P-Pm 40

Biblioteca Pública Municipale, Oporto, Portugal

manuscript of polyphony: Late 16th century

Archive Biblioteca Pública Municipale, Oporto, Portugal (P-Pm)
Shelfmark 40
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 320 x 220 mm
Other Identifiers
  • CCM: OpBP 40
  • olim (Former shelfmark): 1609
Notations
  • black void mensural
Provenance
  • Portugal
Contents 199 pieces from 30 composers
General Description

Copied in Portugal. Originally 388 folios or more. Pieces in first half (to f.185) organised by type: antiphons, masses, alleluias, motets (mostly in alphabetical sequence); second half contains smaller groupings of pieces.

DIAMM, 2017
Physical Description

ff. 60-74, 219, 237, 356-364, 371-373, and 388 now missing or cut out

DIAMM, 2017
Binding

Original covers of light brown tooled leather over cardboard.

DIAMM, 2017
Notation

black void mensural notation

DIAMM, 2017
Foliation

Original ink foliation, 1-387, on upper right rectos

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Masses (2 incomplete), 3 Requiem Masses (1 incomplete), 1 Credo, 26 Mass Proper sections, 9 Magnificats, 1 Te Deum, 4 canticles (2 in-complete), 6 psalms (2 incomplete), 6 office hymns (1 incomplete), 1 pro-cessional hymn, 2 Lamentations, 5 Passions, 60 motets (2 incomplete), 1 litany, 5 Benedicamus dominos, 1 doxology = 142

Bernardez-1, Carreira-2, R. Ceballos [Sevalhos]-1, Delgado-1, A. Fernández-2, Fonseca-15, Gamboa-5, Guerrero-3, Mendes-2, Morales-24, Morales/(Jaquet of Mantua/Rore)-1, Mutinho-1, Palestrina-1, F. Ruiz-1, Torres-1, Trosilho-3, Velez-1, anon-77

ii + 358 paper folios of an original 388 or more, 320 x 220. Original ink folia-tion, 1-387, on upper right rectos (ff. 60-74, 219, 237, 356-364, 371-373, and 388 now missing or cut out). Original covers of light brown tooled leather over cardboard. No index. Inked calligraphic initials.

Second half of 16th century. Copied in Portugal.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Nunc sancte nobis - Anonymous

Nunc sancte nobis

Anonymous
Appears on: 1
Genres: Antiphon
General Note

incomplete, lacks Cantus & Tenor

1v–3 Asperges me - Anonymous

Asperges me

Anonymous
Appears on: 1v–3
Genres: Antiphon
Concordances

Coimbra 44, ff. 171v-172 Coimbra 53, ff. 102v-103

3v–4 Asperges me - Anonymous

Asperges me

Anonymous
Appears on: 3v–4
Genres: Antiphon
4v–6 Vidi aquam - Anonymous

Vidi aquam

Anonymous
Appears on: 4v–6
Genres: Antiphon
Concordances

Arouca LC s/c, ff. 32v-34

6v–8 Vidi aquam - Anonymous

Vidi aquam

Anonymous
Appears on: 6v–8
Genres: Antiphon
8v–10 Dominus dixit ad me filius meus Vs: Quare fremuerunt gentes Et populi [anon]
Appears on: 8v–10
Genres: Motet
Source Attribution: [anon]
10v–11 In splendoribus sanctorum ex utero Fonsequa
Appears on: 10v–11
Genres: Motet
Source Attribution: Fonsequa
11v–13 [Puer natus] Et filius datus Fonsequa
Appears on: 11v–13
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Not the piece in Braga 967

13v–14 Viderunt omnes Fonsequa
Appears on: 13v–14
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Not the piece in Braga 967

14v–16 [Spiritus Domini] Replevit -
Appears on: 14v–16
Genres: Antiphon
Concordances

Not the piece in Braga 967

16v–18 Cibavit eos Ex adipe frumenti aleluia Vs: Exultate deo Jubilate deo Jacob Fonsequa
Appears on: 16v–18
Genres: Motet
Source Attribution: Fonsequa
18v–20 Salve sancta parens Fonsequa
Appears on: 18v–20
Genres: Antiphon
Source Attribution: Fonsequa
20v–21 Beata viscera Fonsequa
Appears on: 20v–21
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with Braga 967 f134, ff.134v-135

21v–24 Gaudeamus -
Appears on: 21v–24
Genres: Antiphon
24v–25 Beata viscera Gamboa
Appears on: 24v–25
Genres: Antiphon
Source Attribution: Gamboa
25v–27 Mihi autem nimis Fonsequa
Appears on: 25v–27
Genres: Antiphon
Source Attribution: Fonsequa
27v–29 Intret in conspectu Fonsequa
Appears on: 27v–29
Genres: Antiphon
Source Attribution: Fonsequa
29v–31 Letabitur justus Fonsequa
Appears on: 29v–31
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the pieces in Braga 967 ff.29v-32 & 63v-65

31v–32 Qui vult venire Fonsequa
Appears on: 31v–32
Genres: Antiphon
Source Attribution: Fonsequa
32v–34 Sacerdotes Dei Fonsequa
Appears on: 32v–34
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the pieces at Braga 967 ff.23v-25 & 82v-84

34v–35 Fidelis servus Fonsequa
Appears on: 34v–35
Genres: Antiphon
Source Attribution: Fonsequa
35v–37 Os justi meditabitur Fonsequa
Appears on: 35v–37
Genres: Antiphon
Source Attribution: Fonsequa
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Braga 967 ff.120v-122

37v–52 Missa L'homme arme (I): Kyrie Guerreiro
Appears on: 37v–52
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Guerreiro
Concordances

