CH-Bu F X 6

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates from 1535 to 1546 in manuscript

Archive	Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark	F X 6
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	96 x 155 mm
Other Identifiers	CCM: BasU F.X.5-9
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	Piperinus, Christoph (–1565) Music
Relationships	Piperinus, Christoph (–1565) (contemporary editor) Amerbach, Basilius (1533–1591) (owner) Basel University Library (owner) Amerbach, Bonifacius (1495–1562) (owner)
External Links	PRoMS Digital images in e-manuscripta
Provenance	Basel, Switzerland
Contents	33 pieces from 11 composers

General Description

An Altus partbook from a set of five volumes. Early layer (of which different fragments remain in each book) copied by single, unidentified scribe; main layer (beginning at Senfl's "Ich armes meidlein") copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Copied in Basel. Early layer completed by the time DATB books were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: 'Bonifacius Amorbacchius Basil M.D.X.'). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017

Physical Description

Some folios have been cut out.

DIAMM, 2017

Binding

Original parchment covers

DIAMM, 2017

Watermark

(1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height c. 13

DIAMM, 2017

Foliation

Other numberings: Some original numbering of pieces and a new pencil numbering, 1-39

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Decoration

No decorative initials; miniatures on f. 2 of Discantus book and ff. l'-2 of Tenor book

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 10 motets, 18 German sacred and secular pieces, 4 French secular pieces (some of the preceding have text incipits only), 4 textless pieces = 39

Alder-4, (Compère)-1, Dietrich [Sixtus Theodoricus]-1, Isaac-3, (Josquin)-1, (Lafage)-1, Senfl-1, Wannenmacher [Vannius]-2, Willaert-1 + 1?, anon-23

5 paper partbooks (D-37 folios, A-i + 37, T-35, B-iv + 37 + iii, Q-ii + 24), 96 x 155. Some folios have been cut out. New pencil foliation; some original numbering of pieces and a new pencil numbering, 1-39. Original parchment covers, except for the bassus book, which has been rebound in a modern cardboard cover. No index.

Dates from 1535 to 1546 in manuscript. The name "Bonif. Amerbach" appears in the T ; "Basil. Amerbach" appears in the D and A. Bonifacius Amerbach (1495-1562) was a prominent citizen of Basel, professor at the University of Basel, and a member of the city council. Basilius Amerbach was his son.

Vol 4

1 Magnificat (incomplete), 1 hymn, 9 motets, 5 German sacred pieces, 14 German secular pieces (2 without text), 6 French secular pieces, 3 Latin secular pieces, 1 Dutch secular piece (without text), 2 textless pieces, 2 instru-mental pieces = 44

Alder-3 + 2?, Alder/(Senfl)-1, (Compère)-1, Dietrich [Sixtus Theodoricus]-2, Isaac-3, (Janequin)-1, (Josquin)-1, (Lafage)-1, (Obrecht)-1, (Senfl)-2, Senfl/(Josquin)-1, (Sermisy)-1, Wannen-macher [Vannius]-3, Willaert-2, anon-19

5 paper partbooks (D-37 folios, A-ii + 38, T-35, B-i + 36, Q-ii + 24), 96 x 155 (Q measures 96 x 162). Many original folios cut out. Modern pencil foliation in each book. Modern pencil numbering of pieces, 1-39, replaces incomplete series of original piece numbers (a few inaccuracies in modern numbering). DATB repaired 1982-5 and placed in modern cloth case bindings, but original parchment covers retained. Q book still has original parchment covers only. Early layer copied by single, unidentified scribe; main layer copied by Christoph Piperinus (see below), who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Staff height ca. 13. No decorative initials; miniatures on f. 2 of D book and ff. l'-2 of T book. Watermarks: (1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH). Some bassus parts copied in T book; some tenor parts copied in B book.

