Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1 | Nunc sancte nobis | - | Anonymous |
Nunc sancte nobisAnonymous
Appears on:
1
Genres:
Antiphon
General Noteincomplete, lacks Cantus & Tenor |
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1v–3 | Asperges me | - | Anonymous |
Asperges meAnonymous
Appears on:
1v–3
Genres:
Antiphon
ConcordancesCoimbra 44, ff. 171v-172 Coimbra 53, ff. 102v-103 |
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3v–4 | Asperges me | - | Anonymous |
Asperges meAnonymous
Appears on:
3v–4
Genres:
Antiphon
|
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4v–6 | Vidi aquam | - | Anonymous |
Vidi aquamAnonymous
Appears on:
4v–6
Genres:
Antiphon
ConcordancesArouca LC s/c, ff. 32v-34 |
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6v–8 | Vidi aquam | - | Anonymous |
Vidi aquamAnonymous
Appears on:
6v–8
Genres:
Antiphon
|
|||
8v–10 | Dominus dixit ad me filius meus Vs: Quare fremuerunt gentes Et populi | [anon] | |
Appears on:
8v–10
Genres:
Motet
Source Attribution:
[anon]
|
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10v–11 | In splendoribus sanctorum ex utero | Fonsequa | |
Appears on:
10v–11
Genres:
Motet
Source Attribution:
Fonsequa
|
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11v–13 | [Puer natus] Et filius datus | Fonsequa | |
Appears on:
11v–13
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesNot the piece in Braga 967 |
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13v–14 | Viderunt omnes | Fonsequa | |
Appears on:
13v–14
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesNot the piece in Braga 967 |
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14v–16 | [Spiritus Domini] Replevit | - | |
Appears on:
14v–16
Genres:
Antiphon
ConcordancesNot the piece in Braga 967 |
|||
16v–18 | Cibavit eos Ex adipe frumenti aleluia Vs: Exultate deo Jubilate deo Jacob | Fonsequa | |
Appears on:
16v–18
Genres:
Motet
Source Attribution:
Fonsequa
|
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18v–20 | Salve sancta parens | Fonsequa | |
Appears on:
18v–20
Genres:
Antiphon
Source Attribution:
Fonsequa
|
|||
20v–21 | Beata viscera | Fonsequa | |
Appears on:
20v–21
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesAlvarenga states that there is a (musical, not textual?) concordance with Braga 967 f134, ff.134v-135 |
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21v–24 | Gaudeamus | - | |
Appears on:
21v–24
Genres:
Antiphon
|
|||
24v–25 | Beata viscera | Gamboa | |
Appears on:
24v–25
Genres:
Antiphon
Source Attribution:
Gamboa
|
|||
25v–27 | Mihi autem nimis | Fonsequa | |
Appears on:
25v–27
Genres:
Antiphon
Source Attribution:
Fonsequa
|
|||
27v–29 | Intret in conspectu | Fonsequa | |
Appears on:
27v–29
Genres:
Antiphon
Source Attribution:
Fonsequa
|
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29v–31 | Letabitur justus | Fonsequa | |
Appears on:
29v–31
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesAlvarenga states that there is a (musical, not textual?) concordance with the pieces in Braga 967 ff.29v-32 & 63v-65 |
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31v–32 | Qui vult venire | Fonsequa | |
Appears on:
31v–32
Genres:
Antiphon
Source Attribution:
Fonsequa
|
|||
32v–34 | Sacerdotes Dei | Fonsequa | |
Appears on:
32v–34
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesAlvarenga states that there is a (musical, not textual?) concordance with the pieces at Braga 967 ff.23v-25 & 82v-84 |
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34v–35 | Fidelis servus | Fonsequa | |
Appears on:
34v–35
Genres:
Antiphon
Source Attribution:
Fonsequa
|
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35v–37 | Os justi meditabitur | Fonsequa | |
Appears on:
35v–37
Genres:
Antiphon
Source Attribution:
Fonsequa
ConcordancesAlvarenga states that there is a (musical, not textual?) concordance with the piece at Braga 967 ff.120v-122 |
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37v–52 | Missa L'homme arme (I): Kyrie | Guerreiro | |
Appears on:
37v–52