Note: the Missa L'homme arme in this ms is NOT the same mass as in the Avila partbooks (Avila E-Asa Sig, 2) (=hispanicpolyphony.eu E-Asa 08)

37v–52 Missa L'homme arme (I): Gloria -
Appears on: 37v–52
Genres: Gloria (et in terra pax), Mass Ordinary
37v–52 Missa L'homme arme (I): Credo -
Appears on: 37v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
37v–52 Missa L'homme arme (I): Sanctus -
Appears on: 37v–52
Genres: Mass Ordinary, Sanctus [& Benedictus]
37v–52 Missa L'homme arme (I): Agnus Dei -
Appears on: 37v–52
Genres: Agnus Dei, Mass Ordinary
52v–59 Missa Dormendo un giorno: Kyrie -
Appears on: 52v–59
Genres: Kyrie eleison, Mass Ordinary
52v–59 Missa Dormendo un giorno: Gloria -
Appears on: 52v–59
Genres: Gloria (et in terra pax), Mass Ordinary
52v–59 Missa Dormendo un giorno: Credo -
Appears on: 52v–59
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

incomplete

[-] - - Anonymous

[Unknown Title]

Appears on: [-]
75–80 Missa Benedicta es caelorum regina: Credo Morales
Appears on: 75–80
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Morales
General Note

Kyrie & Gloria missing (with loss of folios 60-74)

75–80 Missa Benedicta es caelorum regina: Sanctus -
Appears on: 75–80
Genres: Mass Ordinary, Sanctus [& Benedictus]
75–80 Missa Benedicta es caelorum regina: Agnus -
Appears on: 75–80
Genres: Agnus Dei, Mass Ordinary
80v–94 Missa de Beata Vergine (4vv): Kyrie Morales
Appears on: 80v–94
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
80v–94 Missa de Beata Vergine (4vv): Gloria (tro: Spiritus et alme) -
Appears on: 80v–94
Genres: Mass Ordinary, Troped Gloria
80v–94 Missa de Beata Vergine (4vv): Credo -
Appears on: 80v–94
Genres: Credo (patrem omnipotentem), Mass Ordinary
80v–94 Missa de Beata Vergine (4vv): Sanctus -
Appears on: 80v–94
Genres: Mass Ordinary, Sanctus [& Benedictus]
80v–94 Missa de Beata Vergine (4vv): Agnus Dei (5vv) -
Appears on: 80v–94
Genres: Agnus Dei, Mass Ordinary
94v–104 Missa Vulnerasti cor meum: Kyrie Morales
Appears on: 94v–104
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
94v–104 Missa Vulnerasti cor meum: Gloria -
Appears on: 94v–104
Genres: Gloria (et in terra pax), Mass Ordinary
Concordances

Coimbra 48, ff. 90v-92

94v–104 Missa Vulnerasti cor meum: Credo -
Appears on: 94v–104
Genres: Credo (patrem omnipotentem), Mass Ordinary
94v–104 Missa Vulnerasti cor meum: Sanctus -
Appears on: 94v–104
Genres: Mass Ordinary, Sanctus [& Benedictus]
Concordances

Osanna - Coimbra 48, f. 92

94v–104 Missa Vulnerasti cor meum: Agnus Dei -
Appears on: 94v–104
Genres: Agnus Dei, Mass Ordinary
104v–114 Missa Gaude Barbara: Kyrie. Morales
Appears on: 104v–114
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
104v–114 Missa Gaude Barbara: Gloria: 2 partes. -
Appears on: 104v–114
Genres: Gloria (et in terra pax), Mass Ordinary
104v–114 Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. -
Appears on: 104v–114
Genres: Mass Ordinary, Sanctus [& Benedictus]
104v–114 Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. -
Appears on: 104v–114
Genres: Agnus Dei, Mass Ordinary
114v–123 Missa Ave Maria: Kyrie Morales
Appears on: 114v–123
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
114v–123 Missa Ave Maria: Gloria -
Appears on: 114v–123
Genres: Gloria (et in terra pax), Mass Ordinary
114v–123 Missa Ave Maria: Sanctus -
Appears on: 114v–123
Genres: Mass Ordinary, Sanctus [& Benedictus]
114v–123 Missa Ave Maria: Agnus Dei -
Appears on: 114v–123
Genres: Agnus Dei, Mass Ordinary
123v–133 Missa L’homme armé quarti toni (5vv): Kyrie. Morales
Appears on: 123v–133
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
123v–133 Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. -
Appears on: 123v–133
Genres: Gloria (et in terra pax), Mass Ordinary
123v–133 Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. -
Appears on: 123v–133
Genres: Mass Ordinary, Sanctus [& Benedictus]
123v–133 Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. -
Appears on: 123v–133
Genres: Agnus Dei, Mass Ordinary
133v–141 Missa Caça (4vv): Kyrie Morales
Appears on: 133v–141
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Morales
Concordances

Oporto 76-79

133v–141 Missa Caça (4vv): Gloria (2 partes) Morales
Appears on: 133v–141
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Morales
133v–141 Credo 'sobre La Bomba' -
Appears on: 133v–141
Genres: Credo (patrem omnipotentem), Mass Ordinary
133v–141 Missa Caça (4vv): Sanctus Morales
Appears on: 133v–141
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Morales
133v–141 Missa Caça (4vv): Agnus Dei (III) Morales
Appears on: 133v–141
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Morales
141v–142 Alleluia Del Rej
Appears on: 141v–142
Genres: Alleluia
Source Attribution: Del Rej
142v–143 Alleluia -
Appears on: 142v–143
Genres: Alleluia
143v–144 Alleluia Torres
Appears on: 143v–144
Genres: Alleluia
Source Attribution: Torres
144v–145 Alleluia Velez
Appears on: 144v–145
Genres: Alleluia
Source Attribution: Velez
Concordances