Ca. 1500-10 (early layer); ca. 1547 (main layer, including Q book) (KmetzH). Copied in Basel. Early layer completed by the time DATB books were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: "Bonifacius Amorbacchius Basil M.D.X."). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4	Es wollt ein Maidlein waschen gahn	-	Isaac, Heinrich (ca. 1450–1517)
Es wollt ein Maidlein waschen gahn Isaac, Heinrich (ca. 1450–1517) Appears on: 4 Genres: Song Voice: [no designation] Languages: German Voice Text: Es wolt ein meytli grassen gan General Note B in the T partbook, T in the B partbook
8	Ich armes medlin klag mich sehr wie sol mir	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich armes medlin klag mich sehr wie sol mir Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 8 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich armes meitlin klag
8v	Ich weiss mir ein stoltze mullerin	-	Anonymous
Ich weiss mir ein stoltze mullerin Anonymous Appears on: 8v Genres: Chanson Voice: [no designation] Languages: German Voice Text: Ich weiss mir ein stoltze mullerin
9	Grates Domine jugiter referamus	V. [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Grates Domine jugiter referamus Wannenmacher, Johannes (ca. 1485–1551) Appears on: 9 Genres: Chanson Source Attribution: V. [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Grates domine iugiter referamus
9v	Je suis?	-	Anonymous
Je suis? Anonymous Appears on: 9v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sy suys [ = Je suis?]
9v	A desinner la belle andouille les pois	-	Anonymous
A desinner la belle andouille les pois Anonymous Appears on: 9v Genres: Chanson Voice: [no designation] Languages: French Voice Text: A desiuner labelle
10	Amour et mort	-	Anonymous
Amour et mort Anonymous Appears on: 10 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amour et mort
10	Es hat ein biderman ein weib ir tuck	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Es hat ein biderman ein weib ir tuck Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 10 Genres: Song Voice: [no designation] Languages: German Voice Text: Es het ein biderman ein weib
10v	Martin menoit son pourceau au marche	-	Janequin, Clement (ca. 1485–ca. 1558)
Martin menoit son pourceau au marche Janequin, Clement (ca. 1485–ca. 1558) Appears on: 10v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Martin menoit General Note A is unfinished
11–12	Misterium ecclesiae hymnum	-	Anonymous
Misterium ecclesiae hymnum Anonymous Appears on: 11–12 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Misterium ecclesie hymnum General Note Part 2, textless
12–13	De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	-	Despres, Josquin (ca. 1450–1521)
De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine Despres, Josquin (ca. 1450–1521) Appears on: 12–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
13–14	De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	-	Despres, Josquin (ca. 1450–1521) (?)
De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem Despres, Josquin (ca. 1450–1521) (?) Appears on: 13–14 Genres: Motet
14–17	Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem)	-	Fage, Jean de la
Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem) Fage, Jean de la Appears on: 14–17 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Super flumina Babylonis
17–17v	Chorea	-	Anonymous
Chorea Anonymous Appears on: 17–17v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Chorea
18	Et pariet filium et vocabitur nomen	-	Anonymous
Et pariet filium et vocabitur nomen Anonymous Appears on: 18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et pariet filium et vocabitur nomen
18v–19	Resonet in laudibus cum jocundis plausibus	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 18v–19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum iocundis
19	Proportio	-	Anonymous
Proportio Anonymous Appears on: 19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Proportio
19v–20	Veni electa mea et ponam in te thronum	Cosmas Alderinus [= Alder]	Alder, Cosmas (1500–1550)
Veni electa mea et ponam in te thronum Alder, Cosmas (1500–1550) Appears on: 19v–20 Genres: Motet Source Attribution: Cosmas Alderinus [= Alder] Voice: [no designation] Languages: Latin Voice Text: Veni electa mea et ponam in te thronum
20–20v	O Jesu Christ	-	Anonymous
O Jesu Christ Anonymous Appears on: 20–20v Genres: Motet Voice: [no designation] Languages: German Voice Text: O Jesu Christ General Note D unfinished
21–23	Salve magnificum genus ac veneranda	Wannio [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Salve magnificum genus ac veneranda Wannenmacher, Johannes (ca. 1485–1551) Appears on: 21–23 Genres: Motet Source Attribution: Wannio [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Salve magnificum genus ac veneranda
23v–24v	De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem)	Lud: Senfl/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543)
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 23v–24v Genres: Motet Source Attribution: Lud: Senfl/[Josquin] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
25	Insbruck muss ich dich lossen	-	Alder, Cosmas (1500–1550)
Insbruck muss ich dich lossen Alder, Cosmas (1500–1550) Appears on: 25 Genres: Chanson Voice: [no designation] Languages: German Voice Text: Inssbruck muss ich dich lossen
25v	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 25v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rex autem David cooperto capite
26–26v	Invidie telum lato torquetur in orbe	J. Vannius [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Invidie telum lato torquetur in orbe Wannenmacher, Johannes (ca. 1485–1551) Appears on: 26–26v Genres: Motet Source Attribution: J. Vannius [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Invidie telum lato torquetur in orbe
26v–29v	In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv)	A. Willart	Willaert, Adrian (ca. 1490–1562)
In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv) Willaert, Adrian (ca. 1490–1562) Appears on: 26v–29v Genres: Motet Source Attribution: A. Willart Voice: [no designation] Languages: Latin Voice Text: In diebus illis erat vir Babilonie
30–30v	Da Jacob das Kleid ansah mit großem Schmerzen	-	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 30–30v Genres: Motet Voice: [no designation] Languages: German Voice Text: Da Jacob nun das kleid ansach
31	Wie Joseph in Ägyptenland	-	Alder, Cosmas (1500–1550) (?)
Wie Joseph in Ägyptenland Alder, Cosmas (1500–1550) (?) Appears on: 31 Genres: Motet Voice: [no designation] Languages: German Voice Text: Wie Joseph in Egipten landt
31v–33v	Floreat Ursine gentis canentum sacer II. Splendeat o gracilis	-	Alder, Cosmas (1500–1550)
Floreat Ursine gentis canentum sacer II. Splendeat o gracilis Alder, Cosmas (1500–1550) Appears on: 31v–33v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Floreat Ursine gentis canentum sacer
34–34v	Ich weiss ein stoltze müllerin	-	Alder, Cosmas (1500–1550)
Ich weiss ein stoltze müllerin Alder, Cosmas (1500–1550) Appears on: 34–34v Genres: Song Voice: [no designation] Languages: German Voice Text: Ich weiss ein stoltze müllerin
35–35v	Wir sagen Dir, Herr Lob	-	Anonymous
Wir sagen Dir, Herr Lob Anonymous Appears on: 35–35v Genres: Motet Voice: [no designation] Languages: German Voice Text: Wir sagen dir her lob
35v–36	In jamers thal lid ich gross	-	Dietrich, Sixt (ca. 1493–1548)
In jamers thal lid ich gross Dietrich, Sixt (ca. 1493–1548) Appears on: 35v–36 Genres: Chanson Voice: [no designation] Languages: German Voice Text: In jamers thal lid ich gross
36v	Joseph, lieber Zimmerman	-	Anonymous
Joseph, lieber Zimmerman Anonymous Appears on: 36v Genres: Motet Voice: [no designation] Languages: German Voice Text: Joseph lieber zimmerman
37	D'ou [dont] vient cela belle je vous supply	-	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 37 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Dont vientzela

