CH-Bu F X 5

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates from 1535 to 1546 in manuscript

Archive	Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark	F X 5
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	96 x 155 mm
Other Identifiers	CCM: BasU F.X.5-9
Copyists	Piperinus, Christoph (–1565) Music
Relationships	Amerbach, Basilius (1533–1591) (mentioned in liminary text) Amerbach, Bonifacius (1495–1562) (mentioned in liminary text)
External Links	PRoMS Digital images in e-manuscripta
Provenance	Basel, Switzerland
Contents	43 pieces from 12 composers

General Description

A Discantus partbook from a set of five volumes.Early layer (of which different fragments remain in each book) copied by single, unidentified scribe; main layer (beginning at Senfl's "Ich armes meidlein") copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Copied in Basel. Early layer completed by the time DATB books were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: 'Bonifacius Amorbacchius Basil M.D.X.'). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017

Physical Description

Some folios have been cut out.

DIAMM, 2017

Binding

Original parchment covers

DIAMM, 2017

Watermark

(1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height c. 13

DIAMM, 2017

Foliation

Other numberings: Some original numbering of pieces and a new pencil numbering, 1-39

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Decoration

No decorative initials; miniatures on f. 2 of Discantus book and ff. l'-2 of Tenor book

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms, 10 motets, 18 German sacred and secular pieces, 4 French secular pieces (some of the preceding have text incipits only), 4 textless pieces = 39

Alder-4, (Compère)-1, Dietrich [Sixtus Theodoricus]-1, Isaac-3, (Josquin)-1, (Lafage)-1, Senfl-1, Wannenmacher [Vannius]-2, Willaert-1 + 1?, anon-23

5 paper partbooks (D-37 folios, A-i + 37, T-35, B-iv + 37 + iii, Q-ii + 24), 96 x 155. Some folios have been cut out. New pencil foliation; some original numbering of pieces and a new pencil numbering, 1-39. Original parchment covers, except for the bassus book, which has been rebound in a modern cardboard cover. No index.

Dates from 1535 to 1546 in manuscript. The name "Bonif. Amerbach" appears in the T ; "Basil. Amerbach" appears in the D and A. Bonifacius Amerbach (1495-1562) was a prominent citizen of Basel, professor at the University of Basel, and a member of the city council. Basilius Amerbach was his son.

Vol 4

1 Magnificat (incomplete), 1 hymn, 9 motets, 5 German sacred pieces, 14 German secular pieces (2 without text), 6 French secular pieces, 3 Latin secular pieces, 1 Dutch secular piece (without text), 2 textless pieces, 2 instru-mental pieces = 44

Alder-3 + 2?, Alder/(Senfl)-1, (Compère)-1, Dietrich [Sixtus Theodoricus]-2, Isaac-3, (Janequin)-1, (Josquin)-1, (Lafage)-1, (Obrecht)-1, (Senfl)-2, Senfl/(Josquin)-1, (Sermisy)-1, Wannen-macher [Vannius]-3, Willaert-2, anon-19

5 paper partbooks (D-37 folios, A-ii + 38, T-35, B-i + 36, Q-ii + 24), 96 x 155 (Q measures 96 x 162). Many original folios cut out. Modern pencil foliation in each book. Modern pencil numbering of pieces, 1-39, replaces incomplete series of original piece numbers (a few inaccuracies in modern numbering). DATB repaired 1982-5 and placed in modern cloth case bindings, but original parchment covers retained. Q book still has original parchment covers only. Early layer copied by single, unidentified scribe; main layer copied by Christoph Piperinus (see below), who also wrote portions of BasU F.IX.32-5 and BasU F.X.22-4 (KmetzH). Staff height ca. 13. No decorative initials; miniatures on f. 2 of D book and ff. l'-2 of T book. Watermarks: (1) resembles PiccardO X, 222-3; (2) resembles Briquet #1396; (3) resembles Briquet #15739; (4) crown? (not in Briquet); (5) generally resembles Briquet #978 (KmetzH). Some bassus parts copied in T book; some tenor parts copied in B book.

