CH-Bu F X 23

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Date 1547 in B; 1551 in D

Archive	Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark	F X 23
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	76 x 100 mm
Other Identifiers	CCM: BasU F.X.22-4
Copyists	Piperinus, Christoph (–1565) Music ? Amerbach, Basilius (1533–1591) Music
Relationships	Amerbach, Basilius (1533–1591) (owner) Basel University Library (owner) Amerbach, Bonifacius (1495–1562) (owner) Piperinus, Christoph (–1565) (compiler)
External Links	Digital images in e-manuscripta
Provenance	Basel, Switzerland
Contents	41 pieces from 21 composers

General Description

An Altus partbook from a set originally of four volumes, appended to a copy of RISM 1535/11 (the enumeration of folios here includes those in the print). #1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017

Binding

Original white parchment covers

DIAMM, 2017

Watermark

(1) resembles Briquet #1396; (2) resembles Briquet #15739 (KmetzH).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 9.

DIAMM, 2017

Foliation

Other numberings: original numbering of pieces in the manuscript addition section, 1-40

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, I German sacred piece, 1 Latin/Italian secular piece, 6 German secular pieces, 34 French secular pieces, 4 dances = 47+1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur)-1, (Renez)-1, (Sandrin)-1, (Sandrin/Manchicourt)-1, Senfl-2, (Sermisy)-10, (Susato)-1, (Villiers)-1, anon-21

3 paper partbooks (D-vii + 65 folios, A-43, B-vii + 63), 76 x 100, appended to a copy of RISM 1535/11 (the preceding enumeration of folios includes those in the print). In D, two folios have been torn out following f. 52'; in B, three folios have been torn out following f. 50'. Blank folios: D-25-25', 53-65'; B-25', 53', 54'-63'. New pencil foliation; original numbering of pieces in the manuscript addition section, 1-48 in DB; 1-40 in A. Original white parchment covers. No index. Inscription in D: "Basilius Amerbachius 1551."

Date 1547 in B; 1551 in D. Apparently belonged to Basilius Amerbach, son of the humanist Bonifacius Amerbach.

Vol 4

BasU F.X.22-4

BASEL. Offentliche Bibliothek der Universitat. MSS F.X.22-24

1 motet, I German sacred piece, 34 French secular pieces, 6 German secular pieces, 1 Latin/Italian secular piece (with Latin incipit only in this source), 4 dances =47 + 1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard/Lortin)-1, (Gombert/Sermisy)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur) -1, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, Othmayr-1, (Renez)-1, (Sandrin)-1, Senfl-2, (Sermisy)-8, (Susato)-1, (Villiers) -1, anon-20

3 paper partbooks of an original 4, each consisting of the print RISM 1535/11, with manuscript additions following print in each book (D-41 folios, A-19, B-39), 76 x 100. Modern pencil foliation in each book includes printed and manuscript sections in single series; manuscript addition section begins on new f. 25 in each book. Original ink numbering of pieces, 1-48. Blank folios— D: 25-25', 53-65'; B: 25', 53', 54'-63'. DB books have covers of parchment cut from liturgical manuscript; A book has modern parchment covers. No index.

1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Staff height 9. No initials or decoration. Watermarks: (1) re-sembles Briquet #1396; (2) generally resembles Briquet #15739 (KmetzH).