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Guerreiro
ConcordancesNote: the Missa L'homme arme in this ms is NOT the same mass as in the Avila partbooks (Avila E-Asa Sig, 2) (=hispanicpolyphony.eu E-Asa 08) |
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37v–52 | Missa L'homme arme (I): Gloria | - | |
Appears on:
37v–52
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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37v–52 | Missa L'homme arme (I): Credo | - | |
Appears on:
37v–52
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
37v–52 | Missa L'homme arme (I): Sanctus | - | |
Appears on:
37v–52
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
37v–52 | Missa L'homme arme (I): Agnus Dei | - | |
Appears on:
37v–52
Genres:
Agnus Dei, Mass Ordinary
|
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52v–59 | Missa Dormendo un giorno: Kyrie | - | |
Appears on:
52v–59
Genres:
Kyrie eleison, Mass Ordinary
|
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52v–59 | Missa Dormendo un giorno: Gloria | - | |
Appears on:
52v–59
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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52v–59 | Missa Dormendo un giorno: Credo | - | |
Appears on:
52v–59
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Noteincomplete |
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
75–80 | Missa Benedicta es caelorum regina: Credo | Morales | |
Appears on:
75–80
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Morales
General NoteKyrie & Gloria missing (with loss of folios 60-74) |
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75–80 | Missa Benedicta es caelorum regina: Sanctus | - | |
Appears on:
75–80
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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75–80 | Missa Benedicta es caelorum regina: Agnus | - | |
Appears on:
75–80
Genres:
Agnus Dei, Mass Ordinary
|
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80v–94 | Missa de Beata Vergine (4vv): Kyrie | Morales | |
Appears on:
80v–94
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
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80v–94 | Missa de Beata Vergine (4vv): Gloria (tro: Spiritus et alme) | - | |
Appears on:
80v–94
Genres:
Mass Ordinary, Troped Gloria
|
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80v–94 | Missa de Beata Vergine (4vv): Credo | - | |
Appears on:
80v–94
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
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80v–94 | Missa de Beata Vergine (4vv): Sanctus | - | |
Appears on:
80v–94
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
80v–94 | Missa de Beata Vergine (4vv): Agnus Dei (5vv) | - | |
Appears on:
80v–94
Genres:
Agnus Dei, Mass Ordinary
|
|||
94v–104 | Missa Vulnerasti cor meum: Kyrie | Morales | |
Appears on:
94v–104
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
|||
94v–104 | Missa Vulnerasti cor meum: Gloria | - | |
Appears on:
94v–104
Genres:
Gloria (et in terra pax), Mass Ordinary
ConcordancesCoimbra 48, ff. 90v-92 |
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94v–104 | Missa Vulnerasti cor meum: Credo | - | |
Appears on:
94v–104
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
94v–104 | Missa Vulnerasti cor meum: Sanctus | - | |
Appears on:
94v–104
Genres:
Mass Ordinary, Sanctus [& Benedictus]
ConcordancesOsanna - Coimbra 48, f. 92 |
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94v–104 | Missa Vulnerasti cor meum: Agnus Dei | - | |
Appears on:
94v–104
Genres:
Agnus Dei, Mass Ordinary
|
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104v–114 | Missa Gaude Barbara: Kyrie. | Morales | |
Appears on:
104v–114
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
|||
104v–114 | Missa Gaude Barbara: Gloria: 2 partes. | - | |
Appears on:
104v–114
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
104v–114 | Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. | - | |
Appears on:
104v–114
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