Ca. 1500-10 (early layer); ca. 1547 (main layer, including Q book) (KmetzH). Copied in Basel. Early layer completed by the time DATB books were acquired in 1510 by the Basel lawyer and humanist Bonifacius Amerbach (1495-1562) (inscription on back cover of B book: "Bonifacius Amorbacchius Basil M.D.X."). Later, Christoph Piperinus, music teacher for Amerbach's son Basilius (1533-91), added new paper to existing DATB books, prepared Q book, copied main layer, and presented books to Basilius. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	Ach werter Mund, von dir ist wund (1a pars only)	-	Anonymous
Ach werter Mund, von dir ist wund (1a pars only) Anonymous Appears on: 3 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach werder mund
3–3v	Ach werter Mund, von dir ist wund (1a pars only)	-	Anonymous
Ach werter Mund, von dir ist wund (1a pars only) Anonymous Appears on: 3–3v Genres: Song Voice: [no designation] Languages: German Voice Text: Ach werder mund
3v–4	Maria zart von edler art - 1a pars (of 3): Maria zart von edler art	-	Anonymous
Maria zart von edler art - 1a pars (of 3): Maria zart von edler art Anonymous Appears on: 3v–4 Genres: Song Voice: [no designation] Languages: German Voice Text: Maria zart von edler art
4	Maria zart von edler art - 2a pars (of 3): Ich seufftz und klag all mein tag	-	Anonymous
Maria zart von edler art - 2a pars (of 3): Ich seufftz und klag all mein tag Anonymous Appears on: 4 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich seufftz und klag
4v	Maria zart von edler art - 3a pars (of 3): (untexted)	-	-
Maria zart von edler art - 3a pars (of 3): (untexted) - Appears on: 4v Genres: Song, textless Voice: [no designation] Languages: none Voice Text: [textless]
5	Es wollt ein Maidlein waschen gahn	-	Isaac, Heinrich (ca. 1450–1517)
Es wollt ein Maidlein waschen gahn Isaac, Heinrich (ca. 1450–1517) Appears on: 5 Genres: Song Voice: [no designation] Languages: German Voice Text: Es wolt ein meytli grassen gan General Note B in the T partbook, T in the B partbook
5v	In meinem sinn hadde ick vercoren (I)	-	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (I) Isaac, Heinrich (ca. 1450–1517) Appears on: 5v Genres: Song Voice: [no designation] Languages: German Voice Text: In minem sin General Note B in the T partbook, T in the B partbook
6–6v	In meinem sinn hadde ick vercoren (II)	-	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (II) Isaac, Heinrich (ca. 1450–1517) Appears on: 6–6v Genres: Song Voice: [no designation] Languages: German Voice Text: In minem sin General Note B in the T partbook, T in the B partbook
6v–7v	Wat willen wij metten budel spelen	-	Obrecht, Jacobus (ca. 1457–1505)
Wat willen wij metten budel spelen Obrecht, Jacobus (ca. 1457–1505) Appears on: 6v–7v Genres: Chanson Voice: [no designation] Languages: German Voice Text: Wat willen wij metten budel spelen General Note B in the T partbook, T in the B partbook
7v	Ohn allen Scherz ist mir mein Herz	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ohn allen Scherz ist mir mein Herz Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 7v Genres: Song Voice: [no designation] Languages: German Voice Text: On schertz myn hertz General Note B in the T partbook unfinished, T in the B partbook
8	Ein pur gab	-	Anonymous
Ein pur gab Anonymous Appears on: 8 Genres: Chanson Voice: [no designation] Languages: German Voice Text: Ein pur gab
9–9v	Ich armes medlin klag mich sehr wie sol mir	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich armes medlin klag mich sehr wie sol mir Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 9–9v Genres: Song Voice: [no designation] Languages: German Voice Text: Ich armes meitlin klag
9v–10	Ich weiss mir ein stoltze mullerin	-	Anonymous
Ich weiss mir ein stoltze mullerin Anonymous Appears on: 9v–10 Genres: Chanson Voice: [no designation] Languages: German Voice Text: Ich weiss mir ein stoltze mullerin
10–10v	Grates Domine jugiter referamus	V. [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Grates Domine jugiter referamus Wannenmacher, Johannes (ca. 1485–1551) Appears on: 10–10v Genres: Chanson Source Attribution: V. [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Grates domine iugiter referamus
10v	Je suis?	-	Anonymous
Je suis? Anonymous Appears on: 10v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sy suys [ = Je suis?]
10v	A desinner la belle andouille les pois	-	Anonymous
A desinner la belle andouille les pois Anonymous Appears on: 10v Genres: Chanson Voice: [no designation] Languages: French Voice Text: A desiuner labelle
11	Amour et mort	-	Anonymous
Amour et mort Anonymous Appears on: 11 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amour et mort
11	Es hat ein biderman ein weib ir tuck	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Es hat ein biderman ein weib ir tuck Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 11 Genres: Song Voice: [no designation] Languages: German Voice Text: Es het ein biderman ein weib
11v–12	Martin menoit son pourceau au marche	-	Janequin, Clement (ca. 1485–ca. 1558)
Martin menoit son pourceau au marche Janequin, Clement (ca. 1485–ca. 1558) Appears on: 11v–12 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Martin menoit General Note A is unfinished
12–13	Misterium ecclesiae hymnum	-	Anonymous
Misterium ecclesiae hymnum Anonymous Appears on: 12–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Misterium ecclesie hymnum General Note Part 2, textless
13–14	De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	-	Despres, Josquin (ca. 1450–1521)
