motet
Source Attribution:
Orland:
|
|||
213 | Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores | - | |
Appears on:
213
Genres:
Motet
|
|||
214–215 | Quemadmodum desiderat cervus ad fontes | Orlandus | |
Appears on:
214–215
Genres:
Motet
Source Attribution:
Orlandus
|
|||
215–216 | Domine a lingua dolosa ab ira et odio | Nicolaus Dorlat: | |
Appears on:
215–216
Genres:
Motet
Source Attribution:
Nicolaus Dorlat:
|
|||
216–217 | Nun danket alle Gott - 1a pars (of 2): Nun danket alle Gott der grosse Dinge tut | - | Anonymous |
Appears on:
216–217
Genres:
Hymn
General Note"ad melodiam: O sperantur humana" |
|||
217 | Nun danket alle Gott - 2a pars (of 2): Er gebe uns ein fröhlich Herz | - | Anonymous |
Appears on:
217
Genres:
Hymn
|
|||
218–219 | O Jesu Christ - 1a pars (of 2): O Jesu Christ du siehst alls | Anton: Scandell: | |
Appears on:
218–219
Genres:
Motet
Source Attribution:
Anton: Scandell:
|
|||
219–220 | O Jesu Christ - 2a pars (of 2): Mein sünd sind schwer und gross | - | |
Appears on:
219–220
Genres:
Motet
|
|||
220–222 | Laudate Dominum in sanctis eius (8vv) | - | |
Appears on:
220–222
Genres:
Psalm
|
|||
222–224 | Cantate Domino canticum novum (8vv) | Blasius Amon | |
Appears on:
222–224
Genres:
Motet
Source Attribution:
Blasius Amon
|
|||
224–225 | Confitebor tibi Domine in toto corde (8vv, LV189) | - | |
Appears on:
224–225
Genres:
Motet
|
|||
225–226 | Vinum bonum et suave nunquam bibi | Orlandus | |
Appears on:
225–226
Genres:
Motet
Source Attribution:
Orlandus
General Note2 verses texted |
|||
226–227 | Clamaverunt ad Dominum | Orlandus | |
Appears on:
226–227
Genres:
Motet
Source Attribution:
Orlandus
|
|||
227–229 | Deus in adjutorium meum intende | Vuolfg: Figulus Nurnburg: | |
Appears on:
227–229
Genres:
Motet
Source Attribution:
Vuolfg: Figulus Nurnburg:
|
|||
229–231 | Ego autem in Domino gaudebo | Wolfgangus Figulus | |
Appears on:
229–231
Genres:
Motet
Source Attribution:
Wolfgangus Figulus
|
|||
231–233 | Deus Deus meus ad te de luce vigilo sitivit | Joh: Leo Haslerus | |
Appears on:
231–233
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
|
|||
233–234 | Quem in caelo - 1a pars (of 2): Quem in caelo et in terra | Joh: Leo Hasl: | |
Appears on:
233–234
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
|
|||
234–235 | Quem in caelo - 2a pars (of 2): Ecce enim quia te deficiunt | - | |
Appears on:
234–235
Genres:
Motet
|
|||
235–236 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Joh: Leo Hasl: | |
Appears on:
235–236
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
|
|||
237–238 | In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem | - | |
Appears on:
237–238
Genres:
Motet
|
|||
238–239 | Confitemini Domino et invocate | Blasius Ammon | |
Appears on:
238–239
Genres:
Motet
Source Attribution:
Blasius Ammon
|
|||
239–241 | Laudate pueri Dominum | Blasius Amon | |
Appears on:
239–241
Genres:
Motet
Source Attribution:
Blasius Amon
|
|||
241–242 | Sacrificate sacrificium - 1a pars (of 2): Sacrificate sacrificium | Blasius Amon | |
Appears on:
241–242
Genres:
Motet
Source Attribution:
Blasius Amon
|
|||
242–243 | Sacrificate sacrificium - 2a pars (of 2): Immola deo sacrificium | - | |
Appears on:
242–243
Genres:
Motet
|
|||
243–244 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra | Joh: Leo Hasl: | |
Appears on:
243–244
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
|
|||
244–245 | Jubilate Deo - 2a pars (of 2): Nos autem populus | - | |
Appears on:
244–245
Genres:
Motet
|
|||
245–246 | Domine quid multiplicati sunt qui tribulant | Joh: Pin: | |
Appears on:
245–246
Genres:
Motet
Source Attribution:
Joh: Pin:
|
|||
247–248 | Ne intres Domine in iudicium | Orland: | |
Appears on:
247–248
Genres:
Motet
Source Attribution:
Orland:
|
|||
248–250 | Reminiscere miserationum tuarum | Jacob Loss | |
Appears on:
248–250
Genres:
Motet
Source Attribution:
Jacob Loss
|
|||
250–251 | Servite Domino in timore | Antonius Scand: | |
Appears on:
250–251
Genres:
Psalm
Source Attribution:
Antonius Scand:
|
|||
251–254 | Laudate pueri Dominum Laudate nomen Domini (8vv) | Joh: Leo Hasl: | |
Appears on:
251–254
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
