CH-Bu F X 9

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates from 1535 to 1546 in manuscript

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F X 9
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 96 x 155 mm
Other Identifiers
  • CCM: BasU F.X.5-9
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 5 pieces from 6 composers
General Description

A Quintus partbook from a set of five volumes. Copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Copied in Basel. Early layer in DATB books completed by the time they were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: 'Bonifacius Amorbacchius Basil M.D.X.'). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017
Physical Description

Some folios have been cut out.

DIAMM, 2017
Binding

Original parchment covers

DIAMM, 2017
Watermark

(1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height c. 13

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces and a new pencil numbering, 1-39

DIAMM, 2017
Foliation

New pencil foliation

DIAMM, 2017
Decoration

No decorative initials; miniatures on f. 2 of Discantus book and ff. l'-2 of Tenor book

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 10 motets, 18 German sacred and secular pieces, 4 French secular pieces (some of the preceding have text incipits only), 4 textless pieces = 39

Alder-4, (Compère)-1, Dietrich [Sixtus Theodoricus]-1, Isaac-3, (Josquin)-1, (Lafage)-1, Senfl-1, Wannenmacher [Vannius]-2, Willaert-1 + 1?, anon-23

5 paper partbooks (D-37 folios, A-i + 37, T-35, B-iv + 37 + iii, Q-ii + 24), 96 x 155. Some folios have been cut out. New pencil foliation; some original numbering of pieces and a new pencil numbering, 1-39. Original parchment covers, except for the bassus book, which has been rebound in a modern cardboard cover. No index.

Dates from 1535 to 1546 in manuscript. The name "Bonif. Amerbach" appears in the T ; "Basil. Amerbach" appears in the D and A. Bonifacius Amerbach (1495-1562) was a prominent citizen of Basel, professor at the University of Basel, and a member of the city council. Basilius Amerbach was his son.

Vol 4

1 Magnificat (incomplete), 1 hymn, 9 motets, 5 German sacred pieces, 14 German secular pieces (2 without text), 6 French secular pieces, 3 Latin secular pieces, 1 Dutch secular piece (without text), 2 textless pieces, 2 instru-mental pieces = 44

Alder-3 + 2?, Alder/(Senfl)-1, (Compère)-1, Dietrich [Sixtus Theodoricus]-2, Isaac-3, (Janequin)-1, (Josquin)-1, (Lafage)-1, (Obrecht)-1, (Senfl)-2, Senfl/(Josquin)-1, (Sermisy)-1, Wannen-macher [Vannius]-3, Willaert-2, anon-19

5 paper partbooks (D-37 folios, A-ii + 38, T-35, B-i + 36, Q-ii + 24), 96 x 155 (Q measures 96 x 162). Many original folios cut out. Modern pencil foliation in each book. Modern pencil numbering of pieces, 1-39, replaces incomplete series of original piece numbers (a few inaccuracies in modern numbering). DATB repaired 1982-5 and placed in modern cloth case bindings, but original parchment covers retained. Q book still has original parchment covers only. Early layer copied by single, unidentified scribe; main layer copied by Christoph Piperinus (see below), who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Staff height ca. 13. No decorative initials; miniatures on f. 2 of D book and ff. l'-2 of T book. Watermarks: (1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH). Some bassus parts copied in T book; some tenor parts copied in B book.

Ca. 1500-10 (early layer); ca. 1547 (main layer, including Q book) (KmetzH). Copied in Basel. Early layer completed by the time DATB books were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: "Bonifacius Amorbacchius Basil M.D.X."). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–4 Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem) -
Appears on: 1–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Super flumina Babylonis
4v–5 Veni electa mea et ponam in te thronum Cosmas Alderinus [= Alder]
Appears on: 4v–5
Genres: Motet
Source Attribution: Cosmas Alderinus [= Alder]
Voice: [no designation]
Languages: Latin
Voice Text: Veni electa mea et ponam in te thronum
5–6v Salve magnificum genus ac veneranda Wannio [= Wannenmacher]
Appears on: 5–6v
Genres: Motet
Source Attribution: Wannio [= Wannenmacher]
Voice: [no designation]
Languages: Latin
Voice Text: Salve magnificum genus ac veneranda
7–8v De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) Lud: Senfl/[Josquin]
Appears on: 7–8v
Genres: Motet
Source Attribution: Lud: Senfl/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine
8v–9v In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv) A. Willart
Appears on: 8v–9v
Genres: Motet
Source Attribution: A. Willart
Voice: [no designation]
Languages: Latin
Voice Text: In diebus illis erat vir Babilonie

Set: MS F.X.5-9

Type: Partbooks

No images available

CH-Bu F X 5

No images available

CH-Bu F X 6

No images available

CH-Bu F X 7

No images available

CH-Bu F X 8

No images available

CH-Bu F X 9

denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung.  Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Kmetz, John. 1987. Da Jacob nun das Kleid ansah and Zürich Zentralbibliothek T 410-413: A Well-known Motet in a Little-known 16th-century Manuscript. Schweizer Jahrbuch für Musikwissenschaft, . Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 182, 276. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold. 1972. Von den Berner Stadtpfeifern. Schweizer Beiträge zur Musikwissenschaft, 105-13. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 124-5. Notes: mention of MS.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 245, 258. Notes: concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents.  American Institute of Musicology. Pages: 52.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 347-8. Notes: physical description; concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 54-79, 146-7, 149-50,154,170,172-8,183. Notes: contents list (partial); mention of MS; discussion.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 169. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 54-8. Notes: contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description