De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine Despres, Josquin (ca. 1450–1521) Appears on: 13–14 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
14–15	De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	-	Despres, Josquin (ca. 1450–1521) (?)
De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem Despres, Josquin (ca. 1450–1521) (?) Appears on: 14–15 Genres: Motet
15–18	Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem)	-	Fage, Jean de la
Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem) Fage, Jean de la Appears on: 15–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Super flumina Babylonis
18v	Chorea	-	Anonymous
Chorea Anonymous Appears on: 18v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Chorea
19	Et pariet filium et vocabitur nomen	-	Anonymous
Et pariet filium et vocabitur nomen Anonymous Appears on: 19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et pariet filium et vocabitur nomen
19v	Resonet in laudibus cum jocundis plausibus	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 19v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum iocundis
20	Proportio	-	Anonymous
Proportio Anonymous Appears on: 20 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Proportio
20–21	Veni electa mea et ponam in te thronum	Cosmas Alderinus [= Alder]	Alder, Cosmas (1500–1550)
Veni electa mea et ponam in te thronum Alder, Cosmas (1500–1550) Appears on: 20–21 Genres: Motet Source Attribution: Cosmas Alderinus [= Alder] Voice: [no designation] Languages: Latin Voice Text: Veni electa mea et ponam in te thronum
21	O Jesu Christ	-	Anonymous
O Jesu Christ Anonymous Appears on: 21 Genres: Motet Voice: [no designation] Languages: German Voice Text: O Jesu Christ General Note D unfinished
21v–23	Salve magnificum genus ac veneranda	Wannio [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Salve magnificum genus ac veneranda Wannenmacher, Johannes (ca. 1485–1551) Appears on: 21v–23 Genres: Motet Source Attribution: Wannio [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Salve magnificum genus ac veneranda General Note "Encomium urbis Berne"
23v–25	De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem)	Lud: Senfl/[Josquin]	Senfl, Ludwig (ca. 1486–ca. 1543) Despres, Josquin (ca. 1450–1521) (?)
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) Senfl, Ludwig (ca. 1486–ca. 1543) Despres, Josquin (ca. 1450–1521) (?) Appears on: 23v–25 Genres: Motet Source Attribution: Lud: Senfl/[Josquin] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
25–25v	Insbruck muss ich dich lossen	-	Alder, Cosmas (1500–1550)
Insbruck muss ich dich lossen Alder, Cosmas (1500–1550) Appears on: 25–25v Genres: Chanson Voice: [no designation] Languages: German Voice Text: Inssbruck muss ich dich lossen
25v–26	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rex autem David cooperto capite
26–26v	Invidie telum lato torquetur in orbe	J. Vannius [= Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
Invidie telum lato torquetur in orbe Wannenmacher, Johannes (ca. 1485–1551) Appears on: 26–26v Genres: Motet Source Attribution: J. Vannius [= Wannenmacher] Voice: [no designation] Languages: Latin Voice Text: Invidie telum lato torquetur in orbe
26v–29v	In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv)	A. Willart	Willaert, Adrian (ca. 1490–1562)
In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv) Willaert, Adrian (ca. 1490–1562) Appears on: 26v–29v Genres: Motet Source Attribution: A. Willart Voice: [no designation] Languages: Latin Voice Text: In diebus illis erat vir Babilonie
30–30v	Da Jacob das Kleid ansah mit großem Schmerzen	-	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 30–30v Genres: Motet Voice: [no designation] Languages: German Voice Text: Da Jacob nun das kleid ansach
31	Wie Joseph in Ägyptenland	-	Alder, Cosmas (1500–1550) (?)
Wie Joseph in Ägyptenland Alder, Cosmas (1500–1550) (?) Appears on: 31 Genres: Motet Voice: [no designation] Languages: German Voice Text: Wie Joseph in Egipten landt
31v–33v	Floreat Ursine gentis canentum sacer II. Splendeat o gracilis	-	Alder, Cosmas (1500–1550)
Floreat Ursine gentis canentum sacer II. Splendeat o gracilis Alder, Cosmas (1500–1550) Appears on: 31v–33v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Floreat Ursine gentis canentum sacer General Note "Musicorum Bernensium catalogus et eorundem encomium"; but the text is difficult to read & the names of the Bernese musicians being praised are hard to read
33v–34v	Ich weiss ein stoltze müllerin	-	Alder, Cosmas (1500–1550)
Ich weiss ein stoltze müllerin Alder, Cosmas (1500–1550) Appears on: 33v–34v Genres: Song Voice: [no designation] Languages: German Voice Text: Ich weiss ein stoltze müllerin
35–35v	Wir sagen Dir, Herr Lob	-	Anonymous
Wir sagen Dir, Herr Lob Anonymous Appears on: 35–35v Genres: Motet Voice: [no designation] Languages: German Voice Text: Wir sagen dir her lob
35v–36	In jamers thal lid ich gross	-	Dietrich, Sixt (ca. 1493–1548)
In jamers thal lid ich gross Dietrich, Sixt (ca. 1493–1548) Appears on: 35v–36 Genres: Chanson Voice: [no designation] Languages: German Voice Text: In jamers thal lid ich gross
36v	Joseph, lieber Zimmerman	-	Anonymous
Joseph, lieber Zimmerman Anonymous Appears on: 36v Genres: Motet Voice: [no designation] Languages: German Voice Text: Joseph lieber zimmerman
37	D'ou [dont] vient cela belle je vous supply	-	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 37 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Dont vientzela