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254–255 | Domine Dominus noster - 1a pars (of 2): Domine Dominus noster quam admirabile est | Joh: Leo Hasl: | |
Appears on:
254–255
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
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255–256 | Domine Dominus noster - 2a pars (of 2): Quid est homo quod memor es eius? | - | |
Appears on:
255–256
Genres:
Motet
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256–257 | Verbum caro factum est de virgine Maria | Joh: Leo Haslerus | |
Appears on:
256–257
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
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257–259 | Tribus miraculis ornatum diem sanctum colimus | Joh: Leo Hasl: | |
Appears on:
257–259
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
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259–261 | Ascendo ad patrem meum et patrem vestrum | Joh: Leo Hasl: | |
Appears on:
259–261
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
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261–263 | Cantate Domino canticum novum cantate | Joh: Leo Haslerus | |
Appears on:
261–263
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
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263–264 | Da pacem Domine (6vv, LV 63) | Orland: | |
Appears on:
263–264
Genres:
Motet
Source Attribution:
Orland:
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264–265 | De ore prudentis procedit mel alleluia | Orland: | |
Appears on:
264–265
Genres:
Motet
Source Attribution:
Orland:
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265–266 | Quis est homo qui timet Dominum? | Orland: | |
Appears on:
265–266
Genres:
Motet
Source Attribution:
Orland:
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267–269 | Laudate Dominum | Martinus Dulpargent | |
Appears on:
267–269
Genres:
Psalm
Source Attribution:
Martinus Dulpargent
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269–270 | Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus | Orland: | |
Appears on:
269–270
Genres:
Motet
Source Attribution:
Orland:
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270–271 | Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore | - | |
Appears on:
270–271
Genres:
Motet
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271–272 | Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus | Orland: | |
Appears on:
271–272
Genres:
Motet
Source Attribution:
Orland:
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272–273 | Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes | - | |
Appears on:
272–273
Genres:
Motet
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273–274 | Benedictus Dominus | Andreas Gabriel: | |
Appears on:
273–274
Genres:
Motet
Source Attribution:
Andreas Gabriel:
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275–276 | Cantate Domino canticum novum | Alexand: Horolog: | |
Appears on:
275–276
Genres:
Motet
Source Attribution:
Alexand: Horolog:
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276–277 | Mundus insanus | Blasius Ammon | |
Appears on:
276–277
Genres:
Motet
Source Attribution:
Blasius Ammon
|
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278–279 | Der Herr ist mein Hirt, mir wird nichts | Andreae Raselii | |
Appears on:
278–279
Genres:
Motet
Source Attribution:
Andreae Raselii
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279–280 | Jehova fortitudo mea scutum meum | Joh: Knofel | |
Appears on:
279–280
Genres:
Motet
Source Attribution:
Joh: Knofel
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281–282 | Tulerunt Dominum meum et nescio ubi | Nicolaus Parma | |
Appears on:
281–282
Genres:
Motet
Source Attribution:
Nicolaus Parma
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282–283 | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | Georgius Moller | |
Appears on:
282–283
Genres:
Motet
Source Attribution:
Georgius Moller
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283 | Surge propera - 2a pars (of 2): Surge amica mea speciosa mea | - | |
Appears on:
283
Genres:
Motet
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284–285 | Veni sancte spiritus reple tuorum corda | Orlandus di Lassus | |
Appears on:
284–285
Genres:
Motet, Veni sancte spiritus
Source Attribution:
Orlandus di Lassus
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285–286 | Gott Vater uns sein Sohn verstellt | Andr. Greg: | |
Appears on:
285–286
Genres:
Hymn
Source Attribution:
Andr. Greg:
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286–287 | Contristatus sum | - | |
Appears on:
286–287
Genres:
Motet
|
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287–288 | Levavi oculos meos - 1a pars (of 2): Levavi oculos meos | Gregor: Andreas | |
Appears on:
287–288
Genres:
Motet
Source Attribution:
Gregor: Andreas
|
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288–289 | Levavi oculos meos - 2a pars (of 2): Deus custodit te | - | |
Appears on:
288–289
Genres:
Motet
|
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289–290 | Benedicam Dominum in omni tempore semper | Ruggierus Giovanellus | |
Appears on:
289–290
Genres:
Motet
Source Attribution:
Ruggierus Giovanellus
|
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290–291 | Exaltabo te Domine - 1a pars (of 2): Exaltabo te Domine | Renati del Melle | |
Appears on:
290–291
Genres:
Motet
Source Attribution:
Renati del Melle
|
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291–292 | Exaltabo te Domine - 2a pars (of 2): Domine Dominus noster | - | |
Appears on:
291–292
Genres:
Motet
|
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292–294 | Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum | Rena[ti del Melle] | |
Appears on:
292–294
Genres:
Motet
Source Attribution:
Rena[ti del Melle]
|
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294–295 | Cantate Domino - 2a pars (of 2): Jubilate Deo omnis terra | - | |
Appears on:
294–295
Genres:
Motet
|
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295–296 | Exulatate Deo adjutori nostro | idem [i.e. Renati del Melle] | |
Appears on:
295–296
Genres:
Motet
Source Attribution:
idem [i.e. Renati del Melle]
|
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297 | Domine non sum dignus | idem [i.e. Renati del Melle] | |
Appears on:
297
Genres:
Motet
Source Attribution:
idem [i.e. Renati del Melle]
|
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298–299 | Musica caelicolis res grata | Johan: Knefel | |
Appears on:
298–299
Genres:
Motet
Source Attribution:
Johan: Knefel
|
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299–300 | Decantabat populus Israel alleluia (7vv) | Orlandus | |
Appears on:
299–300
Genres:
Motet
Source Attribution:
Orlandus
|
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300–301 | Dominus pastor meus - 1a pars (of 2): Dominus pastor meus nihil mihi deerit | Joh: Knef[el] | |
Appears on:
300–301
Genres:
Motet
Source Attribution:
Joh: Knef[el]
|
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301–302 | Dominus pastor meus - 2a pars (of 2): Parasti in conspectu | - | |
Appears on:
301–302
Genres:
Motet
|
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302–303 | Paratum cor meum Deus cantabo et psallam | Leonh: Lech: | |
Appears on:
302–303
Genres:
Motet
Source Attribution:
Leonh: Lech:
|
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303–304 | In religione homo vivit | Orland: | |
Appears on:
303–304
Genres:
Motet
Source Attribution:
Orland:
|
|||
304–306 | Angeli laetantur de mirando | - | Anonymous |
Angeli laetantur de mirandoAnonymous
Appears on:
304–306
Genres:
Motet
|
|||
306–308 | Echo quae gelidas colens | Bernh: Klingenstein | |
Appears on:
306–308
Genres:
Response
Source Attribution:
Bernh: Klingenstein
|
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309–310 | O Pater aetherea imperitans | - | |
Appears on:
309–310
Genres:
Response
|
|||
310–311 | Laban und Bethuel sprachen das kompt von Herren | - | |
Appears on:
310–311
Genres:
Sacred Song
|
|||
312 | Commenda Domino viam tuam | Johan: Knefel: | |
Appears on:
312
Genres:
Motet
Source Attribution:
Johan: Knefel:
|
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313–315 | Exultate justi in Domino | Seth: Calvis: | |
Appears on:
313–315
Genres:
Motet
Source Attribution:
Seth: Calvis:
|
|||
315–316 | Visita quaesumus Domine | Rogerius Michael | |
Appears on:
315–316
Genres:
Motet
Source Attribution:
Rogerius Michael
|