104v–114 | Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. | - | |
Appears on:
104v–114
Genres:
Agnus Dei, Mass Ordinary
|
|||
114v–123 | Missa Ave Maria: Kyrie | Morales | |
Appears on:
114v–123
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
|||
114v–123 | Missa Ave Maria: Gloria | - | |
Appears on:
114v–123
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
114v–123 | Missa Ave Maria: Sanctus | - | |
Appears on:
114v–123
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
114v–123 | Missa Ave Maria: Agnus Dei | - | |
Appears on:
114v–123
Genres:
Agnus Dei, Mass Ordinary
|
|||
123v–133 | Missa L’homme armé quarti toni (5vv): Kyrie. | Morales | |
Appears on:
123v–133
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
|||
123v–133 | Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. | - | |
Appears on:
123v–133
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
123v–133 | Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. | - | |
Appears on:
123v–133
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
123v–133 | Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. | - | |
Appears on:
123v–133
Genres:
Agnus Dei, Mass Ordinary
|
|||
133v–141 | Missa Caça (4vv): Kyrie | Morales | |
Appears on:
133v–141
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Morales
ConcordancesOporto 76-79 |
|||
133v–141 | Missa Caça (4vv): Gloria (2 partes) | Morales | |
Appears on:
133v–141
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Morales
|
|||
133v–141 | Credo 'sobre La Bomba' | - | |
Appears on:
133v–141
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
133v–141 | Missa Caça (4vv): Sanctus | Morales | |
Appears on:
133v–141
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Morales
|
|||
133v–141 | Missa Caça (4vv): Agnus Dei (III) | Morales | |
Appears on:
133v–141
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Morales
|
|||
141v–142 | Alleluia | Del Rej | |
Appears on:
141v–142
Genres:
Alleluia
Source Attribution:
Del Rej
|
|||
142v–143 | Alleluia | - | |
Appears on:
142v–143
Genres:
Alleluia
|
|||
143v–144 | Alleluia | Torres | |
Appears on:
143v–144
Genres:
Alleluia
Source Attribution:
Torres
|
|||
144v–145 | Alleluia | Velez | |
Appears on:
144v–145
Genres:
Alleluia
Source Attribution:
Velez
ConcordancesArouca LC s/c, ff. 56v-57 ('Velles') |
|||
145v–146 | Alleluia | Cosme Delgado |
Delgado, Cosme
(?)
|
Appears on:
145v–146
Genres:
Alleluia
Source Attribution:
Cosme Delgado
ConcordancesCoimbra 44, ff. 164v-166 ('Trosilho') |
|||
146v–147 | Alleluia | Trosilho | |
Appears on:
146v–147
Genres:
Alleluia
Source Attribution:
Trosilho
|
|||
147v–148 | Alleluia | Manoel Mendez | |
Appears on:
147v–148
Genres:
Alleluia
Source Attribution:
Manoel Mendez
|
|||
148v–149 | Alleluia | - | Anonymous |
AlleluiaAnonymous
Appears on:
148v–149
Genres:
Alleluia
|
|||
149v–150 | Alleluia | - | Anonymous |
AlleluiaAnonymous
Appears on:
149v–150
Genres:
Alleluia
|
|||
150v–151 | Ave sanctissima Maria | - | Anonymous |
Ave sanctissima MariaAnonymous
Appears on:
150v–151
Genres:
Antiphon
ConcordancesCoimbra 76-79, pp. 82-83 |
|||
151v–152 | Ascendens Christus in altum | Morales | |
Appears on:
151v–152
Genres:
Motet
Source Attribution:
Morales
|
|||
152v–153 | Adoramus te Christe | - | Anonymous |
Adoramus te ChristeAnonymous
Appears on:
152v–153
Genres:
Motet
ConcordancesLisbon Museum of Archaeology, s.s., [XX], ff. 71v-72, transposed up a 5th |
|||
153v–154 | Apostole Christi - 1a pars (of 2): Apostole Christi Jacobe | - | Anonymous |
Appears on:
153v–154
Genres:
Motet
|
|||
153v–154 | Apostole Christi - 2a pars (of 2): Ora pro nobis beate Jacob | - | Anonymous |
Appears on:
153v–154
Genres:
Motet
|
|||
154v–155 | Christus factus est | - | Anonymous |
Christus factus estAnonymous
Appears on:
154v–155
Genres:
Motet
ConcordancesCoimbra 76-79, p.137 |
|||
155v–156 | Dominus meus et Deus meus | Morales | |
Appears on:
155v–156
Genres:
Motet
Source Attribution:
Morales
|
|||
156v–157 | Dicebat Jesus turbis Judaeorum | - | |
Appears on:
156v–157
Genres:
Motet