Arouca LC s/c, ff. 56v-57 ('Velles')

145v–146 Alleluia Cosme Delgado
Appears on: 145v–146
Genres: Alleluia
Source Attribution: Cosme Delgado
Concordances

Coimbra 44, ff. 164v-166 ('Trosilho')

146v–147 Alleluia Trosilho
Appears on: 146v–147
Genres: Alleluia
Source Attribution: Trosilho
147v–148 Alleluia Manoel Mendez
Appears on: 147v–148
Genres: Alleluia
Source Attribution: Manoel Mendez
148v–149 Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 148v–149
Genres: Alleluia
149v–150 Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 149v–150
Genres: Alleluia
150v–151 Ave sanctissima Maria - Anonymous
Appears on: 150v–151
Genres: Antiphon
Concordances

Coimbra 76-79, pp. 82-83

151v–152 Ascendens Christus in altum Morales
Appears on: 151v–152
Genres: Motet
Source Attribution: Morales
152v–153 Adoramus te Christe - Anonymous
Appears on: 152v–153
Genres: Motet
Concordances

Lisbon Museum of Archaeology, s.s., [XX], ff. 71v-72, transposed up a 5th

153v–154 Apostole Christi - 1a pars (of 2): Apostole Christi Jacobe - Anonymous
Appears on: 153v–154
Genres: Motet
153v–154 Apostole Christi - 2a pars (of 2): Ora pro nobis beate Jacob - Anonymous
Appears on: 153v–154
Genres: Motet
154v–155 Christus factus est - Anonymous
Appears on: 154v–155
Genres: Motet
Concordances

Coimbra 76-79, p.137

155v–156 Dominus meus et Deus meus Morales
Appears on: 155v–156
Genres: Motet
Source Attribution: Morales
156v–157 Dicebat Jesus turbis Judaeorum -
Appears on: 156v–157
Genres: Motet
Concordances

Lisbon, Biblioteca Nacional, LC 57, f. 47v (incomplete, S& T only)

157v–158 Exaltata es sancta Dei genitrix - Anonymous
Appears on: 157v–158
Genres: Motet
158v–159 Ego sum panis vivus - Anonymous
Appears on: 158v–159
Genres: Motet
159v–160 Ego infelix peccator confiteor deo -
Appears on: 159v–160
Genres: Motet
160v–162 Estote fortes in bello Gamboa
Appears on: 160v–162
Genres: Motet
Source Attribution: Gamboa
162v–163 Gloriosus confessor - 1a pars (of 2): Gloriosus confessor Domini benedictus Morales
Appears on: 162v–163
Genres: Motet
Source Attribution: Morales
163v–164 Gloriosus confessor - 1a pars (of 2): Et ideo cum Christo jam sine fine Morales
Appears on: 163v–164
Genres: Motet
Source Attribution: Morales
164v–165 Hodie surrexit pastor ovium - Anonymous
Appears on: 164v–165
Genres: Motet
165v–166 Levita Laurentius - Anonymous

Levita Laurentius

Anonymous
Appears on: 165v–166
Genres: Motet
166v–167 Levita Vincentius - Anonymous

Levita Vincentius

Anonymous
Appears on: 166v–167
Genres: Motet
167v–168 O felix Maria et omni laude dignissima - Anonymous
Appears on: 167v–168
Genres: Motet
168v–169 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur -
Appears on: 168v–169
Genres: Motet
169v–170 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae -
Appears on: 169v–170
Genres: Motet
170v–171 O sacrum convivium - Anonymous

O sacrum convivium

Anonymous
Appears on: 170v–171
Genres: Motet
171v–172 O sacrum convivium - Anonymous

O sacrum convivium

Anonymous
Appears on: 171v–172
Genres: Motet
172v–173 O rex gloriae - Anonymous

O rex gloriae

Anonymous
Appears on: 172v–173
Genres: Motet
173v–174 O crux gloriosa - Anonymous

O crux gloriosa

Anonymous
Appears on: 173v–174
Genres: Motet
174v–175 O magnum mysterium -
Appears on: 174v–175
Genres: Motet
175v–176 Osanna filio David - Anonymous

Osanna filio David

Anonymous
Appears on: 175v–176
Genres: Motet
176v–177 Quanti mercenarii - Anonymous

Quanti mercenarii

Anonymous
Appears on: 176v–177
Genres: Motet
177v–179 Clamabat autem mulier Cananaea ad Dominum Morales
Appears on: 177v–179
Genres: Motet
Source Attribution: Morales
179v–180 Salve sancte Pater Gamboa
Appears on: 179v–180
Genres: Motet
Source Attribution: Gamboa
180v–181 Tu es Petrus - 1a pars (of 2): Tu es Petrus Morales
Appears on: 180v–181
Genres: Motet
Source Attribution: Morales
181v–182 Virgo prudentissima - Anonymous
Appears on: 181v–182
Genres: Motet
182v–183 Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo Morales
Appears on: 182v–183
Genres: Motet
Source Attribution: Morales
183v–185 Veni sponsa Christi - Anonymous
Appears on: 183v–185
Genres: Antiphon
185v–186 Veni sponsa Christi Moutinho
Appears on: 185v–186
Genres: Antiphon
Source Attribution: Moutinho
186v–188 Missa de feria: Kyrie Francisco Ruiz
Appears on: 186v–188
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Francisco Ruiz
186v–188 Missa de feria: Sanctus -
Appears on: 186v–188
Genres: Mass Ordinary, Sanctus [& Benedictus]
186v–188 Missa de feria: Agnus Dei -
Appears on: 186v–188
Genres: Agnus Dei, Mass Ordinary
188v–189 Missa in quadragesima [Oporto]: Kyrie -
Appears on: 188v–189
Genres: Kyrie eleison, Mass Ordinary
Concordances