Ca. 1547-51 (dates in manuscript). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[i],1–[viiv],1-24v	Exemplar of Egenolff 1535(11)	-	Anonymous
Exemplar of Egenolff 1535(11) Anonymous Appears on: [i],1–[viiv],1-24v Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: Exemplar of Egenolff 1535/11
25	Herr, durch din Blute hilf uns Armen	Lud. Senfli [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Herr, durch din Blute hilf uns Armen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 25 Genres: Chanson Source Attribution: Lud. Senfli [= Senfl] Voice: [no designation] Languages: German Voice Text: Her durch din bluete [hilff uns armen]
25v	Iai choisi unidentified	Anon.	Anonymous
Iai choisi unidentified Anonymous Appears on: 25v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Iai choisi [unidentified]
25v–26	Vivre ne puis content sans sa présence	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?)
Vivre ne puis content sans sa présence Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?) Appears on: 25v–26 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Vivre ne puis [content sans sa présence]
26–26v	Mein fleiss [vleiss] und müh ich nie hab g'spart (S230)	L. Senfli [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26–26v Genres: Song Source Attribution: L. Senfli [= Senfl] Voice: [no designation] Languages: German Voice Text: Mein fliss unn muhe [ich nie hab gspart]
26v–27	Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II)	Heinrichus Isaac	Isaac, Heinrich (ca. 1450–1517)
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–27 Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet Source Attribution: Heinrichus Isaac Voice: [no designation] Languages: German Voice Text: Ispruck muss ich dich lassen [= Christe II from Missa Carminum]
27–27v	Paduaner	Anon.	Anonymous
Paduaner Anonymous Appears on: 27–27v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Paduaner
27v–28	Ob allem werdt	Sixt Dieterich [= Dietrich]	Dietrich, Sixt (ca. 1493–1548)
Ob allem werdt Dietrich, Sixt (ca. 1493–1548) Appears on: 27v–28 Genres: Chanson Source Attribution: Sixt Dieterich [= Dietrich] Voice: [no designation] Languages: German Voice Text: Ob allem werdt
28–28v	Holendisch giger liedlin	Otmarus [= Othmayr]	Othmayr, Caspar
Holendisch giger liedlin Othmayr, Caspar Appears on: 28–28v Genres: Chanson Source Attribution: Otmarus [= Othmayr] Voice: [no designation] Languages: German Voice Text: Holendisch giger liedlin
28v–29	Paduaner	Anon.	Anonymous
Paduaner Anonymous Appears on: 28v–29 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Paduaner
29	D'amour je suis desherite et plaindre	Anon.	Anonymous
D'amour je suis desherite et plaindre Anonymous Appears on: 29 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Damour ie suis destieriter(!)
29v	Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4	Josquin/[Gregoire]	Despres, Josquin (ca. 1450–1521)
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 Despres, Josquin (ca. 1450–1521) Appears on: 29v Genres: Motet Source Attribution: Josquin/[Gregoire] Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus/Ecce panis angelorum/ O salutaris hostia 21.4
30	Languir me fais sans t'avoir offensé	[Mouton/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)
Languir me fais sans t'avoir offensé Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 30 Genres: Chanson Source Attribution: [Mouton/Sermisy] Voice: [no designation] Languages: French Voice Text: Languir me faict [= Languir me fais sans t'avoir offensé]
30v	D'ou [dont] vient cela belle je vous supply	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 30v Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Dont vient cela [belle je vous supply]
31	D'ou [dont] vient cela belle je vous supply	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 31 Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Dont vient cela [belle je vous supply] [= f. 31v]
31v	Le berger et la bergière sont a l'ombre	[Renez]	Regnes, Nicole
Le berger et la bergière sont a l'ombre Regnes, Nicole Appears on: 31v Genres: Chanson Source Attribution: [Renez] Voice: [no designation] Languages: French Voice Text: Le berger [et la bergière sont a l'ombre]
31v	J'attens secours de ma seule pensée	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
J'attens secours de ma seule pensée Sermisy, Claudin de (ca. 1490–1562) Appears on: 31v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Jattens secours [de ma seule pensée]
31v–32	Amour et mort me font oultrage	Anon.	Anonymous
Amour et mort me font oultrage Anonymous Appears on: 31v–32 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Amour et mort [me font oultrage]
32–32v	Le content est riche en ce monde	[Gombert/Sermisy]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Le content est riche en ce monde Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 32–32v Genres: Chanson Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: French Voice Text: Lecont est ryche [= Le content est riche en ce monde]
32v	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 32v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Tant que vivraÿ [en aage florissant]
33–33v	Il est jour dit l'alouette allons jouer	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il est jour dit l'alouette allons jouer Sermisy, Claudin de (ca. 1490–1562) Appears on: 33–33v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Il est iour [dit l'Alouette allons jouer]