ConcordancesLisbon, Biblioteca Nacional, LC 57, f. 47v (incomplete, S& T only) |
|||
157v–158 | Exaltata es sancta Dei genitrix | - | Anonymous |
Exaltata es sancta Dei genitrixAnonymous
Appears on:
157v–158
Genres:
Motet
|
|||
158v–159 | Ego sum panis vivus | - | Anonymous |
Ego sum panis vivusAnonymous
Appears on:
158v–159
Genres:
Motet
|
|||
159v–160 | Ego infelix peccator confiteor deo | - | |
Appears on:
159v–160
Genres:
Motet
|
|||
160v–162 | Estote fortes in bello | Gamboa | |
Appears on:
160v–162
Genres:
Motet
Source Attribution:
Gamboa
|
|||
162v–163 | Gloriosus confessor - 1a pars (of 2): Gloriosus confessor Domini benedictus | Morales | |
Appears on:
162v–163
Genres:
Motet
Source Attribution:
Morales
|
|||
163v–164 | Gloriosus confessor - 1a pars (of 2): Et ideo cum Christo jam sine fine | Morales | |
Appears on:
163v–164
Genres:
Motet
Source Attribution:
Morales
|
|||
164v–165 | Hodie surrexit pastor ovium | - | Anonymous |
Hodie surrexit pastor oviumAnonymous
Appears on:
164v–165
Genres:
Motet
|
|||
165v–166 | Levita Laurentius | - | Anonymous |
Levita LaurentiusAnonymous
Appears on:
165v–166
Genres:
Motet
|
|||
166v–167 | Levita Vincentius | - | Anonymous |
Levita VincentiusAnonymous
Appears on:
166v–167
Genres:
Motet
|
|||
167v–168 | O felix Maria et omni laude dignissima | - | Anonymous |
O felix Maria et omni laude dignissimaAnonymous
Appears on:
167v–168
Genres:
Motet
|
|||
168v–169 | O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur | - | |
Appears on:
168v–169
Genres:
Motet
|
|||
169v–170 | O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae | - | |
Appears on:
169v–170
Genres:
Motet
|
|||
170v–171 | O sacrum convivium | - | Anonymous |
O sacrum conviviumAnonymous
Appears on:
170v–171
Genres:
Motet
|
|||
171v–172 | O sacrum convivium | - | Anonymous |
O sacrum conviviumAnonymous
Appears on:
171v–172
Genres:
Motet
|
|||
172v–173 | O rex gloriae | - | Anonymous |
O rex gloriaeAnonymous
Appears on:
172v–173
Genres:
Motet
|
|||
173v–174 | O crux gloriosa | - | Anonymous |
O crux gloriosaAnonymous
Appears on:
173v–174
Genres:
Motet
|
|||
174v–175 | O magnum mysterium | - | |
Appears on:
174v–175
Genres:
Motet
|
|||
175v–176 | Osanna filio David | - | Anonymous |
Osanna filio DavidAnonymous
Appears on:
175v–176
Genres:
Motet
|
|||
176v–177 | Quanti mercenarii | - | Anonymous |
Quanti mercenariiAnonymous
Appears on:
176v–177
Genres:
Motet
|
|||
177v–179 | Clamabat autem mulier Cananaea ad Dominum | Morales | |
Appears on:
177v–179
Genres:
Motet
Source Attribution:
Morales
|
|||
179v–180 | Salve sancte Pater | Gamboa | |
Appears on:
179v–180
Genres:
Motet
Source Attribution:
Gamboa
|
|||
180v–181 | Tu es Petrus - 1a pars (of 2): Tu es Petrus | Morales |
Moreau, Simon
(?)
|
Appears on:
180v–181
Genres:
Motet
Source Attribution:
Morales
|
|||
181v–182 | Virgo prudentissima | - | Anonymous |
Virgo prudentissimaAnonymous
Appears on:
181v–182
Genres:
Motet
|
|||
182v–183 | Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo | Morales | |
Appears on:
182v–183
Genres:
Motet
Source Attribution:
Morales
|
|||
183v–185 | Veni sponsa Christi | - | Anonymous |
Veni sponsa ChristiAnonymous
Appears on:
183v–185
Genres:
Antiphon
|
|||
185v–186 | Veni sponsa Christi | Moutinho | |
Appears on:
185v–186
Genres:
Antiphon
Source Attribution:
Moutinho
|
|||
186v–188 | Missa de feria: Kyrie | Francisco Ruiz | |
Appears on:
186v–188
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Francisco Ruiz
|
|||
186v–188 | Missa de feria: Sanctus | - | |
Appears on:
186v–188
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
186v–188 | Missa de feria: Agnus Dei | - | |
Appears on:
186v–188
Genres:
Agnus Dei, Mass Ordinary
|
|||
188v–189 | Missa in quadragesima [Oporto]: Kyrie | - | |
Appears on:
188v–189
Genres:
Kyrie eleison, Mass Ordinary
ConcordancesLlorens i Cistero assigns the whole mass to Mendes, though the ms only specifically attributes the Alleluia to him; Alvarenga leaves the mass anonymous. The 'Missa in quadragesima' in Evora Cod. CLI/1-3 is a different mass, attributed in that ms to Mendes |
|||