Composer	Compositions
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 30–30v Floreat Ursine gentis canentum sacer II. Splendeat o gracilis – 31v–33v Ich weiss ein stoltze müllerin – 34–34v Insbruck muss ich dich lossen – 25 Veni electa mea et ponam in te thronum – 19v–20 (?) Wie Joseph in Ägyptenland – 31
Anonymous	A desinner la belle andouille les pois – 9v Amour et mort – 10 Chorea – 17–17v Et pariet filium et vocabitur nomen – 18 Ich weiss mir ein stoltze mullerin – 8v Je suis? – 9v Joseph, lieber Zimmerman – 36v Misterium ecclesiae hymnum – 11–12 O Jesu Christ – 20–20v Proportio – 19 Resonet in laudibus cum jocundis plausibus – 18v–19 Wir sagen Dir, Herr Lob – 35–35v
Despres, Josquin (ca. 1450–1521)	De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 12–13 (?) De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 13–14 (?) De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) – 23v–24v
Dietrich, Sixt (ca. 1493–1548)	In jamers thal lid ich gross – 35v–36
Fage, Jean de la	Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem) – 14–17
Isaac, Heinrich (ca. 1450–1517)	Es wollt ein Maidlein waschen gahn – 4
Janequin, Clement (ca. 1485–ca. 1558)	Martin menoit son pourceau au marche – 10v
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Da Jacob das Kleid ansah mit großem Schmerzen – 30–30v De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) – 23v–24v Es hat ein biderman ein weib ir tuck – 10 Ich armes medlin klag mich sehr wie sol mir – 8
Sermisy, Claudin de (ca. 1490–1562)	D'ou [dont] vient cela belle je vous supply – 37
Wannenmacher, Johannes (ca. 1485–1551)	Grates Domine jugiter referamus – 9 Invidie telum lato torquetur in orbe – 26–26v Salve magnificum genus ac veneranda – 21–23
Willaert, Adrian (ca. 1490–1562)	In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv) – 26v–29v (?) Rex autem David cooperto capite incedens – 25v