33v–34v	Frere Thibault sejourne gros et gras	[Certon]	Certon, Pierre (–ca. 1572)
Frere Thibault sejourne gros et gras Certon, Pierre (–ca. 1572) Appears on: 33v–34v Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Voice Text: Frere tybant [= Frere Thibault sejourne gros et gras]
34v–35	Nostre vicaire un jour de feste	[Le Heurteur]	Heurteur, Guillaume le (fl. 1530-1545)
Nostre vicaire un jour de feste Heurteur, Guillaume le (fl. 1530-1545) Appears on: 34v–35 Genres: Chanson Source Attribution: [Le Heurteur] Voice: [no designation] Languages: French Voice Text: Nostre vicaire [ung jour de feste]
35v	Ce mois de may sur la rousée jouer irons	[Godard/Lortin]	Godard, Robert (?) Lortin (?)
Ce mois de may sur la rousée jouer irons Godard, Robert (?) Lortin (?) Appears on: 35v Genres: Chanson Source Attribution: [Godard/Lortin] Voice: [no designation] Languages: French Voice Text: Ce moys de maÿ [sur la rousée]
36–36v	Laguisant suis attendant que fortune	[Villiers]	Villiers, P[ierre?] de
Laguisant suis attendant que fortune Villiers, P[ierre?] de Appears on: 36–36v Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Voice Text: Laguisant suÿs [attendant que fortune]
36v–37	Doulce memoire en plaisir consommée	[Manchicourt/Sandrin]	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Doulce memoire en plaisir consommée Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 36v–37 Genres: Chanson Source Attribution: [Manchicourt/Sandrin] Voice: [no designation] Languages: French Voice Text: Doulce mtoire [= Doulce memoire en plaisir consommée]
37–37v	Si mon travail vous peult donner plaisir	[Sandrin/Sermisy]	Sandrin, Pierre (ca. 1490–ca. 1560)
Si mon travail vous peult donner plaisir Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 37–37v Genres: Chanson Source Attribution: [Sandrin/Sermisy] Voice: [no designation] Languages: French Voice Text: Si mon [travail vous peult donner plaisir]
37v–38	Deuil double deuil renfort de desplaisir	[Susato]	Maillard, Jean (fl. c1538–1570)
Deuil double deuil renfort de desplaisir Maillard, Jean (fl. c1538–1570) Appears on: 37v–38 Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: French Voice Text: Le deuil [= Dueil double dueil renfort de desplaisir]
38	De retourner mon ami je te prie	Anon.	Sermisy, Claudin de (ca. 1490–1562) (?)
De retourner mon ami je te prie Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 38 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: De retourner [mon amy je te prie]
38v	Ami helas, ôtez moi de la presse d'ennuie	Anon.	Anonymous
Ami helas, ôtez moi de la presse d'ennuie Anonymous Appears on: 38v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ami hellas [ostes moy de la presse]
38v–39	Le coeur de vous ma présence désire	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Le coeur de vous ma présence désire Sermisy, Claudin de (ca. 1490–1562) Appears on: 38v–39 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Le coeur de vous [ma présence désire]
39–39v	Secourez moi ma dame par amours ou autrement	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Secourez moi ma dame par amours ou autrement Sermisy, Claudin de (ca. 1490–1562) Appears on: 39–39v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Secoures moy [ma dame par amours]
39v–40	D'ou [dont] vient cela belle je vous supply	Anon.	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 39v–40 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Dont vient cela [unidentified]
40	Mon triste unidentified	Anon.	Anonymous
Mon triste unidentified Anonymous Appears on: 40 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon triste [unidentified]
40–40v	Le jaulne et bleu sont les couleurs	Anon.	Anonymous
Le jaulne et bleu sont les couleurs Anonymous Appears on: 40–40v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le iaune [= Le jaulne et bleu sont les couleurs]
40v	Vostre bon unidentified	Anon.	Anonymous
Vostre bon unidentified Anonymous Appears on: 40v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vostre bon [unidentified]
41	J'ai deul (unidentified)	Anon.	Anonymous
J'ai deul (unidentified) Anonymous Appears on: 41 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Iaÿ deul [unidentified]
41v	Dueil double dueil renfort de desplaisir	[Hesdin/Lupi]	Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?)
Dueil double dueil renfort de desplaisir Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?) Appears on: 41v Genres: Chanson Source Attribution: [Hesdin/Lupi] Voice: [no designation] Languages: French Voice Text: Deul [= Doeul double doeul renfort de desplaisir]
42–42v	Or my rende unidentified	Anon.	Anonymous
Or my rende unidentified Anonymous Appears on: 42–42v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Or my rende [unidentified]
42v–43	Alez vos (unidentified)	Anon.	Anonymous
Alez vos (unidentified) Anonymous Appears on: 42v–43 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ales vos [unidentified]
43–43v	Ein welsche schlacht: Dues vous labiche	Anon.	Anonymous
Ein welsche schlacht: Dues vous labiche Anonymous Appears on: 43–43v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French, German Voice Text: Ein welsche schlacht: Dues vous labiche