189v–190 | Alleluia (Tractus - Missa in quadragesima) | Manoel mendez | |
Appears on:
189v–190
Genres:
Alleluia, Mass Ordinary, Tract
Source Attribution:
Manoel mendez
ConcordancesThe Alleluia is definitely attributed to Mendes: Llorens i Cistero assigns the whole mass to him; Alvarenga leaves the mass anonymous. The Alleluia has several concordances; the remainder none. MEX-Pc LC XIII, ff.122v-123 Arouca LC s/c, ff. 58v-59 Braga 967, ff. 66v-67 Evora Cod. CLI/1-3. ff 7v-8 Lisbon Biblioteca nacional LC 57, ff. 25v-26 |
|||
190v–191 | Missa in quadragesima [Oporto]: Sanctus | - | |
Appears on:
190v–191
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
190v–191 | Missa in quadragesima [Oporto]: Agnus Dei | - | |
Appears on:
190v–191
Genres:
Agnus Dei, Mass Ordinary
|
|||
191v–194 | Credo 'ferial da quaresma' | - | Anonymous |
Credo 'ferial da quaresma'Anonymous
Appears on:
191v–194
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
194v–196 | [Venite exultemus] Regem cui omnia ... Venite adoremus | - | Anonymous |
Appears on:
194v–196
Genres:
Requiem
|
|||
196v–198 | Parce mihi Domine | - | Anonymous |
Parce mihi DomineAnonymous
Appears on:
196v–198
Genres:
Requiem
|
|||
198v–211 | Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 2 - Kyrie | Morales | |
Appears on:
198v–211
Genres:
Kyrie eleison, Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 4 - Sequentia, Pie Jesu Domine | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 6 - Sanctus | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem, Sanctus [& Benedictus]
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 7 - Agnus Dei | Morales | |
Appears on:
198v–211
Genres:
Agnus Dei, Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
198v–211 | Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis | Morales | |
Appears on:
198v–211
Genres:
Mass Ordinary, Requiem
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 1. Introitus: Requiem aeternam | Morales | |
Appears on:
211v–218
Genres:
Introit, Requiem
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 2. Kyrie | Morales | |
Appears on:
211v–218
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine | Morales | |
Appears on:
211v–218
Genres:
Gradual, Requiem
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces | Morales | |
Appears on:
211v–218
Genres:
Offertory, Requiem
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus | Morales | |
Appears on:
211v–218
Genres:
Requiem, Sanctus [& Benedictus]
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 8. Agnus Dei | Morales | |
Appears on:
211v–218
Genres:
Agnus Dei, Requiem
Source Attribution:
Morales
|
|||
211v–218 | Missa Requiem (4vv): 9. Communio: Lux aeterna | Morales | |
Appears on:
211v–218
Genres:
Communion, Requiem
Source Attribution:
Morales
|
|||
218v–223 | Missa pro defunctis (Missa a compassinha): 1. Introit - [Requiem aeternam] Dona eis Domine | - | |
Appears on:
218v–223
Genres:
Introit, Requiem
|
|||
218v–223 | Missa pro defunctis (Missa a compassinha): 2. Kyrie | - | |
Appears on:
218v–223
Genres:
Kyrie eleison, Requiem
|
|||
218v–223 | Missa pro defunctis (Missa a compassinha): 3. Gradual - In memoria [Requiem aeternam] | - | |
Appears on:
218v–223
Genres:
Gradual, Requiem
|
|||
218v–223 | Missa pro defunctis (Missa a compassinha): 4. Offertory - [Domine Jesu Christe] Libera animas | - | |
Appears on:
218v–223
Genres:
Offertory, Requiem
|
|||
218v–223 | Missa pro defunctis (Missa a compassinha): 7. Communio - [Lux aeterna] Luceat eis | - | |
Appears on:
218v–223
Genres:
Communion, Requiem
|
|||
223v–224 | Dies mei transierunt | Trosilho | |
Appears on:
223v–224
Genres:
Responsory
Source Attribution:
Trosilho
|
|||
224v–225 | Heu mihi Domine | - | |
Appears on:
224v–225
Genres:
Responsory
|
|||
225v–226 | Jesu redemptor | - | Anonymous |
Jesu redemptorAnonymous
Appears on:
225v–226
Genres:
Responsory
|
|||
226v–227 | Jesu redemptor (III) | Gamboa | |
Appears on:
226v–227
Genres:
Responsory
Source Attribution:
Gamboa
|
|||
226v–227 | Jesu redemptor (I) | Gamboa |
Gamboa, Pero de
(?)