Llorens i Cistero assigns the whole mass to Mendes, though the ms only specifically attributes the Alleluia to him; Alvarenga leaves the mass anonymous. The 'Missa in quadragesima' in Evora Cod. CLI/1-3 is a different mass, attributed in that ms to Mendes

189v–190 Alleluia (Tractus - Missa in quadragesima) Manoel mendez
Appears on: 189v–190
Genres: Alleluia, Mass Ordinary, Tract
Source Attribution: Manoel mendez
Concordances

The Alleluia is definitely attributed to Mendes: Llorens i Cistero assigns the whole mass to him; Alvarenga leaves the mass anonymous. The Alleluia has several concordances; the remainder none. MEX-Pc LC XIII, ff.122v-123 Arouca LC s/c, ff. 58v-59 Braga 967, ff. 66v-67 Evora Cod. CLI/1-3. ff 7v-8 Lisbon Biblioteca nacional LC 57, ff. 25v-26

190v–191 Missa in quadragesima [Oporto]: Sanctus -
Appears on: 190v–191
Genres: Mass Ordinary, Sanctus [& Benedictus]
190v–191 Missa in quadragesima [Oporto]: Agnus Dei -
Appears on: 190v–191
Genres: Agnus Dei, Mass Ordinary
191v–194 Credo 'ferial da quaresma' - Anonymous
Appears on: 191v–194
Genres: Credo (patrem omnipotentem), Mass Ordinary
194v–196 [Venite exultemus] Regem cui omnia ... Venite adoremus - Anonymous
Appears on: 194v–196
Genres: Requiem
196v–198 Parce mihi Domine - Anonymous

Parce mihi Domine

Anonymous
Appears on: 196v–198
Genres: Requiem
198v–211 Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 2 - Kyrie Morales
Appears on: 198v–211
Genres: Kyrie eleison, Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 4 - Sequentia, Pie Jesu Domine Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 6 - Sanctus Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 7 - Agnus Dei Morales
Appears on: 198v–211
Genres: Agnus Dei, Mass Ordinary, Requiem
Source Attribution: Morales
198v–211 Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis Morales
Appears on: 198v–211
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 1. Introitus: Requiem aeternam Morales
Appears on: 211v–218
Genres: Introit, Requiem
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 2. Kyrie Morales
Appears on: 211v–218
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine Morales
Appears on: 211v–218
Genres: Gradual, Requiem
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces Morales
Appears on: 211v–218
Genres: Offertory, Requiem
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus Morales
Appears on: 211v–218
Genres: Requiem, Sanctus [& Benedictus]
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 8. Agnus Dei Morales
Appears on: 211v–218
Genres: Agnus Dei, Requiem
Source Attribution: Morales
211v–218 Missa Requiem (4vv): 9. Communio: Lux aeterna Morales
Appears on: 211v–218
Genres: Communion, Requiem
Source Attribution: Morales
218v–223 Missa pro defunctis (Missa a compassinha): 1. Introit - [Requiem aeternam] Dona eis Domine -
Appears on: 218v–223
Genres: Introit, Requiem
218v–223 Missa pro defunctis (Missa a compassinha): 2. Kyrie -
Appears on: 218v–223
Genres: Kyrie eleison, Requiem
218v–223 Missa pro defunctis (Missa a compassinha): 3. Gradual - In memoria [Requiem aeternam] -
Appears on: 218v–223
Genres: Gradual, Requiem
218v–223 Missa pro defunctis (Missa a compassinha): 4. Offertory - [Domine Jesu Christe] Libera animas -
Appears on: 218v–223
Genres: Offertory, Requiem
218v–223 Missa pro defunctis (Missa a compassinha): 7. Communio - [Lux aeterna] Luceat eis -
Appears on: 218v–223
Genres: Communion, Requiem
223v–224 Dies mei transierunt Trosilho
Appears on: 223v–224
Genres: Responsory
Source Attribution: Trosilho
224v–225 Heu mihi Domine -
Appears on: 224v–225
Genres: Responsory
225v–226 Jesu redemptor - Anonymous

Jesu redemptor

Anonymous
Appears on: 225v–226
Genres: Responsory
226v–227 Jesu redemptor (III) Gamboa
Appears on: 226v–227
Genres: Responsory
Source Attribution: Gamboa
226v–227 Jesu redemptor (I) Gamboa
Cruzada (?)
Appears on: 226v–227
Genres: Responsory
Source Attribution: Gamboa
227v–229 Libera me Aires Frz
Appears on: 227v–229
Genres: Responsory
Source Attribution: Aires Frz
229v–230 Ne recorderis - Anonymous

Ne recorderis

Anonymous
Appears on: 229v–230
Genres: Responsory
230v–231 Ne recorderis - Anonymous

Ne recorderis

Anonymous
Appears on: 230v–231
Genres: Responsory
231v–233 [Dixit Dominus] Sede a dextris nostris -
Appears on: 231v–233
Genres: Psalm
233v–235 [Confitebor tibi] In consilio justorum - Anonymous
Appears on: 233v–235
Genres: Psalm
235v–236v [Beatus vir] In mandatis eius - Anonymous
Appears on: 235v–236v
Genres: Psalm
General Note

incomplete - f. 237 missing

238–239 [Laudate pueri] Laudate nomen Domini - Anonymous
Appears on: 238–239
Genres: Psalm
General Note

incomplete - f. 237 missing

239v–240 [Laudate dominum] Laudate eum omnes populi - Anonymous
Appears on: 239v–240
Genres: Hymn
240v–241 Pange lingua - Anonymous