Composer	Compositions
Anonymous	Alez vos (unidentified) – 42v–43 Ami helas, ôtez moi de la presse d'ennuie – 38v Amour et mort me font oultrage – 31v–32 D'amour je suis desherite et plaindre – 29 Ein welsche schlacht: Dues vous labiche – 43–43v Exemplar of Egenolff 1535(11) – [i],1–[viiv],1-24v Iai choisi unidentified – 25v J'ai deul (unidentified) – 41 Le jaulne et bleu sont les couleurs – 40–40v Mon triste unidentified – 40 Or my rende unidentified – 42–42v Paduaner – 27–27v Paduaner – 28v–29 Vostre bon unidentified – 40v
Certon, Pierre (–ca. 1572)	Frere Thibault sejourne gros et gras – 33v–34v
Despres, Josquin (ca. 1450–1521)	Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 – 29v
Dietrich, Sixt (ca. 1493–1548)	Ob allem werdt – 27v–28
Gardano, Antonio	(?) Vivre ne puis content sans sa présence – 25v–26
Godard, Robert	(?) Ce mois de may sur la rousée jouer irons – 35v
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Le content est riche en ce monde – 32–32v
Hesdin, Nicolle des Celliers de (–1538)	(?) Dueil double dueil renfort de desplaisir – 41v
Heurteur, Guillaume le (fl. 1530-1545)	Nostre vicaire un jour de feste – 34v–35
Isaac, Heinrich (ca. 1450–1517)	Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) – 26v–27
Lortin	(?) Ce mois de may sur la rousée jouer irons – 35v
Lupi, Johannes (ca. 1506–1539)	(?) Dueil double dueil renfort de desplaisir – 41v
Maillard, Jean (fl. c1538–1570)	Deuil double deuil renfort de desplaisir – 37v–38
Manchicourt, Pierre de	(?) Doulce memoire en plaisir consommée – 36v–37
Mouton, Jean (ca. 1459–1522)	(?) Languir me fais sans t'avoir offensé – 30
Othmayr, Caspar	Holendisch giger liedlin – 28–28v
Regnes, Nicole	Le berger et la bergière sont a l'ombre – 31v
Sandrin, Pierre (ca. 1490–ca. 1560)	(?) Doulce memoire en plaisir consommée – 36v–37 Si mon travail vous peult donner plaisir – 37–37v
Senfl, Ludwig (ca. 1486–ca. 1543)	Herr, durch din Blute hilf uns Armen – 25 Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) – 26–26v
Sermisy, Claudin de (ca. 1490–1562)	D'ou [dont] vient cela belle je vous supply – 30v D'ou [dont] vient cela belle je vous supply – 31 D'ou [dont] vient cela belle je vous supply – 39v–40 (?) De retourner mon ami je te prie – 38 Il est jour dit l'alouette allons jouer – 33–33v J'attens secours de ma seule pensée – 31v (?) Languir me fais sans t'avoir offensé – 30 Le coeur de vous ma présence désire – 38v–39 (?) Le content est riche en ce monde – 32–32v Secourez moi ma dame par amours ou autrement – 39–39v Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 32v (?) Vivre ne puis content sans sa présence – 25v–26
Villiers, P[ierre?] de	Laguisant suis attendant que fortune – 36–36v