Cruzada
(?)
|
Appears on:
226v–227
Genres:
Responsory
Source Attribution:
Gamboa
|
|||
227v–229 | Libera me | Aires Frz | |
Appears on:
227v–229
Genres:
Responsory
Source Attribution:
Aires Frz
|
|||
229v–230 | Ne recorderis | - | Anonymous |
Ne recorderisAnonymous
Appears on:
229v–230
Genres:
Responsory
|
|||
230v–231 | Ne recorderis | - | Anonymous |
Ne recorderisAnonymous
Appears on:
230v–231
Genres:
Responsory
|
|||
231v–233 | [Dixit Dominus] Sede a dextris nostris | - |
Ortiz, Diego
(?)
|
Appears on:
231v–233
Genres:
Psalm
|
|||
233v–235 | [Confitebor tibi] In consilio justorum | - | Anonymous |
[Confitebor tibi] In consilio justorumAnonymous
Appears on:
233v–235
Genres:
Psalm
|
|||
235v–236v | [Beatus vir] In mandatis eius | - | Anonymous |
[Beatus vir] In mandatis eiusAnonymous
Appears on:
235v–236v
Genres:
Psalm
General Noteincomplete - f. 237 missing |
|||
238–239 | [Laudate pueri] Laudate nomen Domini | - | Anonymous |
[Laudate pueri] Laudate nomen DominiAnonymous
Appears on:
238–239
Genres:
Psalm
General Noteincomplete - f. 237 missing |
|||
239v–240 | [Laudate dominum] Laudate eum omnes populi | - | Anonymous |
Appears on:
239v–240
Genres:
Hymn
|
|||
240v–241 | Pange lingua | - | Anonymous |
Pange linguaAnonymous
Appears on:
240v–241
Genres:
Hymn
|
|||
241v–242 | Pange lingua gloriosi (I) | - | |
Appears on:
241v–242
Genres:
Hymn
|
|||
242v–246 | Ave maris stella [odd verses] | Sevalhos ['Morales' erased] | |
Appears on:
242v–246
Genres:
Ave maris stella, BVM, Hymn
Source Attribution:
Sevalhos ['Morales' erased]
|
|||
246v–247 | [textless hymn] | - | Anonymous |
[textless hymn]Anonymous
Appears on:
246v–247
Genres:
Hymn
ConcordancesArouca LC s/c ff. 14v-15 'Hymnus' |
|||
247v–248 | Nunc sancte nobis spiritus | - | Anonymous |
Nunc sancte nobis spiritusAnonymous
Appears on:
247v–248
Genres:
Hymn
|
|||
248v–253 | Magnificat primi toni: Anima Mea [K.914] | Morales | |
Appears on:
248v–253
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
253v–258 | Magnificat secundi toni: Anima mea [K.915] | Morales | |
Appears on:
253v–258
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
258v–264 | Magnificat tertii toni: Anima mea [K.916] | Morales | |
Appears on:
258v–264
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
264v–269 | Magnificat quarti toni: Anima mea [K.917] | Morales | |
Appears on:
264v–269
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
269v–274 | Magnificat 5i toni: Anima mea | - | Anonymous |
Magnificat 5i toni: Anima meaAnonymous
Appears on:
269v–274
Genres:
BVM, Canticle, Magnificat
|
|||
274v–278 | Magnificat sexti toni: Anima mea [K.919] | Morales | |
Appears on:
274v–278
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
278v–284 | Magnificat septimi toni: Anima mea [K.920] | Morales | |
Appears on:
278v–284
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
|
|||
284v–290 | Magnificat octavi toni: Anima mea [K.921] | - | |
Appears on:
284v–290
Genres:
BVM, Canticle, Magnificat
|
|||
290v–292 | Magnificat 4 toni: Anima mea | - | Anonymous |
Magnificat 4 toni: Anima meaAnonymous
Appears on:
290v–292
Genres:
BVM, Canticle, Magnificat
|
|||