Pange lingua

Anonymous
Appears on: 240v–241
Genres: Hymn
241v–242 Pange lingua gloriosi (I) -
Appears on: 241v–242
Genres: Hymn
242v–246 Ave maris stella [odd verses] Sevalhos ['Morales' erased]
Appears on: 242v–246
Genres: Ave maris stella, BVM, Hymn
Source Attribution: Sevalhos ['Morales' erased]
246v–247 [textless hymn] - Anonymous

[textless hymn]

Anonymous
Appears on: 246v–247
Genres: Hymn
Concordances

Arouca LC s/c ff. 14v-15 'Hymnus'

247v–248 Nunc sancte nobis spiritus - Anonymous
Appears on: 247v–248
Genres: Hymn
248v–253 Magnificat primi toni: Anima Mea [K.914] Morales
Appears on: 248v–253
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
253v–258 Magnificat secundi toni: Anima mea [K.915] Morales
Appears on: 253v–258
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
258v–264 Magnificat tertii toni: Anima mea [K.916] Morales
Appears on: 258v–264
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
264v–269 Magnificat quarti toni: Anima mea [K.917] Morales
Appears on: 264v–269
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
269v–274 Magnificat 5i toni: Anima mea - Anonymous
Appears on: 269v–274
Genres: BVM, Canticle, Magnificat
274v–278 Magnificat sexti toni: Anima mea [K.919] Morales
Appears on: 274v–278
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
278v–284 Magnificat septimi toni: Anima mea [K.920] Morales
Appears on: 278v–284
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
284v–290 Magnificat octavi toni: Anima mea [K.921] -
Appears on: 284v–290
Genres: BVM, Canticle, Magnificat
290v–292 Magnificat 4 toni: Anima mea - Anonymous
Appears on: 290v–292
Genres: BVM, Canticle, Magnificat
292v–293 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 292v–293
Genres: Benedicamus Domino
293v–294 Benedicamus Domino Trosilho
Appears on: 293v–294
Genres: Benedicamus Domino
Source Attribution: Trosilho
Concordances

Coimbra 44, ff. 125v-126

294v–295 Benedicamus Domino (II) [Aires Fernandez]
Appears on: 294v–295
Genres: Benedicamus Domino
Source Attribution: [Aires Fernandez]
Concordances

Arouca LC s/c, ff. 29v-30 "Aires Frz, Segundo"

295v–296 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 295v–296
Genres: Benedicamus Domino
296v–297 Benedicamus Domino (I) Aires frz
Appears on: 296v–297
Genres: Benedicamus Domino
Source Attribution: Aires frz
Concordances

Arouca LC s/c, ff. 29v-30 "Aires Frz, Primeiro" Coimbra 44, ff. 123v-124 "Aires fernandez"

297v–298 Gloria Patri (8th tone) Guerreiro
Appears on: 297v–298
Genres: Doxology
Source Attribution: Guerreiro
298v–299 [Te lucis ante terminum] Procul recedant - Anonymous
Appears on: 298v–299
Genres: Hymn
Concordances

Arouca LC s/c, ff. 15v-16 'Hymnus' (textless) P-Lma s/c [XX], ff. 14v-15

299v–300 [Nunc dimittis] Secundum verbum tuum - Anonymous
Appears on: 299v–300
Genres: Canticle, Nunc Dimittis
Concordances

Coimbra 44, ff. 86v-87

300v–301 Lumen ad revelationem - Anonymous
Appears on: 300v–301
Genres: Antiphon
301v–303 [Nunc dimittis] Secundum verbum tuum - Anonymous
Appears on: 301v–303
Genres: Canticle, Nunc Dimittis
303v–307 Salve regina (5vv) Vita dulcedo II: Eya ergo advocata nostra illos tuos III: Et Jesum benedictum fructum ventris [anon]
Appears on: 303v–307
Genres: Motet, Salve Regina
Source Attribution: [anon]
307v–310 [Salve regina] Vita dulcedo - Anonymous
Appears on: 307v–310
Genres: Antiphon, BVM, Salve Regina
310v–312 Regina caeli laetare (4vv) Morales
Appears on: 310v–312
Genres: Motet, Regina caeli laetare
Source Attribution: Morales
312v–314 Gloria laus et honor ... Israel es tu ... Plebs hebrea - Anonymous
Appears on: 312v–314
Genres: Hymn
314v–315 Quis est iste rex gloriae? - Anonymous
Appears on: 314v–315
Genres: Hymn
315v–316 Passio Domini nostri Jesu Christi - Anonymous
Appears on: 315v–316
Genres: Passion
Concordances

Coimbra 47, ff. 13v-14 P-Lf LP-SPO 1/H-2, 7-8

316v–325 Passio Domini nostri secundum Matthaeum: Non in die festo - Anonymous
Appears on: 316v–325
Genres: Passion
Concordances

P-Lf IPSPO 1/H-2, 55-62 (part)

325v–332 Passio Domini nostri secundum Johannem: Jesum nazarenum - Anonymous
Appears on: 325v–332
Genres: Passion
Concordances

P-Lf IPSPO 1/H-2, 65-70 (part)

332v–337 Passio Domini nostri secundum Matthaeum: Non in die festo Carreiro [Antonio Carreira]
Appears on: 332v–337
Genres: Passion
Source Attribution: Carreiro [Antonio Carreira]
Concordances

