GB-Cgc MS 334/727

Gonville and Caius College, Cambridge, England

non-music MS with interpolated music: 14th century

Archive Gonville and Caius College, Cambridge, England (GB-Cgc)
Shelfmark MS 334/727
Surface Vellum
Numbering System Foliation
Format portrait
Measurements 275 x 210 mm
Other Identifiers
  • RISM: Cb C
  • olim (Former shelfmark): 727/334
Notations
  • post-Franconian
Relationships
Provenance
  • England
Contents 9 pieces from 1 composers
General Description

Contains sermons (f. 1-18), De veritate theologica by St. Thomas (f. 19-112) and edificatory works by John Waldeby (f. 112-198). 6 pages contain music. The 2 folios at the beginning contain 2 Sanctus and a Te Deum, while there are sequences at the end. On f. 198v is a reference to a 15th century owner: Henry Groom, a cleric; on f. ii verso the 17th century owner wrote: 'Joh. Causton, Rector de Clopton Coteley in Comite Suffolk. June 25, 1627'.

DIAMM, 2017
Physical Description

f. i is practically illegible on the recto; f. 202 is not much better

DIAMM, 2017
Binding

original binding of skin is preserved, though underneath it is a new light brown leather covering for the wooden boards.

DIAMM, 2017
Notation

early 14th century; clearly petronian at the end. The plica is still frequent, and the downward-tailed major semibreve appears at the end.

DIAMM, 2017
Ruling

9 red five-line staves per page in 3 accolades of 3 staves

DIAMM, 2017
Foliation

i-iiv, 202 r+v[?]

DIAMM, 2017
Foliation

numbered in modern pencil at t.r.r. An old brown ink foliation dates from the 15th century and runs from f. 112-197. Evidently this was the beginning of a second manuscript since the old numbering runs from 1-85.

DIAMM, 2017
Decoration

Initials are red or blue at the beginning, at the end blue-red.

DIAMM, 2017
Surface

Vellum

DIAMM, 2017
DIAMM Note

RISM gives the shelf mark as 727/334

DIAMM, 2017
RISM Description

RISM B/IV 1:

A 14th and 15th century vellum manuscript meas. 275 x 210 mm. and containing ii + 202 folios numbered in modern pencil at t.r.r. An old brown ink foliation dates from the 15th century and runs from f. 112-197. Evidently this was the beginning of a second manuscript since the old numbering runs from 1-85. The original binding of skin is preserved, though underneath it is a new light brown leather covering for the wooden boards. The contents are: sermons (f. 1-18), De veritate theologica by St. Thomas (f. 19-112) and edificatory works by John Waldeby (f. 112-198). On f. 198v is a reference to a 15th century owner: Henry Groom, a cleric, while on f. ii verso the 17th century owner wrote: "Joh. Causton, Rector de Clopton Coteley in Comite Suffolk. June 25, 1627". Of the 6 pages of music, f. i is practically illegible on the recto, while f. 202 is not much better. The 2 folios at the beginning contain 2 Sanctus and a Te Deum, while there are sequences at the end. The early 14th century notation is written throughout on 9 red five-line staves per page in 3 accolades of 3 staves. At the end it is clearly Petronian. Initials are red or blue at the beginning, at the end blue-red. The plica is still frequent, and the downward-tailed major semibreve appears at the end.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

ii verso

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i Sanctus & benedictus - Anonymous
Appears on: i
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: ... [glo]ria tua. Osanna in excelsis ...

Voice: [no designation]
Languages: none
Clef: c3
General Note

End of a Sanctus, mostly illegible.

Layout

score

i–i verso Sanctus & benedictus - Anonymous
Appears on: i–i verso
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Sanctus ...Osanna in excelsis.

Voice: [no designation]
Languages: none
Clef: c3
General Note

F.1 mainly illegible.

Layout

score

ii [Te Deum] ... misericordia tua, domire, ...in aeternum - Anonymous
Appears on: ii
Genres: Te Deum
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: ... [mi]sericordia tua, domire, ...in eternum.

Voice: [no designation]
Languages: none
Clef: c4
General Note

End of a Te Deum.

Layout

score

199 Mater Christi nobilis ... miseratrix pia / Ut sic possint vivere ... queant caeli leta. - Anonymous
Appears on: 199
Genres: Sequence
Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Mater Christi nobilis ... miseratrix pia | Ut sic possint vivere ... queant celi leta.

Voice: [no designation]
Languages: none
Clef: c1
General Note

Last double versicle of a sequence also to be found in a similar state in Oxford, Bodleian Library, Bodley 548.

Layout

score

199–199v Mutato modo geniture / preclusa virtus que nature - Anonymous
Appears on: 199–199v
Genres: Cantilena
Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Mutato modo geniture | preclusa virtus que nature
Layout

score

199v–200v Includimur nube caliginosa / Cupiditas vencendo virtuosa - Anonymous
Appears on: 199v–200v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Includimur nube caliginosa | Cupiditas vencendo virtuosa

Voice: [no designation]
Languages: none
Clef: c3
Layout

score

201–201v Stella maris illustrans omnia / Te fundente fluenta venie - Anonymous
Appears on: 201–201v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Stella maris illustrans omnia | Te fundente fluenta venie
Layout

score

201v–202 O ceteris preamabilis virgo / Quam plurium prelaudabilis mater - Anonymous
Appears on: 201v–202
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: O ceteris preamabilis virgo | Quam plurium prelaudabilis mater
Layout

score

202–202v Magnificat octavi toni: Et exultavit spiritus meus - Anonymous
Appears on: 202–202v
Genres: Motet
Voice: [no designation]
Languages: Latin, insufficient
Clef: c5
Voice Text: V

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c2
General Note

Ending missing

Layout

score

Images © Gonville and Caius College, Cambridge

denotes primary source study

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: 1, 59f, 63,66,70f, 72, 74f.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 296.

Schmidt, Günther. 1958. Zur Frage des Cantus firmus im 14. und beginnenden 15. Jahrhundert. Archiv für Musikwissenschaft, 230ff. Pages: 235, 238 (partial transcription of CbC 3 and 2); 235f, 238f.

Stevens, Denis W. 1958. The Second Fountains Fragment: a Postscript. Music and Letters, 148ff. Pages: 153.

Bukofzer, Manfred F. 1936. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung Musikwissenschaftlicher Abhandlungen.  Strasbourg. Pages: ex. 18 (transcription of CbC 3 from words "In te, domine"); 119.

Bukofzer, Manfred F. 1935. The Gymel. The Earliest Form of English Polyphony. Music and Letters, 77ff. Pages: 82 (transcription of first double versicle of CbC 6).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description