292v–293 | Benedicamus Domino | - | Anonymous |
Benedicamus DominoAnonymous
Appears on:
292v–293
Genres:
Benedicamus Domino
|
|||
293v–294 | Benedicamus Domino | Trosilho | |
Appears on:
293v–294
Genres:
Benedicamus Domino
Source Attribution:
Trosilho
ConcordancesCoimbra 44, ff. 125v-126 |
|||
294v–295 | Benedicamus Domino (II) | [Aires Fernandez] | |
Appears on:
294v–295
Genres:
Benedicamus Domino
Source Attribution:
[Aires Fernandez]
ConcordancesArouca LC s/c, ff. 29v-30 "Aires Frz, Segundo" |
|||
295v–296 | Benedicamus Domino | - | Anonymous |
Benedicamus DominoAnonymous
Appears on:
295v–296
Genres:
Benedicamus Domino
|
|||
296v–297 | Benedicamus Domino (I) | Aires frz | |
Appears on:
296v–297
Genres:
Benedicamus Domino
Source Attribution:
Aires frz
ConcordancesArouca LC s/c, ff. 29v-30 "Aires Frz, Primeiro" Coimbra 44, ff. 123v-124 "Aires fernandez" |
|||
297v–298 | Gloria Patri (8th tone) | Guerreiro | |
Appears on:
297v–298
Genres:
Doxology
Source Attribution:
Guerreiro
|
|||
298v–299 | [Te lucis ante terminum] Procul recedant | - | Anonymous |
[Te lucis ante terminum] Procul recedantAnonymous
Appears on:
298v–299
Genres:
Hymn
ConcordancesArouca LC s/c, ff. 15v-16 'Hymnus' (textless) P-Lma s/c [XX], ff. 14v-15 |
|||
299v–300 | [Nunc dimittis] Secundum verbum tuum | - | Anonymous |
[Nunc dimittis] Secundum verbum tuumAnonymous
Appears on:
299v–300
Genres:
Canticle, Nunc Dimittis
ConcordancesCoimbra 44, ff. 86v-87 |
|||
300v–301 | Lumen ad revelationem | - | Anonymous |
Lumen ad revelationemAnonymous
Appears on:
300v–301
Genres:
Antiphon
|
|||
301v–303 | [Nunc dimittis] Secundum verbum tuum | - | Anonymous |
[Nunc dimittis] Secundum verbum tuumAnonymous
Appears on:
301v–303
Genres:
Canticle, Nunc Dimittis
|
|||
303v–307 | Salve regina (5vv) Vita dulcedo II: Eya ergo advocata nostra illos tuos III: Et Jesum benedictum fructum ventris | [anon] | |
Appears on:
303v–307
Genres:
Motet, Salve Regina
Source Attribution:
[anon]
|
|||
307v–310 | [Salve regina] Vita dulcedo | - | Anonymous |
[Salve regina] Vita dulcedoAnonymous
Appears on:
307v–310
Genres:
Antiphon, BVM, Salve Regina
|
|||
310v–312 | Regina caeli laetare (4vv) | Morales | |
Appears on:
310v–312
Genres:
Motet, Regina caeli laetare
Source Attribution:
Morales
|
|||
312v–314 | Gloria laus et honor ... Israel es tu ... Plebs hebrea | - | Anonymous |
Appears on:
312v–314
Genres:
Hymn
|
|||
314v–315 | Quis est iste rex gloriae? | - | Anonymous |
Quis est iste rex gloriae?Anonymous
Appears on:
314v–315
Genres:
Hymn
|
|||
315v–316 | Passio Domini nostri Jesu Christi | - | Anonymous |
Passio Domini nostri Jesu ChristiAnonymous
Appears on:
315v–316
Genres:
Passion
ConcordancesCoimbra 47, ff. 13v-14 P-Lf LP-SPO 1/H-2, 7-8 |
|||
316v–325 | Passio Domini nostri secundum Matthaeum: Non in die festo | - | Anonymous |
Appears on:
316v–325
Genres:
Passion
ConcordancesP-Lf IPSPO 1/H-2, 55-62 (part) |
|||
325v–332 | Passio Domini nostri secundum Johannem: Jesum nazarenum | - | Anonymous |
Appears on:
325v–332
Genres:
Passion
ConcordancesP-Lf IPSPO 1/H-2, 65-70 (part) |
|||
332v–337 | Passio Domini nostri secundum Matthaeum: Non in die festo | Carreiro [Antonio Carreira] | |