Coimbra 47, ff. 13v-19 P-Lf FSVL 1P/H-6, 14v-21

337v–340 Passio Domini nostri secundum Johannem: Jesum nazarenum Carreiro [Antonio Carreira]
Appears on: 337v–340
Genres: Passion
Source Attribution: Carreiro [Antonio Carreira]
Concordances

Coimbra 47, ff. 25v-28 P-Lf FSVL 1P/H-6, 73v-78

340v–341 Hoc corpus - Anonymous

Hoc corpus

Anonymous
Appears on: 340v–341
Genres: Motet
341v–343 O vos omnes - Anonymous

O vos omnes

Anonymous
Appears on: 341v–343
Genres: Motet
342v–343 O vos omnes po. Bernardez
Appears on: 342v–343
Genres: Motet
Source Attribution: po. Bernardez
343v–344 Zelus domus tuae - Anonymous

Zelus domus tuae

Anonymous
Appears on: 343v–344
Genres: Antiphon
343v–344 Astiterunt reges - Anonymous

Astiterunt reges

Anonymous
Appears on: 343v–344
Genres: Antiphon
344v–348 Lamentations (2): Num. Vigilavit jugum iniquitatum [anon]
Appears on: 344v–348
Genres: Lamentations, Motet
Source Attribution: [anon]
Concordances

P-Lf IPSPO 1/H-2, 1-6 (part)

348v–351 Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere - Anonymous
Appears on: 348v–351
Genres: Lamentations
351v–353 Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere Joannis praenestini
Appears on: 351v–353
Genres: Lamentations
Source Attribution: Joannis praenestini
353v–355 De lamentatione - Heth. Peccatum peccavit - Jerusalem convertere Joannis praenestini
Appears on: 353v–355
Genres: Lamentations
Source Attribution: Joannis praenestini
355v In monte Oliveti - Vigilate - Anonymous
Appears on: 355v
Genres: Responsory
Concordances

Coimbra 47, ff. 28v-29 Evora Cod. CLI/1-3, ff. 39v-41 P-Lma s/c [XX}, ff. 93v-94 P-Lf IPSPO 1/H-2, 93-94

General Note

incomplete: folios 356-364 removed

[-] - - Anonymous

[Unknown Title]

Appears on: [-]
365–367 Benedictus Dominus Deus Israel - Anonymous
Appears on: 365–367
Genres: Canticle
General Note

incomplete: folios 356-364 removed

367v–370v Benedictus Dominus Deus Israel - Anonymous
Appears on: 367v–370v
Genres: Canticle
General Note

incomplete, folios 371-373 removed

[-] - - Anonymous

[Unknown Title]

Appears on: [-]
374 [Miserere mei Deus] Ecce enim veritatem - Anonymous
Appears on: 374
Genres: Motet
General Note