Composition	Composers (? Uncertain)	Folios / Pages
A desinner la belle andouille les pois	Anonymous	9v
Amour et mort	Anonymous	10
Chorea	Anonymous	17–17v
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	37
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	30–30v
De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	Despres, Josquin (ca. 1450–1521)	12–13
De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Despres, Josquin (ca. 1450–1521) (?)	13–14
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem)	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543)	23v–24v
Es hat ein biderman ein weib ir tuck	Senfl, Ludwig (ca. 1486–ca. 1543)	10
Es wollt ein Maidlein waschen gahn	Isaac, Heinrich (ca. 1450–1517)	4
Et pariet filium et vocabitur nomen	Anonymous	18
Floreat Ursine gentis canentum sacer II. Splendeat o gracilis	Alder, Cosmas (1500–1550)	31v–33v
Grates Domine jugiter referamus	Wannenmacher, Johannes (ca. 1485–1551)	9
Ich armes medlin klag mich sehr wie sol mir	Senfl, Ludwig (ca. 1486–ca. 1543)	8
Ich weiss ein stoltze müllerin	Alder, Cosmas (1500–1550)	34–34v
Ich weiss mir ein stoltze mullerin	Anonymous	8v
In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv)	Willaert, Adrian (ca. 1490–1562)	26v–29v
In jamers thal lid ich gross	Dietrich, Sixt (ca. 1493–1548)	35v–36
Insbruck muss ich dich lossen	Alder, Cosmas (1500–1550)	25
Invidie telum lato torquetur in orbe	Wannenmacher, Johannes (ca. 1485–1551)	26–26v
Je suis?	Anonymous	9v
Joseph, lieber Zimmerman	Anonymous	36v
Martin menoit son pourceau au marche	Janequin, Clement (ca. 1485–ca. 1558)	10v
Misterium ecclesiae hymnum	Anonymous	11–12
O Jesu Christ	Anonymous	20–20v
Proportio	Anonymous	19
Resonet in laudibus cum jocundis plausibus	Anonymous	18v–19
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	25v
Salve magnificum genus ac veneranda	Wannenmacher, Johannes (ca. 1485–1551)	21–23
Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem)	Fage, Jean de la	14–17
Veni electa mea et ponam in te thronum	Alder, Cosmas (1500–1550)	19v–20
Wie Joseph in Ägyptenland	Alder, Cosmas (1500–1550) (?)	31
Wir sagen Dir, Herr Lob	Anonymous	35–35v

Set: MS F.X.5-9

Type: Partbooks

No images available

No images available

No images available

No images available

No images available

‡ denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Kmetz, John. 1987. Da Jacob nun das Kleid ansah and Zürich Zentralbibliothek T 410-413: A Well-known Motet in a Little-known 16th-century Manuscript. Schweizer Jahrbuch für Musikwissenschaft, . Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 182, 276. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold. 1972. Von den Berner Stadtpfeifern. Schweizer Beiträge zur Musikwissenschaft, 105-13. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 124-5. Notes: mention of MS.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 245, 258. Notes: concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 52.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 347-8. Notes: physical description; concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 54-79, 146-7, 149-50,154,170,172-8,183. Notes: contents list (partial); mention of MS; discussion.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 169. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 54-8. Notes: contents list; incipits (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

CH-Bu F X 6

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates from 1535 to 1546 in manuscript

General Description

Physical Description

Binding

Watermark

Notation

Ruling

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

Set: MS F.X.5-9

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017