Appears on:
332v–337
Genres:
Passion
Source Attribution:
Carreiro [Antonio Carreira]
ConcordancesCoimbra 47, ff. 13v-19 P-Lf FSVL 1P/H-6, 14v-21 |
|||
337v–340 | Passio Domini nostri secundum Johannem: Jesum nazarenum | Carreiro [Antonio Carreira] | |
Appears on:
337v–340
Genres:
Passion
Source Attribution:
Carreiro [Antonio Carreira]
ConcordancesCoimbra 47, ff. 25v-28 P-Lf FSVL 1P/H-6, 73v-78 |
|||
340v–341 | Hoc corpus | - | Anonymous |
Hoc corpusAnonymous
Appears on:
340v–341
Genres:
Motet
|
|||
341v–343 | O vos omnes | - | Anonymous |
O vos omnesAnonymous
Appears on:
341v–343
Genres:
Motet
|
|||
342v–343 | O vos omnes | po. Bernardez | |
Appears on:
342v–343
Genres:
Motet
Source Attribution:
po. Bernardez
|
|||
343v–344 | Zelus domus tuae | - | Anonymous |
Zelus domus tuaeAnonymous
Appears on:
343v–344
Genres:
Antiphon
|
|||
343v–344 | Astiterunt reges | - | Anonymous |
Astiterunt regesAnonymous
Appears on:
343v–344
Genres:
Antiphon
|
|||
344v–348 | Lamentations (2): Num. Vigilavit jugum iniquitatum | [anon] | |
Appears on:
344v–348
Genres:
Lamentations, Motet
Source Attribution:
[anon]
ConcordancesP-Lf IPSPO 1/H-2, 1-6 (part) |
|||
348v–351 | Incipit lamentatio - Aleph: Quomodo sedet - Beth: Plorans ploravit - Gimel: Migravit Judas - Jerusalem convertere | - | Anonymous |
Appears on:
348v–351
Genres:
Lamentations
|
|||
351v–353 | Lamentationes: Incipit lamentatio - Aleph.Quomodo - Beth. Plorans - Jerusalem convertere | Joannis praenestini | |
Appears on:
351v–353
Genres:
Lamentations
Source Attribution:
Joannis praenestini
|
|||
353v–355 | De lamentatione - Heth. Peccatum peccavit - Jerusalem convertere | Joannis praenestini | |
Appears on:
353v–355
Genres:
Lamentations
Source Attribution:
Joannis praenestini
|
|||
355v | In monte Oliveti - Vigilate | - | Anonymous |
In monte Oliveti - VigilateAnonymous
Appears on:
355v
Genres:
Responsory
ConcordancesCoimbra 47, ff. 28v-29 Evora Cod. CLI/1-3, ff. 39v-41 P-Lma s/c [XX}, ff. 93v-94 P-Lf IPSPO 1/H-2, 93-94 General Noteincomplete: folios 356-364 removed |
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
365–367 | Benedictus Dominus Deus Israel | - | Anonymous |
Benedictus Dominus Deus IsraelAnonymous
Appears on:
365–367
Genres:
Canticle
General Noteincomplete: folios 356-364 removed |
|||
367v–370v | Benedictus Dominus Deus Israel | - | Anonymous |
Benedictus Dominus Deus IsraelAnonymous
Appears on:
367v–370v
Genres:
Canticle
General Noteincomplete, folios 371-373 removed |
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
374 | [Miserere mei Deus] Ecce enim veritatem | - | Anonymous |
[Miserere mei Deus] Ecce enim veritatemAnonymous
Appears on:
374
Genres:
Motet
General Noteincomplete, folios 371-373 removed |
|||
374v–384 | Litaniae sanctorum: [Kyrie eleison] Christe audi nos | - | Anonymous |
Appears on:
374v–384
Genres:
Kyrie eleison, Litany
|
|||
384v–387 | [Te Deum] Te Deum confitemur | - | Anonymous |
[Te Deum] Te Deum confitemurAnonymous
Appears on:
384v–387
Genres:
Te Deum
|
|||
387v | Dixit Dominus [7o tono] | - | Anonymous |
Dixit Dominus [7o tono]Anonymous
Appears on:
387v
Genres:
Fauxbourdon/faburden
|