incomplete, folios 371-373 removed

374v–384 Litaniae sanctorum: [Kyrie eleison] Christe audi nos - Anonymous
Appears on: 374v–384
Genres: Kyrie eleison, Litany
384v–387 [Te Deum] Te Deum confitemur - Anonymous
Appears on: 384v–387
Genres: Te Deum
387v Dixit Dominus [7o tono] - Anonymous
Appears on: 387v
Genres: Fauxbourdon/faburden
Composer Compositions
Anonymous
Bernal Goncalez, Jose
Bernardez, Pedro/Pero
Carreira, Antonio
Ceballos, Rodrigo de (ca. 1525–1581)
Cristo, Pedro de (ca. 1545–1618)
Cruzada
Delgado, Cosme
Fernandez, Aires
Fonseca, Miguel da
Gamboa, Pero de
Gombert, Nicolas (ca. 1495–ca. 1560)
Guerrero, Francisco
Guerrero, Pedro
Lopez, Antonio
Mantua, Jacquet de (1483–1559)
Mendes, Manoel (ca. 1547–1605)
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Moutinho, Andre
Ortiz, Diego
Palestrina, Giovanni Pierluigi da (1525–1594)
Rei, Franco (del)
Rore, Cipriano de (ca. 1515–1565)
Ruiz, Francisco
Santa Maria, Dom Francisco de
Torres, Andre de
Trosilho, Bartolomeu
Urrede (Wrede), Juan de (fl. 1451-c1482)
Velez, Francisco
Composition Composers (? Uncertain) Folios / Pages
[Beatus vir] In mandatis eius Anonymous 235v–236v
[Confitebor tibi] In consilio justorum Anonymous 233v–235
[Dixit Dominus] Sede a dextris nostris 231v–233
[Laudate dominum] Laudate eum omnes populi Anonymous 239v–240
[Laudate pueri] Laudate nomen Domini Anonymous 238–239
[Miserere mei Deus] Ecce enim veritatem Anonymous 374
[Nunc dimittis] Secundum verbum tuum Anonymous 299v–300
[Nunc dimittis] Secundum verbum tuum Anonymous 301v–303
[Puer natus] Et filius datus 11v–13
[Salve regina] Vita dulcedo Anonymous 307v–310
[Spiritus Domini] Replevit 14v–16
[Te Deum] Te Deum confitemur Anonymous 384v–387
[Te lucis ante terminum] Procul recedant Anonymous 298v–299
[textless hymn] Anonymous 246v–247
[Venite exultemus] Regem cui omnia ... Venite adoremus Anonymous 194v–196
Adoramus te Christe Anonymous 152v–153
Alleluia 141v–142
Alleluia 142v–143
Alleluia 143v–144
Alleluia 144v–145
Alleluia 145v–146
Alleluia 146v–147
Alleluia 147v–148
Alleluia Anonymous 148v–149
Alleluia Anonymous 149v–150
Alleluia (Tractus - Missa in quadragesima) 189v–190
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo 182v–183
Apostole Christi - 1a pars (of 2): Apostole Christi Jacobe Anonymous 153v–154
Apostole Christi - 2a pars (of 2): Ora pro nobis beate Jacob Anonymous 153v–154
Ascendens Christus in altum 151v–152
Asperges me Anonymous 1v–3
Asperges me Anonymous 3v–4
Astiterunt reges Anonymous 343v–344
Ave maris stella [odd verses] 242v–246
Ave sanctissima Maria Anonymous 150v–151
Beata viscera 20v–21
Beata viscera 24v–25
Benedicamus Domino Anonymous 292v–293
Benedicamus Domino 293v–294
Benedicamus Domino Anonymous 295v–296
Benedicamus Domino (I) 296v–297
Benedicamus Domino (II) 294v–295
Benedictus Dominus Deus Israel Anonymous 365–367
Benedictus Dominus Deus Israel Anonymous 367v–370v
Christus factus est Anonymous 154v–155
Cibavit eos Ex adipe frumenti aleluia Vs: Exultate deo Jubilate deo Jacob 16v–18
Clamabat autem mulier Cananaea ad Dominum 177v–179
Credo 'ferial da quaresma' Anonymous 191v–194
Credo 'sobre La Bomba' 133v–141
De lamentatione - Heth. Peccatum peccavit - Jerusalem convertere 353v–355
Dicebat Jesus turbis Judaeorum 156v–157
Dies mei transierunt 223v–224
Dixit Dominus [7o tono] Anonymous 387v
Dominus dixit ad me filius meus Vs: Quare fremuerunt gentes Et populi 8v–10
Dominus meus et Deus meus 155v–156
Ego infelix peccator confiteor deo 159v–160
Ego sum panis vivus Anonymous 158v–159
Estote fortes in bello 160v–162
Exaltata es sancta Dei genitrix Anonymous 157v–158
Fidelis servus 34v–35
Gaudeamus 21v–24
Gloria laus et honor ... Israel es tu ... Plebs hebrea Anonymous 312v–314
Gloria Patri (8th tone) 297v–298
Gloriosus confessor - 1a pars (of 2): Et ideo cum Christo jam sine fine 163v–164
Gloriosus confessor - 1a pars (of 2): Gloriosus confessor Domini benedictus 162v–163
Heu mihi Domine 224v–225
Hoc corpus Anonymous 340v–341
Hodie surrexit pastor ovium Anonymous 164v–165
In monte Oliveti - Vigilate Anonymous 355v
In splendoribus sanctorum ex utero 10v–11
Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere Anonymous 348v–351
Intret in conspectu 27v–29
Jesu redemptor Anonymous 225v–226
Jesu redemptor (I)
Cruzada (?)
226v–227
Jesu redemptor (III) 226v–227
Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere 351v–353
Lamentations (2): Num. Vigilavit jugum iniquitatum 344v–348
Letabitur justus 29v–31
Levita Laurentius Anonymous 165v–166
Levita Vincentius Anonymous 166v–167
Libera me 227v–229
Litaniae sanctorum: [Kyrie eleison] Christe audi nos Anonymous 374v–384
Lumen ad revelationem Anonymous 300v–301
Magnificat 4 toni: Anima mea Anonymous 290v–292
Magnificat 5i toni: Anima mea Anonymous 269v–274
Magnificat octavi toni: Anima mea [K.921] 284v–290
Magnificat primi toni: Anima Mea [K.914] 248v–253
Magnificat quarti toni: Anima mea [K.917] 264v–269
Magnificat secundi toni: Anima mea [K.915] 253v–258
Magnificat septimi toni: Anima mea [K.920] 278v–284
Magnificat sexti toni: Anima mea [K.919] 274v–278
Magnificat tertii toni: Anima mea [K.916] 258v–264
Mihi autem nimis 25v–27
Missa Ave Maria: Agnus Dei 114v–123
Missa Ave Maria: Gloria 114v–123
Missa Ave Maria: Kyrie 114v–123
Missa Ave Maria: Sanctus 114v–123
Missa Benedicta es caelorum regina: Agnus 75–80
Missa Benedicta es caelorum regina: Credo 75–80
Missa Benedicta es caelorum regina: Sanctus 75–80
Missa Caça (4vv): Agnus Dei (III) 133v–141
Missa Caça (4vv): Gloria (2 partes) 133v–141
Missa Caça (4vv): Kyrie 133v–141
Missa Caça (4vv): Sanctus 133v–141
Missa de Beata Vergine (4vv): Agnus Dei (5vv) 80v–94
Missa de Beata Vergine (4vv): Credo 80v–94
Missa de Beata Vergine (4vv): Gloria (tro: Spiritus et alme) 80v–94
Missa de Beata Vergine (4vv): Kyrie 80v–94
Missa de Beata Vergine (4vv): Sanctus 80v–94
Missa de feria: Agnus Dei 186v–188
Missa de feria: Kyrie 186v–188
Missa de feria: Sanctus 186v–188
Missa Dormendo un giorno: Credo 52v–59
Missa Dormendo un giorno: Gloria 52v–59
Missa Dormendo un giorno: Kyrie 52v–59
Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. 104v–114
Missa Gaude Barbara: Gloria: 2 partes. 104v–114
Missa Gaude Barbara: Kyrie. 104v–114
Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. 104v–114
Missa in quadragesima [Oporto]: Agnus Dei 190v–191
Missa in quadragesima [Oporto]: Kyrie 188v–189
Missa in quadragesima [Oporto]: Sanctus 190v–191
Missa L'homme arme (I): Agnus Dei 37v–52
Missa L'homme arme (I): Credo 37v–52
Missa L'homme arme (I): Gloria 37v–52
Missa L'homme arme (I): Kyrie 37v–52
Missa L'homme arme (I): Sanctus 37v–52
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. 123v–133
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. 123v–133
Missa L’homme armé quarti toni (5vv): Kyrie. 123v–133
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. 123v–133
Missa pro defunctis (Missa a compassinha): 1. Introit - [Requiem aeternam] Dona eis Domine 218v–223
Missa pro defunctis (Missa a compassinha): 2. Kyrie 218v–223
Missa pro defunctis (Missa a compassinha): 3. Gradual - In memoria [Requiem aeternam] 218v–223
Missa pro defunctis (Missa a compassinha): 4. Offertory - [Domine Jesu Christe] Libera animas 218v–223
Missa pro defunctis (Missa a compassinha): 7. Communio - [Lux aeterna] Luceat eis 218v–223
Missa Requiem (4vv): 1. Introitus: Requiem aeternam 211v–218
Missa Requiem (4vv): 2. Kyrie 211v–218
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine 211v–218
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces 211v–218
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus 211v–218
Missa Requiem (4vv): 8. Agnus Dei 211v–218
Missa Requiem (4vv): 9. Communio: Lux aeterna 211v–218
Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) 198v–211
Missa Requiem (5vv): 2 - Kyrie 198v–211
Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) 198v–211
Missa Requiem (5vv): 4 - Sequentia, Pie Jesu Domine 198v–211
Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium 198v–211
Missa Requiem (5vv): 6 - Sanctus 198v–211
Missa Requiem (5vv): 7 - Agnus Dei 198v–211
Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis 198v–211
Missa Vulnerasti cor meum: Agnus Dei 94v–104
Missa Vulnerasti cor meum: Credo 94v–104
Missa Vulnerasti cor meum: Gloria 94v–104
Missa Vulnerasti cor meum: Kyrie 94v–104
Missa Vulnerasti cor meum: Sanctus 94v–104
Ne recorderis Anonymous 229v–230
Ne recorderis Anonymous 230v–231
Nunc sancte nobis Anonymous 1
Nunc sancte nobis spiritus Anonymous 247v–248
O crux gloriosa Anonymous 173v–174
O felix Maria et omni laude dignissima Anonymous 167v–168
O magnum mysterium 174v–175
O rex gloriae Anonymous 172v–173
O sacrum convivium Anonymous 170v–171
O sacrum convivium Anonymous 171v–172
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 168v–169
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae 169v–170
O vos omnes Anonymous 341v–343
O vos omnes 342v–343
Os justi meditabitur 35v–37
Osanna filio David Anonymous 175v–176
Pange lingua Anonymous 240v–241
Pange lingua gloriosi (I) 241v–242
Parce mihi Domine Anonymous 196v–198
Passio Domini nostri Jesu Christi Anonymous 315v–316
Passio Domini nostri secundum Johannem: Jesum nazarenum Anonymous 325v–332
Passio Domini nostri secundum Johannem: Jesum nazarenum 337v–340
Passio Domini nostri secundum Matthaeum: Non in die festo Anonymous 316v–325
Passio Domini nostri secundum Matthaeum: Non in die festo 332v–337
Quanti mercenarii Anonymous 176v–177
Qui vult venire 31v–32
Quis est iste rex gloriae? Anonymous 314v–315
Regina caeli laetare (4vv) 310v–312
Sacerdotes Dei 32v–34
Salve regina (5vv) Vita dulcedo II: Eya ergo advocata nostra illos tuos III: Et Jesum benedictum fructum ventris 303v–307
Salve sancta parens 18v–20
Salve sancte Pater 179v–180
Tu es Petrus - 1a pars (of 2): Tu es Petrus 180v–181
Veni sponsa Christi Anonymous 183v–185
Veni sponsa Christi 185v–186
Viderunt omnes 13v–14
Vidi aquam Anonymous 4v–6
Vidi aquam Anonymous 6v–8
Virgo prudentissima Anonymous 181v–182
Zelus domus tuae Anonymous 343v–344

denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

d'Alvarenga, João Pedro. 2011. Manuscripts Oporto, Biblioteca Pública Municipal, MM 40 and MM 76-79: Their Origin, Date, Repertories and Context. Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, De Musica. edited by João Pedro d'Alvarenga,  Kassel: Edition Reichenberger. Notes: physical description; contents list.

d'Alvarenga, João Pedro. 2005. Polifonia portuguesa sacra tardo-quinhentista: estudo de fontes e edição crítica do Livro de São Vicente, manuscrito P-Lf FSVL 1P/H-6. Universidade de Évora, Ph.D. Pages: I: 136-152 and 180-187.

Llorens Cisteró, José Maria. 1994. El MM.40 de la Biblioteca Municipal de Oporto fuente unica de la misa L'Home Arme de F. Guerrero, Misa Pequena de C. Morales y de otras novedades. Anuario Musical, 1-28. Notes: physical description; contents list.

Cabral, Luís. 1982. Biblioteca Pública Municipal do Porto: Catálogo do Fundo de Manuscritos Musicais. Bibliotheca Portucalensis.  Oporto. Pages: -34, plate between [16/17]. Notes: physical description; contents list; facsimile (partial).

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica.  Lisbon. Pages: XXXVII, [liii], 41-3. Notes: contents list (partial); transcription (partial); facsimile (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XXXVIII,xxiv-xxv. Notes: physical description; contents list; incipits of contents (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description