Composition	Composers (? Uncertain)	Folios / Pages
Alez vos (unidentified)	Anonymous	42v–43
Ami helas, ôtez moi de la presse d'ennuie	Anonymous	38v
Amour et mort me font oultrage	Anonymous	31v–32
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4	Despres, Josquin (ca. 1450–1521)	29v
Ce mois de may sur la rousée jouer irons	Godard, Robert (?) Lortin (?)	35v
D'amour je suis desherite et plaindre	Anonymous	29
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	30v
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	31
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	39v–40
De retourner mon ami je te prie	Sermisy, Claudin de (ca. 1490–1562) (?)	38
Deuil double deuil renfort de desplaisir	Maillard, Jean (fl. c1538–1570)	37v–38
Doulce memoire en plaisir consommée	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	36v–37
Dueil double dueil renfort de desplaisir	Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?)	41v
Ein welsche schlacht: Dues vous labiche	Anonymous	43–43v
Exemplar of Egenolff 1535(11)	Anonymous	[i],1–[viiv],1-24v
Frere Thibault sejourne gros et gras	Certon, Pierre (–ca. 1572)	33v–34v
Herr, durch din Blute hilf uns Armen	Senfl, Ludwig (ca. 1486–ca. 1543)	25
Holendisch giger liedlin	Othmayr, Caspar	28–28v
Iai choisi unidentified	Anonymous	25v
Il est jour dit l'alouette allons jouer	Sermisy, Claudin de (ca. 1490–1562)	33–33v
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II)	Isaac, Heinrich (ca. 1450–1517)	26v–27
J'ai deul (unidentified)	Anonymous	41
J'attens secours de ma seule pensée	Sermisy, Claudin de (ca. 1490–1562)	31v
Laguisant suis attendant que fortune	Villiers, P[ierre?] de	36–36v
Languir me fais sans t'avoir offensé	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)	30
Le berger et la bergière sont a l'ombre	Regnes, Nicole	31v
Le coeur de vous ma présence désire	Sermisy, Claudin de (ca. 1490–1562)	38v–39
Le content est riche en ce monde	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	32–32v
Le jaulne et bleu sont les couleurs	Anonymous	40–40v
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230)	Senfl, Ludwig (ca. 1486–ca. 1543)	26–26v
Mon triste unidentified	Anonymous	40
Nostre vicaire un jour de feste	Heurteur, Guillaume le (fl. 1530-1545)	34v–35
Ob allem werdt	Dietrich, Sixt (ca. 1493–1548)	27v–28
Or my rende unidentified	Anonymous	42–42v
Paduaner	Anonymous	27–27v
Paduaner	Anonymous	28v–29
Secourez moi ma dame par amours ou autrement	Sermisy, Claudin de (ca. 1490–1562)	39–39v
Si mon travail vous peult donner plaisir	Sandrin, Pierre (ca. 1490–ca. 1560)	37–37v
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	32v
Vivre ne puis content sans sa présence	Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?)	25v–26
Vostre bon unidentified	Anonymous	40v

Set: MS F.X.22-24

Type: Partbooks

No images available

CH-Bu F X 22

No images available

CH-Bu F X 23

No images available

CH-Bu F X 24

‡ denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xl. Notes: contents list (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xvii,27,80 III,57. Notes: physical description; contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 62. Notes: concordances (partial).

Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 204. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 7. Notes: physical description; concordances.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 246, 258. Notes: concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 132. Notes: contents list (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,141,147,154. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: II, v. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 170. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 68-9. Notes: contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description