Composer	Compositions
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 30–30v Floreat Ursine gentis canentum sacer II. Splendeat o gracilis – 31v–33v Ich weiss ein stoltze müllerin – 33v–34v Insbruck muss ich dich lossen – 25–25v Veni electa mea et ponam in te thronum – 20–21 (?) Wie Joseph in Ägyptenland – 31
Anonymous	A desinner la belle andouille les pois – 10v Ach werter Mund, von dir ist wund (1a pars only) – 3–3v Ach werter Mund, von dir ist wund (1a pars only) – 3 Amour et mort – 11 Chorea – 18v Ein pur gab – 8 Et pariet filium et vocabitur nomen – 19 Ich weiss mir ein stoltze mullerin – 9v–10 Je suis? – 10v Joseph, lieber Zimmerman – 36v Maria zart von edler art - 1a pars (of 3): Maria zart von edler art – 3v–4 Maria zart von edler art - 2a pars (of 3): Ich seufftz und klag all mein tag – 4 Maria zart von edler art - 3a pars (of 3): (untexted) – 4v Misterium ecclesiae hymnum – 12–13 O Jesu Christ – 21 Proportio – 20 Resonet in laudibus cum jocundis plausibus – 19v Wir sagen Dir, Herr Lob – 35–35v
Despres, Josquin (ca. 1450–1521)	De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 13–14 (?) De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 14–15 (?) De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) – 23v–25
Dietrich, Sixt (ca. 1493–1548)	In jamers thal lid ich gross – 35v–36
Fage, Jean de la	Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem) – 15–18
Isaac, Heinrich (ca. 1450–1517)	Es wollt ein Maidlein waschen gahn – 5 In meinem sinn hadde ick vercoren (I) – 5v In meinem sinn hadde ick vercoren (II) – 6–6v
Janequin, Clement (ca. 1485–ca. 1558)	Martin menoit son pourceau au marche – 11v–12
Obrecht, Jacobus (ca. 1457–1505)	Wat willen wij metten budel spelen – 6v–7v
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Da Jacob das Kleid ansah mit großem Schmerzen – 30–30v De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) – 23v–25 Es hat ein biderman ein weib ir tuck – 11 Ich armes medlin klag mich sehr wie sol mir – 9–9v Ohn allen Scherz ist mir mein Herz – 7v
Sermisy, Claudin de (ca. 1490–1562)	D'ou [dont] vient cela belle je vous supply – 37
Wannenmacher, Johannes (ca. 1485–1551)	Grates Domine jugiter referamus – 10–10v Invidie telum lato torquetur in orbe – 26–26v Salve magnificum genus ac veneranda – 21v–23
Willaert, Adrian (ca. 1490–1562)	In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv) – 26v–29v (?) Rex autem David cooperto capite incedens – 25v–26

Composition	Composers (? Uncertain)	Folios / Pages
A desinner la belle andouille les pois	Anonymous	10v
Ach werter Mund, von dir ist wund (1a pars only)	Anonymous	3
Ach werter Mund, von dir ist wund (1a pars only)	Anonymous	3–3v
Amour et mort	Anonymous	11
Chorea	Anonymous	18v
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	37
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	30–30v
De profundis clamavi 15.12 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	Despres, Josquin (ca. 1450–1521)	13–14
De profundis clamavi 15.12 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Despres, Josquin (ca. 1450–1521) (?)	14–15
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem)	Senfl, Ludwig (ca. 1486–ca. 1543) Despres, Josquin (ca. 1450–1521) (?)	23v–25
Ein pur gab	Anonymous	8
Es hat ein biderman ein weib ir tuck	Senfl, Ludwig (ca. 1486–ca. 1543)	11
Es wollt ein Maidlein waschen gahn	Isaac, Heinrich (ca. 1450–1517)	5
Et pariet filium et vocabitur nomen	Anonymous	19
Floreat Ursine gentis canentum sacer II. Splendeat o gracilis	Alder, Cosmas (1500–1550)	31v–33v
Grates Domine jugiter referamus	Wannenmacher, Johannes (ca. 1485–1551)	10–10v
Ich armes medlin klag mich sehr wie sol mir	Senfl, Ludwig (ca. 1486–ca. 1543)	9–9v
Ich weiss ein stoltze müllerin	Alder, Cosmas (1500–1550)	33v–34v
Ich weiss mir ein stoltze mullerin	Anonymous	9v–10
In diebus illis erat vir Babyloniae II: Susanna aliquando Et senes videbant III: Deus qui absconditorum es cognitor (5vv)	Willaert, Adrian (ca. 1490–1562)	26v–29v
In jamers thal lid ich gross	Dietrich, Sixt (ca. 1493–1548)	35v–36
In meinem sinn hadde ick vercoren (I)	Isaac, Heinrich (ca. 1450–1517)	5v
In meinem sinn hadde ick vercoren (II)	Isaac, Heinrich (ca. 1450–1517)	6–6v
Insbruck muss ich dich lossen	Alder, Cosmas (1500–1550)	25–25v
Invidie telum lato torquetur in orbe	Wannenmacher, Johannes (ca. 1485–1551)	26–26v
Je suis?	Anonymous	10v
Joseph, lieber Zimmerman	Anonymous	36v
Maria zart von edler art - 1a pars (of 3): Maria zart von edler art	Anonymous	3v–4
Maria zart von edler art - 2a pars (of 3): Ich seufftz und klag all mein tag	Anonymous	4
Maria zart von edler art - 3a pars (of 3): (untexted)	-	4v
Martin menoit son pourceau au marche	Janequin, Clement (ca. 1485–ca. 1558)	11v–12
Misterium ecclesiae hymnum	Anonymous	12–13
O Jesu Christ	Anonymous	21
Ohn allen Scherz ist mir mein Herz	Senfl, Ludwig (ca. 1486–ca. 1543)	7v
Proportio	Anonymous	20
Resonet in laudibus cum jocundis plausibus	Anonymous	19v
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	25v–26
Salve magnificum genus ac veneranda	Wannenmacher, Johannes (ca. 1485–1551)	21v–23
Super flumina Babylonis illic sedimus (2p. Si oblitus fuero tui Jerusalem)	Fage, Jean de la	15–18
Veni electa mea et ponam in te thronum	Alder, Cosmas (1500–1550)	20–21
Wat willen wij metten budel spelen	Obrecht, Jacobus (ca. 1457–1505)	6v–7v
Wie Joseph in Ägyptenland	Alder, Cosmas (1500–1550) (?)	31
Wir sagen Dir, Herr Lob	Anonymous	35–35v

Set: MS F.X.5-9

Type: Partbooks

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‡ denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Kmetz, John. 1987. Da Jacob nun das Kleid ansah and Zürich Zentralbibliothek T 410-413: A Well-known Motet in a Little-known 16th-century Manuscript. Schweizer Jahrbuch für Musikwissenschaft, . Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 182, 276. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold. 1972. Von den Berner Stadtpfeifern. Schweizer Beiträge zur Musikwissenschaft, 105-13. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 124-5. Notes: mention of MS.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 245, 258. Notes: concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 52.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 347-8. Notes: physical description; concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 54-79, 146-7, 149-50,154,170,172-8,183. Notes: contents list (partial); mention of MS; discussion.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 169. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 54-8. Notes: contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

CH-Bu F X 5

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates from 1535 to 1546 in manuscript

General Description

Physical Description

Binding

Watermark

Notation

Ruling

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

Set: MS F.X.5-9

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017